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Kristy H (1252 KP) rated The One That Got Away in Books
Feb 13, 2018
Sarina's life is going pretty smoothly -- she's busy with her own architecture firm, she's expecting to be engaged to her boyfriend, Noah, any day, and she has a good group of friends to hang out with while Noah is away in Argentina for work. She feels so secure she's finally ready to face Eamon Roy, a former Olympic swimmer and Sarina's former-one-night-stand (who broke her heart years ago), and who is making a visit to Austin, Texas.
Suddenly, though, Eamon's visit is no longer temporary, as he decides to move back to Austin and renovate a home -- a job for which he hires Sarina. The two become fast friends, and Sarina finds herself questioning everything she thought was so perfect about her life.
Overall, this was a really fun, enjoyable read. I breezed through it, because Sarina is a thoroughly engaging character. Further, Chase has a way of writing that pulls you in - when Sarina gets bad news, for instance, I felt myself feeling as if I'd been punched in the gut, too. It was refreshing to read a "chick lit" novel about an architect, versus the usual publicist or nanny or such. I enjoyed reading about Sarina's job and she was extremely driven as a businesswoman, which was great. Further, I enjoyed that the novel had a gay character (Sarina's roommate, Danny), who didn't seem completely steeped in stereotype. Also refreshing!
About my only beef was that it all became a bit much about two-thirds or so through the book, as Sarina continues to waffle about Noah and Eamon. For a bit, the book feels very junior high-esque as Sarina goes on and on about Eamon, then Noah, then dreaming of Eamon, then more wrangling, etc. I get that it was a big decision, and she and Noah had been together for four years, but sigh. Get it together, girl!
Otherwise, this was fun, fast-paced, novel, with just the right mix of serious, real-life plot thrown in. Sarina faces some tough choices in life (and not just as she deals with her feelings with Eamon and Noah), but with her parents/stepparents, her business, and more. It's refreshing to see a chick lit heroine deal with real life in such a way. Supposedly the Chase's next book features some characters who pop up in this one. I'll definitely be putting it on my to-read list. (Overall, I'd rate <i>The One That Got Away</i> at 3.5 stars.)
Note: I received an ARC from Netgalley in return for an unbiased review.
Suddenly, though, Eamon's visit is no longer temporary, as he decides to move back to Austin and renovate a home -- a job for which he hires Sarina. The two become fast friends, and Sarina finds herself questioning everything she thought was so perfect about her life.
Overall, this was a really fun, enjoyable read. I breezed through it, because Sarina is a thoroughly engaging character. Further, Chase has a way of writing that pulls you in - when Sarina gets bad news, for instance, I felt myself feeling as if I'd been punched in the gut, too. It was refreshing to read a "chick lit" novel about an architect, versus the usual publicist or nanny or such. I enjoyed reading about Sarina's job and she was extremely driven as a businesswoman, which was great. Further, I enjoyed that the novel had a gay character (Sarina's roommate, Danny), who didn't seem completely steeped in stereotype. Also refreshing!
About my only beef was that it all became a bit much about two-thirds or so through the book, as Sarina continues to waffle about Noah and Eamon. For a bit, the book feels very junior high-esque as Sarina goes on and on about Eamon, then Noah, then dreaming of Eamon, then more wrangling, etc. I get that it was a big decision, and she and Noah had been together for four years, but sigh. Get it together, girl!
Otherwise, this was fun, fast-paced, novel, with just the right mix of serious, real-life plot thrown in. Sarina faces some tough choices in life (and not just as she deals with her feelings with Eamon and Noah), but with her parents/stepparents, her business, and more. It's refreshing to see a chick lit heroine deal with real life in such a way. Supposedly the Chase's next book features some characters who pop up in this one. I'll definitely be putting it on my to-read list. (Overall, I'd rate <i>The One That Got Away</i> at 3.5 stars.)
Note: I received an ARC from Netgalley in return for an unbiased review.
Ivana A. | Diary of Difference (1171 KP) rated Inner Demons (Peachville High Demons, #2) in Books
Jul 24, 2018
Inner Demons (The Shadow Demons Saga #2) - Sarra Cannon [BOOK REVIEW]
The review of the first book and this one can also be found on my blog - www.diaryofdifference.com
I greatly enjoyed Inner Demons - the second book from the Shadow Demons series. My sister seems to have a good taste in books - I am very glad I started the Tea's Wishlist Challenge.
Inner Demons continues right where Beautiful Demons end. Harper has been chosen to join the cheerleading team, which means instant popularity and people noticing here. But that’s not all - when you are a member of the cheerleading squad, you not only learn routines, dances and cheers. You also learn how to do magic!
The cheerleading team is the training squad for the magic learners that belong to the group of witches who are called the Order of Shadows. All these witches are powerful, and Harper has a special place in this team.
We get to see Harper discover a whole new world - a world that she didn’t really ask for. We are following her adventure in discovering how powerful she can be, but also how much pressure this role brings. Harper is awesome, by the way! And sometimes stupid.
The battle between the What-Is-Expected-Of-Me and Who-I-Really-Am is constantly there, and even though Harper is initially a brave girl - sometimes she loses herself into this whole new world. She is such a real character, because she is brave and wants justice, she wants to find out all the secrets, but then she becomes a coward for little things and the next thing we know - she goes into a very dangerous adventure.
