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Ryan Hill (152 KP) rated Ant-Man and the Wasp (2018) in Movies
May 11, 2019
'Hold on, you gave her wings?!'
A much welcome breather after the heavyweight that was Avengers: Infinity War, the 20th instalment in the Marvel Cinematic Universe is another lighthearted ride unfolding on the same minuscule scale as Ant-Man, and though not as impressive as Marvel's best works, it still delivers a fine dose of fun, amusing & action-packed entertainment.
Set in the aftermath of Captain America: Civil War, the story of Ant-Man and the Wasp finds Scott Lang under house arrest and Dr. Hank Pym & Hope van Dyne in hiding until an urgent mission brings them together once again as the trio attempt to unlock the secrets of quantum realm before it's too late, while being pursued by both cops & new enemies.
Directed by Peyton Reed, the sequel offers him more freedom & bigger canvas to showcase his vision & creativity yet he fails to makes the most of the opportunity and delivers a story that's pretty much on same level as its predecessor. Its action scenes do get an upgrade but the plot is quite simple and is missing the character complexity that drives most sequels.
On the plus side, the film retains the humour of the original while the continuous banter & brisk pacing make sure that its 118 mins runtime never becomes a chore. The swift, kinetic operation of camera infuses an energy to its moments of action on both macro & micro levels while the bright colour tones add a rich texture that makes the images pop out. And Christophe Beck's splendid score adds energy of its own into the mix.
Coming to the performances, Ant-Man and the Wasp benefits from Paul Rudd's natural charisma but it's Evangeline Lilly who steals the show this time in the role of Hope/Wasp. The chemistry between the two still carries a spark but purely on individual inputs, Lilly outshines Rudd by a significant margin. Both Michael Peña & Michael Douglas are more fun in their respective roles this time around but the new characters are no good.
On an overall scale, Ant-Man and the Wasp makes for a sufficiently entertaining action-adventure and is at its best when it isn't trying too hard. A standalone entry for the most part that eventually connects with the heavy conclusion of Infinity War in a shocking mid-credits sequence, Ant-Man and the Wasp does enough to allow the viewers to settle down before things got hot & heavy once again in Avengers Endgame
Set in the aftermath of Captain America: Civil War, the story of Ant-Man and the Wasp finds Scott Lang under house arrest and Dr. Hank Pym & Hope van Dyne in hiding until an urgent mission brings them together once again as the trio attempt to unlock the secrets of quantum realm before it's too late, while being pursued by both cops & new enemies.
Directed by Peyton Reed, the sequel offers him more freedom & bigger canvas to showcase his vision & creativity yet he fails to makes the most of the opportunity and delivers a story that's pretty much on same level as its predecessor. Its action scenes do get an upgrade but the plot is quite simple and is missing the character complexity that drives most sequels.
On the plus side, the film retains the humour of the original while the continuous banter & brisk pacing make sure that its 118 mins runtime never becomes a chore. The swift, kinetic operation of camera infuses an energy to its moments of action on both macro & micro levels while the bright colour tones add a rich texture that makes the images pop out. And Christophe Beck's splendid score adds energy of its own into the mix.
Coming to the performances, Ant-Man and the Wasp benefits from Paul Rudd's natural charisma but it's Evangeline Lilly who steals the show this time in the role of Hope/Wasp. The chemistry between the two still carries a spark but purely on individual inputs, Lilly outshines Rudd by a significant margin. Both Michael Peña & Michael Douglas are more fun in their respective roles this time around but the new characters are no good.
On an overall scale, Ant-Man and the Wasp makes for a sufficiently entertaining action-adventure and is at its best when it isn't trying too hard. A standalone entry for the most part that eventually connects with the heavy conclusion of Infinity War in a shocking mid-credits sequence, Ant-Man and the Wasp does enough to allow the viewers to settle down before things got hot & heavy once again in Avengers Endgame
TheBookMother (105 KP) rated Christine in Books
May 26, 2019
Think classic slasher come Top Gear.
Contains spoilers, click to show
Like alot of my recent reads I picked up a very well loved copy from a supermarket fundraising bookcase.
Now, I do feel quite conflicted in critiquing the master that is Stephen King especially as it's not all positive. It's probably the same feeling if you kicked your Nan or when you've hidden your son's favourite toy that drives you crazy and watch him scour the house for it for days on end.
It started off in true King fashion. I've read a few of his repertoire including the classics. I have come to recognise his tone and the way he sets the scene.
