"A lot of people didn’t like it, but I loved Steven Soderbergh’s remake of the Russian film Solaris from the minute I saw it. I like it more than the original. I never paid too much attention to soundtrack music before that, but as soon as I heard that one in the theater I was just like, “What the fuck is this?” If you looked at my iTunes playlist, this soundtrack might be the most played album on my computer. It’s like experimental ambient music that still really involves your emotions. You could draw a line from this soundtrack to “The Ghost of You Lingers” from Ga Ga Ga Ga Ga, which came out around this time."

"Mizoguchi is a filmmaker I discovered pretty early. When I was younger, I watched anything Scorsese recommended, and I saw an interview with him where he referenced Ugetsu. I just fell in love with Mizoguchi’s work. He called the Academy ratio the “painterly ratio,” and I feel like there are very few filmmakers who did as much with that frame. Sansho the Bailiff is just one of the most devastating melodramas I’ve ever seen, and Ugetsu is a beautiful, ethereal ghost story. His films are quiet while also being extremely harsh and brutal. There’s a clinical, distant quality to his films, but there’s also this aching humanity at the heart of everything he did."

"Mizoguchi is a filmmaker I discovered pretty early. When I was younger, I watched anything Scorsese recommended, and I saw an interview with him where he referenced Ugetsu. I just fell in love with Mizoguchi’s work. He called the Academy ratio the “painterly ratio,” and I feel like there are very few filmmakers who did as much with that frame. Sansho the Bailiff is just one of the most devastating melodramas I’ve ever seen, and Ugetsu is a beautiful, ethereal ghost story. His films are quiet while also being extremely harsh and brutal. There’s a clinical, distant quality to his films, but there’s also this aching humanity at the heart of everything he did."