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Bob Mann (459 KP) rated Arrival (2016) in Movies
Sep 29, 2021
Wow – what a surprise.
Sometimes I can get very irritated by a trailer for giving too much away (case in point, “Room” – which I recut – and more recently “Passengers”). Sometimes I can get very excited by a really good teaser trailer (case in point, “10 Cloverfield Lane”). But most of the time a “ho hum” trailer typically drives the expectation of a “ho hum” film: “Jack Reacher: Never Look Back” being a good recent example. Then there is “Arrival”…
Because the trailer for “Arrival” belies absolutely nothing about the depth and complexity of the film. At face value, it looks like a dubious “Close Encounters” wannabe, with a threat of movement towards the likes of “Independence Day” and “The 5th Wave”. Actually what you get is a film that approaches the grandeur of “Close Encounters” but interlaces it with the intellectual depth of “Inception”, the mystery of “Intersteller” and a heavy emotional jolt or two of “Up”.
Amy Adams (“Batman vs Superman”) plays Dr Louise Banks, a language teacher at a US university facing a bunch of particularly disengaged students one morning. For good reason since world news is afoot. Twelve alien craft have positioned themselves strategically around the world, hanging a few feet from the ground in just the sort of way that bricks don’t. Banks is approached by Colonel Weber (Forest Whitaker) and offered the job of trying to communicate with the aliens: where did they come from? why are they here? Banks faces the biggest challenge of her academic career in trying to devise a strategy for communication without any foundation of knowledge on what level communication even works at for them. Assisted by Ian Donelly (Jeremy Renner, “Mission Impossible IV/V”, “Avengers”), a theoretical physicist, the pair try to crack the code against a deadline set by the inexorable rise of international tensions – driven by China’s General Chang (Tzi Ma, “Veep”; “24”).
Steven Spielberg made a rare error of judgement by adding scenes in his “Special Edition” of “Close Encounters of the Third Kind” showing everyman power guy Roy Neary (Richard Dreyfuss) entering the alien spacecraft. Some things are best left to the imagination. Here, a reprise of that mistake seems inevitable, but – perversely – seems to be pulled off with mastery and aplomb. The aliens are well rendered, and the small scale nature of the set (I’m sure I’ve been in similar dingy waiting rooms in UK railway stations!) is cleverly handled by the environmental conditions.
But where the screenplay really kills it is in the emergence of the real power unleashed by the translation work. To say any more would deliver spoilers, which I won’t do. But this is a masterly piece of science-fiction writing. The screenplay was by Eric Heisserer – someone with a limited scriptwriting CV of horror film reboots/sequels such as “Final Destination 5”, “The Thing” and “A Nightmare on Elm Street” – so the portents were not good, which just adds to the surprise. If I were to be critical, some of the dialogue at times is a little TOO clever for its own good and smacks of Aaron Sorkin over-exposition: the comment about “They have a word for it in Hungary” for example went right over my head.
Denis Villeneuve (“Sicario”) deftly directs, leaving the pace of the story glacially slow in places to let the audience deduce what is going on at their own speed. This will NOT be to the liking of movie fans who like their films in a wham-bam of CGI, but was very much to my liking. The film in fact has very little exposition, giving you lots to think about after the credits roll: there were elements of the story (such as her book) that still generated debate with my better half on the drive home.
Amy Adams and Jeremy Renner are first rate and an effectively moody score by Jóhann Jóhannsson (“Sicario”; “The Theory of Everything”) round off the other high-point credits for me.
An extraordinary film, this is a must see for sci-fi fans but also for lovers of good cinema and well-crafted stories.
Because the trailer for “Arrival” belies absolutely nothing about the depth and complexity of the film. At face value, it looks like a dubious “Close Encounters” wannabe, with a threat of movement towards the likes of “Independence Day” and “The 5th Wave”. Actually what you get is a film that approaches the grandeur of “Close Encounters” but interlaces it with the intellectual depth of “Inception”, the mystery of “Intersteller” and a heavy emotional jolt or two of “Up”.
Amy Adams (“Batman vs Superman”) plays Dr Louise Banks, a language teacher at a US university facing a bunch of particularly disengaged students one morning. For good reason since world news is afoot. Twelve alien craft have positioned themselves strategically around the world, hanging a few feet from the ground in just the sort of way that bricks don’t. Banks is approached by Colonel Weber (Forest Whitaker) and offered the job of trying to communicate with the aliens: where did they come from? why are they here? Banks faces the biggest challenge of her academic career in trying to devise a strategy for communication without any foundation of knowledge on what level communication even works at for them. Assisted by Ian Donelly (Jeremy Renner, “Mission Impossible IV/V”, “Avengers”), a theoretical physicist, the pair try to crack the code against a deadline set by the inexorable rise of international tensions – driven by China’s General Chang (Tzi Ma, “Veep”; “24”).
Steven Spielberg made a rare error of judgement by adding scenes in his “Special Edition” of “Close Encounters of the Third Kind” showing everyman power guy Roy Neary (Richard Dreyfuss) entering the alien spacecraft. Some things are best left to the imagination. Here, a reprise of that mistake seems inevitable, but – perversely – seems to be pulled off with mastery and aplomb. The aliens are well rendered, and the small scale nature of the set (I’m sure I’ve been in similar dingy waiting rooms in UK railway stations!) is cleverly handled by the environmental conditions.
But where the screenplay really kills it is in the emergence of the real power unleashed by the translation work. To say any more would deliver spoilers, which I won’t do. But this is a masterly piece of science-fiction writing. The screenplay was by Eric Heisserer – someone with a limited scriptwriting CV of horror film reboots/sequels such as “Final Destination 5”, “The Thing” and “A Nightmare on Elm Street” – so the portents were not good, which just adds to the surprise. If I were to be critical, some of the dialogue at times is a little TOO clever for its own good and smacks of Aaron Sorkin over-exposition: the comment about “They have a word for it in Hungary” for example went right over my head.
Denis Villeneuve (“Sicario”) deftly directs, leaving the pace of the story glacially slow in places to let the audience deduce what is going on at their own speed. This will NOT be to the liking of movie fans who like their films in a wham-bam of CGI, but was very much to my liking. The film in fact has very little exposition, giving you lots to think about after the credits roll: there were elements of the story (such as her book) that still generated debate with my better half on the drive home.
Amy Adams and Jeremy Renner are first rate and an effectively moody score by Jóhann Jóhannsson (“Sicario”; “The Theory of Everything”) round off the other high-point credits for me.
An extraordinary film, this is a must see for sci-fi fans but also for lovers of good cinema and well-crafted stories.
Merissa (13190 KP) rated The Unexpected Santa (The Sin Bin #5) in Books
Dec 20, 2017
The Unexpected Santa (The Sin Bin #5) by Dahlia Donovan
The Unexpected Santa is the fifth book in The Sin Bin series, and this story focuses on a particular holiday, which you can guess by the title. Scottie is one of the Sin Bin members that I have always had trouble warming up. He is brash, obnoxious, and is more than happy to throw his own pity party - drink included. With stalker tendencies, and an amazing ability to sulk when things don't go his way, I wasn't 100% sure about reading this book. However, after seeing how Gray dealt with him in Akash's book, I was willing to give him a go.
I'm glad I did!
Now, don't get me wrong - Scottie is still a big pain in the posterior! He has a lot of learning to do, and I think that Gray is just the one to help him. In the meantime, Gray has promised that he will look out for the twins, and will protect them from everyone and everything - even Scottie. In turn, the twins help tone down some of Scottie's rough edges, as even he can't be awful all the time. With the twins and Gray on his case, Scottie doesn't stand a chance. He just doesn't realise it yet. He is just what Gray has been looking for, and in return, Gray will give Scottie everything he needs. In turn, I'm hoping that Scottie will become a character I can read about without giving myself eye-strain as they involuntarily roll so much.
With seasonal cheer from two Christmas grumps, this book is an unexpected delight, and a wonderful addition to The Sin Bin series. No editing or grammatical errors disrupted my reading flow, and the pacing was smooth throughout. With enough to satisfy and yet still keep you wanting more, I have no hesitation in recommending this book or the series.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
I'm glad I did!
Now, don't get me wrong - Scottie is still a big pain in the posterior! He has a lot of learning to do, and I think that Gray is just the one to help him. In the meantime, Gray has promised that he will look out for the twins, and will protect them from everyone and everything - even Scottie. In turn, the twins help tone down some of Scottie's rough edges, as even he can't be awful all the time. With the twins and Gray on his case, Scottie doesn't stand a chance. He just doesn't realise it yet. He is just what Gray has been looking for, and in return, Gray will give Scottie everything he needs. In turn, I'm hoping that Scottie will become a character I can read about without giving myself eye-strain as they involuntarily roll so much.
With seasonal cheer from two Christmas grumps, this book is an unexpected delight, and a wonderful addition to The Sin Bin series. No editing or grammatical errors disrupted my reading flow, and the pacing was smooth throughout. With enough to satisfy and yet still keep you wanting more, I have no hesitation in recommending this book or the series.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Merissa (13190 KP) rated Make Me Hunger (Isle of the Forgotten #2) in Books
May 19, 2017
Make Me Hunger (Isle of the Forgotten #2) by Tiffany Roberts
Make Me Hunger is the second book in the Isle of the Forgotten series, and we start with the High Mage giving one of his Justicars a job to do on the quiet. He feels that some of the prisoners have been sent there without proper trial, and wants Amnestria to find out for sure. Along in the group though, as their commander, is the one person who Amnestria has a one night history with! The one person who wants that one night again, even though she isn't interested. The others in the team pick up on this, and try to help her any which way they can. During a fight with some of those who have lost their humanity on the island, Amnestria is separated from the rest of them, and Baltherus comes to her rescue - if you can call cuffing and kidnapping her rescue! Although they both have histories and secrets, they seem to be working things out. It isn't just them on the Island though, and real life has a way of intruding...
After meeting Baltherus in the first book, I was hopeful of him turning out to be an alright guy, but I wasn't sure. Amnestria was a strong and sassy female, whilst also having her vulnerabilities. Together, these two are strong and will fight for each other AND what is right. Their story is very well written, with plenty of feels (figuratively and literally!). The pace is smooth and yet it is full of action in all the right places. There were no editing or grammatical errors to disrupt the reading flow, and this book pretty much read itself as I got lost within the pages. It will be interesting to find out what comes next in The Order, and I would personally love to hear more about our happy couples and how life is treating them. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
After meeting Baltherus in the first book, I was hopeful of him turning out to be an alright guy, but I wasn't sure. Amnestria was a strong and sassy female, whilst also having her vulnerabilities. Together, these two are strong and will fight for each other AND what is right. Their story is very well written, with plenty of feels (figuratively and literally!). The pace is smooth and yet it is full of action in all the right places. There were no editing or grammatical errors to disrupt the reading flow, and this book pretty much read itself as I got lost within the pages. It will be interesting to find out what comes next in The Order, and I would personally love to hear more about our happy couples and how life is treating them. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Lee (2222 KP) rated A Monster Calls (2016) in Movies
Jul 26, 2017
A Monster Calls is based on an idea by writer and activist Siobhan Dowd, who sadly died from cancer in 2007 before she could develop her story to print. Her ideas were developed into a book by Patrick Ness in 2011 and illustrated by Jim Kay where it went on to receive a number of childrens literary awards.
The story is set in a very dreary looking England and features a boy called Conor struggling to cope with his mother’s terminal cancer. His father is divorced from his mother and is living in the States with his new family. He’s bullied at school and he’s troubled by nightmares. And then he starts being visited at night by a monster who tells him 3 stories. It’s a bleak tale about the harshness of life, and I was kind of worried about how my 11 year old daughter might take to it when she said she wanted to see it with me.
J.A.Bayona, director of The Orphanage, handles the subject matter well, showing us how a child’s fantasy can make sense of the world and their feelings. The stories told by the monster occur over a number of days and are beautifully depicted in watercolour animation. Each one providing its own lesson to be learned in life. Liam Neeson is the monster, the large yew tree that Conor can see from his bedroom window, giving his best Aslan voice. Felicity Jones is the mother, gradually dying as each cancer drug fails. Sigourney Weaver is the grandmother who Conor reluctantly goes to stay with while his mother is receiving treatment.
The monster itself, the great yew tree, is a real triumph. Beautifully rendered and realistically interacting with its surroundings. When you consider the films meagre budget of 43 million dollars, it’s breathtaking what they’ve managed to achieve.
As expected, the movie really packs a punch with barely any humour or lightheartedness. There are times it’s a little too slow and gloomy, but it’s hard hitting thought provoking and intense. I don’t mind admitting that both me and my daughter found ourselves in tears towards the end too. Along with most of the cinema!
The story is set in a very dreary looking England and features a boy called Conor struggling to cope with his mother’s terminal cancer. His father is divorced from his mother and is living in the States with his new family. He’s bullied at school and he’s troubled by nightmares. And then he starts being visited at night by a monster who tells him 3 stories. It’s a bleak tale about the harshness of life, and I was kind of worried about how my 11 year old daughter might take to it when she said she wanted to see it with me.
J.A.Bayona, director of The Orphanage, handles the subject matter well, showing us how a child’s fantasy can make sense of the world and their feelings. The stories told by the monster occur over a number of days and are beautifully depicted in watercolour animation. Each one providing its own lesson to be learned in life. Liam Neeson is the monster, the large yew tree that Conor can see from his bedroom window, giving his best Aslan voice. Felicity Jones is the mother, gradually dying as each cancer drug fails. Sigourney Weaver is the grandmother who Conor reluctantly goes to stay with while his mother is receiving treatment.
The monster itself, the great yew tree, is a real triumph. Beautifully rendered and realistically interacting with its surroundings. When you consider the films meagre budget of 43 million dollars, it’s breathtaking what they’ve managed to achieve.
As expected, the movie really packs a punch with barely any humour or lightheartedness. There are times it’s a little too slow and gloomy, but it’s hard hitting thought provoking and intense. I don’t mind admitting that both me and my daughter found ourselves in tears towards the end too. Along with most of the cinema!
Goddess in the Stacks (553 KP) rated This Common Secret in Books
Sep 6, 2017
An eye-opening first-hand account of being an abortion doctor
Let me begin by saying I am a feminist. I am pro-choice. This was a difficult read because it talks about the lengths people will go to infringe on the rights of women like me to make that choice. Dr. Wicklund goes into detail about the dangers she personally has faced as an abortion provider – from stalking, to assault, to arson and death threats. The murders of Dr. Hill and Dr. Britton are mentioned, and the attempted murder of Dr. Tiller. (An attempt on Dr. Tiller’s life was successful two years after the publication of the book.) She resorted to wildly varying routines, different methods of transportation, elaborate disguises, as well as hiring private security guards, none of it really alleviating her fear that she could be next.
Running throughout the entire book is Dr. Wicklund’s concern for her patients. She is a dedicated, compassionate woman who wants nothing but the best for the women in her care. In many cases, that’s not actually abortion. One of the things that makes her an excellent doctor is ferreting out what is really in her patients’ best interests.
The book is mercifully short; I have no doubt she had many more stories she could have told, but the topic is brutal and hard to read, and keeping it concise and on-message was well done. I still had to set it down and play some mindless video games when I was done, as it was a little overwhelming.
This Common Secret also touches on why people keep it a secret. Why people don’t talk about their abortion. And why people should. If more people realize that the women that get abortions are your neighbor, your sister, your grandmother – not just that “whore that slept around” – although she, too, deserves an abortion if that is the right choice for her. Maybe they would rethink their opposition to it.
I’m honestly probably not giving this book justice – it’s a decade old, but could have been written yesterday. And I am infuriated by anti-choice assholes.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Running throughout the entire book is Dr. Wicklund’s concern for her patients. She is a dedicated, compassionate woman who wants nothing but the best for the women in her care. In many cases, that’s not actually abortion. One of the things that makes her an excellent doctor is ferreting out what is really in her patients’ best interests.
The book is mercifully short; I have no doubt she had many more stories she could have told, but the topic is brutal and hard to read, and keeping it concise and on-message was well done. I still had to set it down and play some mindless video games when I was done, as it was a little overwhelming.
This Common Secret also touches on why people keep it a secret. Why people don’t talk about their abortion. And why people should. If more people realize that the women that get abortions are your neighbor, your sister, your grandmother – not just that “whore that slept around” – although she, too, deserves an abortion if that is the right choice for her. Maybe they would rethink their opposition to it.
I’m honestly probably not giving this book justice – it’s a decade old, but could have been written yesterday. And I am infuriated by anti-choice assholes.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Cal Brown (53 KP) rated Spider-Man: Homecoming (2017) in Movies
Jul 7, 2017
Great alternative perspective on the marvel universe. (4 more)
Great casting. Love the racial diversity and equality of characters.
Amazing references to the original films and the MCU.
Tom Holland's performance and presence is incredible.
Air-gasping plot twists.
The aspect ratio of the smartphone-video diary doesn't make sense. (1 more)
A few minor logic flaws.
Spider-teen
Contains spoilers, click to show
Spiderman, a superhero that has been the go-to Halloween costume for the past 15 years and rightly so. With this being the 6th Spiderman movie, most would expect a drained and exhausted movie. I try to go into the cinema with an unbiased opinion on any movie, but even I expected it. However, it was a replenishing surprise to see a cinematic and equally entertaining Marvel film.
I loved seeing an alternative, somewhat more realistic, perspective on the MCU (Marvel Cinematic Universe). Hearing the 'voice of the people' and what students think of the avengers was a quirky amusement.
As a filmmaker, it was incredulous to see a specific inter-textual reference within one of the scenes. Night draws and the Vulture is driving the car with Peter Parker in the back. Things are getting tense as he realises that Peter Parker is Spiderman. The car is stationary at a set of traffic lights. The light turns green, cut to a close up of the Vulutre's face as he replicates the Green Goblin's expression and speaks the exact same words to Spiderman that the Green Goblin did in the very fist movie.
It's hard to believe that Tom Holland (Peter Parker) was born and raised in London as his American accent is spot on! This was complimented by his excellent and energetic performance.
The casting for this film was noteworthy. The racial diversity and equality of characters was great.
There were a few logic flaws within the film, but they're not worth enough value to even discuss them as the story and value of the film overall was excellent. I'm content with giving this film an almost perfect 9/10 as there were a few parts of the story where I felt like it was getting repetitive and the plot was starting to feel a bit 'back-and-forth'.
I loved seeing an alternative, somewhat more realistic, perspective on the MCU (Marvel Cinematic Universe). Hearing the 'voice of the people' and what students think of the avengers was a quirky amusement.
As a filmmaker, it was incredulous to see a specific inter-textual reference within one of the scenes. Night draws and the Vulture is driving the car with Peter Parker in the back. Things are getting tense as he realises that Peter Parker is Spiderman. The car is stationary at a set of traffic lights. The light turns green, cut to a close up of the Vulutre's face as he replicates the Green Goblin's expression and speaks the exact same words to Spiderman that the Green Goblin did in the very fist movie.
It's hard to believe that Tom Holland (Peter Parker) was born and raised in London as his American accent is spot on! This was complimented by his excellent and energetic performance.
The casting for this film was noteworthy. The racial diversity and equality of characters was great.
There were a few logic flaws within the film, but they're not worth enough value to even discuss them as the story and value of the film overall was excellent. I'm content with giving this film an almost perfect 9/10 as there were a few parts of the story where I felt like it was getting repetitive and the plot was starting to feel a bit 'back-and-forth'.
Haley Mathiot (9 KP) rated The Postmistress in Books
Apr 27, 2018
The Postmistress by Sarah Blake
Genre: Fiction
Rating: DNF
(No Summary.)
The thing about reading is that you need to pick up the book, and be wrapped up in it. It needs to flow well. It must be readable. It must be understandable. Words create sentences and sentences create paragraphs, etc.
When I started reading The Postmistress, I felt like I’d jumped into the middle of a book, in the middle of a series, with no idea who was who or what was happening or even who the narrator was. The sentences didn’t make any sense. It was like reading sentences backwards. Have you ever tried that? Do it. Ok now that you’ve tried it, you know how I felt. It felt like a bunch of jumbled words.
The style was strange, there was weird punctuation that made what little clear sentences there were choppy and difficult to read. I kept reading the same phrase over and over and eventually giving up.
The point of view isn’t first person, nor is it third. And whatever person it was, it kept switching mid-chapter so I couldn't keep up. The dialogue felt out of place, like people from that time period shouldn’t be speaking like that (Or maybe I’m just not educated on WWII culture, which is more likely than not. I’ll give the author the benefit of the doubt).
And by page 15 I still had no clue who was who or what was going on. I felt no desire to continue reading, and trying to decipher the paragraphs felt like a chore.
And honestly, reading should not be a chore. I won’t finish a book if I could be reading better things.
I’m sorry to be so negative, I hate writing negative reviews. But I could not read this book. I couldn’t tell you what the plot was or what the characters were like if I tried.
As always, please remember that this is my personal opinion. Never decide to read or not to read a book based on one person’s views.
This was the second stop for Katrina’s Borrow My ARC Tour at Bloody Bad. Check the other tour stops here for other reviews, or see Amazon.com reviews.
Genre: Fiction
Rating: DNF
(No Summary.)
The thing about reading is that you need to pick up the book, and be wrapped up in it. It needs to flow well. It must be readable. It must be understandable. Words create sentences and sentences create paragraphs, etc.
When I started reading The Postmistress, I felt like I’d jumped into the middle of a book, in the middle of a series, with no idea who was who or what was happening or even who the narrator was. The sentences didn’t make any sense. It was like reading sentences backwards. Have you ever tried that? Do it. Ok now that you’ve tried it, you know how I felt. It felt like a bunch of jumbled words.
The style was strange, there was weird punctuation that made what little clear sentences there were choppy and difficult to read. I kept reading the same phrase over and over and eventually giving up.
The point of view isn’t first person, nor is it third. And whatever person it was, it kept switching mid-chapter so I couldn't keep up. The dialogue felt out of place, like people from that time period shouldn’t be speaking like that (Or maybe I’m just not educated on WWII culture, which is more likely than not. I’ll give the author the benefit of the doubt).
And by page 15 I still had no clue who was who or what was going on. I felt no desire to continue reading, and trying to decipher the paragraphs felt like a chore.
And honestly, reading should not be a chore. I won’t finish a book if I could be reading better things.
I’m sorry to be so negative, I hate writing negative reviews. But I could not read this book. I couldn’t tell you what the plot was or what the characters were like if I tried.
As always, please remember that this is my personal opinion. Never decide to read or not to read a book based on one person’s views.
This was the second stop for Katrina’s Borrow My ARC Tour at Bloody Bad. Check the other tour stops here for other reviews, or see Amazon.com reviews.
Acanthea Grimscythe (300 KP) rated As Shadows Scream in Books
May 16, 2018
This review was published first on <a href="http://theghastlygrimoire.com/"; target="_new"> The Ghastly Grimoire</a>.
As Shadows Scream by Kylen Coetzee is the first title I received as a request through The Ghastly Grimoire. Originally published on Wattpad, I’ve decided to approach this review a little differently than I typically do. First, because I do not have access to a final published copy, there is no way for me to tell whether or not the many grammatical errors I encountered were fixed. For those that haven’t used Wattpad, much of the work posted there does not go through the usual editing process from what I’ve read. That’s not necessarily a bad thing; however, it can negatively impact the story. That said, I’ve refrained from making my usual judgments on editing this time around and instead focused on the contents of this book.
Coetzee’s work, though flawed in some ways, brings to the table an interesting concept – one I feel could easily be adapted into a film. Throughout his book, Coetzee explores several mental illnesses, most of which deal with personality disorders. Whether or not this is intentional outside of the main baddie is hard to tell, but it gives an unexpected depth to the characters readers meet.
The pacing is quick and urgent, fitting given the content of As Shadows Scream. As usual, I feel that this book could have benefit from a bit more length, which would have allowed Coetzee to truly expand upon this world he’s created that is riddled with references of good and evil.
In regards to the death scenes – because all horror typically has at least one (though there are exceptions to this rule) – Coetzee does a beautiful job at rendering the scenes disgustingly gory. In fact, several times Coetzee shows moments of eloquence in the writing of his book, which speaks volumes to his ability to write. I think a little refinement would go a long way.
As stated at the beginning of this review, I chose to mostly overlook the glaring editing errors, thus giving the author the benefit of the doubt. If you’re interested in reading this tale, you can find it on Wattpad or purchase the paperback copy via Amazon.
As Shadows Scream by Kylen Coetzee is the first title I received as a request through The Ghastly Grimoire. Originally published on Wattpad, I’ve decided to approach this review a little differently than I typically do. First, because I do not have access to a final published copy, there is no way for me to tell whether or not the many grammatical errors I encountered were fixed. For those that haven’t used Wattpad, much of the work posted there does not go through the usual editing process from what I’ve read. That’s not necessarily a bad thing; however, it can negatively impact the story. That said, I’ve refrained from making my usual judgments on editing this time around and instead focused on the contents of this book.
Coetzee’s work, though flawed in some ways, brings to the table an interesting concept – one I feel could easily be adapted into a film. Throughout his book, Coetzee explores several mental illnesses, most of which deal with personality disorders. Whether or not this is intentional outside of the main baddie is hard to tell, but it gives an unexpected depth to the characters readers meet.
The pacing is quick and urgent, fitting given the content of As Shadows Scream. As usual, I feel that this book could have benefit from a bit more length, which would have allowed Coetzee to truly expand upon this world he’s created that is riddled with references of good and evil.
In regards to the death scenes – because all horror typically has at least one (though there are exceptions to this rule) – Coetzee does a beautiful job at rendering the scenes disgustingly gory. In fact, several times Coetzee shows moments of eloquence in the writing of his book, which speaks volumes to his ability to write. I think a little refinement would go a long way.
As stated at the beginning of this review, I chose to mostly overlook the glaring editing errors, thus giving the author the benefit of the doubt. If you’re interested in reading this tale, you can find it on Wattpad or purchase the paperback copy via Amazon.
Debbiereadsbook (1487 KP) rated Sweetwater (The Kihn #1) in Books
Apr 9, 2018
kinda creeps up on ya!
Verified purchase December 2013
Now, I will be honest here, right up front, I only bought this book, because the author was giving away two additional books (from other authors) and it was a good deal.
Sofie returns to her childhood home, after the death of her parents. Parents who made it clear she was never wanted. Things are afoot in Sweetwater, and no one is quite sure what.
Lucas and his Hunters arrive to explain what is going on and how they are going to deal with it.
IT are the Kihn. while it isn't explained fully WHAT they are, they do get up to no good, what with a Gateway opening soon, near to Sweetwater. Sofie has knowledge of the Kihn, she has been seeing them in her dreams for years.
Enter a HUGE cast of supporting actors, witches, Wiccan, werewolves, guardian angels that only the Wiccan can see, various aunts, uncles, cousins and friends!!
The tale took a while to get going, Lucas and Sofie don't meet till almost half way through, and the blur comes with and explicit warning, which again, doesn't arrive til past half way, BUT its a good tale. Lots of interaction between all the characters, with more and MORE added along the way (this huge cast was one of the reasons it got 4 stars instead of 5, the other, the long warm up) Its a different tale and I enjoyed it. There is another planned and it will be purchased when its released, as this one ends on a bit of a cliff hanger!
I particularly liked the way Jacks throws things at you, just like that, "its the only way I know to keep them away, you know" made me go OHHHHHHHHHHHHHHHHHH what are "they"??? and how little hints get dropped along they way as to WHAT the supernatural people are. While its fairly obvious (after a time) what Lucas is, Sofie clicks in the last 3 lines of the book!
A different read, a good read, and I would recommend it!
And! It's present tense!
4 solid stars
Now, I will be honest here, right up front, I only bought this book, because the author was giving away two additional books (from other authors) and it was a good deal.
Sofie returns to her childhood home, after the death of her parents. Parents who made it clear she was never wanted. Things are afoot in Sweetwater, and no one is quite sure what.
Lucas and his Hunters arrive to explain what is going on and how they are going to deal with it.
IT are the Kihn. while it isn't explained fully WHAT they are, they do get up to no good, what with a Gateway opening soon, near to Sweetwater. Sofie has knowledge of the Kihn, she has been seeing them in her dreams for years.
Enter a HUGE cast of supporting actors, witches, Wiccan, werewolves, guardian angels that only the Wiccan can see, various aunts, uncles, cousins and friends!!
The tale took a while to get going, Lucas and Sofie don't meet till almost half way through, and the blur comes with and explicit warning, which again, doesn't arrive til past half way, BUT its a good tale. Lots of interaction between all the characters, with more and MORE added along the way (this huge cast was one of the reasons it got 4 stars instead of 5, the other, the long warm up) Its a different tale and I enjoyed it. There is another planned and it will be purchased when its released, as this one ends on a bit of a cliff hanger!
I particularly liked the way Jacks throws things at you, just like that, "its the only way I know to keep them away, you know" made me go OHHHHHHHHHHHHHHHHHH what are "they"??? and how little hints get dropped along they way as to WHAT the supernatural people are. While its fairly obvious (after a time) what Lucas is, Sofie clicks in the last 3 lines of the book!
A different read, a good read, and I would recommend it!
And! It's present tense!
4 solid stars
Rachel King (13 KP) rated In Praise of Stay-at-Home Moms in Books
Feb 11, 2019
As a stay-at-home mom myself, partly by choice and partly by default, I didn't realize how much I needed the lift this book provided until I finished it. While SAHMs are gaining in support, thanks to the wonders of the internet, the effects of the feminist movement are hard to undo, and I still find myself feeling bad for not "running the hamster wheel."
This book is really about praising and uplifting SAHMs in every way, from giving advice on how to transition from working outside the home to becoming a SAHM, how to deal with naysayers, the impact of being a SAHM on the marriage, the children, and the woman herself, and the struggles that a SAHM goes through. Nearly every page features quotes from SAHMs who have contacted Dr. Laura with their opinions, experiences, questions, and wisdom, and these women all have unique living situations to fit any mother's lifestyle, even the ones who have been through a divorce because the husband does not support the idea of the woman becoming a SAHM. Dr. Laura dispels many notions and myths that run rampant about the type of woman that decides to be a SAHM, and what would make her choose such a lifestyle. Many of the women she quotes have college degrees or left great careers to become a SAHM. Others go on to degrees and careers once the children have grown and "fled the nest." Some of the best parts of the book were the stories that SAHMs related about the wonderful perks and unforgettable moments of being a SAHM, such as being able to cook healthy meals from scratch for their family and not missing all of those important milestones with their children.
This book helped me to change my perspective on my role in my family's life, as the heart of the home, to focus on the good things of what I have committed to, and to appreciate my husband and children, not as sandbags on my own personal improvement, but as buoys to lift me up and save me from my own destructive self-involvement.
This book is really about praising and uplifting SAHMs in every way, from giving advice on how to transition from working outside the home to becoming a SAHM, how to deal with naysayers, the impact of being a SAHM on the marriage, the children, and the woman herself, and the struggles that a SAHM goes through. Nearly every page features quotes from SAHMs who have contacted Dr. Laura with their opinions, experiences, questions, and wisdom, and these women all have unique living situations to fit any mother's lifestyle, even the ones who have been through a divorce because the husband does not support the idea of the woman becoming a SAHM. Dr. Laura dispels many notions and myths that run rampant about the type of woman that decides to be a SAHM, and what would make her choose such a lifestyle. Many of the women she quotes have college degrees or left great careers to become a SAHM. Others go on to degrees and careers once the children have grown and "fled the nest." Some of the best parts of the book were the stories that SAHMs related about the wonderful perks and unforgettable moments of being a SAHM, such as being able to cook healthy meals from scratch for their family and not missing all of those important milestones with their children.
This book helped me to change my perspective on my role in my family's life, as the heart of the home, to focus on the good things of what I have committed to, and to appreciate my husband and children, not as sandbags on my own personal improvement, but as buoys to lift me up and save me from my own destructive self-involvement.