I loved all the characters, especially Harper and Jackson ( I am #TeamJackson). In this book, you will also get to know Jackson better and find out a little bit about his spooky past. The flow of the story is so well written and even though it didn’t have major plot twists like the first book - it managed to answer a lot of questions I had, while still managing to bring up even more unanswered questions.
In this book Harper will witness a ceremony of her friend that will change the track of the whole book. When she realises that there are so many secrets that everyone is hiding from her - she will decide it’s time for her to seek them herself.
A lovely paranormal fantasy - filled in with a lot of magic, a wonderful plot behind it, and a fearless female character, I would definitely recommend this book and series. And don’t thank me - thank my sister!
I greatly enjoyed Inner Demons - the second book from the Shadow Demons series. My sister seems to have a good taste in books - I am very glad I started the Tea's Wishlist Challenge.
Inner Demons continues right where Beautiful Demons end. Harper has been chosen to join the cheerleading team, which means instant popularity and people noticing here. But that’s not all - when you are a member of the cheerleading squad, you not only learn routines, dances and cheers. You also learn how to do magic!
The cheerleading team is the training squad for the magic learners that belong to the group of witches who are called the Order of Shadows. All these witches are powerful, and Harper has a special place in this team.
We get to see Harper discover a whole new world - a world that she didn’t really ask for. We are following her adventure in discovering how powerful she can be, but also how much pressure this role brings. Harper is awesome, by the way! And sometimes stupid.
The battle between the What-Is-Expected-Of-Me and Who-I-Really-Am is constantly there, and even though Harper is initially a brave girl - sometimes she loses herself into this whole new world. She is such a real character, because she is brave and wants justice, she wants to find out all the secrets, but then she becomes a coward for little things and the next thing we know - she goes into a very dangerous adventure.
I loved all the characters, especially Harper and Jackson ( I am #TeamJackson). In this book, you will also get to know Jackson better and find out a little bit about his spooky past. The flow of the story is so well written and even though it didn’t have major plot twists like the first book - it managed to answer a lot of questions I had, while still managing to bring up even more unanswered questions.
In this book Harper will witness a ceremony of her friend that will change the track of the whole book. When she realises that there are so many secrets that everyone is hiding from her - she will decide it’s time for her to seek them herself.
A lovely paranormal fantasy - filled in with a lot of magic, a wonderful plot behind it, and a fearless female character, I would definitely recommend this book and series. And don’t thank me - thank my sister!
Chris Sawin (602 KP) rated Friday the 13th Part VII: The New Blood (1988) in Movies
Jun 20, 2019 (Updated Jun 21, 2019)
Tina Shepard isn't your normal, everyday girl. When she was younger, she overheard her parents having a heated argument that got really ugly. Tina decided to run out onto a boat in the nearby lake. Her father runs out to try and talk her into coming back to shore and that's when Tina's extraordinary abilities are revealed. Her father winds up dying in an accident caused by Tina's telekinetic powers.
In the present day, Tina and her mother are off to a cabin in the woods with Tina's psychologist, Dr. Crews, in hopes of making progress so Tina won't have to return to an institution. A group of young twenty somethings are gathered next door for a surprise birthday party. Both houses just happen to be in the Camp Crystal Lake area. Tina gets upset at Dr. Crews during one of their sessions and runs out to the lake. Her emotions get the best of her and she winds up resurrecting Jason, who's still chained to the bottom of the lake, with telekinesis. Not too long afterward, Tina starts having premonitions of people being gruesomely murdered by a man in a hockey mask. Is she going crazy or are these terrifying visions a reality?
As it stands, this is my guilty pleasure of the franchise. I love the concept and think it would be a really solid Friday the 13th sequel if it wasn't for the MPAA butchering this film. Most of the gore has been cut and it really hurts the film as a whole. This also begins Kane Hodder's reign as the masked serial killer for the franchise, who seems to be a cult favorite as the best Jason.
Speaking of Jason, he looks the best in this film. It may just be my opinion, but in addition to loving undead Jason, the make-up effects and his costume are just phenomenal in this one. As ugly as he looks when his mask gets ripped off, this is the film that makes him look the most flattering. That's not saying much for a guy who's been chained down at the bottom of a lake for ten years and killed multiple times, but at least he doesn't look like he has down syndrome this time around. If an uncut or director's cut of some kind ever makes the light of day, it'll probably wind up being in my top three F13 films. Easily. Here's an idea of what was cut from the film:
In the present day, Tina and her mother are off to a cabin in the woods with Tina's psychologist, Dr. Crews, in hopes of making progress so Tina won't have to return to an institution. A group of young twenty somethings are gathered next door for a surprise birthday party. Both houses just happen to be in the Camp Crystal Lake area. Tina gets upset at Dr. Crews during one of their sessions and runs out to the lake. Her emotions get the best of her and she winds up resurrecting Jason, who's still chained to the bottom of the lake, with telekinesis. Not too long afterward, Tina starts having premonitions of people being gruesomely murdered by a man in a hockey mask. Is she going crazy or are these terrifying visions a reality?
