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Haley Mathiot (9 KP) rated How to Knit a Wild Bikini in Books

Apr 27, 2018  
HT
How to Knit a Wild Bikini
Christie Ridgway | 2008
6
6.0 (1 Ratings)
Book Rating
Rating: 3.5

Nikki's bad knee has ended her career as a chef, and she has switched to being a personal cook for a journalist of a very popular men's magazine. Jay Buchanan needs a cook for one month, and no more. He has sworn off women for the rest of the year (due to women being so darn complicated) and is hesitant to hire a female cook. Desperate to get the job and pay the bills, Nikki claims to be a lesbian so he'll hire her and not be worried about his "year-without-women" coming to an end. Jay agrees, as long as she pretends to be his girlfriend… to get the clingy girl-next-door to give him some space. Nikki is now a girlfriend-fake-lesbian-chef-with-some-benefits. Emphasis on the some.

Nikki is pretty sure she can handle one month of cooking for a rich, stuck-up, spoiled, gorgeous man, as long as she keeps their relationship strictly professional, and keeps up her facades. But she doesn't take into account the idea of Jay falling in love with her… and her falling right back. But Nikki has some ghosts in her closet. Can she let go of them and learn to love Jay?

How to Knit a Wild Bikini was a cute, slightly sappy, yet enjoyable read. The characters were likeable—definitely likeable, in Jay's case—and the pacing was good. The writing wasn't horrible but it wasn't anything spectacular.

I gave it an extra half a star because it was addicting! I couldn't put it down. The title and cover could have been better, since there was no knit bikini, only the mention of one. I wouldn't read the sequel, but I did enjoy this one.

It was, in some ways, unrealistic. Nikki had a lot of stuff in her past, and her reactions weren't always in line with them. It surprised me how much the author was able to put into this story. There were a lot of little "mini-stories" woven into it… it almost felt ridiculous, but then again it was still fun to read. Sometimes, for a summer read, you just need a book that let's you goof off. This is one of them.

There was a fun combination of an untouchable free spirited woman, a stuck-up but slightly desperate sexy man, and hand-painted knitting needles. This one is perfect for an afternoon on a couch with a pair of knitting needles (If you're talented enough to knit and read at the same time. It does take skill.)

Content/Recommendation: Some language and sex. Ages 18+
  
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Acanthea Grimscythe (300 KP) rated Kind Nepenthe in Books

May 16, 2018  
KN
Kind Nepenthe
Matthew V. Brockmeyer | 2017
8
8.0 (1 Ratings)
Book Rating
Kind Nepenthe is one of those books I looked at on NetGalley for a while but couldn't bring myself to request for the longest time. It just didn't seem like something I'd over enjoy, honestly. If you frequent NetGalley though, you'll notice the horror section of their available titles has been dwindling over the past few months. As a result, I finally ended up with Matthew V. Brockmeyer's title and I can admit I am pleasantly surprised.

Aside from a single graphically sexual scene, Kind Nepenthe plays the horror genre safely. Brockmeyer keeps things significantly more tame than many of the authors I read, which means he's got to make up for it in other places. In this case, the story itself is rather well developed - even if it does have a few holes. (Seriously, how'd the boy die, dude? You got ghosts you ain't tellin' us the deets on.) A few of the characters, or rather most of them, are almost offensively stereotypical. Diesel, one of the main characters, has a son who quite literally dresses like the photo you've seen of a kid wanting to look gangsta.

Now, I'm aware this sounds mostly negative, but in a way it allowed me to better formulate the type of behaviors associated with Brockmeyer's cast. It's not very complex, so for me to have read this book in two days means that Brockmeyer must have succeeded elsewhere in his work - and he did! The flow of Kind Nepenthe can be likened to the river that runs through Homicide Hill. It's a constant, rolling movement from one even to another. Not hurried, but steady.

There are two separate stories that take place here and four different endings. Despite its lack of originality in characters, Kind Nepenthe manages to wiggle its way into the reader's sympathies. I felt for Katie, the young, pregnant girlfriend of Diesel's son. My heart ached for Rebecca, whose loneliness begins to eat at her as the story progresses. Even Diesel managed to find an endearing resonance with me, much to my surprise.