We begin by meeting Dennis who is recalling past events which include his friend Arnie and his obsession with his new car Christine. We soon find out Christine is a bit more than your average first car and anyone who seems to cross Arnie will feel her very gory and murderous wrath. We learn that her previous owner LeBay begins to possess Arnie. Dennis sets out to try and save his friend from the evil clutch(es) (I had to sorry!) of Christine and stop her once and for all.
Tense, descriptive with an air of paranormal/ supernatural you generally know what you're getting with King and you know there will tend to be a twist or scare along the way.
However, I did find this abit of a slow burner and not what expected it to be.
I think it could be because this is 20+ years old and I am probably desensitised by slashers it did feel quite cliché in places.
I did at times feel slightly confused as we were introduced to Christine the possessed car but then we learn it's all to do with Lebay taking over and even ageing Arnie. It did remind me abit of Ghost Rider.
I enjoyed the music lyrics at the beginning of each chapter and throughout as it really did help set scene and help with showing the difference between Arnie and Lebay's ages.
I have to admit I was distracted alot and do put it down frequently but I did pick up and finish it eventually.
I normally finish a book in 2-3 days (children, work and life permitting!) But this took a while longer. Perhaps, as I felt it was a tad stagnant in places.
It was never the less an okay read, it's a good slasher come supernatural story but one I did think I would have enjoyed alot more.
Now, I do feel quite conflicted in critiquing the master that is Stephen King especially as it's not all positive. It's probably the same feeling if you kicked your Nan or when you've hidden your son's favourite toy that drives you crazy and watch him scour the house for it for days on end.
It started off in true King fashion. I've read a few of his repertoire including the classics. I have come to recognise his tone and the way he sets the scene.
We begin by meeting Dennis who is recalling past events which include his friend Arnie and his obsession with his new car Christine. We soon find out Christine is a bit more than your average first car and anyone who seems to cross Arnie will feel her very gory and murderous wrath. We learn that her previous owner LeBay begins to possess Arnie. Dennis sets out to try and save his friend from the evil clutch(es) (I had to sorry!) of Christine and stop her once and for all.
Tense, descriptive with an air of paranormal/ supernatural you generally know what you're getting with King and you know there will tend to be a twist or scare along the way.
However, I did find this abit of a slow burner and not what expected it to be.
I think it could be because this is 20+ years old and I am probably desensitised by slashers it did feel quite cliché in places.
I did at times feel slightly confused as we were introduced to Christine the possessed car but then we learn it's all to do with Lebay taking over and even ageing Arnie. It did remind me abit of Ghost Rider.
I enjoyed the music lyrics at the beginning of each chapter and throughout as it really did help set scene and help with showing the difference between Arnie and Lebay's ages.
I have to admit I was distracted alot and do put it down frequently but I did pick up and finish it eventually.
I normally finish a book in 2-3 days (children, work and life permitting!) But this took a while longer. Perhaps, as I felt it was a tad stagnant in places.
It was never the less an okay read, it's a good slasher come supernatural story but one I did think I would have enjoyed alot more.
Kristy H (1252 KP) rated The Shadow Cabinet (Shades of London, #3) in Books
Feb 13, 2018
I read nearly 3/4 of this book curled up in my easy chair while the kids napped, snow falling softly outside. It is rare that I get that much peace and quiet anymore, so I roared through the book, wanting to finish it before the twins awoke and shattered the peace.
Therefore, any nitpicks I have about anything in the book feeling rushed are no doubt of my own doing, as I manically flipped pages, wanting to find out what happened to Rory and the rest of the gang. When the series is over, I look forward to reading all the books again, and savoring them a bit more.
Needless to say, I loved this book. Definitely my favorite novel to date this year. I am sure Johnson's Shade of London series isn't for everyone, but I've fallen for American-based Rory, a transplant in London, who can now see ghosts. It sounds preposterous, but Johnson has made it work- and work well- in all three novels so far. I love Rory, I love her character, and I love the group of people she's come to surround herself in London - far away from the home she knows in New Orleans.
<i>*spoilers if you haven't read the first two books - which you should, immediately!*</i>
In book three, Rory is dealing with the grief of losing Stephen, as the team frantically tries to find his ghost. They are also trying to find her prefect, Charlotte, who was kidnapped by Rory's therapist, Jane. We learn more about Jane and her past involvement in an ancient cult and a likely string of murders. It all involves a much bigger plot involving London's ability to harness its dead, and the existence of a murky, rumored government organization who polices ghosts.