As it stands, this is my guilty pleasure of the franchise. I love the concept and think it would be a really solid Friday the 13th sequel if it wasn't for the MPAA butchering this film. Most of the gore has been cut and it really hurts the film as a whole. This also begins Kane Hodder's reign as the masked serial killer for the franchise, who seems to be a cult favorite as the best Jason.
Speaking of Jason, he looks the best in this film. It may just be my opinion, but in addition to loving undead Jason, the make-up effects and his costume are just phenomenal in this one. As ugly as he looks when his mask gets ripped off, this is the film that makes him look the most flattering. That's not saying much for a guy who's been chained down at the bottom of a lake for ten years and killed multiple times, but at least he doesn't look like he has down syndrome this time around. If an uncut or director's cut of some kind ever makes the light of day, it'll probably wind up being in my top three F13 films. Easily. Here's an idea of what was cut from the film:
Jessica - Where the Book Ends (15 KP) rated Harp's Song (Harp's Song, #1) in Books
Jan 30, 2019
***I received this book in exchange for an honest review ***
Harp's Song is a beautifully written breathtaking account of a young girl named Harp and her story of coming to terms with the abuse she suffered at the hands of her mother as well as first love.
When we first meet Harp she is a bit of a band geek who just so happens to be best friends with the high school jock Connor. Connor and Harp have been friends through thick and thin, and really Connor and his mom Catherine are the only people that know about the truth surrounding Harp's home life. Harp isn't part of any social group at school really, and her main focus is to play her Cello and to get out of Iowa, away from her mom, and to music school.
Harp's mother has always been lacking in the motherly department. She is constantly verbally abusing Harp and a couple of times even physically abusing her. Harp just knows she doesn't deserve the life that's been dealt to her and she has to get out. The way this book is written is that instead of having your typical chapters, the author uses them as a countdown to graduation. It's a very different approach to take and I love the way the author uses her "chapters" as a timeline for the reader. It helps you immerse yourself in the story even more. Not only that but your senior year I bet you counted down the days too, I know I did.
Connonr lets it slip that he wants to be more than friends with Harp, and how he's cared about her for so long. He doesn't want to see anything bad happen to her, and what he really wants is to do nothing but protect her. For the most part their relationship is comfortable and easy for them until Vincent shows up, and he becomes a snag in an otherwise smooth relationship. Connor perseveres and swears his love to Harp.
These characters are so beautifully written and so vibrant that I feel as though I know them outside of their pages. Harp's story is one that rips your heart out, and then replenishes your faith in humanity, and along the way raises awareness about abuse (both verbal and physical).
If you haven't read Harp's Song yet, or if you're debating about possibly reading it, let me do you a solid... Read it... I'm begging you. You won't be sorry. This story is both beautiful and poignant. This book will definitely make my top list of the year, maybe even ever. Bravo Cassie Shine, bravo!
Harp's Song is a beautifully written breathtaking account of a young girl named Harp and her story of coming to terms with the abuse she suffered at the hands of her mother as well as first love.
When we first meet Harp she is a bit of a band geek who just so happens to be best friends with the high school jock Connor. Connor and Harp have been friends through thick and thin, and really Connor and his mom Catherine are the only people that know about the truth surrounding Harp's home life. Harp isn't part of any social group at school really, and her main focus is to play her Cello and to get out of Iowa, away from her mom, and to music school.
Harp's mother has always been lacking in the motherly department. She is constantly verbally abusing Harp and a couple of times even physically abusing her. Harp just knows she doesn't deserve the life that's been dealt to her and she has to get out. The way this book is written is that instead of having your typical chapters, the author uses them as a countdown to graduation. It's a very different approach to take and I love the way the author uses her "chapters" as a timeline for the reader. It helps you immerse yourself in the story even more. Not only that but your senior year I bet you counted down the days too, I know I did.
Connonr lets it slip that he wants to be more than friends with Harp, and how he's cared about her for so long. He doesn't want to see anything bad happen to her, and what he really wants is to do nothing but protect her. For the most part their relationship is comfortable and easy for them until Vincent shows up, and he becomes a snag in an otherwise smooth relationship. Connor perseveres and swears his love to Harp.
These characters are so beautifully written and so vibrant that I feel as though I know them outside of their pages. Harp's story is one that rips your heart out, and then replenishes your faith in humanity, and along the way raises awareness about abuse (both verbal and physical).
If you haven't read Harp's Song yet, or if you're debating about possibly reading it, let me do you a solid... Read it... I'm begging you. You won't be sorry. This story is both beautiful and poignant. This book will definitely make my top list of the year, maybe even ever. Bravo Cassie Shine, bravo!
TheFiend13420 (21 KP) rated Where The Scary Things Are (2022) in Movies
Jun 28, 2022 (Updated Jun 28, 2022)
Excellent performances by virtually unknown cast (2 more)
Well written, fun and flows well
Beauty make-up job on the creature
The Loser's Club these kids are NOT
I have been waiting for this film to come out for months now. And it was totally worth the wait.
A group of friends, led by angry disruptive Ayla, venture out to the closed down Field of Screams Halloween Haunt in search of a local urban legend. Prompted by one of their teachers, They are asked to make up their own Legend and try to bring it to life to prove how false facts can create a sort of mass hysteria. And eventually. They become real... Like local urban legend, Lockjaw.
