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Gareth von Kallenbach (971 KP) rated The Monuments Men (2014) in Movies
Aug 6, 2019
As children, we all imagine going on a treasure hunt or adventure. In The Monuments Men, we bear witness to one of the greatest treasure hunts in recent history. The Monuments Men is based on the true story of a team of Art Historians and Architects who are tasked by President Roosevelt during WWII with locating and rescuing pieces of art from the Nazis. The challenge for these men is that they are put upon this task to search for these artifacts, many of which are trapped behind enemy lines.
It becomes a race not only to find the pieces but to prevent their destruction at the hands of the German Army under orders of Hitler himself. The film demonstrates that culture and history are vital to civilization’s memory. With a war of this scale, The Monuments Men demonstrates one of the many aspects of humanity that was endangered. It also reminds audiences that there are many stories still be told from the World War II era. The performances of Bill Murray, John Goodman, and Bob Balaban outshine that of George Clooney Matt Damon and Cate Blanchett. Despite this being an all-star cast, it does not detract from the story and the way that it is portrayed on screen. Audiences will find themselves emotionally connected to some of the characters, images, and the overall story.
It becomes a race not only to find the pieces but to prevent their destruction at the hands of the German Army under orders of Hitler himself. The film demonstrates that culture and history are vital to civilization’s memory. With a war of this scale, The Monuments Men demonstrates one of the many aspects of humanity that was endangered. It also reminds audiences that there are many stories still be told from the World War II era. The performances of Bill Murray, John Goodman, and Bob Balaban outshine that of George Clooney Matt Damon and Cate Blanchett. Despite this being an all-star cast, it does not detract from the story and the way that it is portrayed on screen. Audiences will find themselves emotionally connected to some of the characters, images, and the overall story.
ClareR (5596 KP) rated Where Every Man (Inspector James Given #4) in Books
Oct 26, 2020
Where Every Man by Charlie Garrett is set in rural France at the beginning of the second World War. James Given has retired from the police force back in England and has moved with his wife Rachel, to work on a farm. He seems happy with the work, and their plan is to move south with the good weather. This looks increasingly less likely as time progresses because of the approach of the German army towards France’s borders. Regardless, James and Rachel love their lives in the small French town, and consider staying anyway. Rachel teaches local students to play the violin, and it’s one of these students who draws James back in to his role as an investigator when the local librarian dies unexpectedly. The local policeman believes its merely a cycling accident, but it increasingly looks like it’s murder. When James looks further in to the accident, it appears there is a German spy in the village. Before he can do anything about it, the spy disappears. Did the spy have anything to do with the death of the librarian?
This mystery played out so well, and I loved the interactions between James and the violin student. She wants to work as a police officer when she leaves school - much to her fathers disapproval. The students role in the story was a really good way of showing how James approached the task of solving a murder.
I have to say, I read a lot of this with a feeling of mild panic, especially when James goes to visit his uncle and his family nearby. It showed the vulnerable position he and his family were in as Jews in France. Even though James and Rachel have forged passports that showed that they were Christians, there was still that worry for them and their family - and the spectre of the Nazis is hanging over this whole story.
I always enjoy these James Given books, and I’m intrigued to see what comes for him next as war approaches.
Many thanks to Sapere Books for a copy of this book to read and honestly review - I really enjoy this series (I bought books 2 and 3 myself, if that’s anything to go by!)
This mystery played out so well, and I loved the interactions between James and the violin student. She wants to work as a police officer when she leaves school - much to her fathers disapproval. The students role in the story was a really good way of showing how James approached the task of solving a murder.
I have to say, I read a lot of this with a feeling of mild panic, especially when James goes to visit his uncle and his family nearby. It showed the vulnerable position he and his family were in as Jews in France. Even though James and Rachel have forged passports that showed that they were Christians, there was still that worry for them and their family - and the spectre of the Nazis is hanging over this whole story.
I always enjoy these James Given books, and I’m intrigued to see what comes for him next as war approaches.
Many thanks to Sapere Books for a copy of this book to read and honestly review - I really enjoy this series (I bought books 2 and 3 myself, if that’s anything to go by!)
Darren (1599 KP) rated Beyond the Line (2019) in Movies
Jul 2, 2019
Story: Beyond the Line starts with the German’s surrendering in World War II, only certain forces of the German’s aren’t going down without a fight, as they shoot down a British squadron with the lone survivor Sydney Baker (Walters) finding himself trapped behind enemy lines, rescued by American William Summers (Berlin) the two team up to try and get to safety against the large number of German soldiers still in the woods.
As the number of German bodies piles up, the more German soldiers go in search for the enemy taking out their own, with the two-man army needing to face impossible odds to survive.
Characters – Sydney Baker is a nervous soldier that is on his final mission, he is involved in a plane crash after being shot down, being the lone survivor, needing to find his way through enemy lines woodland area. He must learn to be a soldier that will fight if he has any chance to survive with the help of William Summers. William Summers is an American soldier that is out for revenge against the Germans that took out his whole unit, he will kill anybody that gets his way and even pushes Sydney to become stronger in the field.
Performances – We only have two actors who get any real screen time, Chris Walters is our British solider that shows us how many soldiers weren’t ready to be in war, while Jackson Berlin does show how prepared a soldier would be to fight for the right thing. Both actors don’t put a foot wrong through the film which is nice to see, even if they don’t get challenged as much as they could be.
Story – The story here follows to soldiers that are trapped behind enemy lines, where they must fight to survive against the Germans looking to hunt down any remaining soldiers left in their land. This is a very simple story when it comes to a war story, we get the basics of surviving done without feeling like we are facing threat that you feel will put them in danger, even though they are in extreme danger. The story is told in the form of a flashback which does give us heavy vibes about how Saving Private Ryan did everything, even if it goes in its own direction. It does show us how two different people will need to work together to make it through the tough situation they find themselves in too.
War – When it comes to the war genre, one of the major factors we see a lot, is just how difficult the situation the soldiers found themselves in and how many odds they needed to overcome as well as how not everybody was in the right condition to be fighting in the first place, this give us all of that.
Settings – The film is set within woodland area, this shows us the struggles the soldiers are facing, while giving them enough cover to make it out of the situation, if they play it correctly.