While I was hoping for a little bit more boo! than I received, I look forward to more of Brockmeyer's work in the future. This book was a nice, relaxing read and I simply was not able to put it down. I'd like to thank the publisher and NetGalley for providing me with an advance copy of this book for the purpose of review.
  
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Phillip McSween (751 KP) rated Ghostbusters (1984) in Movies

Apr 15, 2018  
Ghostbusters (1984)
Ghostbusters (1984)
1984 | Comedy, Sci-Fi
10
8.8 (111 Ratings)
Movie Rating Watch
Stellar
A group of four armed with special proton packs come together to protect Manhattan from crazy supernatural forces that have taken hold of the city.

Acting: 10

Beginning: 10
In the opening scene, Peter Venkman (Bill Murray) is doing an ESP exercise with a couple. He's having them use their brain power to identify something from a card they can't see. He's clearly sweet on the girlfriend because he keeps giving her soft-lob answers while taking the boyfriend through hell. The scene is one of the best openers I've seen in a movie and is a clever, hilarious way to kick things off. It doesn't take long for you to fall in love with Murray's character.

Characters: 10
Without Venkman, the film doesn't exist period. He carries a lax, dry attitude while everyone else around him is freaking out and for good reason. He's not even close to being a scientist like his counterparts, but that's a strong reason for what makes the film so great. All four of the characters are unique and bring something different to the table. The supporting roles are also awesome, each providing their own quirky, unique flare.

Cinematography/Visuals: 10
Considering the film was made in 1984 (and special effects have greatly increased since then), I was pretty happy with the visuals throughout Ghostbusters. The ghosts are creative and original providing enough variety without being overly repetitive. This film put Slimer on the map, a disgusting green blob of a ghost that tries to devour everything in his path. Watching food pass from his mouth and through his body before exiting out the other end was a hilarious touch.

Oh, and can't forget about Stay Puft. Fun times watching that scene unfold.

Conflict: 10

Genre: 10

Memorability: 10

Pace: 10
Consistent blending of comedy and the paranormal helps maintain a healthy pace. The dialogue is so crisp and on point, it's hard to get bored as there is always something happening or something hilarious being said. Director Ivan Reitman even managed to take advantage of moments that would have otherwise been bland. The best example that comes to mind is the scene where they are riding up an elevator. Instead of just sitting around aimlessly, the group takes turns firing up their proton packs for the first time. One memorable scene among many.

Plot: 10

Resolution: 10

Overall: 100
Ghostbusters is an unforgettable ride from start to finish. It's one of those films you can watch over and over and it never gets old. A definite classic.
(5)   
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Joe Goodhart (27 KP) rated X-Force/Cable: Messiah War in Books

Nov 30, 2020  
X-Force/Cable: Messiah War
X-Force/Cable: Messiah War
Craig Kyle | 2009 | Comics & Graphic Novels, Science Fiction/Fantasy
8
8.0 (2 Ratings)
Book Rating
Still continuing on my journey, to consume all of the X-FORCE (Vol. 3) stories. Next up: X-FORCE/CABLE: MESSIAH WAR.

Scanning the existing reviews, the general opinion seems to be that this is the way to do a crossover. And having finished it today, I am drawn to the same conclusion as well. From the writing to the art to the overall story progression, everything about this story is a win!

This was my second time reading this story, the first time was when the issues first came in 2008. I liked it first time round, but I felt it made a lot more sense during the second read.

Only thing that still doesn't make sense is Hope and the pseudo-prophetic vision Bishop has in regard to her. All the build-up as far as her character leads one to expect bigger things ahead, but nothing like ever occurs in the post-MESSIAH WAR Hope's life. It doesn't detract from the story, nor do I consider it a true Spoiler, just something I wanted to share. As always I welcome comments, good and bad.