We also meet a new character in this novel, Freddie (a girl), who is quite bright, but of whom I still remain suspicious - silly, perhaps, but it's so hard to trust new people coming into the gang. We see more of Jerome, which is nice, and Boo and Callum, of course. There's actually less focus on actual ghosts than you'd think and more on some big conspiracies, but it all works, really well. The camaraderie of the team, and the way Johnson voices Rory is just lovely, and the book reads so well. Even what should be a crazy plot is made readable and believable through the lens of these developed characters.
As always, I'm left a bit bereft, waiting for the next book. (And, for the record, I finished the last few pages right before the twins woke up. I feel like that's fate, right?)
Therefore, any nitpicks I have about anything in the book feeling rushed are no doubt of my own doing, as I manically flipped pages, wanting to find out what happened to Rory and the rest of the gang. When the series is over, I look forward to reading all the books again, and savoring them a bit more.
Needless to say, I loved this book. Definitely my favorite novel to date this year. I am sure Johnson's Shade of London series isn't for everyone, but I've fallen for American-based Rory, a transplant in London, who can now see ghosts. It sounds preposterous, but Johnson has made it work- and work well- in all three novels so far. I love Rory, I love her character, and I love the group of people she's come to surround herself in London - far away from the home she knows in New Orleans.
<i>*spoilers if you haven't read the first two books - which you should, immediately!*</i>
In book three, Rory is dealing with the grief of losing Stephen, as the team frantically tries to find his ghost. They are also trying to find her prefect, Charlotte, who was kidnapped by Rory's therapist, Jane. We learn more about Jane and her past involvement in an ancient cult and a likely string of murders. It all involves a much bigger plot involving London's ability to harness its dead, and the existence of a murky, rumored government organization who polices ghosts.
We also meet a new character in this novel, Freddie (a girl), who is quite bright, but of whom I still remain suspicious - silly, perhaps, but it's so hard to trust new people coming into the gang. We see more of Jerome, which is nice, and Boo and Callum, of course. There's actually less focus on actual ghosts than you'd think and more on some big conspiracies, but it all works, really well. The camaraderie of the team, and the way Johnson voices Rory is just lovely, and the book reads so well. Even what should be a crazy plot is made readable and believable through the lens of these developed characters.
As always, I'm left a bit bereft, waiting for the next book. (And, for the record, I finished the last few pages right before the twins woke up. I feel like that's fate, right?)
Louise (64 KP) rated Harry Potter and the Chamber of Secrets in Books
Jul 2, 2018
The school year is just about to start and once again Harry finds himself back at 4 Privet Drive with the Dursley's. Harry Potter is to attend his second year at Hogwarts school of Witchcraft and Wizardry but for some reason a strange house elf named Dobby appears in his bedroom one evening warning him that he cannot go back to school as it is unsafe. This Dobby creature doesn't let Harry know how he has got such information but when Harry doesn't agree to stay away he starts making life even more unbearable with the Dursley's.
Harry's second year at Hogwarts is not all plain and simple as he was hoping, he appears to attract attention from unwanted people...mostly Draco Malfoy. When Students start being petrified into a coma like state and a message informing the 'Chamber of Secrets' has been opened.... Harry, Ron and Hermione take it upon themselves to find the culprit.
There were some new characters introduced in this second edition of Harry Potter, we meet Dobby the house elf, who is trying to persuade Harry not to go to Hogwarts this year. I loved that we got another magical creature into the book and that he was a house elf/servant and explores classes, his relevance in the story is explained as the story progresses. Gilderoy Lockhart is the new professor for the defence against the dark arts, Lockhart is a self obsessed, pompous, egotistical character that is very annoying. Then we have Moaning Myrtle the ghost that haunts the girls toilets, it's in the name really she moans a lot and feels sorry for herself and always crying but again with every character in the book, she has relevance to the story. Ginny Weasley the last of the Weasley clan has started school and is very shy around Harry, it appears she has somewhat of a crush. We have all the same characters as the first book and you get to see Harry, Ron and Hermione grow and develop.
There is a lot of repetition in this book, I think you could read this second book without reading the first as she explains things over again, It is the shortest book among the series but it is fast paced, packed full of adventure and written in true J K Rowling style. It has you gripped all the way through. This isn't my favourite book of the series and I think that is because there are a lot of annoying characters in my opinion.
