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Heather Cranmer (2721 KP) rated When We Fall in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I wanted to love When We Fall by Peter Giglio because it sounded so ominous and scary. However, it was only an alright read that wasn't very scary at all. In fact, I didn't think there was enough ghostliness. All in all, this is a book that's not very memorable at all.
I don't feel like the title conveys what the book is about in the slightest. Personally, I like books to at least give a subtle hint in their title.
I do like the cover however. Ben loves making Super 8 films, and it's on the roll of film that he notices a ghostly image.
The world building was fairly believable. The problem that I had with this book is that a popular 17 year old girl would want to hang out with a unpopular 13 year old boy. Yes, I understand that she's his babysitter, but she spends time with him just because as well. Not only that, but she ends up kissing him at one point!
The pacing was alright. When We Fall is a novella so it can be easily read in one sitting. The pacing did hold my attention until the very end which I was happy about.
I felt that the plot was a bit weak. It was as if this book didn't know if it wanted to be a coming of age story or a paranormal story. The coming of age side of the story works rather well, but it was the paranormal side that was a bit weak. For example, we're led to believe that Ben is seeing and hearing his dead best friend in his room. Yet that's the only encounter we ever read about. So was that all in Ben's mind or was Johnny, his best friend, actually a ghost? There's only one more incident where there's possibly a ghost. I really wish this focused more on the horror/paranormal aspect.
Ben felt like a well developed character. It was easy enough to believe what he was feeling especially when it came to his crush on Aubrey. Ben seemed like a "normal" 13 year old boy. I didn't like Audrey. She didn't feel like an average 17 year old girl. As I said before, she's a popular girl hanging out with a 13 year old boy when she could be hanging out with friends her own age. Plus, I felt as if she took advantage of Ben sometimes.
The dialogue seemed to flow rather well. I also loved reading about how Ben was feeling. There were a few swear words throughout the book.
Overall, while When We Fall is an alright book, it lacks a certain something. Perhaps it needed more of a horror element to it especially as the blurb leads us to believe this is going to be a scary horror book. Unfortunately, When We Fall by Peter Giglio is a forgettable book.
I'd recommend this book to those aged 15+ who are looking for a read that will help them pass some time or for those who like books with a light paranormal theme.
</b>I'd give When We Fall by Peter Giglio a 2.5 out of 5.</b>
(I received this ebook for free from the publisher through Netgalley in exchange for a fair and honest review).
I wanted to love When We Fall by Peter Giglio because it sounded so ominous and scary. However, it was only an alright read that wasn't very scary at all. In fact, I didn't think there was enough ghostliness. All in all, this is a book that's not very memorable at all.
I don't feel like the title conveys what the book is about in the slightest. Personally, I like books to at least give a subtle hint in their title.
I do like the cover however. Ben loves making Super 8 films, and it's on the roll of film that he notices a ghostly image.
The world building was fairly believable. The problem that I had with this book is that a popular 17 year old girl would want to hang out with a unpopular 13 year old boy. Yes, I understand that she's his babysitter, but she spends time with him just because as well. Not only that, but she ends up kissing him at one point!
The pacing was alright. When We Fall is a novella so it can be easily read in one sitting. The pacing did hold my attention until the very end which I was happy about.
I felt that the plot was a bit weak. It was as if this book didn't know if it wanted to be a coming of age story or a paranormal story. The coming of age side of the story works rather well, but it was the paranormal side that was a bit weak. For example, we're led to believe that Ben is seeing and hearing his dead best friend in his room. Yet that's the only encounter we ever read about. So was that all in Ben's mind or was Johnny, his best friend, actually a ghost? There's only one more incident where there's possibly a ghost. I really wish this focused more on the horror/paranormal aspect.
Ben felt like a well developed character. It was easy enough to believe what he was feeling especially when it came to his crush on Aubrey. Ben seemed like a "normal" 13 year old boy. I didn't like Audrey. She didn't feel like an average 17 year old girl. As I said before, she's a popular girl hanging out with a 13 year old boy when she could be hanging out with friends her own age. Plus, I felt as if she took advantage of Ben sometimes.
The dialogue seemed to flow rather well. I also loved reading about how Ben was feeling. There were a few swear words throughout the book.
Overall, while When We Fall is an alright book, it lacks a certain something. Perhaps it needed more of a horror element to it especially as the blurb leads us to believe this is going to be a scary horror book. Unfortunately, When We Fall by Peter Giglio is a forgettable book.
I'd recommend this book to those aged 15+ who are looking for a read that will help them pass some time or for those who like books with a light paranormal theme.