The art was definitely better than the last arc of X-FORCE (Vol. 2: OLD GHOSTS). I found the art styles of both Clayton Crain and Ariel Olivetti, as well as Jamie McKelvie and Mike Choi, suited to the story's dystopian setting. I was especially pleased to see Laura Kinney (X-23) drawn like a 17-year-old girl rather than a 17-year-old with breast implants (I'm looking at you, Mike Choi! #disappointment)!

Despite running through two different titles, CABLE and X-FORCE, the writers - Duane Swierczynski (who is one of my favorite of the modern noir writers) and Christopher Yost/Craig Kyle (I've already spoken highly of their talent in the other X-FORCE reviews I've submitted) - managed to weave together a tapestry both epic as well as grand in its overall finish! Easiest way to sum it up? It was like experiencing a top notch action and suspense-driven science fiction movie!

 
One of the best things about this crossover is it allows for the character of Cable to show a different side. He genuinely cares about Hope, not just because of her being the "mutant messiah". No, I took it is as a sort of paternal instinct, regarding as a surrogate daughter. I quite liked it. Solid character development!

I like to close my reviews thus: I liked it, but that doesn't mean you will. Give it a shot, and maybe you, too, can offer forth a review (good, bad, or otherwise). Cheers..
  
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Eleanor Luhar (47 KP) rated Ghost Boy in Books

Jun 24, 2019  
Ghost Boy
Ghost Boy
Stafford Betty
6
6.0 (1 Ratings)
Book Rating
Another young adult novel, following an 11-year-old boy. His name is Ben, and he sees ghosts. Well, spirits, and only a few. Mainly, he sees Abby, a girl of his own age. His mother views his ability as a 'gift', but his father thinks he's crazy. He gets angry when Ben talks about Abby as if she's real, and tries several methods to rid Ben of his spirits.

Ben goes through a lot in this novel, from his cousin losing his foot, his father sending him to a shrink, being caught graffiti-ing, and being beaten up for standing up to a bully. And more! These things are mostly nothing to do with Abby or Ben's ability to see the dead, but there are some connections. In one case, Ben actually exorcises a 'dybbuk' from a stranger on a beach.

It is clear that Ben is desperate for his father's approval. He attempts daring and foolish stunts designed to impress him, and he ends up lying about taking anti-psychotic medication just to please him. His mother often stands up for Ben, but this causes h er to fight with his father. Ben's sister is rarely mentioned, and does not seem to make any comments on Ben's ability - if she even knows about it.

A lot of this book felt like it was completely disconnected to the main plot; it felt a bit like a generic YA fiction novel at times. The plot revolving around Abby seemed to disappear for a while, before being re-introduced.

The plot with Abby was actually very interesting. I had my hunches from relatively early on, but it wasn't overly obvious or predictable. I did find it a bit strange how Ben believed he had a romantic interest in her at one point, and the 'solution' she suggests is also a bit strange... But it was unique and innovative, that's for sure. I'm intrigued to know where Abby got her name from, as it is later revealed that her mother referred to her as Eliza.

Ben's exorcising ability was not explained or developed upon at all, and there was no other mention of/reference to dybbuks or similar demons. This was a bit of a shame, as that was an interesting aspect.

As Ben was quite a young protagonist, I do believe I am a bit too old to actually really appreciate this. The writing definitely seemed more suited to a slightly younger audience, but wasn't overly immature. I'd definitely recommend this for slightly younger readers. I noticed a few mistakes, but only generic typos. 3.5 stars.
  
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LeftSideCut (3776 KP) rated Last Night in Soho (2021) in Movies