Scene of the Movie – The barn.
That Moment That Annoyed Me – The lack of feeling of peril.
Final Thoughts – This is a strong look at how the war did make things difficult for the soldiers fighting, how they must overcome the odds if they want to survive.
Overall: A strong war survival story.
As the number of German bodies piles up, the more German soldiers go in search for the enemy taking out their own, with the two-man army needing to face impossible odds to survive.
Characters – Sydney Baker is a nervous soldier that is on his final mission, he is involved in a plane crash after being shot down, being the lone survivor, needing to find his way through enemy lines woodland area. He must learn to be a soldier that will fight if he has any chance to survive with the help of William Summers. William Summers is an American soldier that is out for revenge against the Germans that took out his whole unit, he will kill anybody that gets his way and even pushes Sydney to become stronger in the field.
Performances – We only have two actors who get any real screen time, Chris Walters is our British solider that shows us how many soldiers weren’t ready to be in war, while Jackson Berlin does show how prepared a soldier would be to fight for the right thing. Both actors don’t put a foot wrong through the film which is nice to see, even if they don’t get challenged as much as they could be.
Story – The story here follows to soldiers that are trapped behind enemy lines, where they must fight to survive against the Germans looking to hunt down any remaining soldiers left in their land. This is a very simple story when it comes to a war story, we get the basics of surviving done without feeling like we are facing threat that you feel will put them in danger, even though they are in extreme danger. The story is told in the form of a flashback which does give us heavy vibes about how Saving Private Ryan did everything, even if it goes in its own direction. It does show us how two different people will need to work together to make it through the tough situation they find themselves in too.
War – When it comes to the war genre, one of the major factors we see a lot, is just how difficult the situation the soldiers found themselves in and how many odds they needed to overcome as well as how not everybody was in the right condition to be fighting in the first place, this give us all of that.
Settings – The film is set within woodland area, this shows us the struggles the soldiers are facing, while giving them enough cover to make it out of the situation, if they play it correctly.
Scene of the Movie – The barn.
That Moment That Annoyed Me – The lack of feeling of peril.
Final Thoughts – This is a strong look at how the war did make things difficult for the soldiers fighting, how they must overcome the odds if they want to survive.
Overall: A strong war survival story.
Hazel (1853 KP) rated Salt to the Sea in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
“We survivors are not the true witnesses. The true witnesses, those in possession of the unspeakable truth, are the drowned, the dead, the disappeared.” </i>– Primo Levi
World War Two has got to be the most well known and talked about period of history. Despite it not even being a century ago, it is already taught in schools around the globe. However a lot of events are omitted from our history books. A lot of people, including those alive at the time, have no idea of some of the situations Europeans found themselves in. Ruta Sepetys, despite having only previously written two novels, has become known for her stories about the lesser-known aspects of the Second World War. Her third book, <i>Salt to the Sea</i>, is no different.
In 1945 things were not looking great for the people living in Germany. Their greatest concern was the invading Russian army, resulting in thousands of Germans evacuating their hometowns. Four characters in their late teens/early twenties narrate <i>Salt to the Sea</i>: Joana, Florian, Emilia and Alfred. Their varied nationalities – Lithuanian, Prussian, Polish and German – help provide a range of opinions about the war, but regardless of who they believe to be the enemy, whether it be German or Russian or both, they are all figuratively in the same boat.
Joana, Emilia and Florian meet each other amongst a group of refugees trekking to freedom. A lot of trust is involved especially as no one is willing to reveal his or her true story. It is clear that each character is hiding something personal, something to do with the war, yet they all rely on and help each other to continue on their journey.
Naturally, being a war story there is masses of death and destruction. Set in January, the weather conditions are just as dangerous as the Russian soldiers. It is the end of the novel that contains the most shocking of events: a sinking of a ship that kills 9000 passengers. The most severe maritime disaster ever, yet it is doubtful that readers already know about it.
Despite being a work of fiction, Sepetys sticks to the facts in her heavily researched novel. She shocks the reader with the severity of the situation, and may even bring some to tears with the outcome. She has not sugar coated anything. Some storytellers save the innocents from harm, but this was not the case in <i>Salt to the Sea</i>. In war, no one can choose who lives and who dies. Millions of innocent people perish.
The short chapters keep the story flowing quickly. It is shocking, gripping and engaging. There is a brief notion of romance but this is not focused on and thus does not detract from the factual storyline. There was a hinted connection between characters in this novel and those in <i>Between Shades of Grey </i>– one of Sepetys’ earlier novels, however this is not a sequel or part of a series.
With the help of maps showing the difference between Europe now and Europe in 1945,<i> Salt to the Sea</i> is highly educational. Although aimed at young adults it is suitable for older generations as well. Whilst containing shocking content, you are certain to fall in love with Sepetys’ writing.
“We survivors are not the true witnesses. The true witnesses, those in possession of the unspeakable truth, are the drowned, the dead, the disappeared.” </i>– Primo Levi
World War Two has got to be the most well known and talked about period of history. Despite it not even being a century ago, it is already taught in schools around the globe. However a lot of events are omitted from our history books. A lot of people, including those alive at the time, have no idea of some of the situations Europeans found themselves in. Ruta Sepetys, despite having only previously written two novels, has become known for her stories about the lesser-known aspects of the Second World War. Her third book, <i>Salt to the Sea</i>, is no different.
In 1945 things were not looking great for the people living in Germany. Their greatest concern was the invading Russian army, resulting in thousands of Germans evacuating their hometowns. Four characters in their late teens/early twenties narrate <i>Salt to the Sea</i>: Joana, Florian, Emilia and Alfred. Their varied nationalities – Lithuanian, Prussian, Polish and German – help provide a range of opinions about the war, but regardless of who they believe to be the enemy, whether it be German or Russian or both, they are all figuratively in the same boat.
Joana, Emilia and Florian meet each other amongst a group of refugees trekking to freedom. A lot of trust is involved especially as no one is willing to reveal his or her true story. It is clear that each character is hiding something personal, something to do with the war, yet they all rely on and help each other to continue on their journey.