</b>I'd give When We Fall by Peter Giglio a 2.5 out of 5.</b>
(I received this ebook for free from the publisher through Netgalley in exchange for a fair and honest review).
Sarah (7798 KP) rated Rebecca (2020) in Movies
Nov 1, 2020
A dull adaptation
Rebecca is an adaptation of Daphne Du Maurier’s 1938 novel of the same name, following a young woman’s whirlwind romance and her battle to rid her new marriage and home of the shadow of her husband’s first wife.
Rebecca as a novel is a classic and a book I very much enjoyed, and whilst I’ve never seen the Hitchcock adaptation, it’s often referred to as a fairly legendary classic too. However I’m afraid to say the same cannot be said about this new version. The basic plot and story is present, although rather frustratingly the ending has been extended unnecessarily, but it has not been executed very well.
The trailer made this look quite sinister and spooky, which is quite right when the original novel is a gothic horror with aspects of a ghost story thrown in. However this film turns out to be nothing of the sort. It’s more of a romantic drama with a hint of thriller thrown in – the gothic horror ghost story is nowhere to be seen and neither is any form of intrigue or suspense. In fact I’d be so bold as to say this is just outright dull, and even the campy over the top sinister vibes from Kristin Scott Thomas’s housekeeper Mrs Danvers are laughable at best. The most interesting part of this was the opening scene with it’s sinister score but this just didn’t carry through to the rest of the film.
Sadly the cast don’t fare very well in this either. Lily James is a great actor, but her version of the new wife is too mousy and timid and you wonder what on earth Maxim ever sees in her. The character herself is very frustrating and irksome as she’s far too naïve and sweet. And Armie Hammer is miscast as Maxim De Winter himself. He looks the part, dashing and handsome, but he’s lacking in the intrigue, charm and secrecy that you’d expect this character to have. He’s also missing the age gap that is rather notable in the book.
The cinematography in this is rather concerning. The scenes in Monte Carlo are far too colourful and garish and they just look out of place, even more so for something that is meant to be a gothic horror. I’m unsure of why this has been done, other than to show a striking difference between Monte Carlo and Maxim’s Cornish home of Manderley. In fact what is most concerning about this film is why Ben Wheatley wanted to direct it. By far the biggest shock of this film was finding out Wheatley, of Kill List and Sightseers fame, had directed it. Wheatley is known for psychological dark (and often funny) thrillers and there is nothing of his style to be seen in this film at all. Which is a shame, as I think a little more of his dark style would’ve propelled this film into more than just a sub-par drama.
Overall this a very disappointing and long winded adaptation of a classic novel. Whilst there are a few decent scenes and a good, if not out of character, performance from Lily James, these are nowhere near enough to save this from being a bit of a bore.
Rebecca as a novel is a classic and a book I very much enjoyed, and whilst I’ve never seen the Hitchcock adaptation, it’s often referred to as a fairly legendary classic too. However I’m afraid to say the same cannot be said about this new version. The basic plot and story is present, although rather frustratingly the ending has been extended unnecessarily, but it has not been executed very well.
The trailer made this look quite sinister and spooky, which is quite right when the original novel is a gothic horror with aspects of a ghost story thrown in. However this film turns out to be nothing of the sort. It’s more of a romantic drama with a hint of thriller thrown in – the gothic horror ghost story is nowhere to be seen and neither is any form of intrigue or suspense. In fact I’d be so bold as to say this is just outright dull, and even the campy over the top sinister vibes from Kristin Scott Thomas’s housekeeper Mrs Danvers are laughable at best. The most interesting part of this was the opening scene with it’s sinister score but this just didn’t carry through to the rest of the film.
Sadly the cast don’t fare very well in this either. Lily James is a great actor, but her version of the new wife is too mousy and timid and you wonder what on earth Maxim ever sees in her. The character herself is very frustrating and irksome as she’s far too naïve and sweet. And Armie Hammer is miscast as Maxim De Winter himself. He looks the part, dashing and handsome, but he’s lacking in the intrigue, charm and secrecy that you’d expect this character to have. He’s also missing the age gap that is rather notable in the book.
The cinematography in this is rather concerning. The scenes in Monte Carlo are far too colourful and garish and they just look out of place, even more so for something that is meant to be a gothic horror. I’m unsure of why this has been done, other than to show a striking difference between Monte Carlo and Maxim’s Cornish home of Manderley. In fact what is most concerning about this film is why Ben Wheatley wanted to direct it. By far the biggest shock of this film was finding out Wheatley, of Kill List and Sightseers fame, had directed it. Wheatley is known for psychological dark (and often funny) thrillers and there is nothing of his style to be seen in this film at all. Which is a shame, as I think a little more of his dark style would’ve propelled this film into more than just a sub-par drama.