Favourite character of the book for me so far is Hagrid, I like the way he is written as big softy and the dialect of the dialogue makes him more endearing.
This book is an excellent continuation of the Harry Potter series and definitely recommend the book to anyone.
Harry's second year at Hogwarts is not all plain and simple as he was hoping, he appears to attract attention from unwanted people...mostly Draco Malfoy. When Students start being petrified into a coma like state and a message informing the 'Chamber of Secrets' has been opened.... Harry, Ron and Hermione take it upon themselves to find the culprit.
There were some new characters introduced in this second edition of Harry Potter, we meet Dobby the house elf, who is trying to persuade Harry not to go to Hogwarts this year. I loved that we got another magical creature into the book and that he was a house elf/servant and explores classes, his relevance in the story is explained as the story progresses. Gilderoy Lockhart is the new professor for the defence against the dark arts, Lockhart is a self obsessed, pompous, egotistical character that is very annoying. Then we have Moaning Myrtle the ghost that haunts the girls toilets, it's in the name really she moans a lot and feels sorry for herself and always crying but again with every character in the book, she has relevance to the story. Ginny Weasley the last of the Weasley clan has started school and is very shy around Harry, it appears she has somewhat of a crush. We have all the same characters as the first book and you get to see Harry, Ron and Hermione grow and develop.
There is a lot of repetition in this book, I think you could read this second book without reading the first as she explains things over again, It is the shortest book among the series but it is fast paced, packed full of adventure and written in true J K Rowling style. It has you gripped all the way through. This isn't my favourite book of the series and I think that is because there are a lot of annoying characters in my opinion.
Favourite character of the book for me so far is Hagrid, I like the way he is written as big softy and the dialect of the dialogue makes him more endearing.
This book is an excellent continuation of the Harry Potter series and definitely recommend the book to anyone.
Cthulhu (5 KP) rated the PlayStation 4 version of Layers of Fear in Video Games
Sep 2, 2018
Disturbing Story (2 more)
Easy movement mechanics
Appealing creepy visuals
Not that scary (2 more)
Too easy
Cliché at times
Good Plot and Visuals, but not that Scary
Contains spoilers, click to show
When I started this game, I was expecting really good quality scares. Unfortunately, this game did not really "scare" me. It was mostly just pop scares with some loud creepy noises here and there. I don't mind a few pop scares, but I was hoping for more creative ways to get scared from a game. The game adds a lot of creepy whispers, running baby dolls, and lights that mysteriously go out-- which was all a bit too cliché for me. *Spoiler- you only see the main "ghost" a few times and I wish there were most instances where it was included.*
Now onto the good part. While the game didn't scare me, I found the plot and ending to be very surprising. It was definitely creative and something new I haven't seen in a game before. You have to pay attention to all readable items and you have to piece it together, but once you figure out what's going on, it's pretty messed up- which is exactly what I was looking for!
The game's mechanics, movements, and how you get around feels a lot like the game PT. I really loved PT and I enjoyed how this game made a similar feel. Every room is different and you don't know what's going to be in it. Most rooms you have to solve puzzles to get to the next one. Some of the puzzles felt a bit too easy for me, but I didn't really mind too much since there were a lot of rooms to get through. I wish some were a bit harder though. Movement wise, there's no fighting and it's all walk and interact with an object here and there. I enjoyed it since it let me focus on the story.
Visually, I liked how creepy the atmosphere was. It was interesting because while a lot of what you saw was "gross looking", there were bits of color and beauty in it from the dad being an artist. I thought the game was beautiful just from that aspect. I loved finding the art in all of the creepy surroundings. Sometimes it got a bit repetitive-- a pretty normal looking room then the next room is all destroyed and in shambles, but for the most part it was interesting to look at.
Overall I really did enjoy this game. It was fun to play for the plot and the visuals, but I wouldn't necessarily play it for the scares or the puzzles. This game is probably for you though if you do like pop scares.
Now onto the good part. While the game didn't scare me, I found the plot and ending to be very surprising. It was definitely creative and something new I haven't seen in a game before. You have to pay attention to all readable items and you have to piece it together, but once you figure out what's going on, it's pretty messed up- which is exactly what I was looking for!