Naturally, being a war story there is masses of death and destruction. Set in January, the weather conditions are just as dangerous as the Russian soldiers. It is the end of the novel that contains the most shocking of events: a sinking of a ship that kills 9000 passengers. The most severe maritime disaster ever, yet it is doubtful that readers already know about it.
Despite being a work of fiction, Sepetys sticks to the facts in her heavily researched novel. She shocks the reader with the severity of the situation, and may even bring some to tears with the outcome. She has not sugar coated anything. Some storytellers save the innocents from harm, but this was not the case in <i>Salt to the Sea</i>. In war, no one can choose who lives and who dies. Millions of innocent people perish.
The short chapters keep the story flowing quickly. It is shocking, gripping and engaging. There is a brief notion of romance but this is not focused on and thus does not detract from the factual storyline. There was a hinted connection between characters in this novel and those in <i>Between Shades of Grey </i>– one of Sepetys’ earlier novels, however this is not a sequel or part of a series.
With the help of maps showing the difference between Europe now and Europe in 1945,<i> Salt to the Sea</i> is highly educational. Although aimed at young adults it is suitable for older generations as well. Whilst containing shocking content, you are certain to fall in love with Sepetys’ writing.
BookwormMama14 (18 KP) rated Look to the East (The Great War, #1) in Books
Jan 2, 2019
Out of the east comes a terror that will attempt to destroy the world.
At the dawn of World War I, the village of Briecourt is nestled in relative safety. That all changes when the German Imperial Army marches in and takes over. Life will never be the same for the villagers, who have had a family dispute for generations. Will having a common enemy finally bring them together? Julitte Toussaint, the adoptive daughter of a seaman, has to withstand the scorn of the de Colvilles for the shadows of her past. When she finds an unexpected "visitor" hiding in the cellar of the church, she feels the pull of love for this man she hardly knows. Charles Lassone is a Belgian entrepreneur caught behind enemy lines. He longs for escape so that he can join the Allies cause and win the respect and love of Julitte. With a dispute running so rampant, who can be trusted? The difference between friends and foes could not become more complicated.
This is both the first book that I have read by Maureen Lang and my first book set during World War I. Unfortunately, The Great War is not always as popular of a topic as its "sequel" is. Labor camps were in full effect during this period and the Germans were just as ruthless. The difference in time period wouldn't seem so drastic, but, I learned that they didn't believe it was safe to drop soldiers from planes during 1916. The tactics and methods were much more advanced come time for World War II. I became very emotionally attached to the characters. Their fight for freedom had me cheering them on with every turn of the page. Something that Julitte learns is that God sometimes uses us in ways that we can't explain, to ourselves or to others. He will work everything out, even if it's not how we had it planned. There is still evil in the world because God gave us a free will. But He will not abandon us. We must keep our eyes on Him and our hope in His promises.
I received a free copy of Look to the East from Tyndale House Publishers through their Tyndale Rewards Program. I was not required write a review. All opinions expressed are my own.
At the dawn of World War I, the village of Briecourt is nestled in relative safety. That all changes when the German Imperial Army marches in and takes over. Life will never be the same for the villagers, who have had a family dispute for generations. Will having a common enemy finally bring them together? Julitte Toussaint, the adoptive daughter of a seaman, has to withstand the scorn of the de Colvilles for the shadows of her past. When she finds an unexpected "visitor" hiding in the cellar of the church, she feels the pull of love for this man she hardly knows. Charles Lassone is a Belgian entrepreneur caught behind enemy lines. He longs for escape so that he can join the Allies cause and win the respect and love of Julitte. With a dispute running so rampant, who can be trusted? The difference between friends and foes could not become more complicated.
This is both the first book that I have read by Maureen Lang and my first book set during World War I. Unfortunately, The Great War is not always as popular of a topic as its "sequel" is. Labor camps were in full effect during this period and the Germans were just as ruthless. The difference in time period wouldn't seem so drastic, but, I learned that they didn't believe it was safe to drop soldiers from planes during 1916. The tactics and methods were much more advanced come time for World War II. I became very emotionally attached to the characters. Their fight for freedom had me cheering them on with every turn of the page. Something that Julitte learns is that God sometimes uses us in ways that we can't explain, to ourselves or to others. He will work everything out, even if it's not how we had it planned. There is still evil in the world because God gave us a free will. But He will not abandon us. We must keep our eyes on Him and our hope in His promises.
I received a free copy of Look to the East from Tyndale House Publishers through their Tyndale Rewards Program. I was not required write a review. All opinions expressed are my own.
Bob Mann (459 KP) rated Wonder Woman (2017) in Movies
Sep 29, 2021
“What first attracted you Dr Mann to the movie with the scantily-clad Amazonians?”
Amazonians deliver! And how. The much anticipated new Wonder Woman movie is with us, and for once the film lives up to the wall-to-wall marketing hype.
With a heavy dose of mythology, Diana is growing up as the cossetted daughter of Hippolyta (Connie Nielsen, “Gladiator”), the Queen of the Amazons, on the hidden paradise island of Themyscira. Trained up as a warrior by Hippolyta’s sister, General Antiope (Robin Wright of “House of Cards”), Diana is clearly something special. Her ego is reinforced by the knowledge that she was made of clay with life breathed into her by the God Zeus. It’s enough to turn a girl’s head!
It’s 1917 and the man-free paradise is shaken up when an American spy by the name of Steve Trevor (Chris Pine, “Star Trek: Beyond“) crash-lands in the waters off Themyscira. (And yes… you didn’t mishear me… this film genuinely features a hero with both the names “Steve” and ‘Trevor”). Prince Eric – no, sorry, wrong film – is saved and awakened on the beach by Diana as the others arrive. “Thank God!”, say the Amazonians. “At last, someone to process the 200 year backlog of washing and ironing”!
But Steve (an “above average specimen”, LOL) is not long for paradise as he needs to return to the war with the results of his spy-work: a chemistry book stolen from the gorgeously deformed Dr Maru (Elena Anaya), gas-developer for the evil General Ludendorff (Danny Huston). Seeing Ludendorff to be her God-like nemesis Ares, Diana returns with Steve to the WW1 battlefields with the intent of killing the God of War and so ending the ‘war to end all wars’.