Overall this a very disappointing and long winded adaptation of a classic novel. Whilst there are a few decent scenes and a good, if not out of character, performance from Lily James, these are nowhere near enough to save this from being a bit of a bore.
Main Character (1 more)
Short Chapters
Unnecessarily long (2 more)
The subplot was better than the Main Plot
Supporting Characters not given enough development
About 200 pages too long
After M.R Carey blew me away with the novel THE GIRL WITH ALL THE GIFTS i couldn't wait to read the follow up FELLSIDE. Unfortunately i was left a little disappointed, the opening was great setting up the character of Jess Moulson and why and how she has ended up in Fellside Womens prison. But once the opening court case and transfer to Fellside was complete it became a bit lackluster, with the introduction of prison politics, unrounded and redundant characters and Ghosts. Yes Ghosts! the Supernatural element to the story actually makes it feel rather stupid when compared with the darkend side of humanity the reside in the prison.
The book is approximately 500 pages long and i felt like it was a 300 page story dragged out. However if you stick with it the pay is worth it for the best part. Unfortunately the actual climax itself was an absolute mess. I found that about half way through the book i stopped caring about the main plot which focused on the supernatural part and Jess and her promise to the ghost of the little boy she has killed, and i became more interested in the subplots, involving drug smuggling, re-trials and a potential friendship/relationship with her lawyers assistant. I found that we are given some extensive time to characters who are the medical staff in the prison which proved to be way way too much for the relative small role they actual play in the story, and characters that i would have thought would have been more prominent and created much more interesting reading such as Jess' boyfriend John, her cell mate and the Prison Warden were never really fleshed out and barely anything more than inanimate object being pushed in place.
I did enjoy Jess Moulson as a main character, she is presented as a timid, repentant, emotionally and defiantly physically scarred and M.R Carey did make her a stereotypical drop out waster drug user or loud mouth bully inmate and think that is the strong credit here. Her situation does dictate her actions and decisions greatly but unfortunately it does seem like she is the only character that has that depth to her.
The book is approximately 500 pages long and i felt like it was a 300 page story dragged out. However if you stick with it the pay is worth it for the best part. Unfortunately the actual climax itself was an absolute mess. I found that about half way through the book i stopped caring about the main plot which focused on the supernatural part and Jess and her promise to the ghost of the little boy she has killed, and i became more interested in the subplots, involving drug smuggling, re-trials and a potential friendship/relationship with her lawyers assistant. I found that we are given some extensive time to characters who are the medical staff in the prison which proved to be way way too much for the relative small role they actual play in the story, and characters that i would have thought would have been more prominent and created much more interesting reading such as Jess' boyfriend John, her cell mate and the Prison Warden were never really fleshed out and barely anything more than inanimate object being pushed in place.
I did enjoy Jess Moulson as a main character, she is presented as a timid, repentant, emotionally and defiantly physically scarred and M.R Carey did make her a stereotypical drop out waster drug user or loud mouth bully inmate and think that is the strong credit here. Her situation does dictate her actions and decisions greatly but unfortunately it does seem like she is the only character that has that depth to her.
Kristy H (1252 KP) rated Don't You Cry in Books
Feb 13, 2018
Quinn and Esther are roommates trying to get by in Chicago. When Esther disappears without a trace, Quinn is confused and worried. It's not like her friend to just vanish. As Quinn starts looking into things more, she finds some disturbing papers and items among Esther's things. Quinn begins to wonder: how much did she really know her roommate? Was she really the sweet, kind person she thought her to be? Meanwhile, in a Michigan town on the outskirts of Chicago, Alex is working his life away while his high school friends live theirs miles away. Saddled by caring for his alcoholic father, Alex feels trapped by his job washing dishes in this small town. However, his life becomes more interesting when a lovely young woman appears in town and catches his attention. Alex watches her and names her Pearl, due to the bracelet she wears on her wrist. As Quinn becomes increasingly worried about Esther, Alex simultaneously gets drawn more into Pearl's web.
Kubica's novel catches your attention right away, but for me, it really picks up about halfway through. The second half is a thrilling roller coaster ride full of suspense and plot twists. It keeps you guessing and surprised. The beginning dragged a bit; I found Quinn frustrating and was irritated by her lack of initiative in finding Esther. Why doesn't she call Esther's cell phone immediately? Or look at the whiteboard the roommates share that details their comings and goings? Combined with some of that, her jump to conclusions about Esther's personality seem a bit implausible.
