"The record came out in October and Roc Marciano is like a national treasure, basically [laughs]. The record KAOS that we did together is just fucking ridiculous and I couldn't wait for it to drop. I wanted to include it because when I heard what Roc had done, I felt the same kind of excitement I felt with some of those early records which is rare for me. He's created a whole different style of subcultural, subversive music right now and he's undoubtedly one of my favourite MC's. His work is mad, original and extremely lyrical like GZA. Like every line he writes, you could make a fucking movie out of each one. To work with somebody, I've got to click with them and I've got to meet them and if it's cool, we do some music together. It has to be like that for me. I've worked with everybody I ever wanted to work with growing up and now, I really like picking artists and working with artists that aren't really well known but who do something extraordinary. This project was all just about getting up, creating art and having fun and just enjoying myself. I've been producing people's music my whole life and I've turned down working with a lot of big pop stars for a lot of money because I just like doing my own thing and it has to be right. I don't like making a beat for someone and just giving it away – it has to be something I love and something I enjoy, which is what this project was all about."

"I wanted to include something current and with Savages you can hear all these influences of Joy Division, Siouxsie & The Banshees, Wire, etc; this distillation of all my favourite bands from my adolescence. I like being able to hear all of those influences, but although it sounds like their influences it doesn't sound at all derivative. It still sounds new and fresh and fierce. It's four ladies playing this really tough music. I bought the record and I thought it was pretty good, it sounded like it was made for me. And then I went to see them live and I was blown away. It was so tough. It's hard to pinpoint what made it so tough. It's these four women on stage, taking up every corner of the stage, all dressed in black and giving no eye contact to the crowd. They had such presence, you could feel their energy. It was really moving. My boyfriend turned to me during the show and said: ""I'm really enjoying this because it's really good but also because I know 15-year-old you is totally freaking out right now."" And I said: ""She is! She is! I think I might cry!"" In fact the last time I saw them I actually did cry. They did a cover of Suicide's 'Dream Baby Dream' and it was just all too much for me. So after seeing that first show I went back and re-listened to the record and it took on a whole new sound to me. I can now hear all of that energy coming out of the record."