The game's mechanics, movements, and how you get around feels a lot like the game PT. I really loved PT and I enjoyed how this game made a similar feel. Every room is different and you don't know what's going to be in it. Most rooms you have to solve puzzles to get to the next one. Some of the puzzles felt a bit too easy for me, but I didn't really mind too much since there were a lot of rooms to get through. I wish some were a bit harder though. Movement wise, there's no fighting and it's all walk and interact with an object here and there. I enjoyed it since it let me focus on the story.
Visually, I liked how creepy the atmosphere was. It was interesting because while a lot of what you saw was "gross looking", there were bits of color and beauty in it from the dad being an artist. I thought the game was beautiful just from that aspect. I loved finding the art in all of the creepy surroundings. Sometimes it got a bit repetitive-- a pretty normal looking room then the next room is all destroyed and in shambles, but for the most part it was interesting to look at.
Overall I really did enjoy this game. It was fun to play for the plot and the visuals, but I wouldn't necessarily play it for the scares or the puzzles. This game is probably for you though if you do like pop scares.
Gareth von Kallenbach (980 KP) rated Crimson Peak (2015) in Movies
Jun 19, 2019
For Writer/Director Guillermo del Toro horror and the supernatural go hand in hand with much of his work. From Pan’s Labyrinth” to The Strain, and “Hellboy” his unique mix of visuals and compelling characters have made him a darling of the genre.
In his new film “Crimson Peak”, the setting is the cold locales of Buffalo New York and Rural England during the late 1800s, and one where the weather both cold and wet play important parts in the look and plot of the film.
For Edith Cushing (Mia Wasikowska), life is exciting as despite the loss of her mother, her wealthy and supportive father has arranged for her to see her potentially see her stories published. As an avid writer, Edith holds that she has seen the ghost of her mother a secret and uses this as central themes of her writing.
Naturally this does not go well with the times, and she is urged to focus on romantic stories instead. Undaunted, Edith soldiers on unaware that her sheltered and privileged world is going to be upended by the arrival of the dashing Thomas (Tom Hiddleston), and his sister Lucille (Jessica Chastain), who have come to America to secure funding for their business ventures.
Tom came from a wealthy background and has fallen on hard times which have forced him to look for backers abroad. Edith’s father takes a disliking to him and even more so when he begins to court his daughter.
When her father pays off Thomas to leave when parts of his past are uncovered, things become complicated when Edith’s father is brutally killed and it is passed off as an accident. Grief stricken Edith marries Thomas and relocates to his home in England with Lucille to await her inheritance.
Of course things are not as they seem, and the home in which she lives is filled with dark secrets and Edith must find a way to survive the nightmare to which she has become a part of.
The film has some great visuals and a strong cast, but does tend to plod along. It is less of a horror story and more of a drama as the Supernatural element is there mainly to support aspects of the story rather than be the driving point.
My biggest issue with the film aside from pacing was that I was able to figure out where the story was going, twists and all within the first 30 minutes so there were no real surprises for me as it unfolded.
That being said, it was a pleasant enough diversion, I just do not think it will deliver the thrills and chills that audiences are expecting as it is more of a turn of the century drama than a horror film.
http://sknr.net/2015/10/14/crimson-peak/
In his new film “Crimson Peak”, the setting is the cold locales of Buffalo New York and Rural England during the late 1800s, and one where the weather both cold and wet play important parts in the look and plot of the film.
For Edith Cushing (Mia Wasikowska), life is exciting as despite the loss of her mother, her wealthy and supportive father has arranged for her to see her potentially see her stories published. As an avid writer, Edith holds that she has seen the ghost of her mother a secret and uses this as central themes of her writing.
Naturally this does not go well with the times, and she is urged to focus on romantic stories instead. Undaunted, Edith soldiers on unaware that her sheltered and privileged world is going to be upended by the arrival of the dashing Thomas (Tom Hiddleston), and his sister Lucille (Jessica Chastain), who have come to America to secure funding for their business ventures.
Tom came from a wealthy background and has fallen on hard times which have forced him to look for backers abroad. Edith’s father takes a disliking to him and even more so when he begins to court his daughter.
When her father pays off Thomas to leave when parts of his past are uncovered, things become complicated when Edith’s father is brutally killed and it is passed off as an accident. Grief stricken Edith marries Thomas and relocates to his home in England with Lucille to await her inheritance.
Of course things are not as they seem, and the home in which she lives is filled with dark secrets and Edith must find a way to survive the nightmare to which she has become a part of.
The film has some great visuals and a strong cast, but does tend to plod along. It is less of a horror story and more of a drama as the Supernatural element is there mainly to support aspects of the story rather than be the driving point.