However, the second half really does make up for a lot. Alex and Pearl's story is pretty mesmerizing, as it weaves in a ghost story from his small town, passed on through the townsfolk. By alternating between Alex and Quinn's point of view, Kubica does an excellent job of constructing her story, while still drawing out the twists and turns. I kept thinking I'd figured out parts of the plot, only to be surprised or proved wrong. The last half of the book will keep you up reading, desperately wanting to find out what happened to Esther. Overall, 3.5 stars.
I received an ARC of this book from Edelweiss (thank you!); it is available everywhere on 5/17.
Kubica's novel catches your attention right away, but for me, it really picks up about halfway through. The second half is a thrilling roller coaster ride full of suspense and plot twists. It keeps you guessing and surprised. The beginning dragged a bit; I found Quinn frustrating and was irritated by her lack of initiative in finding Esther. Why doesn't she call Esther's cell phone immediately? Or look at the whiteboard the roommates share that details their comings and goings? Combined with some of that, her jump to conclusions about Esther's personality seem a bit implausible.
However, the second half really does make up for a lot. Alex and Pearl's story is pretty mesmerizing, as it weaves in a ghost story from his small town, passed on through the townsfolk. By alternating between Alex and Quinn's point of view, Kubica does an excellent job of constructing her story, while still drawing out the twists and turns. I kept thinking I'd figured out parts of the plot, only to be surprised or proved wrong. The last half of the book will keep you up reading, desperately wanting to find out what happened to Esther. Overall, 3.5 stars.
I received an ARC of this book from Edelweiss (thank you!); it is available everywhere on 5/17.
Jesters_folly (230 KP) rated Scary Stories to Tell in the Dark (2019) in Movies
Aug 21, 2019
Contains spoilers, click to show
Scary Stories to tell in the dark is a film based on a series of children’s books famed for its terrifying art work. The film tells of what happens when a group of children discover the story book of Sarah Bellows, the town’s urban legend who is supposed to have poisoned and killed the children who heard her stories.
Scary Stories is one of those films that takes a mix of different horror elements, put’s them through a blender and sees what comes out; it is part Slasher, as a number of the children get attacked and killed in a variety of different ways, part J-Horror as the children have to find out what it will take to stop Sarah (in a similar style to the Ring or The Grudge), and part monster movie as a variety of creatures are set out after the children.
The one thing Scary Stories isn’t is a children’s film, the monsters are heavily based upon the art work from the original books and, after a slow beginning the tension and atmosphere are ramped up. There are a few jump scares but the film does not rely solely on these and the ones there are, are well crafted, you know something is going to happen but not when. Some of the children do died, although not in bloody ways.
For a film based on a series of stories ‘Scary Stories to tell in the dark’ doesn’t quite become an anthology movie which is a bit surprising, each monster has its own back story however, these back stories quickly become secondary as the hunt for the truth about Sarah takes over.
I think, at its heart, Scary Stories is mostly a classic ghost story, the book is a classic cursed item like the video tape in the ring or the mirror in mirror mirror (the horror film not the Disney one) which is fuelled by Sarah’s anger at the injustices she suffered when she was alive and which can be negated when something is put right. Of course anyone who has seen more than a few horror movies knows that a bad spirit can’t be kept down for long and Scary Stories to Tell in the Dark does leave the way open for a sequel.
Scary Stories is one of those films that takes a mix of different horror elements, put’s them through a blender and sees what comes out; it is part Slasher, as a number of the children get attacked and killed in a variety of different ways, part J-Horror as the children have to find out what it will take to stop Sarah (in a similar style to the Ring or The Grudge), and part monster movie as a variety of creatures are set out after the children.
The one thing Scary Stories isn’t is a children’s film, the monsters are heavily based upon the art work from the original books and, after a slow beginning the tension and atmosphere are ramped up. There are a few jump scares but the film does not rely solely on these and the ones there are, are well crafted, you know something is going to happen but not when. Some of the children do died, although not in bloody ways.
For a film based on a series of stories ‘Scary Stories to tell in the dark’ doesn’t quite become an anthology movie which is a bit surprising, each monster has its own back story however, these back stories quickly become secondary as the hunt for the truth about Sarah takes over.