Much ‘fish out of water’ fun is had with Diana meeting civilised London society, although perhaps this section of the film doesn’t quite live up to its full potential: having ice cream for the first time, without any sign of surprise, all she can come up with is an amusing but rather lame “You must be very proud”.
But where the film really accelerates into awesomeness is when Diana reaches ‘The Front’. She emerges from the trenches like some shimmering vision of hotness, to set male and lesbian hearts a flutter. Its the most memorable trench-exit since the finale of “Black Adder 4”, and the subsequent scenes of Diana single-handedly facing the German guns is for me one of the most compelling and enjoyable scenes in any recent DC or Marvel movie.
Holding all this together is the ex-Israeli army-trainer Gal Gadot in the title role. And man oh man, what a Gal! Statuesque, athletic but also sweet, charming and emotionally fragile she completely owns this role from beginning to end. Gadot made a memorable entry in the otherwise poor “Batman v Superman: Dawn of Justice” (#marthagate #neverforget #neverforgive) but nothing prepares you for just how great she is in this outing. In fact, I’ll go as far as saying that this film, although having a UK 12 certificate, is a film of immense danger to heterosexual teenagers of any age (#humor):
All boys will be cast into a lifetime of misery, never able to find a woman that can possibly live up to the impossibly perfect vision of Diana Prince, tearing up the German army with fists and whip!;
All girls WILL BECOME LESBIANS AFTER WATCHING THIS FILM!
Parents: you have been warned! 🙂
Chris Pine – the thinking women’s Chris Pratt – once again proves himself as a talented actor who manages to successfully morph to inhabit the role he plays. Much as he did in the excellent “Hell or High Water“, not once did I equate him to be James Tiberius Kirk after the first 5 minutes.
Effective in supporting roles are David Thewlis (“Harry Potter”) as a ‘helpful’ army bod and an almost unrecognisable Lucy Davis (“The Office”) as Etta, Steve’s comedic secretary. Steve’s rather unlikely sidekicks of Sameer (Said Taghmaoui, “American Hustle“), Charlie (Ewen Bremner, “Trainspotting”) and ‘The Chief’ (Eugene Brave Rock “The Revenant“) all rather fade into the woodwork by comparison.
I saw the film in 3D (“careful now… you could take an eye out with those things”) and very good it was too. Aside from some rather unnecessary Amazonian arrows, its never feels overdone, and elements of it were extremely effective.
Another star of the show is the superb Wonder Woman theme by Hans Zimmer, here rolled out by the film’s composer Rupert Gregson-Williams (“Hacksaw Ridge“). Unfortunately, the rest of the soundtrack is not particularly memorable.
The film shifts into more traditional yawn-worthy ‘superhero finale’ mode in the last twenty minutes, which is a bit of a shame. It’s also really curious that for such a sexually charged film there is an almost complete absence of ‘lurrve’ on show. The one love scene coquettishly fades to a view of the outside window. Was this to protect the film’s family friendly rating (probably) or that the director didn’t want to show her heroine in a remotely submissive position (possibly)? More frustratingly, the morning after there is no mention of it at all! (“Move along, nothing to see here”). I at least wanted some sort of recognition that a human/God liaison had taken place: Steve grimacing a bit when he sits down; or Diana on the blower to Themyscira saying “Yes, you were right Mum. 5 minutes in, and it just snapped clean off!”
I know my friend David Moody (of markanddave vblog fame, and a big DC/Marvel fan) was generally disappointed with the film. Conversely, Amy Andrews from the ever-excellent Oh That Film Blog loved it. I’m with Amy on this one, and greatly enjoyed it as a well-constructed action rollercoaster. The nearly two and a half hours sped by. By the way (and I took one for the team here) there is no “monkey” at the end of the film’s credit to hang on for.
Patty Jenkins (“Monster”) directs and knows the audience she is aiming to please. One can only imagine the empowering impact this film will have on young girls, crossing their wrists to ‘THAT’ music and, in their imagination, casting terrorists into the hell that they should be consigned to. In this week of yet more Isis atrocity in London, Wonder Woman is a role-model we could all stand and salute: “I believe in love” too.
With a heavy dose of mythology, Diana is growing up as the cossetted daughter of Hippolyta (Connie Nielsen, “Gladiator”), the Queen of the Amazons, on the hidden paradise island of Themyscira. Trained up as a warrior by Hippolyta’s sister, General Antiope (Robin Wright of “House of Cards”), Diana is clearly something special. Her ego is reinforced by the knowledge that she was made of clay with life breathed into her by the God Zeus. It’s enough to turn a girl’s head!
It’s 1917 and the man-free paradise is shaken up when an American spy by the name of Steve Trevor (Chris Pine, “Star Trek: Beyond“) crash-lands in the waters off Themyscira. (And yes… you didn’t mishear me… this film genuinely features a hero with both the names “Steve” and ‘Trevor”). Prince Eric – no, sorry, wrong film – is saved and awakened on the beach by Diana as the others arrive. “Thank God!”, say the Amazonians. “At last, someone to process the 200 year backlog of washing and ironing”!
But Steve (an “above average specimen”, LOL) is not long for paradise as he needs to return to the war with the results of his spy-work: a chemistry book stolen from the gorgeously deformed Dr Maru (Elena Anaya), gas-developer for the evil General Ludendorff (Danny Huston). Seeing Ludendorff to be her God-like nemesis Ares, Diana returns with Steve to the WW1 battlefields with the intent of killing the God of War and so ending the ‘war to end all wars’.
Much ‘fish out of water’ fun is had with Diana meeting civilised London society, although perhaps this section of the film doesn’t quite live up to its full potential: having ice cream for the first time, without any sign of surprise, all she can come up with is an amusing but rather lame “You must be very proud”.
But where the film really accelerates into awesomeness is when Diana reaches ‘The Front’. She emerges from the trenches like some shimmering vision of hotness, to set male and lesbian hearts a flutter. Its the most memorable trench-exit since the finale of “Black Adder 4”, and the subsequent scenes of Diana single-handedly facing the German guns is for me one of the most compelling and enjoyable scenes in any recent DC or Marvel movie.