First off... These fucking kids
None of them are likable. They all have something that makes them horrible. There's no smiles and laughs while walking down the fucking train tracks in this not so feel good movie. The performances by these kids. Even the youngest one... Who you kind of want to kick in the face... puts in a stellar showing. The lead girl. With her serial killer like lack of emotion and empathy. If there were Oscars for horror. She would most definitely be nominated. Even the one kid who shows some form of common sense. Has not one real redeeming quality. These kids are just plain horrid. You literally wish death upon these teenagers
Second. The originality of the whole thing. I know it will probably garner some comparisons to Psycho Goreman. But... Believe me when i tell you... There is no similarity. These are two completely seperate entities.
The idea of Urban Legends coming true. And not being projected by some killer in a parka. makes me extremely happy. Not a slight against the series of Urban Legend movies... I love them... But...
Third. I love the pace of the film. It keeps going, doesn't let up in the slightest. Just when you think you've seen it all. The little bastards just break down the morality wall a little bit more. Such a fun ride to be on.
Was it worth the wait. Absolutely.
Would I recommend it to my friends.... 100%.
Will it be something I'd watch again... I'm actually watching it again... Right now... While I do this review.
Mr. Smith, you've done it again.
You have kept my interest and left me utterly satisfied with an hour and a half of pure horrific pleasure.
Not one stitch of disappointment here...
A group of friends, led by angry disruptive Ayla, venture out to the closed down Field of Screams Halloween Haunt in search of a local urban legend. Prompted by one of their teachers, They are asked to make up their own Legend and try to bring it to life to prove how false facts can create a sort of mass hysteria. And eventually. They become real... Like local urban legend, Lockjaw.
First off... These fucking kids
None of them are likable. They all have something that makes them horrible. There's no smiles and laughs while walking down the fucking train tracks in this not so feel good movie. The performances by these kids. Even the youngest one... Who you kind of want to kick in the face... puts in a stellar showing. The lead girl. With her serial killer like lack of emotion and empathy. If there were Oscars for horror. She would most definitely be nominated. Even the one kid who shows some form of common sense. Has not one real redeeming quality. These kids are just plain horrid. You literally wish death upon these teenagers
Second. The originality of the whole thing. I know it will probably garner some comparisons to Psycho Goreman. But... Believe me when i tell you... There is no similarity. These are two completely seperate entities.
The idea of Urban Legends coming true. And not being projected by some killer in a parka. makes me extremely happy. Not a slight against the series of Urban Legend movies... I love them... But...
Third. I love the pace of the film. It keeps going, doesn't let up in the slightest. Just when you think you've seen it all. The little bastards just break down the morality wall a little bit more. Such a fun ride to be on.
Was it worth the wait. Absolutely.
Would I recommend it to my friends.... 100%.
Will it be something I'd watch again... I'm actually watching it again... Right now... While I do this review.
Mr. Smith, you've done it again.
You have kept my interest and left me utterly satisfied with an hour and a half of pure horrific pleasure.
Not one stitch of disappointment here...
Daniel Boyd (1066 KP) rated Big Little Lies - Season 1 in TV
Feb 8, 2019 (Updated Feb 8, 2019)
Rich White People Problems: The Show
As more news of Season 2 of this show seeps out, I decided to eventually get around to catching the first season of this highly praised and seemingly universally lauded show. I went in expecting greatness from this thing after reading all of the glowing critic's reviews. I am also a huge fan of many of the cast members involved in this project, so knowing nothing about the plot or subject matter the show is based on, I went in blind; excited to see what this series had in store.
The series opens with some ominous editing and vague hints that a major crime has been committed, which we eventually realise to be a murder. Then we are taken backwards tin time and are introduced to Reese Witherspoon's character Madeline, whom initially comes off as entitled and annoying, but you assume that this is going to have a purpose in her character's arc and she will grow on you. You are wrong to assume that as she is extremely irritating throughout the entire duration of the series, constantly interrupting other characters lines and sticking her oar in during group situations, just for the sake of clinging on to the spotlight and keeping herself at the centre of attention.
Thankfully, Nicole Kidman's character Celeste is less annoying and instead just a bit strange. We see pretty early on that she is a victim of domestic abuse at the hands of her much younger husband played by Alexander Skarsgard. At first this is pretty harrowing and sad to see, but for some reason, - and I don't want to kink shame anyone, - but it seems like she kind of likes it. The third main character we are introduced to is Jane, played by Shailene Woodley who immediately seems like damaged goods.
The "conflict," is then set up. After the first day at school we see a highly unrealistic scene play out as the most insensitive teacher in the world with zero foresight gathers all of the children in her class along with their parents outside the school gates. A girl has marks on her neck from being choked by one of the other kids. The teacher then asks the girl to point out the kid that did this to her (in front of the entire class and their parents!) and she points to Jane's son Ziggy. The boy denies any wrongdoing, but the girl who has been hurt's mother, (played by Laura Dern, whom I normally really like,) is a horrible, bitter bitch who responds to the situation by berating the accused boy in front of everyone, degrading his mother in the process for defending her child and not "making," him apologise.
*Insert Peter Griffin "Oh my God, who the hell cares?" meme here.*
Yeah, this is the kind of schoolyard bullshit that this show expects us to treat as a life or death issue. The whole thing is full of non-issues and petty whines centred around 'he said/she said,' nonsense. Then we are supposed to relate to these immature, venomous parents who don't do anything to help the situation whatsoever. Meanwhile the show treats domestic abuse, - something that is a very real and threatening issue, - as just a weird kink in this oddball couple's relationship.