I think, at its heart, Scary Stories is mostly a classic ghost story, the book is a classic cursed item like the video tape in the ring or the mirror in mirror mirror (the horror film not the Disney one) which is fuelled by Sarah’s anger at the injustices she suffered when she was alive and which can be negated when something is put right. Of course anyone who has seen more than a few horror movies knows that a bad spirit can’t be kept down for long and Scary Stories to Tell in the Dark does leave the way open for a sequel.
Sarah (7798 KP) rated the PlayStation 4 version of The Dark Pictures Anthology: Man of Medan in Video Games
May 29, 2020
A thrilling play
Games like this dont appeal to everyone. It's not full of action, beating people up or a massive open world full of free play. It also doesnt drag on for 40+ hours. However for people like me who struggle with those type of games, Man of Medan is a breath of fresh air.
I'd previously played and rather enjoyed Until Dawn, and I'm pleased to say this follows much in the same vein although it's probably a much shorter story. Graphically this is very impressive looking and like Until Dawn, they've thrown in yet another recognisable face (this time it's Shawn Ashmore aka Bobby from X-Men). The characters look amazing and the setting too. The story too is a good and interesting one, although it does feel a little similar to other stories (like Ghost Ship) and may be a tad predictable. We worked out what was going on well before the third act. That said, I still found it to be absolutely terrifying. Playing a game like this is a lot scarier than watching any horror film!
The gameplay works really well. The fact that you can play this with friends, either online or couch co-op, adds another fun dimension to it all. The decision making also means that there are so many different endings and outcomes (I believe there's over 60 possible ways for the characters to die) that the replayability is surprisingly better than you'd expect. Admittedly it would probably get a bit tedious trying to uncover absolutely everything and all possible outcomes, but playing a few times over is still enjoyable.
The only downsides are the lag and load issues. Most likely due to the decision making process and actions, there is a noticeable lag in some of the cut scenes and movements which is bearable but can noticeably affect the smooth running of the game. There's also the characters themselves. They look great, but they're very cliched and have very little personality or interest too them. And the script is a little cheesy at times which only further impacts with a slight dislike of the characters. Part of me actually wanted to kill them all off...
Overall a great story and an interesting game to play, if you're looking for something a little different.
I'd previously played and rather enjoyed Until Dawn, and I'm pleased to say this follows much in the same vein although it's probably a much shorter story. Graphically this is very impressive looking and like Until Dawn, they've thrown in yet another recognisable face (this time it's Shawn Ashmore aka Bobby from X-Men). The characters look amazing and the setting too. The story too is a good and interesting one, although it does feel a little similar to other stories (like Ghost Ship) and may be a tad predictable. We worked out what was going on well before the third act. That said, I still found it to be absolutely terrifying. Playing a game like this is a lot scarier than watching any horror film!
The gameplay works really well. The fact that you can play this with friends, either online or couch co-op, adds another fun dimension to it all. The decision making also means that there are so many different endings and outcomes (I believe there's over 60 possible ways for the characters to die) that the replayability is surprisingly better than you'd expect. Admittedly it would probably get a bit tedious trying to uncover absolutely everything and all possible outcomes, but playing a few times over is still enjoyable.
The only downsides are the lag and load issues. Most likely due to the decision making process and actions, there is a noticeable lag in some of the cut scenes and movements which is bearable but can noticeably affect the smooth running of the game. There's also the characters themselves. They look great, but they're very cliched and have very little personality or interest too them. And the script is a little cheesy at times which only further impacts with a slight dislike of the characters. Part of me actually wanted to kill them all off...
Overall a great story and an interesting game to play, if you're looking for something a little different.
Lindsay (1717 KP) rated Bound Across Time (Bound #1) in Books
Jun 16, 2024
Bound Across Time is intrigued with the title. The description also pulled me in. Who doesn't like a bit of paranormal with historical fiction mixed in? I was surprised by something I usually do not read, which brings in some magic.
Bound Across Time offers a unique perspective, blending historical fiction with elements of time travel or 'time slipping '. The narrative is enriched by a female main character, a rarity in this genre. Alongside her, a male main character adds depth to the story. The book initially presents itself as a blend of paranormal romance and historical fiction, a combination that it delivers on.
Though most of the story action takes place in the castle and its grounds, I do like that the author included a bit of witchcraft and soulers. Though the pace of the book at the beginning is a bit slow, it does pick up and get a bit more interesting when things start to happen without FMC and our MMC meeting each other.