My biggest issue with the film aside from pacing was that I was able to figure out where the story was going, twists and all within the first 30 minutes so there were no real surprises for me as it unfolded.
That being said, it was a pleasant enough diversion, I just do not think it will deliver the thrills and chills that audiences are expecting as it is more of a turn of the century drama than a horror film.
http://sknr.net/2015/10/14/crimson-peak/
Sophia (Bookwyrming Thoughts) (530 KP) rated Splintered (Splintered, #1) in Books
Jan 23, 2020
<b>I loved <i>Splintered</i>, even though this is such a peculiar book.</b>
As the descendant of Lewis Carroll's inspiration for <i>Alices Adventures in Wonderland</i>, Alyssa and all the females after Alice Liddell can hear the thoughts of plants and animals. In an attempt to stop the whispers, Alyssa collects bugs and plants and uses them for her art. She keeps it hidden from those around her, but deep down she knows that she'll eventually be in an asylum like her mother. To fix the madness running in her family, Alyssa has to journey down the rabbit hole Alice went and fix her mistakes.
<i>Splintered</i> is quite phenomenal – <b>the writing is extremely vivid</b> and doesn't stray too far from the original classic while the story is being set up. After the story is set up, Howard sends us down the rabbit hole with <b>a dark and grotesque twist of the original classic.</b> We have skeletal rabbits, carnivorous plants, a ghost from Alice's past that's out for vengeance, and other dark creatures that <b>makes Wonderland a complete irony of its name.</b>
But... but... <b>there's a love triangle.</b>
<div class="separator" style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://2.bp.blogspot.com/-vCNbLv8rQAU/VcN_9G7BWAI/AAAAAAAAE0k/XoASwOo_DEA/s1600/giphy.gif"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/08/giphy-2.gif"; width="320" height="179" border="0" /></a></div>
<b>Jeb and Morpheus both have a history with Alyssa</b> – Morpheus just has a past with her in dreams while Jeb has a history with her in flesh and blood. None of them are absolute strangers to Alyssa. <b>They're both possessive and over-protective. They antagonize each other, have a few brawls here and there</b> throughout the story. By the end, <b>Alyssa chooses a side, but we might as well be back at square one</b> when Howard brings us back to the dark makings of Wonderland again in the sequel. There is no way Jeb and Morpheus won't be at each other's throats again.
I like neither of them. I don't like Jeb, I don't like Morpheus. I don't care they're hot – I just don't like them. I feel indifferent towards them and it could go on either a good route or bad route. Enough said on this love triangle.
<b>Simply put, I loved every aspect of <i>Splintered</i> and the dark adventure Howard takes us down the rabbit hole.</b> I just don't like the candidates of this love triangle.
Methinks Tim Burton and other horror directors doth approve of this retelling.
<a href="https://bookwyrmingthoughts.com/review-splintered-by-ag-howard/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
As the descendant of Lewis Carroll's inspiration for <i>Alices Adventures in Wonderland</i>, Alyssa and all the females after Alice Liddell can hear the thoughts of plants and animals. In an attempt to stop the whispers, Alyssa collects bugs and plants and uses them for her art. She keeps it hidden from those around her, but deep down she knows that she'll eventually be in an asylum like her mother. To fix the madness running in her family, Alyssa has to journey down the rabbit hole Alice went and fix her mistakes.
<i>Splintered</i> is quite phenomenal – <b>the writing is extremely vivid</b> and doesn't stray too far from the original classic while the story is being set up. After the story is set up, Howard sends us down the rabbit hole with <b>a dark and grotesque twist of the original classic.</b> We have skeletal rabbits, carnivorous plants, a ghost from Alice's past that's out for vengeance, and other dark creatures that <b>makes Wonderland a complete irony of its name.</b>
But... but... <b>there's a love triangle.</b>
<div class="separator" style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://2.bp.blogspot.com/-vCNbLv8rQAU/VcN_9G7BWAI/AAAAAAAAE0k/XoASwOo_DEA/s1600/giphy.gif"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/08/giphy-2.gif"; width="320" height="179" border="0" /></a></div>
<b>Jeb and Morpheus both have a history with Alyssa</b> – Morpheus just has a past with her in dreams while Jeb has a history with her in flesh and blood. None of them are absolute strangers to Alyssa. <b>They're both possessive and over-protective. They antagonize each other, have a few brawls here and there</b> throughout the story. By the end, <b>Alyssa chooses a side, but we might as well be back at square one</b> when Howard brings us back to the dark makings of Wonderland again in the sequel. There is no way Jeb and Morpheus won't be at each other's throats again.