Holding all this together is the ex-Israeli army-trainer Gal Gadot in the title role. And man oh man, what a Gal! Statuesque, athletic but also sweet, charming and emotionally fragile she completely owns this role from beginning to end. Gadot made a memorable entry in the otherwise poor “Batman v Superman: Dawn of Justice” (#marthagate #neverforget #neverforgive) but nothing prepares you for just how great she is in this outing. In fact, I’ll go as far as saying that this film, although having a UK 12 certificate, is a film of immense danger to heterosexual teenagers of any age (#humor):
All boys will be cast into a lifetime of misery, never able to find a woman that can possibly live up to the impossibly perfect vision of Diana Prince, tearing up the German army with fists and whip!;
All girls WILL BECOME LESBIANS AFTER WATCHING THIS FILM!
Parents: you have been warned! 🙂
Chris Pine – the thinking women’s Chris Pratt – once again proves himself as a talented actor who manages to successfully morph to inhabit the role he plays. Much as he did in the excellent “Hell or High Water“, not once did I equate him to be James Tiberius Kirk after the first 5 minutes.
Effective in supporting roles are David Thewlis (“Harry Potter”) as a ‘helpful’ army bod and an almost unrecognisable Lucy Davis (“The Office”) as Etta, Steve’s comedic secretary. Steve’s rather unlikely sidekicks of Sameer (Said Taghmaoui, “American Hustle“), Charlie (Ewen Bremner, “Trainspotting”) and ‘The Chief’ (Eugene Brave Rock “The Revenant“) all rather fade into the woodwork by comparison.
I saw the film in 3D (“careful now… you could take an eye out with those things”) and very good it was too. Aside from some rather unnecessary Amazonian arrows, its never feels overdone, and elements of it were extremely effective.
Another star of the show is the superb Wonder Woman theme by Hans Zimmer, here rolled out by the film’s composer Rupert Gregson-Williams (“Hacksaw Ridge“). Unfortunately, the rest of the soundtrack is not particularly memorable.
The film shifts into more traditional yawn-worthy ‘superhero finale’ mode in the last twenty minutes, which is a bit of a shame. It’s also really curious that for such a sexually charged film there is an almost complete absence of ‘lurrve’ on show. The one love scene coquettishly fades to a view of the outside window. Was this to protect the film’s family friendly rating (probably) or that the director didn’t want to show her heroine in a remotely submissive position (possibly)? More frustratingly, the morning after there is no mention of it at all! (“Move along, nothing to see here”). I at least wanted some sort of recognition that a human/God liaison had taken place: Steve grimacing a bit when he sits down; or Diana on the blower to Themyscira saying “Yes, you were right Mum. 5 minutes in, and it just snapped clean off!”
I know my friend David Moody (of markanddave vblog fame, and a big DC/Marvel fan) was generally disappointed with the film. Conversely, Amy Andrews from the ever-excellent Oh That Film Blog loved it. I’m with Amy on this one, and greatly enjoyed it as a well-constructed action rollercoaster. The nearly two and a half hours sped by. By the way (and I took one for the team here) there is no “monkey” at the end of the film’s credit to hang on for.
Patty Jenkins (“Monster”) directs and knows the audience she is aiming to please. One can only imagine the empowering impact this film will have on young girls, crossing their wrists to ‘THAT’ music and, in their imagination, casting terrorists into the hell that they should be consigned to. In this week of yet more Isis atrocity in London, Wonder Woman is a role-model we could all stand and salute: “I believe in love” too.
Movie Metropolis (309 KP) rated War Horse (2011) in Movies
Jun 11, 2019
Steven Spielberg is undoubtedly one of the world’s most loved directors and is without question, the king of blockbuster cinema. He thrilled us with dinosaurs in 1993’s blockbuster Jurassic Park, had us in tears with E.T. and had our hearts pumping out of our chests with the Indiana Jones series.
However, here, the ‘king’ relaxes a little and delves into proper old fashioned story telling with the emotional rollercoaster that is War Horse. Teaming up with John Williams once again, the duo delivers a beautiful score to accompany a beautifully shot film.
Jeremy Irvine stars alongside a full roster of celebrities including Harry Potter’s David Thewlis and Thor’s Tom Hiddlestone in what can only be described as one of Spielberg’s greatest films.
The film opens with some awe inspiring shots of the Devon countryside, with Albert Narracott (Jeremy Irvine) staring, masterfully at two horses in a field. Fast forward a few years and his alcoholic father Ted, played wonderfully by Peter Mullen purchases one of them in an auction, hoping to turn it into a plough horse. This horse becomes the focus of the entire film and is nicknamed Joey by Irvine’s character.
After the usual, Spielberg sentimentality, Joey is summoned to help the English army in the First World War. Obviously, this doesn’t go down too well with Albert and he promises that one day, they will find each other. It’s hard to describe just how heart-breaking these scenes are, as Joey is led away by his new trainer (Tom Hiddlestone) and all Albert can do is watch.
After being defeated by the Germans in a deadly ambush, Albert is informed that Hiddlestone’s character, Captain Nicholls has been killed in battle. Assuming the worst, Albert starts to prepare to either reunite with his beloved steed, or discover whether or not he has perished.
Spielberg has created a shockingly beautiful film as Joey loses Captain Nicholls and roams the countryside unmanned trying to escape the clutches of the German army. Unfortunately, on occasion, he runs right into them and becomes an artillery horse, pulling canons and other weapons.
The shots of no-man’s land as the horse time and time again escapes are breath-taking and show the scale of the destruction like nothing I’ve ever seen. Spielberg has a knack for scale and in War Horse, this is exceptionally poignant; shots of a horse graveyard and the grey barren landscape are examples of fine film-making. To say you’ll be in tears is somewhat of an understatement as Joey, terrified from the ordeal he is being taken through loses comrades, crashes through barbed wire and nearly gives up on life.
This coupled with John Williams best score since Jurassic Park ensures that this is a subtle blockbuster to be enjoyed by all.
However, the film isn’t perfect. On occasion, it delves into unnecessary sentimentality and Spielberg must’ve had a book of movie clichés with him at some points during the shoot, like the cheesy sunset ending and the token pulling through in the face of adversity. These are, however, small points in a film which is a spectacle to behold.