Bound Across Time weaves a tantalizing mystery into its narrative, keeping the reader on the edge of their seat. The FMC's initial ignorance of her family history adds a layer of intrigue, and as the story unfolds, her research on a young man who is a ghost leads to unexpected and fascinating revelations. This element of suspense is a major draw for readers interested in historical fiction with a paranormal twist.
CeCe wants to go to Wales to use her history degree. What she finds is different from what she expected. The plot is really good. However, I was unsure if CeCe found out who she was in the plot. But it was good nonetheless. Mixing in love and witchcraft and a little magic was really good. I enjoyed it and will read more about it. The ending has me wanting more. I would have liked to hear more about CeCe and her lover.
This book may be your ally if you're a fan of witchcraft and historical fiction with a paranormal romance. I was craving to find out more about CeCe and what happened at the end. I wanted more, and there is a bit of explicit sex in this book, but nothing to offend anyone. Does CeCe and her lover have sons or not, or does CeCe have a big family? You will need to find out by reading.
Bound Across Time offers a unique perspective, blending historical fiction with elements of time travel or 'time slipping '. The narrative is enriched by a female main character, a rarity in this genre. Alongside her, a male main character adds depth to the story. The book initially presents itself as a blend of paranormal romance and historical fiction, a combination that it delivers on.
Though most of the story action takes place in the castle and its grounds, I do like that the author included a bit of witchcraft and soulers. Though the pace of the book at the beginning is a bit slow, it does pick up and get a bit more interesting when things start to happen without FMC and our MMC meeting each other.
Bound Across Time weaves a tantalizing mystery into its narrative, keeping the reader on the edge of their seat. The FMC's initial ignorance of her family history adds a layer of intrigue, and as the story unfolds, her research on a young man who is a ghost leads to unexpected and fascinating revelations. This element of suspense is a major draw for readers interested in historical fiction with a paranormal twist.
CeCe wants to go to Wales to use her history degree. What she finds is different from what she expected. The plot is really good. However, I was unsure if CeCe found out who she was in the plot. But it was good nonetheless. Mixing in love and witchcraft and a little magic was really good. I enjoyed it and will read more about it. The ending has me wanting more. I would have liked to hear more about CeCe and her lover.
This book may be your ally if you're a fan of witchcraft and historical fiction with a paranormal romance. I was craving to find out more about CeCe and what happened at the end. I wanted more, and there is a bit of explicit sex in this book, but nothing to offend anyone. Does CeCe and her lover have sons or not, or does CeCe have a big family? You will need to find out by reading.
Hadley (567 KP) rated The Haunted in Books
Jun 23, 2019
A lot of inconsistencies (1 more)
Stereo-typical characters
A murder begins the story of 'The Haunted,' where Vega starts with every parent's nightmare:
a little girl named Maribeth is killed in the cellar of the Steele House by an unseen force. We jump to three years later, where our main character, Hendricks, is moving into this house with her parents and baby brother- - - a family that is unaware of the murder that took place in the cellar. Vega does a wonderful job of steering the paranormal aspects away from the usual ones that most readers are used to. But although the story is good, the writing is poorly executed.
Starting with the teenaged girl Hendricks, she tells us that she refuses to be a stereo-type, but her first thoughts on the ride to school are of her ex-boyfriend, Grayson. But this is a young adult book, so a young girl obsessing over her ex is to be expected. Yet, when Hendricks gets to her new high school, she quickly begins to stereo-type everyone she meets by what they are wearing. Unfortunately, every character in this story, including Hendricks parents, are stereo-types. Eddie, who wears nothing but black clothing, is the outcast; Portia, who wears too short of skirts and too tight of shirts, is the makeup obsessed girly-girl; Raven, who tries to be funny, is the sporty best friend, and, Connor, who seems to be the only character that Vega tried to keep away from his stereo-type, is a friendly jock who loves his large family.
Readers learn early on that Hendricks' break-up with her ex, Grayson, was a traumatic event for her- - - as Hendricks releases more and more memories, it's soon easy to see that the relationship was an emotional abusive one; from Grayson telling her how to dress to him influencing the way she acted around other people, including who she was allowed to be around. In the middle of all this, Hendricks begins to learn the history of the Steele House, and we find out that Maribeth may not have been the only one murdered there. When Hendricks isn't trying to drink alcohol in almost every chapter, she begins experiencing strange things in the house, including one very similar to Maribeth's experience, but sadly, the paranormal aspect is the only good part of this book.