It is clear that all of these parents clearly care far more about self-image than they do about their own children, which makes all of them extremely gross and off putting as characters. They constantly make up excuses as if to try and justify themselves and claim that the bitchy, conniving choices that they make towards each other is for the sake of their kids, when it is clearly just to one up each other in pathetic, petty social warfare and childish beefs.
Website theodysseyonline.com has an article called, '13 Reasons Why Big Little Lies Is So Powerful.' I truly fail to see what is apparently so powerful and ground-breaking about this series. I'm not even sure what it is trying to say; that domestic abuse and rape are bad things done by evil people? Wow, what a brave and unique stance to take! I also resent the idea that everyone that says anything remotely negative about this show is a women-hating misogynist. I consider myself a left-leaning liberal and a feminist, I am a strong supporter of equal rights amongst all genders and races and I do regular work for a women's mental health charity, but I can still spot an overrated, hollow waste of 7 hours when I see one.
Overall, even though this season only last 7 episodes, it is not worth your time. After watching the first 2 episodes I thought about giving up on it, but then I thought about all of the glowing reviews and thought, 'no, surely this must get better.' Let me save you seven hours of your time; it doesn't. This is a melodramatic glorified soap opera that doesn't handle any of the issues that it tries to tackle well and it is filled, - to the point it is bursting at the seams, - with small scope issues and minor annoyances treated as life threatening scenarios, all the while brushing off the genuinely scary and potentially life threatening scenario of domestic abuse.
The series opens with some ominous editing and vague hints that a major crime has been committed, which we eventually realise to be a murder. Then we are taken backwards tin time and are introduced to Reese Witherspoon's character Madeline, whom initially comes off as entitled and annoying, but you assume that this is going to have a purpose in her character's arc and she will grow on you. You are wrong to assume that as she is extremely irritating throughout the entire duration of the series, constantly interrupting other characters lines and sticking her oar in during group situations, just for the sake of clinging on to the spotlight and keeping herself at the centre of attention.
Thankfully, Nicole Kidman's character Celeste is less annoying and instead just a bit strange. We see pretty early on that she is a victim of domestic abuse at the hands of her much younger husband played by Alexander Skarsgard. At first this is pretty harrowing and sad to see, but for some reason, - and I don't want to kink shame anyone, - but it seems like she kind of likes it. The third main character we are introduced to is Jane, played by Shailene Woodley who immediately seems like damaged goods.
The "conflict," is then set up. After the first day at school we see a highly unrealistic scene play out as the most insensitive teacher in the world with zero foresight gathers all of the children in her class along with their parents outside the school gates. A girl has marks on her neck from being choked by one of the other kids. The teacher then asks the girl to point out the kid that did this to her (in front of the entire class and their parents!) and she points to Jane's son Ziggy. The boy denies any wrongdoing, but the girl who has been hurt's mother, (played by Laura Dern, whom I normally really like,) is a horrible, bitter bitch who responds to the situation by berating the accused boy in front of everyone, degrading his mother in the process for defending her child and not "making," him apologise.
*Insert Peter Griffin "Oh my God, who the hell cares?" meme here.*
Yeah, this is the kind of schoolyard bullshit that this show expects us to treat as a life or death issue. The whole thing is full of non-issues and petty whines centred around 'he said/she said,' nonsense. Then we are supposed to relate to these immature, venomous parents who don't do anything to help the situation whatsoever. Meanwhile the show treats domestic abuse, - something that is a very real and threatening issue, - as just a weird kink in this oddball couple's relationship.
It is clear that all of these parents clearly care far more about self-image than they do about their own children, which makes all of them extremely gross and off putting as characters. They constantly make up excuses as if to try and justify themselves and claim that the bitchy, conniving choices that they make towards each other is for the sake of their kids, when it is clearly just to one up each other in pathetic, petty social warfare and childish beefs.
Website theodysseyonline.com has an article called, '13 Reasons Why Big Little Lies Is So Powerful.' I truly fail to see what is apparently so powerful and ground-breaking about this series. I'm not even sure what it is trying to say; that domestic abuse and rape are bad things done by evil people? Wow, what a brave and unique stance to take! I also resent the idea that everyone that says anything remotely negative about this show is a women-hating misogynist. I consider myself a left-leaning liberal and a feminist, I am a strong supporter of equal rights amongst all genders and races and I do regular work for a women's mental health charity, but I can still spot an overrated, hollow waste of 7 hours when I see one.
Overall, even though this season only last 7 episodes, it is not worth your time. After watching the first 2 episodes I thought about giving up on it, but then I thought about all of the glowing reviews and thought, 'no, surely this must get better.' Let me save you seven hours of your time; it doesn't. This is a melodramatic glorified soap opera that doesn't handle any of the issues that it tries to tackle well and it is filled, - to the point it is bursting at the seams, - with small scope issues and minor annoyances treated as life threatening scenarios, all the while brushing off the genuinely scary and potentially life threatening scenario of domestic abuse.
Hazel (1853 KP) rated The Sunlight Pilgrims in Books
May 25, 2017
So boring
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Note: I did not finish reading this book.