The animals no doubt steal the show, but their human counterparts do well in their roles. Jeremy Irvine is fabulous and was an unusual but totally justified choice for the part. David Thewlis shows how versatile he really is as an actor, playing the heartless landlord, ready to ship the Narracott family out of their farm.
War Horse is a film which hits with a huge dose of emotion. John Williams and Steven Spielberg are an unstoppable combination and what the film does best is show off its directors prowess as an artist, not a film-maker. The special effects are sparse because the story doesn’t require them, but when they are there, such as in the battle scenes, they help the story along, instead of hindering it.
It may not quite match the dizzy heights of Schindler’s List and Jurassic Park as Spielberg’s best, but it fits in between excellent Spielberg and spectacular Spielberg. Take some tissues and prepare yourself and you’ll be all set.
https://moviemetropolis.net/2012/01/22/review-war-horse-2012/
However, here, the ‘king’ relaxes a little and delves into proper old fashioned story telling with the emotional rollercoaster that is War Horse. Teaming up with John Williams once again, the duo delivers a beautiful score to accompany a beautifully shot film.
Jeremy Irvine stars alongside a full roster of celebrities including Harry Potter’s David Thewlis and Thor’s Tom Hiddlestone in what can only be described as one of Spielberg’s greatest films.
The film opens with some awe inspiring shots of the Devon countryside, with Albert Narracott (Jeremy Irvine) staring, masterfully at two horses in a field. Fast forward a few years and his alcoholic father Ted, played wonderfully by Peter Mullen purchases one of them in an auction, hoping to turn it into a plough horse. This horse becomes the focus of the entire film and is nicknamed Joey by Irvine’s character.
After the usual, Spielberg sentimentality, Joey is summoned to help the English army in the First World War. Obviously, this doesn’t go down too well with Albert and he promises that one day, they will find each other. It’s hard to describe just how heart-breaking these scenes are, as Joey is led away by his new trainer (Tom Hiddlestone) and all Albert can do is watch.
After being defeated by the Germans in a deadly ambush, Albert is informed that Hiddlestone’s character, Captain Nicholls has been killed in battle. Assuming the worst, Albert starts to prepare to either reunite with his beloved steed, or discover whether or not he has perished.
Spielberg has created a shockingly beautiful film as Joey loses Captain Nicholls and roams the countryside unmanned trying to escape the clutches of the German army. Unfortunately, on occasion, he runs right into them and becomes an artillery horse, pulling canons and other weapons.
The shots of no-man’s land as the horse time and time again escapes are breath-taking and show the scale of the destruction like nothing I’ve ever seen. Spielberg has a knack for scale and in War Horse, this is exceptionally poignant; shots of a horse graveyard and the grey barren landscape are examples of fine film-making. To say you’ll be in tears is somewhat of an understatement as Joey, terrified from the ordeal he is being taken through loses comrades, crashes through barbed wire and nearly gives up on life.
This coupled with John Williams best score since Jurassic Park ensures that this is a subtle blockbuster to be enjoyed by all.
However, the film isn’t perfect. On occasion, it delves into unnecessary sentimentality and Spielberg must’ve had a book of movie clichés with him at some points during the shoot, like the cheesy sunset ending and the token pulling through in the face of adversity. These are, however, small points in a film which is a spectacle to behold.
The animals no doubt steal the show, but their human counterparts do well in their roles. Jeremy Irvine is fabulous and was an unusual but totally justified choice for the part. David Thewlis shows how versatile he really is as an actor, playing the heartless landlord, ready to ship the Narracott family out of their farm.
War Horse is a film which hits with a huge dose of emotion. John Williams and Steven Spielberg are an unstoppable combination and what the film does best is show off its directors prowess as an artist, not a film-maker. The special effects are sparse because the story doesn’t require them, but when they are there, such as in the battle scenes, they help the story along, instead of hindering it.
It may not quite match the dizzy heights of Schindler’s List and Jurassic Park as Spielberg’s best, but it fits in between excellent Spielberg and spectacular Spielberg. Take some tissues and prepare yourself and you’ll be all set.
https://moviemetropolis.net/2012/01/22/review-war-horse-2012/
ClareR (5596 KP) rated You Will Be Safe Here in Books
May 12, 2019
History that affects the present.
At first glance, you would wonder why this book starts off in a South African concentration camp in 1901, and then goes on to follow a boy whose parents pay for him to go to the New Dawn Safari Training Camp. It does become clear: the title tells us what the British army said to the women and children as they entered Bloemfontein, and what Willem and his parents are told before he goes to New Dawn. They are all lied to.
My dad told me about the concentration camps during the Boer war as I went off to study German at university. He’d read about the history part of the course I’d be studying, and WW2 was missing. He thought it important that I should know that the National Socialists had got all of their ‘best’ ideas from the British (“everyone should shoulder their share of guilt”). I admit I didn’t know this much detail though.
The descriptions in this book are heartbreaking. Cruelty disguised as safe-keeping. New Dawn is cruelty disguised as (re)education. As I attempted to empathise with Will’s mother, I couldn’t help but judge her - how could a mother NOT protect her child? How could she be so easily influenced to give him to someone else to ‘make him a man’? She thinks that this IS protecting him though. The world is a harsh place, and those who are different are not always accepted by their peers (I have two sons, one of whom is disabled. I’ve always worried about how he will be accepted by other children - unfounded worries so far, as it turns out.).
The old adage ‘cruel to be kind’ is just that though: old, outdated. The new world order should be about tolerance and understanding, something that is totally lacking in some of the characters of this book (and out in the real world, too). ADHD is NEVER cured with cruelty. Respect is never gained through starvation and deprivation.
This book is written with such care and understanding: I could imagine the sights and sounds of both camps, smell the cigarette smoke of Willem’s grandmother. I felt so much for Sarah van der Watt and her son and Willem. People put into impossible circumstances. The way we find out about what happens to Sarah and her son is devastating: Willem and his class visit Bloemfontein concentration camp, and Fredericks story is part of their history lesson. This was so cleverly done, and although seemingly detached by the years that had passed, its only one hundred pages or so for the reader.