'The Haunted' could have been a great story, but there are so many inconsistencies, some even on the very next page. Such as, on page 44, Hendricks sees a singing doll waking up her baby brother inside his room (Vega literally states 'in the middle of his room'), but the very next page, Hendricks is suddenly scooping up the doll outside of her brother's room to put it away. On page 157, Hendricks is being pinned against a wall in the cellar by an unseen force, one of her arms is against her back, but suddenly she is able to use both hands to push off the wall, but it was never stated that her arm became unpinned.
One of Vega's biggest mistakes in 'The Haunted' was using the same handful of descriptions for emotions with every single character throughout the entire book. Such as, if a character was trying to make a decision, they always bit their lip; if a character was confused, they always furrowed their brow; if a character was embarrassed, they always had a reddening face. Vega never took advantage of other body language to convey these emotions, causing the story to come up short.
As I have said, the only good part of this book was the paranormal aspect, and the ghosts happen to be the only interesting characters. If I had to choose my favorite part of this story, I would have to choose when Eddie and Hendricks bring in the occult store owner, Ileana. Following this chapter, the best part of the paranormal aspects happen, but I don't want to spoil that for anyone who may want to read this. Vega is crafty in keeping up the suspense throughout this entire time, this is apparently where her strength in writing occurs. She amazingly describes scenes where readers can easily imagine them happening in reality. Her take on hauntings is one that is rarely seen and I think should be utilized in paranormal fiction more often.
'The Haunting' just didn't add up for me. It seems the story was written too hastily that beginning writer mistakes were made and overlooked, but most young adult readers may be able to look past this. Like Stephen King, Vega has great story-telling power in the horror genre, but in 'The Haunting,' I don't feel she was fully able to display this because the focus on Hendricks' life drama took over most of it. If I were to recommend this to anyone, I would only recommend it to people who like teenaged drama mixed in with a ghost story.
a little girl named Maribeth is killed in the cellar of the Steele House by an unseen force. We jump to three years later, where our main character, Hendricks, is moving into this house with her parents and baby brother- - - a family that is unaware of the murder that took place in the cellar. Vega does a wonderful job of steering the paranormal aspects away from the usual ones that most readers are used to. But although the story is good, the writing is poorly executed.
Starting with the teenaged girl Hendricks, she tells us that she refuses to be a stereo-type, but her first thoughts on the ride to school are of her ex-boyfriend, Grayson. But this is a young adult book, so a young girl obsessing over her ex is to be expected. Yet, when Hendricks gets to her new high school, she quickly begins to stereo-type everyone she meets by what they are wearing. Unfortunately, every character in this story, including Hendricks parents, are stereo-types. Eddie, who wears nothing but black clothing, is the outcast; Portia, who wears too short of skirts and too tight of shirts, is the makeup obsessed girly-girl; Raven, who tries to be funny, is the sporty best friend, and, Connor, who seems to be the only character that Vega tried to keep away from his stereo-type, is a friendly jock who loves his large family.
Readers learn early on that Hendricks' break-up with her ex, Grayson, was a traumatic event for her- - - as Hendricks releases more and more memories, it's soon easy to see that the relationship was an emotional abusive one; from Grayson telling her how to dress to him influencing the way she acted around other people, including who she was allowed to be around. In the middle of all this, Hendricks begins to learn the history of the Steele House, and we find out that Maribeth may not have been the only one murdered there. When Hendricks isn't trying to drink alcohol in almost every chapter, she begins experiencing strange things in the house, including one very similar to Maribeth's experience, but sadly, the paranormal aspect is the only good part of this book.
'The Haunted' could have been a great story, but there are so many inconsistencies, some even on the very next page. Such as, on page 44, Hendricks sees a singing doll waking up her baby brother inside his room (Vega literally states 'in the middle of his room'), but the very next page, Hendricks is suddenly scooping up the doll outside of her brother's room to put it away. On page 157, Hendricks is being pinned against a wall in the cellar by an unseen force, one of her arms is against her back, but suddenly she is able to use both hands to push off the wall, but it was never stated that her arm became unpinned.
One of Vega's biggest mistakes in 'The Haunted' was using the same handful of descriptions for emotions with every single character throughout the entire book. Such as, if a character was trying to make a decision, they always bit their lip; if a character was confused, they always furrowed their brow; if a character was embarrassed, they always had a reddening face. Vega never took advantage of other body language to convey these emotions, causing the story to come up short.
