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Object-oriented Actionscript 3.0
Todd Yard, Peter Elst and Sas Jacobs
Book
* Learn object-oriented programming in ActionScript 3.0* Covers both the Flash and Flex...
Troubleshooting OpenStack
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Get unstuck and start stacking! About This Book * Easily fix the nagging problems that commonly...
Duncan MacMillan: Plays One
Book
Monster: "He's got zero empathy. You could be having a conversation and start choking to death and...
Ronyell (38 KP) rated Pinocchio and the Emperor of the Night (1987) in Movies
Jul 24, 2020
That Creepy Version of Pinocchio
This movie is basically a sequel to the original “Pinocchio” and the movie starts off with Gepetto giving Pinocchio a jewel box to take to the Mayor. As Pinocchio goes to town to deliver the jewel box, he meets up with Igor and Scalawag, two con artists who eventually convince Pinocchio to give them the jewel box, which ends up getting Pinocchio into trouble with Gepetto. Pinocchio was so upset about disappointing his father that he decided to run away and get the jewel box back. It was then that Pinocchio ended up getting into all kinds of strange and frightening situations such as meeting the frightening Puppetino at the circus and eventually meeting up with the Emperor of the Night!
Now, when I heard that Filmation was making a sequel to the famous Italian classic "Pinocchio," I was quite surprised and satisfied with the results! I loved the fact that there was a sequel to "Pinocchio" to begin with since I did wonder what Pinocchio's adventures would be like after he was transformed into a real boy and we managed to get one in this movie! I honestly like the dark and edgy feel of this film as it really grabbed my interest and some scenes (like the infamous puppet transformation scene) had really stayed with me ever since I was little! The voice acting was fantastic in this film as all the voice actors really gave everything they got for this film. Probably my favorite voice acting was from James Earl Jones as the Emperor of the Night as he made the character extremely scary and mysterious and I was really interested in the character! The animation is surprisingly better than what we usually get with Filmation as the characters move much fluidly and the action sequences were quite well done!
The only problem with this film was that it seemed like the plot was a rehash of the original Pinocchio story as we still get a storyline about Pinocchio trying to figure out what is right and wrong, having a conscience who would guide him and having two con artists scam him and get him into more trouble. The only thing that was actually different in this story was the Emperor of the Night as he proved to be scarier than the previous villains in "Pinocchio."
Overall, "Pinocchio and the Emperor of the Night" is a great film for anyone who is a huge fan of Filmation's works and who wants to see how the story of "Pinocchio" would continue.
Originally posted on: http://surrealmoviesandtvblog.blogspot.com/2014/07/movie-review-pinocchio-and-emperor-of.html
Now, when I heard that Filmation was making a sequel to the famous Italian classic "Pinocchio," I was quite surprised and satisfied with the results! I loved the fact that there was a sequel to "Pinocchio" to begin with since I did wonder what Pinocchio's adventures would be like after he was transformed into a real boy and we managed to get one in this movie! I honestly like the dark and edgy feel of this film as it really grabbed my interest and some scenes (like the infamous puppet transformation scene) had really stayed with me ever since I was little! The voice acting was fantastic in this film as all the voice actors really gave everything they got for this film. Probably my favorite voice acting was from James Earl Jones as the Emperor of the Night as he made the character extremely scary and mysterious and I was really interested in the character! The animation is surprisingly better than what we usually get with Filmation as the characters move much fluidly and the action sequences were quite well done!
The only problem with this film was that it seemed like the plot was a rehash of the original Pinocchio story as we still get a storyline about Pinocchio trying to figure out what is right and wrong, having a conscience who would guide him and having two con artists scam him and get him into more trouble. The only thing that was actually different in this story was the Emperor of the Night as he proved to be scarier than the previous villains in "Pinocchio."
Overall, "Pinocchio and the Emperor of the Night" is a great film for anyone who is a huge fan of Filmation's works and who wants to see how the story of "Pinocchio" would continue.
Originally posted on: http://surrealmoviesandtvblog.blogspot.com/2014/07/movie-review-pinocchio-and-emperor-of.html
Emma @ The Movies (1786 KP) rated Killers Anonymous (2019) in Movies
Jan 3, 2021
A killers' support group? Ooooooh, this could be fun.
A group of killers come together to talk about their problems on the night a US Senator is assassinated in London. As they introduce themselves a bigger picture starts to unfold.
Spoiler alert (though the score will have given that away), this COULD have been fun.
The beginning of this film holds little to no... anything. I was 11 minutes in and had absolutely no idea what was happening. There seemed to be no story, no personality, nothing that made me want to carry on watching. At 22 minutes in I wrote, "what is even the point of this" in my notes. By the end I still couldn't see the point.
This lack of interest was a serious hindrance, neither of the two main storylines had an impact. I'm sitting here now wondering whether the film was too complicated, or not complicated enough... it genuinely could be either. After having finished the film I'm concerned that there are so many things in it that scream "sequel incoming". Please, no.