It is winter 2020 and the world is facing the most extreme winter for over 200 years. Jenni Fagan’s The Sunlight Pilgrims explores the potential disastrous effects of climate change beginning with a new ice age set in the very near future, only four years away. With the North Atlantic drift slowing and temperatures around the world dropping to -40 degrees, the Earth’s inhabitants fear a pending apocalypse.
The story is largely set in Clachan Fells, a Scottish caravan park situated at the base of a group of mountains. Tin houses are not the most practical form of abodes for cold weather, let alone the worst snowstorms the world has ever seen. This is the situation the main characters of The Sunlight Pilgrims find themselves. Dylan MacRae has moved into a mobile home he did not know he owned until the recent death of his mother and soon makes friends with his neighbour Constance and her daughter Stella. Although only twelve years old Stella is more concerned about her identity than she is the fatal weather condition outside. Born a boy, Stella is uncomfortable in her body and struggles to get other people to accept that she is really a girl.
Surprisingly, the dystopian snow scene seems to be more of a backdrop to a different storyline featuring identity, family and romance. Dylan is a lonely man falling in love with the woman next door, however she is tied up with relationship problems of her own. Stella, whilst seemingly carefree, is desperate to be accepted for who she is and live a happy and secure life.
Jenni Fagan does an exceptional job of portraying the confusion, thoughts and emotions of a transgender child experiencing stigma amongst her peers. Yet Fagan also emphasises the potential acceptance of people in this situation through the reception received from Dylan who did not bat an eyelid on discovering the truth about Stella’s identity.
The Sunlight Pilgrims combines popular current affairs that are likely to attract a wide audience. Sadly as a story it falls short of mediocrity. Without a clear storyline it is a struggle to remain interested. The readers’ lack of enthusiasm for the characters and their individual worries makes it a challenge to reach the end. As I never made it to the final chapter I cannot say whether the conclusion is worth sticking around for. Mixed reviews on Goodreads suggest that enjoyment depends on the individual reader rather than the novel itself. I, however, cannot recommend this book.
Note: I did not finish reading this book.
It is winter 2020 and the world is facing the most extreme winter for over 200 years. Jenni Fagan’s The Sunlight Pilgrims explores the potential disastrous effects of climate change beginning with a new ice age set in the very near future, only four years away. With the North Atlantic drift slowing and temperatures around the world dropping to -40 degrees, the Earth’s inhabitants fear a pending apocalypse.
The story is largely set in Clachan Fells, a Scottish caravan park situated at the base of a group of mountains. Tin houses are not the most practical form of abodes for cold weather, let alone the worst snowstorms the world has ever seen. This is the situation the main characters of The Sunlight Pilgrims find themselves. Dylan MacRae has moved into a mobile home he did not know he owned until the recent death of his mother and soon makes friends with his neighbour Constance and her daughter Stella. Although only twelve years old Stella is more concerned about her identity than she is the fatal weather condition outside. Born a boy, Stella is uncomfortable in her body and struggles to get other people to accept that she is really a girl.
Surprisingly, the dystopian snow scene seems to be more of a backdrop to a different storyline featuring identity, family and romance. Dylan is a lonely man falling in love with the woman next door, however she is tied up with relationship problems of her own. Stella, whilst seemingly carefree, is desperate to be accepted for who she is and live a happy and secure life.
Jenni Fagan does an exceptional job of portraying the confusion, thoughts and emotions of a transgender child experiencing stigma amongst her peers. Yet Fagan also emphasises the potential acceptance of people in this situation through the reception received from Dylan who did not bat an eyelid on discovering the truth about Stella’s identity.
The Sunlight Pilgrims combines popular current affairs that are likely to attract a wide audience. Sadly as a story it falls short of mediocrity. Without a clear storyline it is a struggle to remain interested. The readers’ lack of enthusiasm for the characters and their individual worries makes it a challenge to reach the end. As I never made it to the final chapter I cannot say whether the conclusion is worth sticking around for. Mixed reviews on Goodreads suggest that enjoyment depends on the individual reader rather than the novel itself. I, however, cannot recommend this book.
Uptown Oracle (24 KP) rated All That Remains in Books
Jun 30, 2017
A wonderful zombie thriller
All That Remains is a dystopian horror following Kyle, Tim and Sara 13 years after the apocalypse. After finding young girl Kaylee, they need to get to Oak Ridge to protect themselves and maybe save the world.
There's normal reanimated human zombies, but also other monster like creatures that roam the earth. All That Remains is able to describe the monsters, make them horrifying, yet not interrupt the plotline to do so. In previous books I've been pulled out of a tense moment because there's too much description, but Barrera is able to bypass that problem.
There's varying themes of hope and morality within the book. All four of our characters experience hope, and lose hope throughout the book. Whether it's hope to find more people, hope that cities are inhabitable or just hope for survival. Because of this focus, I felt attached to the characters. Even when they were being pessimistic, they still didn't give up.
Morality is a fine line in this new world. You must kill to survive at times, but is it the right thing to do? If you kill a bad person does it make you just as bad? One of the lines mentioned that right is nothing but a direction anymore which I think is relevant to the book as a whole.