As I have said, the only good part of this book was the paranormal aspect, and the ghosts happen to be the only interesting characters. If I had to choose my favorite part of this story, I would have to choose when Eddie and Hendricks bring in the occult store owner, Ileana. Following this chapter, the best part of the paranormal aspects happen, but I don't want to spoil that for anyone who may want to read this. Vega is crafty in keeping up the suspense throughout this entire time, this is apparently where her strength in writing occurs. She amazingly describes scenes where readers can easily imagine them happening in reality. Her take on hauntings is one that is rarely seen and I think should be utilized in paranormal fiction more often.
'The Haunting' just didn't add up for me. It seems the story was written too hastily that beginning writer mistakes were made and overlooked, but most young adult readers may be able to look past this. Like Stephen King, Vega has great story-telling power in the horror genre, but in 'The Haunting,' I don't feel she was fully able to display this because the focus on Hendricks' life drama took over most of it. If I were to recommend this to anyone, I would only recommend it to people who like teenaged drama mixed in with a ghost story.
Merissa (11950 KP) rated Ghost Moon (The Wolfborne Saga #4) in Books
Jan 20, 2020
Ghost Moon is the fourth book in The Wolfborne Saga and we continue with Zev's story. Isley doesn't feature in this one so I'm guessing she isn't 'the one' for Zev (for now, at least). Instead, we have Zev and the usual crew trying to clear up after the earthquake and also find reason to keep going. Virgo is especially hard hit after the events at the end of the prior book.
Now, I know I said I thought Dark Coven was the best so far, and it was... until this one. This one has just ticked all of my boxes, making me devour the whole book in one sitting.
There are many emotions in this book, some good, and some bad. I certainly feel for Zev, and for Ceren, but in different ways. I thought my heart would break with Virgo but then he had to act like a tool at the end. I know I will still like him for it in the next book, but I struggled to understand just HOW he could do that to Zev. Zev isn't Virgo's pet, to do as he wishes, and Zev's agreement was never sought. I found this to be very disappointing and so am hopeful Virgo will redeem himself soon.
As for the rest of it, you still have an amazing supporting cast, and now the werewolves aren't as many, you can see the different temperaments coming through. The pacing remains smooth and the story keeps you turning the pages.
This is definitely my favourite of the series so far but I also highly recommend reading them in order as it just won't make any sense if you don't.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Now, I know I said I thought Dark Coven was the best so far, and it was... until this one. This one has just ticked all of my boxes, making me devour the whole book in one sitting.
There are many emotions in this book, some good, and some bad. I certainly feel for Zev, and for Ceren, but in different ways. I thought my heart would break with Virgo but then he had to act like a tool at the end. I know I will still like him for it in the next book, but I struggled to understand just HOW he could do that to Zev. Zev isn't Virgo's pet, to do as he wishes, and Zev's agreement was never sought. I found this to be very disappointing and so am hopeful Virgo will redeem himself soon.
As for the rest of it, you still have an amazing supporting cast, and now the werewolves aren't as many, you can see the different temperaments coming through. The pacing remains smooth and the story keeps you turning the pages.
This is definitely my favourite of the series so far but I also highly recommend reading them in order as it just won't make any sense if you don't.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Ghost Owl is a story of Mariah Easter. Will she find out about her potential and learn about herself? She seems to struggle with her gift. I love the fact that Nacy show us a way into the afterlife and that maybe we are all reincarnate or we move through space and different dimensions of space.
Is everything an illusion or is it something as we see what want to make or see what we want to see? Is life as we see it or is what we think it is. Could it be that there are different parts of world that we can travel to any dimensions we want to and choose to live in the dimension where were born or do want to go higher. Is there nothing in this world, we do not exist. We are in body to experience that lifetime but then shred it and go to another life or travel somewhere else.
As we travel though Mariah Journey, is death even real? Nancy has you guessing and trying to believe that maybe we come back and travel to dimension and live there. It just us making that choice. Are what we pass to the next life and experience higher. Mariah meets someone and what about this new gift and maybe smell she or essence she got. What tribe is part of and why? We learn some of this as we read about Mariah Easter and her journey.
Is everything an illusion or is it something as we see what want to make or see what we want to see? Is life as we see it or is what we think it is. Could it be that there are different parts of world that we can travel to any dimensions we want to and choose to live in the dimension where were born or do want to go higher. Is there nothing in this world, we do not exist. We are in body to experience that lifetime but then shred it and go to another life or travel somewhere else.
As we travel though Mariah Journey, is death even real? Nancy has you guessing and trying to believe that maybe we come back and travel to dimension and live there. It just us making that choice. Are what we pass to the next life and experience higher. Mariah meets someone and what about this new gift and maybe smell she or essence she got. What tribe is part of and why? We learn some of this as we read about Mariah Easter and her journey.