This is such a moving story, and it shows that history really can affect the present day. I can’t recommend reading this book enough.
My dad told me about the concentration camps during the Boer war as I went off to study German at university. He’d read about the history part of the course I’d be studying, and WW2 was missing. He thought it important that I should know that the National Socialists had got all of their ‘best’ ideas from the British (“everyone should shoulder their share of guilt”). I admit I didn’t know this much detail though.
The descriptions in this book are heartbreaking. Cruelty disguised as safe-keeping. New Dawn is cruelty disguised as (re)education. As I attempted to empathise with Will’s mother, I couldn’t help but judge her - how could a mother NOT protect her child? How could she be so easily influenced to give him to someone else to ‘make him a man’? She thinks that this IS protecting him though. The world is a harsh place, and those who are different are not always accepted by their peers (I have two sons, one of whom is disabled. I’ve always worried about how he will be accepted by other children - unfounded worries so far, as it turns out.).
The old adage ‘cruel to be kind’ is just that though: old, outdated. The new world order should be about tolerance and understanding, something that is totally lacking in some of the characters of this book (and out in the real world, too). ADHD is NEVER cured with cruelty. Respect is never gained through starvation and deprivation.
This book is written with such care and understanding: I could imagine the sights and sounds of both camps, smell the cigarette smoke of Willem’s grandmother. I felt so much for Sarah van der Watt and her son and Willem. People put into impossible circumstances. The way we find out about what happens to Sarah and her son is devastating: Willem and his class visit Bloemfontein concentration camp, and Fredericks story is part of their history lesson. This was so cleverly done, and although seemingly detached by the years that had passed, its only one hundred pages or so for the reader.
This is such a moving story, and it shows that history really can affect the present day. I can’t recommend reading this book enough.
Louise (64 KP) rated Salt to the Sea in Books
Jul 2, 2018
This book! OMG you guys! It had the feels and was so so so so sad!
Guilt is a hunter.
Salt to the Sea is a story set in 1945 Germany told from four perspectives, Florian, Joana, Emilia and Alfred all from different homelands, fleeing Stalin's Red Army. Refugees are fleeing for freedom in form on the Wilhelm- Gustloff a ship that will make a 48 hour trip to Kiel. The Wilhelm-Gustaloff is evacuating injured soldiers and civilians - It's capacity is to hold 1500 passengers but with so many people they are forced to take over 10,000. A few hours into the trip the ship is hit by Russian torpedoes, does the foursome still have enough fight to survive?
Fate is a hunter.
Joana is Lithuanian and has been assisting a doctor with surgery, with her knowledge she is able to help some of the injured refugees and civilians she comes across. She is leading a current group of people to the Wilhelm Gustloff when she meets Florian a Prussian apprentice art restorer for Gauleiter Erich Koch who was a leader of the regional branch of Nazi party (Very high up). Along side Florian is Emilia a 15-year-old Polish girl on the run from a farm in which she was sent by her father. Then there is Alfred a German sailor, with his first Voyage being the Wilhelm-Gustloff.
Shame is a hunter
This book was heartbreaking and a real eye opener. The story is told in small chapters alternating from the four perspectives. Alfred's perspectives are sometimes told in letters to a love interest back home The characters are equally fleshed out and you get a real connection with them, they all have something they are running from and a background story. I really didn't like Alfred's character, in his letters he was making out that he was some highly responsible soldier which made a huge difference to the war when all he was doing was a low-level job on the ship, he was pretty much insane. Emilia's story grew stronger and stronger as the story went on and became more peturbed . Florian is a mysterious character who doesn't reveal much about himself but he is always calculating the best way to freedom. There is a slow burn romance within the novel but it is no way insta-lovey at all. With this romance we find out more about Florian.
Fear is a hunter.
This book reminded me a lot of 'All the light we cannot see' by Anthony Doerr minus the fantasy element. But for me it was much better, the fact that you don't really read stories about Lithuanians, Prussians etc in world war 2 stories. The Wilhelm Gustloff was an actual ship in world war 2 and 9,500 lives were lost however I had never heard about this before and I am really interested in reading more about this. I am going to be honest, I don't know too much about the war and the particulars to it, so I can't say how accurate Ruta's account is.
This book is compelling and harrowing at the same time, some of the descriptions of how the civilians and refugees were living and attempts for freedom were deeply upsetting. The most moving book I have read this year and would definitely recommend to anyone that is interested in historical fiction.
I loved Ruta Sepetys writing and really want to read between shades of gray and out of the easy.
I rated this 5 out of 5 stars.
Guilt is a hunter.
Salt to the Sea is a story set in 1945 Germany told from four perspectives, Florian, Joana, Emilia and Alfred all from different homelands, fleeing Stalin's Red Army. Refugees are fleeing for freedom in form on the Wilhelm- Gustloff a ship that will make a 48 hour trip to Kiel. The Wilhelm-Gustaloff is evacuating injured soldiers and civilians - It's capacity is to hold 1500 passengers but with so many people they are forced to take over 10,000. A few hours into the trip the ship is hit by Russian torpedoes, does the foursome still have enough fight to survive?
Fate is a hunter.
Joana is Lithuanian and has been assisting a doctor with surgery, with her knowledge she is able to help some of the injured refugees and civilians she comes across. She is leading a current group of people to the Wilhelm Gustloff when she meets Florian a Prussian apprentice art restorer for Gauleiter Erich Koch who was a leader of the regional branch of Nazi party (Very high up). Along side Florian is Emilia a 15-year-old Polish girl on the run from a farm in which she was sent by her father. Then there is Alfred a German sailor, with his first Voyage being the Wilhelm-Gustloff.
Shame is a hunter
This book was heartbreaking and a real eye opener. The story is told in small chapters alternating from the four perspectives. Alfred's perspectives are sometimes told in letters to a love interest back home The characters are equally fleshed out and you get a real connection with them, they all have something they are running from and a background story. I really didn't like Alfred's character, in his letters he was making out that he was some highly responsible soldier which made a huge difference to the war when all he was doing was a low-level job on the ship, he was pretty much insane. Emilia's story grew stronger and stronger as the story went on and became more peturbed . Florian is a mysterious character who doesn't reveal much about himself but he is always calculating the best way to freedom. There is a slow burn romance within the novel but it is no way insta-lovey at all. With this romance we find out more about Florian.