As we get to see the point of views of both Sara and Kyle you do feel attached to them. The characters are extremely likable, even when they're not being the best they can be. They don't consciously make bad decisions which puts them in danger, which makes me route for them more. Although problems do arise due to accidents or it's out of their control.
Sara in particular is a great character. She shows both mental and physical strength by not only surviving 13 years but also with her mental fight with 'the walking cancer'. The walking cancer is a monster that no one has ever seen before. It's a new, worse monster in the world, and the main bulk of the book is spent running and hiding from it. Due to Sara being a scanner she can sense and also connect/talk with the monster.
The plague-like spread of zombies and natural disasters mirrors that Kyle is ill throughout the book. It's implied that it's a cancerous tumor, most likely in the brain due to headaches and blackouts. As the situation for the group gets worse, the illness gets worse. I think Barrera was definitely trying to show the similarities. There's also a underlying message of having hope throughout which I think is an important takeaway.
There's normal reanimated human zombies, but also other monster like creatures that roam the earth. All That Remains is able to describe the monsters, make them horrifying, yet not interrupt the plotline to do so. In previous books I've been pulled out of a tense moment because there's too much description, but Barrera is able to bypass that problem.
There's varying themes of hope and morality within the book. All four of our characters experience hope, and lose hope throughout the book. Whether it's hope to find more people, hope that cities are inhabitable or just hope for survival. Because of this focus, I felt attached to the characters. Even when they were being pessimistic, they still didn't give up.
Morality is a fine line in this new world. You must kill to survive at times, but is it the right thing to do? If you kill a bad person does it make you just as bad? One of the lines mentioned that right is nothing but a direction anymore which I think is relevant to the book as a whole.
As we get to see the point of views of both Sara and Kyle you do feel attached to them. The characters are extremely likable, even when they're not being the best they can be. They don't consciously make bad decisions which puts them in danger, which makes me route for them more. Although problems do arise due to accidents or it's out of their control.
Sara in particular is a great character. She shows both mental and physical strength by not only surviving 13 years but also with her mental fight with 'the walking cancer'. The walking cancer is a monster that no one has ever seen before. It's a new, worse monster in the world, and the main bulk of the book is spent running and hiding from it. Due to Sara being a scanner she can sense and also connect/talk with the monster.
The plague-like spread of zombies and natural disasters mirrors that Kyle is ill throughout the book. It's implied that it's a cancerous tumor, most likely in the brain due to headaches and blackouts. As the situation for the group gets worse, the illness gets worse. I think Barrera was definitely trying to show the similarities. There's also a underlying message of having hope throughout which I think is an important takeaway.
Midge (525 KP) rated The Nowhere Child in Books
Mar 11, 2019
Brilliant And Dark
“The Nowhere Child” is a debut psychological thriller by Christian White and it was so special! Several things cast their spell - my favourite genre; a very smart cover design; winner of the Victorian Premier Literary Award; and great ratings from the offset. It could only be a winner!
The book opens with an introduction to the main protagonist Kimberly (Kim) Leamy who is a photography teacher in Melbourne, Australia. Twenty-six years earlier, Sammy Went, a two-year-old girl vanished from her home in Manson, Kentucky. James Finn, an American accountant who contacts Kim is convinced she was that child, kidnapped just after her birthday. She cannot believe the woman who raised her crossed international lines to steal a toddler.
Jack and Molly Went’s daughter Sammy disappeared from their Kentucky home in 1990. Already estranged, the couple drifted further apart as time passed. Jack did his best to raise and protect his other daughter and son while Molly found solace in her faith. The Church of the Light Within, a Pentecostal fundamentalist group who handle poisonous snakes as part of their worship, provided that faith.
Now, with proof that she and Sammy are in fact the same person, Kim travels to America to reunite with a family she never knew she had and to solve the mystery of her abduction that will take her deep into the dark heart of religious fanaticism.
For me, Christian White’s writing is captivating and extremely well structured. Although the theme of a child being stolen is not particularly original, the clever telling of this story made it a joy to read. The chapters alternate between the past and the present, maintaining the reader’s attention. The chapters narrated in the past explore the impact of Sammy’s disappearance on her family and the community in which they live. The other chapters follow Kim’s pathway of discovery to the truth about her past.
The most gripping parts of “The Nowhere Child” were the chapters about the past, as the author unearthed long-buried secrets of Kim’s grieving family. It seemed that nearly every character from her past had something they wanted to be kept hidden. Revelations were made that included identity, betrayal, secrets, loss and a sinister cult. A tense story of menace and suspense, the story held my interest from start to finish and the way in which Christian White brought everything to a conclusion was just fabulous.
I loved “The Nowhere Child” and I would recommend it to anyone who likes this genre. It has left me eager to read more from this author in the future.
Thank you to #NetGalley, and HarperCollins UK for a free ARC of #NowhereChild in exchange for a voluntary, honest review.
The book opens with an introduction to the main protagonist Kimberly (Kim) Leamy who is a photography teacher in Melbourne, Australia. Twenty-six years earlier, Sammy Went, a two-year-old girl vanished from her home in Manson, Kentucky. James Finn, an American accountant who contacts Kim is convinced she was that child, kidnapped just after her birthday. She cannot believe the woman who raised her crossed international lines to steal a toddler.