I like neither of them. I don't like Jeb, I don't like Morpheus. I don't care they're hot – I just don't like them. I feel indifferent towards them and it could go on either a good route or bad route. Enough said on this love triangle.
<b>Simply put, I loved every aspect of <i>Splintered</i> and the dark adventure Howard takes us down the rabbit hole.</b> I just don't like the candidates of this love triangle.
Methinks Tim Burton and other horror directors doth approve of this retelling.
<a href="https://bookwyrmingthoughts.com/review-splintered-by-ag-howard/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
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Charlie Cobra Reviews (1840 KP) rated Crawl (2019) in Movies
Jul 7, 2020
Killer Alligators and Buckets Of Blood
Crawl is a 2019 disaster/horror movie directed by Alexandre Aja and written by Michael and Shawn Rasmussen. It was produced by Sam Raimi and Craig J. Flores and also Ghost House Pictures and Raimi Productions with distribution by Paramount Pictures. The film stars Kaya Scodelario and Barry Pepper.
Beth advises her sister, Haley Keller (Kaya Scodelario), an aspiring University of Florida swimmer to get out of the state, because a Category 5 hurricane is nearing. Concerned for the safety of her father, Dave (Barry Pepper), she goes against police instructions to evacuate, and goes to check on him. Hayley finds Dave's truck at their old Coral Lake home, where she goes into the crawlspace underneath the home to find her father. Now they both find themselves in a struggle for survival as large, ravenous alligators block their escape and they race against time as flood waters rise.
This movie was pretty awesome and better than I thought it was going to be. It was surprisingly delightful the way they built suspense and kept the tension in scenes. It was also pretty brutal with the blood and gore in the kill scenes. Kayla Scodelario performed amazingly and was great as Hayley Keller. Definitely an action-packed blood soaked adventure. The special effects were a little too unrealistic for me, especially in the beginning, which I thought would have bothered me more; but the plight the characters were in was done in such a way, that it just really draws you in. I know a lot of people would probably criticize the alligators behavior in this film too but I'm sure that could be said of movies like Jaws as well. If you don't over analyze it, you'll allow yourself to enjoy a rather exhilarating experience. I give it a 8/10.
This movie was pretty awesome and better than I thought it was going to be. It was surprisingly delightful the way they built suspense and kept the tension in scenes. Kayla Scodelario performed amazingly and was great as Hayley Keller. Definitely an action-packed, blood soaked adventure. The special effects were a little too unrealistic for me, especiallywhich I thought would have bothered me more but the plight the characters were done in such a that it just really draws you in. I know a lot of people would probably criticize the way the alligators behavior in this film but I'm sure that could be said of movies like Jaws as well. If you don't analyze it too harshly you'll allow yourself to enjoy a rather exhilarating experience. I give it a 8/10.
Beth advises her sister, Haley Keller (Kaya Scodelario), an aspiring University of Florida swimmer to get out of the state, because a Category 5 hurricane is nearing. Concerned for the safety of her father, Dave (Barry Pepper), she goes against police instructions to evacuate, and goes to check on him. Hayley finds Dave's truck at their old Coral Lake home, where she goes into the crawlspace underneath the home to find her father. Now they both find themselves in a struggle for survival as large, ravenous alligators block their escape and they race against time as flood waters rise.
This movie was pretty awesome and better than I thought it was going to be. It was surprisingly delightful the way they built suspense and kept the tension in scenes. It was also pretty brutal with the blood and gore in the kill scenes. Kayla Scodelario performed amazingly and was great as Hayley Keller. Definitely an action-packed blood soaked adventure. The special effects were a little too unrealistic for me, especially in the beginning, which I thought would have bothered me more; but the plight the characters were in was done in such a way, that it just really draws you in. I know a lot of people would probably criticize the alligators behavior in this film too but I'm sure that could be said of movies like Jaws as well. If you don't over analyze it, you'll allow yourself to enjoy a rather exhilarating experience. I give it a 8/10.