Fear is a hunter.
This book reminded me a lot of 'All the light we cannot see' by Anthony Doerr minus the fantasy element. But for me it was much better, the fact that you don't really read stories about Lithuanians, Prussians etc in world war 2 stories. The Wilhelm Gustloff was an actual ship in world war 2 and 9,500 lives were lost however I had never heard about this before and I am really interested in reading more about this. I am going to be honest, I don't know too much about the war and the particulars to it, so I can't say how accurate Ruta's account is.
This book is compelling and harrowing at the same time, some of the descriptions of how the civilians and refugees were living and attempts for freedom were deeply upsetting. The most moving book I have read this year and would definitely recommend to anyone that is interested in historical fiction.
I loved Ruta Sepetys writing and really want to read between shades of gray and out of the easy.
I rated this 5 out of 5 stars.
BankofMarquis (1832 KP) rated Army of the Dead (2021) in Movies
May 26, 2021
Took To Long To Get To The Fun Part
I love me a good Zombie flick. I also love me a good Heist flick. So…when I heard that Zack Snyder (JUSTICE LEAGUE) was making a “Zombie/Heist Flick”, I thought “what’s not to like”?
Turns out…plenty.
A pet project of Sndyer’s that has been stuck in “development hell” in Hollywood for almost 2 decades, ARMY OF THE DEAD tells the tale of a group of mercenaries that look to rob $200 million from a vault under the casinos of Las Vegas - one small problem…Las Vegas has been walled off as a way to contain a zombie plague.
My first warning that this was not going to a pleasant experience is that this film has a 2 1/2 hour run time. That certainly seems bloated for a Zombie film and the first 1 1/2 of this flick certainly proves this out as Snyder - ham handedly - seeks to flesh out each of the characters in long, boring exposition scenes that didn’t really add anything to the tension or action. Well…it did add something…restless boredom.
But…I gotta admit, once the group of mercenaries make their way to the vault in Las Vegas, the last hour of the film was pretty darn fun.
Dave Bautista (Drax in the GUARDIANS OF THE GALAXY films) leads the group of mercenaries and Ella Purnell (Emma in MISS PEREGRINE…) is his estranged daughter. I won’t bore you with the details of why these 2 are estranged…but they are and Bautista insists that his daughter NOT come along on this mission. So you know what happens next…yep, she comes along and I was rooting for her to get killed almost from the start. Neither of these 2 characters work and since they are central to the story they are really at the root of the problems with the first 1 1/2 hours of this film.
The rest of the ensemble, however, are a lot of fun and bring that “B Monster Movie” vibe to the proceedings and they look like they are having alot of fun. Tig Notero, Ana de La Reguera, Omari Hardwick and Theo Rossi are an enjoyable lot and know EXACTLY what type of film they are in.
But the standouts of the ensemble are the always great Garret Dillahunt (John Dorie in FEAR THE WALKING DEAD) who brings his usual “A” game to the proceedings. As does Nora Arnezeder (SAFE HOUSE) as “The Coyote” a survivor who has been in Las Vegas before and - especially - Matthias Schweighofer (RESISTANCE) who steals every scene he is in playing the German safecracker.
I would have loved it if Snyder would have cut the Bautista and daughter scenes (and characters) and just had this ensemble go after the loot - it would have been a much better - and shorter - film.
But…if you can last through the long, boring first 1 1/2 hours, the last hour is “good enough” Zombie action with an interesting “twist” on the genre that I will have to give Snyder credit for.
If you do all this, you’ll have a passably decent enough entertaining time.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(OfMarquis)
Turns out…plenty.
A pet project of Sndyer’s that has been stuck in “development hell” in Hollywood for almost 2 decades, ARMY OF THE DEAD tells the tale of a group of mercenaries that look to rob $200 million from a vault under the casinos of Las Vegas - one small problem…Las Vegas has been walled off as a way to contain a zombie plague.
My first warning that this was not going to a pleasant experience is that this film has a 2 1/2 hour run time. That certainly seems bloated for a Zombie film and the first 1 1/2 of this flick certainly proves this out as Snyder - ham handedly - seeks to flesh out each of the characters in long, boring exposition scenes that didn’t really add anything to the tension or action. Well…it did add something…restless boredom.
But…I gotta admit, once the group of mercenaries make their way to the vault in Las Vegas, the last hour of the film was pretty darn fun.
Dave Bautista (Drax in the GUARDIANS OF THE GALAXY films) leads the group of mercenaries and Ella Purnell (Emma in MISS PEREGRINE…) is his estranged daughter. I won’t bore you with the details of why these 2 are estranged…but they are and Bautista insists that his daughter NOT come along on this mission. So you know what happens next…yep, she comes along and I was rooting for her to get killed almost from the start. Neither of these 2 characters work and since they are central to the story they are really at the root of the problems with the first 1 1/2 hours of this film.
The rest of the ensemble, however, are a lot of fun and bring that “B Monster Movie” vibe to the proceedings and they look like they are having alot of fun. Tig Notero, Ana de La Reguera, Omari Hardwick and Theo Rossi are an enjoyable lot and know EXACTLY what type of film they are in.
But the standouts of the ensemble are the always great Garret Dillahunt (John Dorie in FEAR THE WALKING DEAD) who brings his usual “A” game to the proceedings. As does Nora Arnezeder (SAFE HOUSE) as “The Coyote” a survivor who has been in Las Vegas before and - especially - Matthias Schweighofer (RESISTANCE) who steals every scene he is in playing the German safecracker.
I would have loved it if Snyder would have cut the Bautista and daughter scenes (and characters) and just had this ensemble go after the loot - it would have been a much better - and shorter - film.
But…if you can last through the long, boring first 1 1/2 hours, the last hour is “good enough” Zombie action with an interesting “twist” on the genre that I will have to give Snyder credit for.
If you do all this, you’ll have a passably decent enough entertaining time.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(OfMarquis)