Jack and Molly Went’s daughter Sammy disappeared from their Kentucky home in 1990. Already estranged, the couple drifted further apart as time passed. Jack did his best to raise and protect his other daughter and son while Molly found solace in her faith. The Church of the Light Within, a Pentecostal fundamentalist group who handle poisonous snakes as part of their worship, provided that faith.
Now, with proof that she and Sammy are in fact the same person, Kim travels to America to reunite with a family she never knew she had and to solve the mystery of her abduction that will take her deep into the dark heart of religious fanaticism.
For me, Christian White’s writing is captivating and extremely well structured. Although the theme of a child being stolen is not particularly original, the clever telling of this story made it a joy to read. The chapters alternate between the past and the present, maintaining the reader’s attention. The chapters narrated in the past explore the impact of Sammy’s disappearance on her family and the community in which they live. The other chapters follow Kim’s pathway of discovery to the truth about her past.
The most gripping parts of “The Nowhere Child” were the chapters about the past, as the author unearthed long-buried secrets of Kim’s grieving family. It seemed that nearly every character from her past had something they wanted to be kept hidden. Revelations were made that included identity, betrayal, secrets, loss and a sinister cult. A tense story of menace and suspense, the story held my interest from start to finish and the way in which Christian White brought everything to a conclusion was just fabulous.
I loved “The Nowhere Child” and I would recommend it to anyone who likes this genre. It has left me eager to read more from this author in the future.
Thank you to #NetGalley, and HarperCollins UK for a free ARC of #NowhereChild in exchange for a voluntary, honest review.
Kristy H (1252 KP) rated The Shadow Cabinet (Shades of London, #3) in Books
Feb 13, 2018
I read nearly 3/4 of this book curled up in my easy chair while the kids napped, snow falling softly outside. It is rare that I get that much peace and quiet anymore, so I roared through the book, wanting to finish it before the twins awoke and shattered the peace.
Therefore, any nitpicks I have about anything in the book feeling rushed are no doubt of my own doing, as I manically flipped pages, wanting to find out what happened to Rory and the rest of the gang. When the series is over, I look forward to reading all the books again, and savoring them a bit more.
Needless to say, I loved this book. Definitely my favorite novel to date this year. I am sure Johnson's Shade of London series isn't for everyone, but I've fallen for American-based Rory, a transplant in London, who can now see ghosts. It sounds preposterous, but Johnson has made it work- and work well- in all three novels so far. I love Rory, I love her character, and I love the group of people she's come to surround herself in London - far away from the home she knows in New Orleans.
<i>*spoilers if you haven't read the first two books - which you should, immediately!*</i>
In book three, Rory is dealing with the grief of losing Stephen, as the team frantically tries to find his ghost. They are also trying to find her prefect, Charlotte, who was kidnapped by Rory's therapist, Jane. We learn more about Jane and her past involvement in an ancient cult and a likely string of murders. It all involves a much bigger plot involving London's ability to harness its dead, and the existence of a murky, rumored government organization who polices ghosts.
We also meet a new character in this novel, Freddie (a girl), who is quite bright, but of whom I still remain suspicious - silly, perhaps, but it's so hard to trust new people coming into the gang. We see more of Jerome, which is nice, and Boo and Callum, of course. There's actually less focus on actual ghosts than you'd think and more on some big conspiracies, but it all works, really well. The camaraderie of the team, and the way Johnson voices Rory is just lovely, and the book reads so well. Even what should be a crazy plot is made readable and believable through the lens of these developed characters.
As always, I'm left a bit bereft, waiting for the next book. (And, for the record, I finished the last few pages right before the twins woke up. I feel like that's fate, right?)
Therefore, any nitpicks I have about anything in the book feeling rushed are no doubt of my own doing, as I manically flipped pages, wanting to find out what happened to Rory and the rest of the gang. When the series is over, I look forward to reading all the books again, and savoring them a bit more.
Needless to say, I loved this book. Definitely my favorite novel to date this year. I am sure Johnson's Shade of London series isn't for everyone, but I've fallen for American-based Rory, a transplant in London, who can now see ghosts. It sounds preposterous, but Johnson has made it work- and work well- in all three novels so far. I love Rory, I love her character, and I love the group of people she's come to surround herself in London - far away from the home she knows in New Orleans.
<i>*spoilers if you haven't read the first two books - which you should, immediately!*</i>
In book three, Rory is dealing with the grief of losing Stephen, as the team frantically tries to find his ghost. They are also trying to find her prefect, Charlotte, who was kidnapped by Rory's therapist, Jane. We learn more about Jane and her past involvement in an ancient cult and a likely string of murders. It all involves a much bigger plot involving London's ability to harness its dead, and the existence of a murky, rumored government organization who polices ghosts.
We also meet a new character in this novel, Freddie (a girl), who is quite bright, but of whom I still remain suspicious - silly, perhaps, but it's so hard to trust new people coming into the gang. We see more of Jerome, which is nice, and Boo and Callum, of course. There's actually less focus on actual ghosts than you'd think and more on some big conspiracies, but it all works, really well. The camaraderie of the team, and the way Johnson voices Rory is just lovely, and the book reads so well. Even what should be a crazy plot is made readable and believable through the lens of these developed characters.
As always, I'm left a bit bereft, waiting for the next book. (And, for the record, I finished the last few pages right before the twins woke up. I feel like that's fate, right?)