This movie was pretty awesome and better than I thought it was going to be. It was surprisingly delightful the way they built suspense and kept the tension in scenes. Kayla Scodelario performed amazingly and was great as Hayley Keller. Definitely an action-packed, blood soaked adventure. The special effects were a little too unrealistic for me, especiallywhich I thought would have bothered me more but the plight the characters were done in such a that it just really draws you in. I know a lot of people would probably criticize the way the alligators behavior in this film but I'm sure that could be said of movies like Jaws as well. If you don't analyze it too harshly you'll allow yourself to enjoy a rather exhilarating experience. I give it a 8/10.
Gareth von Kallenbach (980 KP) rated Fast & Furious 9 (2021) in Movies
Jun 23, 2021
F9 The Fast Saga Does Not Offer Anything New But Serves Up An Abundance Of High-Octane; Over The Top Action
After being delayed from a summer 2020 release by the Pandemic; Universal has released the latest film in the Fast and The Furious franchise to fans eager for some adrenaline-fueled summer action.
“F9 The Fast Saga” has done well in the few countries it has already been released, and has raced to a nearly $300 million total which the industry hopes is a signal that people are ready to return to cinemas in numbers again and that the film will take off when it opens in the U.S. and other markets.
The film opens with a flashback to the 1980s where young Dominic and his brother experience an event that changes their lives and drives a wedge between them. Moving forward to the present day, Dom (Vin Diesel) and Letty (Michelle Rodriguez), are living in seclusion with Dom’s son.
When the crew shows up unexpectedly with a mission from Mr. Nobody (Kurt Russell); who has gone missing, the crew venture out to retrieve a missing device which in turn puts them directly in the path with nefarious individuals and a ghost from Dom’s past.
As anyone who has watched any films in the series knows; the plots are often thin and a bit absurd as they serve simply as a device for the cast to assemble and chase a McGuffin to save the day. In doing so; the audience knows there will be an abundance of fists, bullets, cars, crashes, and outrageous stunts along the way.
While reality and credibility are not words associated with the franchise, the cast eagerly plays along with the absurdity, action, and mayhem and gives fans what they want. While the middle portion dragged while the audience was given more of the setup and introduced to cast members old and new; the action sequences are the over-the-top show stoppers which have become a staple of the franchise.
Director Justin Lin knows this and his return to the franchise does not attempt to invoke any new wrinkles and gives fans what they expect. The large ensemble works well with one another and John Cena is a very interesting addition to the cast.
Audiences will want to make sure to stay seated for a bonus scene that sets up the next film or spin-off very well and opens up some very interesting possibilities.
In the end “F9 The Fast Saga” gives audiences a dose of high-octane adrenaline and a return to no-brainer over the top action when it is needed the most. Check your brain at the door, strap in, and enjoy the ride.
3.5 stars out of 5
“F9 The Fast Saga” has done well in the few countries it has already been released, and has raced to a nearly $300 million total which the industry hopes is a signal that people are ready to return to cinemas in numbers again and that the film will take off when it opens in the U.S. and other markets.
The film opens with a flashback to the 1980s where young Dominic and his brother experience an event that changes their lives and drives a wedge between them. Moving forward to the present day, Dom (Vin Diesel) and Letty (Michelle Rodriguez), are living in seclusion with Dom’s son.
When the crew shows up unexpectedly with a mission from Mr. Nobody (Kurt Russell); who has gone missing, the crew venture out to retrieve a missing device which in turn puts them directly in the path with nefarious individuals and a ghost from Dom’s past.
As anyone who has watched any films in the series knows; the plots are often thin and a bit absurd as they serve simply as a device for the cast to assemble and chase a McGuffin to save the day. In doing so; the audience knows there will be an abundance of fists, bullets, cars, crashes, and outrageous stunts along the way.
While reality and credibility are not words associated with the franchise, the cast eagerly plays along with the absurdity, action, and mayhem and gives fans what they want. While the middle portion dragged while the audience was given more of the setup and introduced to cast members old and new; the action sequences are the over-the-top show stoppers which have become a staple of the franchise.
Director Justin Lin knows this and his return to the franchise does not attempt to invoke any new wrinkles and gives fans what they expect. The large ensemble works well with one another and John Cena is a very interesting addition to the cast.
Audiences will want to make sure to stay seated for a bonus scene that sets up the next film or spin-off very well and opens up some very interesting possibilities.
In the end “F9 The Fast Saga” gives audiences a dose of high-octane adrenaline and a return to no-brainer over the top action when it is needed the most. Check your brain at the door, strap in, and enjoy the ride.
3.5 stars out of 5