Dec 1, 2021  
Last Night in Soho (2021)
Last Night in Soho (2021)
2021 | Drama, Horror, Thriller
9
8.6 (11 Ratings)
Movie Rating Watch
Straight off the bat, there is a whole lot to love about Last Night in Soho. It's a modern-London thriller with a dashing of supernatural horror. It's a modern horror with lashings of giallo. It's a giallo that is also a murder mystery. It bursting with colour, and has two exceptionally talented actors at it's helm.
I enjoy Anya Taylor-Joy in pretty much anything she's in, and the same applies here, stealing most of the scenes that she's in. Thomasin McKenzie is an infectiously likable protagonist, whether she's battling seedy-men ghosts, or the struggles of going to University in England (the scene near the beginning where she's stuck at a dorm party is a literal nightmare put straight onto the screen if you ask me). She's fantastic here as she was in Jojo Rabbit.
It boasts a strong supporting cast as well. Matt Smith plays a convincing shit-bag, and is quite clearly having a ball shouting in a cockney accent. It's always a pleasure to see Terence Stamp, and of course, Diana Rigg was one of the best in the game, and her performance here in her final role is testament to that.
LNIS is dripping with style, which is to be expected from Edgar Wright, but it's more subtle than a lot of his other works, substituting clever edits, cuts, and comedy for a film that's visual crack with a more serious tone. The vibrancy of its colour pallettes, both in the modern and 60s settings are as important as any character. Every frame feels like it's been lovingly poured over and is cinematic in every sense of the word. It also boasts a stellar soundtrack. I didn't realise how much I fucking love a bit of Cilla Black but here we are.
The only minor gripes I have is that it does drag ever so slightly during the final third. At one point it feels like a natural resolve is near, but then the narrative continues for a while longer before the twists and turns land. It also goes a little slasher-y at one point, which isn't necessarily an issue, but it feels a bit alien to the rest of the vibe (still manages to be a visually striking moment though!)

Overall though, Last Night in Soho is an incredibly engaging and enjoyable thriller, and is a proud addition to both Wright's filmography, and the modern resurgence of top quality horror.
(1)   
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BankofMarquis (1832 KP) rated A Haunting in Venice (2023) in Movies

Sep 30, 2023  
A Haunting in Venice (2023)
A Haunting in Venice (2023)
2023 | Crime, Mystery
7
6.0 (6 Ratings)
Movie Rating
Well Crafted
Famed Agatha Christie Belgian Sleuth Hercule Poirot is a familiar figure on the screen - both large and small. He has been played numerous times by numerous performers, each one riffing on the famed mustached Detective and his “little grey cells” and and any performer who takes on this character must bear the weight of those who played the role before him.

In A HAUNTING IN VENICE, Kenneth Branagh’s 3rd go around as Poirot, Branagh has finally shaken off the Ghosts of Poirot’s Past and has made the part his own.

Based on the 1969 novel by Agatha Christie, HALLOWE’EN PARTY, Branagh (who also directed the film) imbues horror elements and the macabre to the whoddunit detective genre - largely to positive results.

As stated above, Branagh has finally made this version of Hercule Poirot his own, giving the detective (who, at the beginning of this film/novel, is in self-imposed retirement) some self-doubt and self-retrospection which helps drive the story, plot and intrigue of the story.

Branagh has populated this murder-mystery with strong performers from recent Oscar-winner Michelle Yeoh (EVERYTHING, EVERYWHERE, ALL AT ONCE) to Jamie Dornan (Branagh’s BELFAST) to YELLOWSTONE’s Kelly Reilly. Each brings mystery and star power to their roles.

Special notice needs to be made of Comedienne Tina Fey who is tackling her first non-comedic role and largely sticks the landing. As a friend of the Detective from NYC, Fey more than holds her own in the many, many scenes she shares with Branagh. As is often the case with comediennes, there is more to be mined in Fey’s acting chops and here’s hoping she dives deeper into more serious roles.

Director Branagh smartly uses the setting and mood of this piece to craft a film experience that is eerie, spooky and claustrophobic. While it is being billed as a HORROR film, it is not. It is a tense, taught, macabre film, filled with fish-eye lens and blurred-focus shots, which makes the set design and cinematography complimentary to the story.

Which is important for this is, in the end, a drawing room murder-mystery and the audience’s enjoyment of this film will be in direct alignment with how the mystery plays out…and this mystery plays out well (enough). What it lacks in surprises, it more than makes up for in mood, atmosphere and character

And that makes for a very entertaining time at the Cinema.

Letter Grade: B+

7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis).