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Lee (2222 KP) rated Aquaman (2018) in Movies
Dec 14, 2018
A very enjoyable DCEU movie!
Before I begin, I just wanted to describe my feelings on the state of the DCEU up until now and hopefully this will be a good indication as to whether or not you're going to agree with me when it comes to Aquaman. So, as I'm sure most people will agree, so far the whole thing has been a bit of a disaster. A rush to try and bottle what Marvel have spent the last 10 years crafting and achieving, with just a handful of below average and inconsistently toned movies. I liked Man of Steel, and I didn't mind Batman V Superman, although I do understand why many people were disappointed. I really enjoyed Wonder Woman, and I found a lot to like within Justice League too. But as for Suicide Squad, well that one was just a ridiculous mess. And with all the uncertainty around the future of Henry Cavill and Ben Affleck in their roles as Superman and Batman, it seems DC still have a long way to go in terms of laying solid foundations for some decent universe building to rival Marvel.
So that brings us to Aquaman, probably the only other character of interest from Justice League who has yet to get his own origin/standalone movie. We got glimpses in Justice League, tastes of the underwater water world, and brief appearances from Amber Heards character Mera, so it's good to be able to expand on what has the potential to be a really strong, interesting character. And under the direction of James Wan, hopefully another welcome deviation from the dark, dull earlier DC movies that received so much criticism.
As far as origin stories go, things get off to a strong start. Lighthouse keeper Thomas Curry finds Atlantean queen Atlanna (Nicole Kidman) washed up on the rocks one day and takes her in to care for her. They fall in love, eventually giving birth to Arthur. A few years later and it's clear that Atlanna cannot stay. She returns to Atlantis, promising that she'll return to him one day, leaving Thomas to raise Arthur. When we join Arthur again, it's one year following the events of the Justice League and the defeat of Steppenwolf. Taking care of a bunch of hi-tech pirates who have boarded a submarine, but still finding time to return home to dad for a few beers and a laugh with the locals. He's left the world of Atlantis behind him, having been banished for being a half breed, and feeling anger at the treatment his mother received for giving birth to him. It's not long though before things all start kicking off and he had to return to life under the sea. Half brother Orm (Patrick Wilson) is looking to wage war on the surface world in retaliation for all the destruction and pollution within the seas, and begins trying to gain support from the seven kingdoms. Meanwhile, one of the pirates Aquaman encountered earlier has got his hands on some Atlantean technology, becoming Black Manta and vowing to get his revenge. During an undersea meeting with Vulko, aid to Atlanna and the man responsible for training Arthur as a child, Arthur is urged to find the lost Trident of Atlan, a magic artifact that once belonged to Atlantis’ first ruler. By wielding the trident, Arthur can reclaim his rightful place as king, hopefully uniting the worlds of land and sea.
There is a LOT going on here, and luckily for the most part, it all works relatively well. The quest for the trident is a bit like an Indiana Jones quest - Arthur and Mera have to undertake a trek across, and below, the Sahara desert, a trip to Sicily, a perilous boat trip and a journey to a hidden world deep within the ocean. The Black Manta storyline seems a bit unnecessary and annoying at times, although does provide some great action (and a setup for a sequel). The underwater scenes involving Atlantis and the other kingdoms are absolutely beautiful to look at, very detailed and imaginative, but these are the areas that unfortunately begin to let the movie down. Culminating in an epic underwater battle involving thousands of different creatures and weapons, the movie ends up as just another DCEU CGI overload.
Despite that, I actually had a lot of fun with this movie, and I particularly loved the action. Fluid, balletic fight scenes, with the viewpoint flowing above and around those involved, we follow a character as he powers through walls and roofs, pulling out to reveal and follow other characters in action, the direction of these scenes is extremely effective. Overall, this is definitely a strong step up for the DCEU and a worthy standalone movie. I just hope they can now keep this momentum going.
So that brings us to Aquaman, probably the only other character of interest from Justice League who has yet to get his own origin/standalone movie. We got glimpses in Justice League, tastes of the underwater water world, and brief appearances from Amber Heards character Mera, so it's good to be able to expand on what has the potential to be a really strong, interesting character. And under the direction of James Wan, hopefully another welcome deviation from the dark, dull earlier DC movies that received so much criticism.
As far as origin stories go, things get off to a strong start. Lighthouse keeper Thomas Curry finds Atlantean queen Atlanna (Nicole Kidman) washed up on the rocks one day and takes her in to care for her. They fall in love, eventually giving birth to Arthur. A few years later and it's clear that Atlanna cannot stay. She returns to Atlantis, promising that she'll return to him one day, leaving Thomas to raise Arthur. When we join Arthur again, it's one year following the events of the Justice League and the defeat of Steppenwolf. Taking care of a bunch of hi-tech pirates who have boarded a submarine, but still finding time to return home to dad for a few beers and a laugh with the locals. He's left the world of Atlantis behind him, having been banished for being a half breed, and feeling anger at the treatment his mother received for giving birth to him. It's not long though before things all start kicking off and he had to return to life under the sea. Half brother Orm (Patrick Wilson) is looking to wage war on the surface world in retaliation for all the destruction and pollution within the seas, and begins trying to gain support from the seven kingdoms. Meanwhile, one of the pirates Aquaman encountered earlier has got his hands on some Atlantean technology, becoming Black Manta and vowing to get his revenge. During an undersea meeting with Vulko, aid to Atlanna and the man responsible for training Arthur as a child, Arthur is urged to find the lost Trident of Atlan, a magic artifact that once belonged to Atlantis’ first ruler. By wielding the trident, Arthur can reclaim his rightful place as king, hopefully uniting the worlds of land and sea.
There is a LOT going on here, and luckily for the most part, it all works relatively well. The quest for the trident is a bit like an Indiana Jones quest - Arthur and Mera have to undertake a trek across, and below, the Sahara desert, a trip to Sicily, a perilous boat trip and a journey to a hidden world deep within the ocean. The Black Manta storyline seems a bit unnecessary and annoying at times, although does provide some great action (and a setup for a sequel). The underwater scenes involving Atlantis and the other kingdoms are absolutely beautiful to look at, very detailed and imaginative, but these are the areas that unfortunately begin to let the movie down. Culminating in an epic underwater battle involving thousands of different creatures and weapons, the movie ends up as just another DCEU CGI overload.
Despite that, I actually had a lot of fun with this movie, and I particularly loved the action. Fluid, balletic fight scenes, with the viewpoint flowing above and around those involved, we follow a character as he powers through walls and roofs, pulling out to reveal and follow other characters in action, the direction of these scenes is extremely effective. Overall, this is definitely a strong step up for the DCEU and a worthy standalone movie. I just hope they can now keep this momentum going.
kitty ♡ (68 KP) rated 13 Reasons Why in TV
Jan 9, 2018 (Updated Jan 9, 2018)
there are only 13 episodes (1 more)
we get to see part of the aftermath of the tapes
they changed the way hannah kills herself (3 more)
it felt too mainstream
i didn't feel the same watching it as i did when i read the book
that *particular* scene made me want to vomit
something just didn't click.
Contains spoilers, click to show
I would add the whole "suicide glamorization" factor as a negative, but that's something to be taken up with the author of the novel, Jay Asher, and not the television series. I'll talk about that when I review the book after I finish re-reading it.
TRIGGER WARNING: I will be talking about suicide here, which should be no surprise as this is a show about suicide, but I will be doing so in semi-detail.
The main bone I have to pick with this portrayal of 13 Reasons Why is that they changed the way Hannah kills herself. In the book, Hannah Baker kills herself by swallowing a handful of pills. And as the book is limited to Clay's point of view, Asher doesn't describe it in greater detail. If I can recall, he just leaves it as that (but feel free to correct me if I'm wrong!) In the series, however, Hannah kills herself by bleeding out in the bathtub. Instead of showing her swallowing pills, the writers decided that having the girl slit her wrists would be a better option which is WRONG. They really wanted those bonus points for gore, huh? The fact that they made her death more gruesome than it already is, is simply just disgusting, in my opinion.
Actually, the fact that they even showed her death scene at all is just disgusting. Not only is it so, but it may also be triggering for some people. They shouldn't have done it in such detail. What they could've done was they could've shown the blade (if she were still going to bleed out) and a little bit of blood to allude to the fact that she died this way. But no, they just had to show the whole process, which can easily turn into a how-to for viewers in a bad place.
Really, the only good thing I have to add about this is the fact that they show Tony giving Hannah's parents a copy of her tapes, and by the looks of it, the tapes may be handed to the police, which means Bryce's nasty ass can get what he deserves. Hopefully. But we really don't need a part 2. Sorry about it.
TRIGGER WARNING: I will be talking about suicide here, which should be no surprise as this is a show about suicide, but I will be doing so in semi-detail.
The main bone I have to pick with this portrayal of 13 Reasons Why is that they changed the way Hannah kills herself. In the book, Hannah Baker kills herself by swallowing a handful of pills. And as the book is limited to Clay's point of view, Asher doesn't describe it in greater detail. If I can recall, he just leaves it as that (but feel free to correct me if I'm wrong!) In the series, however, Hannah kills herself by bleeding out in the bathtub. Instead of showing her swallowing pills, the writers decided that having the girl slit her wrists would be a better option which is WRONG. They really wanted those bonus points for gore, huh? The fact that they made her death more gruesome than it already is, is simply just disgusting, in my opinion.
Actually, the fact that they even showed her death scene at all is just disgusting. Not only is it so, but it may also be triggering for some people. They shouldn't have done it in such detail. What they could've done was they could've shown the blade (if she were still going to bleed out) and a little bit of blood to allude to the fact that she died this way. But no, they just had to show the whole process, which can easily turn into a how-to for viewers in a bad place.
Really, the only good thing I have to add about this is the fact that they show Tony giving Hannah's parents a copy of her tapes, and by the looks of it, the tapes may be handed to the police, which means Bryce's nasty ass can get what he deserves. Hopefully. But we really don't need a part 2. Sorry about it.
This One Rocked
I Read Blood Sisters By Jane Corry in a few short hours.
No sleep at all for me as I couldn't put the bloody thing down.
so After an awful accident years ago left Vanessa dead, Kitty with severe brain damage living in a home and Alison Introverted and shouldering a heap load of guilt.
The whole trauma is about to be unearthed again for Kitty, Ali and their mother
Many years after the tragic circumstances that left Alison's sister brain damaged and her best friend dead, Alison is trying to move on with her life she has shelved her university plans and is now an artist working at a local college.
Upon spotting an add for a resident artist at a nearby open prison, Alison needing the money applies and surprisingly gets the position.
But then someone starts sending Alison threatening notes saying she will pay.
What is she keeping hidden from that terrible day?
Now what I really loved about this story was the way it jumped from sister to sister while also giving us flashes into the past of the lead-up to what occurred the morning of the accident.
We are first with Alison, Then kitty then back again and even as Kitty resides in the day home with brain damage we see how surprisingly lucid some of her thoughts are, How frustrated she is with the people around her, though she can't remember the past properly and has only flashbacks she struggles to remember more and get her thoughts across.
It gives a whole new perspective into how we interact with disabled individuals, making us think what it would be like to be treated like a child. how frustrating this must be.
Now I don't want to give too much away with Blood Sisters, so all I'm going to say is when you think you know something do not be surprised when its turned on its head. This story takes that many turns with the truth of what happened my head was spinning but in a really good way.
Blood Sisters is an excellent easy read that will keep you guessing until the end, I highly recommend it.
Thank you to the publisher and NetGalley for providing me with a free advance reader copy of this novel. This is my own unbiased opinion of Blood Sisters by Jane Corry.
Arc Reviewed By Beckie Bookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
https://www.goodreads.com/user/show/9460945-bex-beckie-bookworm
No sleep at all for me as I couldn't put the bloody thing down.
so After an awful accident years ago left Vanessa dead, Kitty with severe brain damage living in a home and Alison Introverted and shouldering a heap load of guilt.
The whole trauma is about to be unearthed again for Kitty, Ali and their mother
Many years after the tragic circumstances that left Alison's sister brain damaged and her best friend dead, Alison is trying to move on with her life she has shelved her university plans and is now an artist working at a local college.
Upon spotting an add for a resident artist at a nearby open prison, Alison needing the money applies and surprisingly gets the position.
But then someone starts sending Alison threatening notes saying she will pay.
What is she keeping hidden from that terrible day?
Now what I really loved about this story was the way it jumped from sister to sister while also giving us flashes into the past of the lead-up to what occurred the morning of the accident.
We are first with Alison, Then kitty then back again and even as Kitty resides in the day home with brain damage we see how surprisingly lucid some of her thoughts are, How frustrated she is with the people around her, though she can't remember the past properly and has only flashbacks she struggles to remember more and get her thoughts across.
It gives a whole new perspective into how we interact with disabled individuals, making us think what it would be like to be treated like a child. how frustrating this must be.
Now I don't want to give too much away with Blood Sisters, so all I'm going to say is when you think you know something do not be surprised when its turned on its head. This story takes that many turns with the truth of what happened my head was spinning but in a really good way.
Blood Sisters is an excellent easy read that will keep you guessing until the end, I highly recommend it.
Thank you to the publisher and NetGalley for providing me with a free advance reader copy of this novel. This is my own unbiased opinion of Blood Sisters by Jane Corry.
Arc Reviewed By Beckie Bookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
https://www.goodreads.com/user/show/9460945-bex-beckie-bookworm
Scott Tostik (389 KP) rated The Burning (1981) in Movies
Jun 21, 2017
Amazing SFX by Tom Savini (2 more)
One of the best camp slashers
A great killer before the likes of Jason, Myers and Freddy
Welcome to Camp... Oh who gives a shit... Let's get on with the killing
This has got to be one of my favorite and top 5 first watch in a relationship films of all time.
Not for the squeamish at all. The Burning has some of the best post CGI kill effects... And personally I love practical effects, nothing destroys a good beheading like digitized blood flying around out of sync with the body dropping.
Effects Master Tom Savini was fresh off the original Friday the 13th when he landed this flick.
A few years into the past the kids of a summer camp decide to pull a prank on the asshole caretaker involving a skull all dolled up with maggots, worms and burning eyes for effect. They sneak it into his dilapidated cabin, where he is sleeping off a drunk, and proceed to bang on his windows shaking him awake and scaring the hell out of hum. In his flailing fear he knocks the skull onto a pile of blankets and his hanging curtains and the whole place goes up in flames... As does he... His name is Cropsey... And he is engulfed in fire. The kids run like hell to get away as Cropsey flies out the door, rolls down a hill and ends up in the lake. Now I'm no doctor, never claim to be and certainly have never played one on tv, but in my imagination dirty lake water and freshly burnt skin do not a good combination make.
We skip ahead a few years and Cropsey is released from the hospital and goes into the downtown core of wherever the hell he is, searching for something. Wearing a trenchcoat and an old fedora over his scars. He picks up a hooker and goes to her place. She gets him to take off his clothes and recoils in horror. He grabs a pair of scissors and exacts revenge.
Without giving more away. You can see where this is going. A slash and gash festival unlike anything is about to follow. Starring a few familiar faces such as Seinfeld's Jason Alexander, Short Circut's Fisher Stevens and a young Holly Hunter in what I imagine was their first big breaks in film. This movie offers the viewer a glimpse of things to come in the slasher sub-genre of horror.
It's worth it alone of the scene in the canoe... What is that you may ask... Watch The damned movie and find out...lol
Not for the squeamish at all. The Burning has some of the best post CGI kill effects... And personally I love practical effects, nothing destroys a good beheading like digitized blood flying around out of sync with the body dropping.
Effects Master Tom Savini was fresh off the original Friday the 13th when he landed this flick.
A few years into the past the kids of a summer camp decide to pull a prank on the asshole caretaker involving a skull all dolled up with maggots, worms and burning eyes for effect. They sneak it into his dilapidated cabin, where he is sleeping off a drunk, and proceed to bang on his windows shaking him awake and scaring the hell out of hum. In his flailing fear he knocks the skull onto a pile of blankets and his hanging curtains and the whole place goes up in flames... As does he... His name is Cropsey... And he is engulfed in fire. The kids run like hell to get away as Cropsey flies out the door, rolls down a hill and ends up in the lake. Now I'm no doctor, never claim to be and certainly have never played one on tv, but in my imagination dirty lake water and freshly burnt skin do not a good combination make.
We skip ahead a few years and Cropsey is released from the hospital and goes into the downtown core of wherever the hell he is, searching for something. Wearing a trenchcoat and an old fedora over his scars. He picks up a hooker and goes to her place. She gets him to take off his clothes and recoils in horror. He grabs a pair of scissors and exacts revenge.
Without giving more away. You can see where this is going. A slash and gash festival unlike anything is about to follow. Starring a few familiar faces such as Seinfeld's Jason Alexander, Short Circut's Fisher Stevens and a young Holly Hunter in what I imagine was their first big breaks in film. This movie offers the viewer a glimpse of things to come in the slasher sub-genre of horror.
It's worth it alone of the scene in the canoe... What is that you may ask... Watch The damned movie and find out...lol
Hazel (1853 KP) rated Where Are You Hiding, God? in Books
Jul 5, 2017
Cute
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Where Are You Hiding, God? is a children’s picture book by the Austrian illustrator Elisabeth Zartl. Originally published in 2013 under the German title Wo versteckst du dich, lieber Gott? it has been translated into English in order to reach a wider audience. Primarily targeted at children of Christian families, the book attempts to explain the concept of God.
The short story begins with an anonymous little girl searching for God in a manner that resembles a game of Hide and Seek. She looks in her bedroom, the bathroom and the garden before giving up in defeat. As she sits desolately alone, a gust of wind and a falling leaf prompt her to realise that God does not have a corporeal body, but is, in fact, everywhere. Exhilarated by her newfound understanding, she exclaims that God was in all the places she looked and that he is inside her, too. God is everywhere.
Aimed at children ages three and over, Where Are You Hiding, God? explores the confusion a child may have in comprehending the idea of God. For a child, knowing something or someone is there but not being able to see them is a difficult idea to grasp. This book, through the demonstration of someone their own age, helps to explain their questions and uncertainties.
Elizabeth Zartl’s illustrations capture the attention of those reading or looking at the pages. Filling each page with a full-colour palette, the drawings are child-friendly but realistic, making it easy to process, and accurately creates a visual narrative of the written words. The language is also suitable for the intended demographic and, although three-year-olds may not be able to read it themselves, they will certainly understand the story.
From a design point of view, the text and illustrations do not quite match up. The full-page artworks make it difficult to place the short sentences in a way that both elements can work together. This, however, is not the fault of the author/illustrator who would have originally been working with a German text.
Overall, Where Are You Hiding, God? is a sweet, short story that can be read to children or grandchildren over and over again. As well as being a source of entertainment, it introduces them to the beliefs they will encounter during their Christian upbringing and prepares them to develop a greater understanding of God.
Where Are You Hiding, God? is a children’s picture book by the Austrian illustrator Elisabeth Zartl. Originally published in 2013 under the German title Wo versteckst du dich, lieber Gott? it has been translated into English in order to reach a wider audience. Primarily targeted at children of Christian families, the book attempts to explain the concept of God.
The short story begins with an anonymous little girl searching for God in a manner that resembles a game of Hide and Seek. She looks in her bedroom, the bathroom and the garden before giving up in defeat. As she sits desolately alone, a gust of wind and a falling leaf prompt her to realise that God does not have a corporeal body, but is, in fact, everywhere. Exhilarated by her newfound understanding, she exclaims that God was in all the places she looked and that he is inside her, too. God is everywhere.
Aimed at children ages three and over, Where Are You Hiding, God? explores the confusion a child may have in comprehending the idea of God. For a child, knowing something or someone is there but not being able to see them is a difficult idea to grasp. This book, through the demonstration of someone their own age, helps to explain their questions and uncertainties.
Elizabeth Zartl’s illustrations capture the attention of those reading or looking at the pages. Filling each page with a full-colour palette, the drawings are child-friendly but realistic, making it easy to process, and accurately creates a visual narrative of the written words. The language is also suitable for the intended demographic and, although three-year-olds may not be able to read it themselves, they will certainly understand the story.
From a design point of view, the text and illustrations do not quite match up. The full-page artworks make it difficult to place the short sentences in a way that both elements can work together. This, however, is not the fault of the author/illustrator who would have originally been working with a German text.
Overall, Where Are You Hiding, God? is a sweet, short story that can be read to children or grandchildren over and over again. As well as being a source of entertainment, it introduces them to the beliefs they will encounter during their Christian upbringing and prepares them to develop a greater understanding of God.
Haley Mathiot (9 KP) rated One Scream Away (Sheridan, #1) in Books
Apr 27, 2018
Seven years ago, Chevy Bankes did something horrific to Beth. She’s been living with her ghosts ever since then. Beth has learned to live on her own and has raised her daughter by herself. But she isn’t prepared to face Bankes when she finds out that he’s been released from prison, and that now he’s after her. Neil, an ex-FBI agent, has somehow gotten himself roped into the case. Now it’s causing him to have to dig up his own ghosts and face them, too. Can two people who lost love earlier in their lives learn to love each other, can Beth keep her daughter out of Bankes’ hands, and can Neil save the woman he loves from her worst nightmare?
One Scream Away was one of those books that you stay up late reading and that you can’t put down, and that you yell at whoever interrupts you because it was so addicting good. It was exciting, suspenseful, romantic, mysterious… everything a book should be.
Without giving away anything, there were many parts in this book that I felt my heart rip when I read what happened. The characters were tangible, like I could pluck them out of the book and set them on my table and watch the rest of the story play out. But they were also relatable, so most of the time I felt like the characters themselves.
Pacing and plot were fantastic in this one. It was impossible to see what would happen next, and Kate Brady keeps you guessing until the very last page, and surprises you at the end.
The writing was not the strongest point. It wasn’t bad per se, it just wasn’t very good either. Acceptably mediocre is the best phrase I can think of, because it wasn’t Dante, but it wasn’t hard to read.
My only other complaint was that a lot of the times, Brady describes what things look like, but not what things feel like. Although the characters were very relatable, I found my own imagination supplying the feelings of the characters while I read this.
Content: There was no elicit sex in this book, although scenes are mentioned and skipped over. There was a lot of language (hey, we’re talking about FBI agents and Police officers and Serial Killers here.) and some rather vulgar details. Murder is not exactly pleasant. Although it wasn’t mapped out in extreme detail, the images left in the reader’s mind are ones that are not for the faint of heart. Or stomach.
Recommendation: Ages 18+
One Scream Away was one of those books that you stay up late reading and that you can’t put down, and that you yell at whoever interrupts you because it was so addicting good. It was exciting, suspenseful, romantic, mysterious… everything a book should be.
Without giving away anything, there were many parts in this book that I felt my heart rip when I read what happened. The characters were tangible, like I could pluck them out of the book and set them on my table and watch the rest of the story play out. But they were also relatable, so most of the time I felt like the characters themselves.
Pacing and plot were fantastic in this one. It was impossible to see what would happen next, and Kate Brady keeps you guessing until the very last page, and surprises you at the end.
The writing was not the strongest point. It wasn’t bad per se, it just wasn’t very good either. Acceptably mediocre is the best phrase I can think of, because it wasn’t Dante, but it wasn’t hard to read.
My only other complaint was that a lot of the times, Brady describes what things look like, but not what things feel like. Although the characters were very relatable, I found my own imagination supplying the feelings of the characters while I read this.
Content: There was no elicit sex in this book, although scenes are mentioned and skipped over. There was a lot of language (hey, we’re talking about FBI agents and Police officers and Serial Killers here.) and some rather vulgar details. Murder is not exactly pleasant. Although it wasn’t mapped out in extreme detail, the images left in the reader’s mind are ones that are not for the faint of heart. Or stomach.
Recommendation: Ages 18+
Phillip McSween (751 KP) rated Ghostbusters (1984) in Movies
Apr 15, 2018
Stellar
A group of four armed with special proton packs come together to protect Manhattan from crazy supernatural forces that have taken hold of the city.
Acting: 10
Beginning: 10
In the opening scene, Peter Venkman (Bill Murray) is doing an ESP exercise with a couple. He's having them use their brain power to identify something from a card they can't see. He's clearly sweet on the girlfriend because he keeps giving her soft-lob answers while taking the boyfriend through hell. The scene is one of the best openers I've seen in a movie and is a clever, hilarious way to kick things off. It doesn't take long for you to fall in love with Murray's character.
Characters: 10
Without Venkman, the film doesn't exist period. He carries a lax, dry attitude while everyone else around him is freaking out and for good reason. He's not even close to being a scientist like his counterparts, but that's a strong reason for what makes the film so great. All four of the characters are unique and bring something different to the table. The supporting roles are also awesome, each providing their own quirky, unique flare.
Cinematography/Visuals: 10
Considering the film was made in 1984 (and special effects have greatly increased since then), I was pretty happy with the visuals throughout Ghostbusters. The ghosts are creative and original providing enough variety without being overly repetitive. This film put Slimer on the map, a disgusting green blob of a ghost that tries to devour everything in his path. Watching food pass from his mouth and through his body before exiting out the other end was a hilarious touch.
Oh, and can't forget about Stay Puft. Fun times watching that scene unfold.
Conflict: 10
Genre: 10
Memorability: 10
Pace: 10
Consistent blending of comedy and the paranormal helps maintain a healthy pace. The dialogue is so crisp and on point, it's hard to get bored as there is always something happening or something hilarious being said. Director Ivan Reitman even managed to take advantage of moments that would have otherwise been bland. The best example that comes to mind is the scene where they are riding up an elevator. Instead of just sitting around aimlessly, the group takes turns firing up their proton packs for the first time. One memorable scene among many.
Plot: 10
Resolution: 10
Overall: 100
Ghostbusters is an unforgettable ride from start to finish. It's one of those films you can watch over and over and it never gets old. A definite classic.
Acting: 10
Beginning: 10
In the opening scene, Peter Venkman (Bill Murray) is doing an ESP exercise with a couple. He's having them use their brain power to identify something from a card they can't see. He's clearly sweet on the girlfriend because he keeps giving her soft-lob answers while taking the boyfriend through hell. The scene is one of the best openers I've seen in a movie and is a clever, hilarious way to kick things off. It doesn't take long for you to fall in love with Murray's character.
Characters: 10
Without Venkman, the film doesn't exist period. He carries a lax, dry attitude while everyone else around him is freaking out and for good reason. He's not even close to being a scientist like his counterparts, but that's a strong reason for what makes the film so great. All four of the characters are unique and bring something different to the table. The supporting roles are also awesome, each providing their own quirky, unique flare.
Cinematography/Visuals: 10
Considering the film was made in 1984 (and special effects have greatly increased since then), I was pretty happy with the visuals throughout Ghostbusters. The ghosts are creative and original providing enough variety without being overly repetitive. This film put Slimer on the map, a disgusting green blob of a ghost that tries to devour everything in his path. Watching food pass from his mouth and through his body before exiting out the other end was a hilarious touch.
Oh, and can't forget about Stay Puft. Fun times watching that scene unfold.
Conflict: 10
Genre: 10
Memorability: 10
Pace: 10
Consistent blending of comedy and the paranormal helps maintain a healthy pace. The dialogue is so crisp and on point, it's hard to get bored as there is always something happening or something hilarious being said. Director Ivan Reitman even managed to take advantage of moments that would have otherwise been bland. The best example that comes to mind is the scene where they are riding up an elevator. Instead of just sitting around aimlessly, the group takes turns firing up their proton packs for the first time. One memorable scene among many.
Plot: 10
Resolution: 10
Overall: 100
Ghostbusters is an unforgettable ride from start to finish. It's one of those films you can watch over and over and it never gets old. A definite classic.
Rachel King (13 KP) rated Abandon (Abandon, #1) in Books
Feb 11, 2019
Though I have been familiar with the name of Meg Cabot for awhile, this is the first book by her that I have actually read. I am a sucker for Greek mythology, and a retelling of Hades and Persephone has great potential. With a great cover and an even better premise to the book, I had pretty high hopes for the plot itself.
The way the book begins throws me -- told through the eyes of Pierce Oliviera, which is not that great of a name for a girl (instead of Persephone?), the author refrains from giving away hardly anything about Pierce's circumstances, what happened to her, what motivates her, etc. While it can be considered good writing to hold back on the major revelations as long as possible to build the suspense and draw in the reader, for me it was rather frustrating to read almost the entire book before Pierce finally realized who and what John Hayden is(also a crummy name for a death deity). Much of the actual events of the book are Pierce's memories, and what happens in real time is the culmination of these memories.
While I disliked the way that Meg Cabot chose to string all of these separate events together, I do like what the actual events create when put together. A girl who has a Near-Death Experience, or NDE, meets for the second time the man who runs her personal Underworld, instantly making her his consort thanks to a rare diamond necklace, though she does not yet know it. Her ability to skirt death makes her a target for the bad guys in the book, the Furies (not the same as the Furies of Greek mythology), who blame John for their lot in life after death. In addition, Pierce also has a host of quirks that alternately set her up for disaster or save her life, such as her addiction to soda and her paranoia that tassels are Evil.
While Pierce has a vast array of personality and behavioral problems that make the act of living difficult for her, I do think that this book fits well in the Young Adult category. Pierce does not have everything figured out, does not always know how to handle herself, and does not even recognize when she is in love. She is protective of her feelings, can be just as detached as the next person from those around her, and has to work at not being too self-absorbed. Sometimes an imperfect heroine makes for a better book. I look forward to the next installment in the trilogy, Underworld.
The way the book begins throws me -- told through the eyes of Pierce Oliviera, which is not that great of a name for a girl (instead of Persephone?), the author refrains from giving away hardly anything about Pierce's circumstances, what happened to her, what motivates her, etc. While it can be considered good writing to hold back on the major revelations as long as possible to build the suspense and draw in the reader, for me it was rather frustrating to read almost the entire book before Pierce finally realized who and what John Hayden is(also a crummy name for a death deity). Much of the actual events of the book are Pierce's memories, and what happens in real time is the culmination of these memories.
While I disliked the way that Meg Cabot chose to string all of these separate events together, I do like what the actual events create when put together. A girl who has a Near-Death Experience, or NDE, meets for the second time the man who runs her personal Underworld, instantly making her his consort thanks to a rare diamond necklace, though she does not yet know it. Her ability to skirt death makes her a target for the bad guys in the book, the Furies (not the same as the Furies of Greek mythology), who blame John for their lot in life after death. In addition, Pierce also has a host of quirks that alternately set her up for disaster or save her life, such as her addiction to soda and her paranoia that tassels are Evil.
While Pierce has a vast array of personality and behavioral problems that make the act of living difficult for her, I do think that this book fits well in the Young Adult category. Pierce does not have everything figured out, does not always know how to handle herself, and does not even recognize when she is in love. She is protective of her feelings, can be just as detached as the next person from those around her, and has to work at not being too self-absorbed. Sometimes an imperfect heroine makes for a better book. I look forward to the next installment in the trilogy, Underworld.
Rachel King (13 KP) rated Last Sacrifice in Books
Feb 11, 2019
I waited a long time to read this book, but it was still well worth the wait. In typical Rose fashion, she disregards the practical advice of her friends and family to try and help those she cares about most. Embarking on a road trip around the eastern United States, she searches for the clues to the missing Dragomir heir, all the while growing closer to the newly-Moroi Demitri. All the while, Lissa navigates the intricacies of the Royal Court and deals with being thrust into the running for the new Queen.
All the recognizable faces from throughout the series make an appearance in the final book, as any good series finale would do. All but one of the loose ends were resolved decently, such as dealing with the problem of the Dashkov brothers.
The trials that Lissa goes through to be declared a valid candidate for Queen were interesting in that they forced her to rely on only herself and tested her inner strength and resolve. They showed a maturity in her that goes far beyond her young 18 years.
Of course, the biggest anticipation for me was the final outcome of who would end up with Rose - Dimitri or Adrian. While at first I disliked Adrian, he seemed to prove his worthiness to me throughout the series. The road trip, though, forces Dimitri to heal from his memories as Strigoi and face some things about himself. Without giving away Rose's choice, I am happy with it, though I feel sorry for the man that got left behind. The promise of the spin-off series, Bloodlines, centered around the Alchemist Sydney, gives me hope that he will find someone who matches him better than Rose did.
The ending answers my own question of what the title was referring to, though it was a bit predictable. I am thrilled about the outcome of the Queen's replacement, and I really hope that the spin-off series will also show some of the new Queen's life. What was not predictable for me was the revelation of who murdered the previous queen - I made the same assumption early on as most of Rose's allies did, and I was just as surprised as they were over who really did it - and I'm still kind of disappointed, since I liked the character responsible and I feel as betrayed as many of the others did by the news. When the characters can feel that real, I know it's good writing.
All the recognizable faces from throughout the series make an appearance in the final book, as any good series finale would do. All but one of the loose ends were resolved decently, such as dealing with the problem of the Dashkov brothers.
The trials that Lissa goes through to be declared a valid candidate for Queen were interesting in that they forced her to rely on only herself and tested her inner strength and resolve. They showed a maturity in her that goes far beyond her young 18 years.
Of course, the biggest anticipation for me was the final outcome of who would end up with Rose - Dimitri or Adrian. While at first I disliked Adrian, he seemed to prove his worthiness to me throughout the series. The road trip, though, forces Dimitri to heal from his memories as Strigoi and face some things about himself. Without giving away Rose's choice, I am happy with it, though I feel sorry for the man that got left behind. The promise of the spin-off series, Bloodlines, centered around the Alchemist Sydney, gives me hope that he will find someone who matches him better than Rose did.
The ending answers my own question of what the title was referring to, though it was a bit predictable. I am thrilled about the outcome of the Queen's replacement, and I really hope that the spin-off series will also show some of the new Queen's life. What was not predictable for me was the revelation of who murdered the previous queen - I made the same assumption early on as most of Rose's allies did, and I was just as surprised as they were over who really did it - and I'm still kind of disappointed, since I liked the character responsible and I feel as betrayed as many of the others did by the news. When the characters can feel that real, I know it's good writing.
Amanda (96 KP) rated The Night Olivia Fell in Books
Mar 11, 2019
Each chapter of this story is told from two views, Olivia and Abi (Olivia’s mother). The story starts off intense and grabbing when Abi gets news that her daughter has fallen from a bridge and is now considered brain dead – but she is being kept alive because she is also pregnant. That plot thickens…
Olivia is a typical teenager. She gets good grades and is active in school sports and volunteers – most of the time she does so, so that her mother ‘stays happy and stays off her back’. It’s disheartening to hear, but as you read the story, you understand Abi’s need to ‘keep Olivia’ safe and know a need to know where she is, who she is with, and what she is doing. Although, there is such thing as a little too protective, but I won’t go into that, that’s not the point.
Olivia has a boyfriend, whom I swear has male PMS and wants sex (and Olivia is giving it to him, though she’s feeling the pressure) and a best friend who at one point was mad at her and got the whole class to stop speaking to her. So, these two characters are not exactly on a list of people to like or even tolerate.
Abi tries to find the truth behind how Olivia fell and how she became pregnant. A lot of secrets are revealed.
The more I read the story, the more I felt like this was turning into a morbid ‘Parent Trap’ story. I say this, because, during a college trip, Olivia meets a girl named Kendall, who could very well BE her twin.
So, I’m like, great, a twin separation story – Nope, I was wrong, which is not a bad thing.
I think I would have enjoyed this story a bit better if not for realizing who was responsible for Olivia ‘falling’. To me, it felt predictable. I also had some issues with some dialogue coming from teenagers.
“You made me look like a fool!” – Do ANY teenagers today say ‘fool’? That’s me being a bit nit picky, but I had to add it, just cause.
All in all, it was a decent story and I stayed interested, even through some of the ‘predictable’ scenes and the outcome of the story. I will say, I did make a few guesses, and I was only right once or twice. I’m not sure if that’s a upper, but I thought it was a good story, nonetheless.
Olivia is a typical teenager. She gets good grades and is active in school sports and volunteers – most of the time she does so, so that her mother ‘stays happy and stays off her back’. It’s disheartening to hear, but as you read the story, you understand Abi’s need to ‘keep Olivia’ safe and know a need to know where she is, who she is with, and what she is doing. Although, there is such thing as a little too protective, but I won’t go into that, that’s not the point.
Olivia has a boyfriend, whom I swear has male PMS and wants sex (and Olivia is giving it to him, though she’s feeling the pressure) and a best friend who at one point was mad at her and got the whole class to stop speaking to her. So, these two characters are not exactly on a list of people to like or even tolerate.
Abi tries to find the truth behind how Olivia fell and how she became pregnant. A lot of secrets are revealed.
The more I read the story, the more I felt like this was turning into a morbid ‘Parent Trap’ story. I say this, because, during a college trip, Olivia meets a girl named Kendall, who could very well BE her twin.
So, I’m like, great, a twin separation story – Nope, I was wrong, which is not a bad thing.
I think I would have enjoyed this story a bit better if not for realizing who was responsible for Olivia ‘falling’. To me, it felt predictable. I also had some issues with some dialogue coming from teenagers.
“You made me look like a fool!” – Do ANY teenagers today say ‘fool’? That’s me being a bit nit picky, but I had to add it, just cause.
All in all, it was a decent story and I stayed interested, even through some of the ‘predictable’ scenes and the outcome of the story. I will say, I did make a few guesses, and I was only right once or twice. I’m not sure if that’s a upper, but I thought it was a good story, nonetheless.
Rache (174 KP) Dec 15, 2018
Lee (2222 KP) Dec 15, 2018