Talent was crammed into this film though, you just have to look at the poster for the movie to see that, even some of those not featured you'd recognise from other things. And all of those actors weren't that bad, we know they can act well, so the question is... why are they in this? With this cast, I think it says something when even they couldn't save this film from the lacklustre material.
We're introduced to the characters in the group one at a time, giving us an overview of their backstory... I had lots of feelings about this. Firstly, it reminded me of an imitation Bad Times At The El Royale. But beyond that mild excitement that maybe we were about to see something good it was a mish-mash of lots of different things. The style was all over the place, and that seemed to be a theme throughout.
Single lit characters, merging scenes that are happening in different locations, graphic novel drawing, it has a lot happening. That along with the madness of some of the scenes made everything rather choppy.
I'm genuinely trying to think of things to say, but every point I look at makes me sigh... that sad sort of sign that makes you disappointed. There are no redeeming features to this apart from the idea, which is so sad, a killers' support group has so many possibilities and this is what we got. And I've just seen the estimated budget was $26 million... that seems like a lot.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/01/killers-anonymous-movie-review.html
A group of killers come together to talk about their problems on the night a US Senator is assassinated in London. As they introduce themselves a bigger picture starts to unfold.
Spoiler alert (though the score will have given that away), this COULD have been fun.
The beginning of this film holds little to no... anything. I was 11 minutes in and had absolutely no idea what was happening. There seemed to be no story, no personality, nothing that made me want to carry on watching. At 22 minutes in I wrote, "what is even the point of this" in my notes. By the end I still couldn't see the point.
This lack of interest was a serious hindrance, neither of the two main storylines had an impact. I'm sitting here now wondering whether the film was too complicated, or not complicated enough... it genuinely could be either. After having finished the film I'm concerned that there are so many things in it that scream "sequel incoming". Please, no.
Talent was crammed into this film though, you just have to look at the poster for the movie to see that, even some of those not featured you'd recognise from other things. And all of those actors weren't that bad, we know they can act well, so the question is... why are they in this? With this cast, I think it says something when even they couldn't save this film from the lacklustre material.
We're introduced to the characters in the group one at a time, giving us an overview of their backstory... I had lots of feelings about this. Firstly, it reminded me of an imitation Bad Times At The El Royale. But beyond that mild excitement that maybe we were about to see something good it was a mish-mash of lots of different things. The style was all over the place, and that seemed to be a theme throughout.
Single lit characters, merging scenes that are happening in different locations, graphic novel drawing, it has a lot happening. That along with the madness of some of the scenes made everything rather choppy.
I'm genuinely trying to think of things to say, but every point I look at makes me sigh... that sad sort of sign that makes you disappointed. There are no redeeming features to this apart from the idea, which is so sad, a killers' support group has so many possibilities and this is what we got. And I've just seen the estimated budget was $26 million... that seems like a lot.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/01/killers-anonymous-movie-review.html
Ross (3284 KP) rated Doors: Colony in Books
Mar 26, 2021
A slight improvement over the other book
This is another in Heitz's Doors series, three books telling the same underlying story up to a point, with a different story taking off depending on which of the mysterious doors the characters go through. In this book, the group of people employed to find and rescue rich Van Dam's daughter go through the door marked with a question mark. They find themselves in the cellar of a German bierhall in an alternative history of WWII. The war is over, the Germans having capitulated after Hitler's assassination and there is now a struggle between the Russians and the UK/USA over control of what remains.
The group find themselves slimmed down very quickly as members of the group drop like flies. Soon a small number of them find themselves in the company of some Russian spies, looking to stop the Americans' attempts to take power. For some reason, phony clairvoyant Coco Fendi now has actual powers and is capable of mind-reading, earning the respect and assistance of these spies.
There then follows a fairly enjoyable attempt to catch up with a train and board it to stop a nuclear war from breaking out.
The translation again is quite poor here, as some phrases do not make sense and make the reader work to understand what is meant. I am giving Heitz the benefit of the doubt and laying blame at the door of the translator here (though looking at some of the reviews on goodreads in German I'm not sure this is fair). However, there are some very odd passages that take the reader right out of the book, for example 'the time had come to test the 4x4's four-litre twin turbo engine promising 650 horsepower and a top speed of 190 miles an hour'. I mean, what the hell? Has Clarkson been asked to translate this book? It was completely irrelevant and odd.
In the 'Twilight' book of the series, there were some hints at other users of the doors and their purpose and provenance. This book builds on that to an extent, which is a clever idea from Heitz - in order to answer the questions, I think you need to read all three books. However, as a book in its own right, there are simply too many unanswered questions left (though slightly fewer than in 'Twilight').
An improvement, with a more coherent story once through the door in question, but still not a great read. As the first c25% is duplicated between books, I merrily skipped through this section looking for the distinct part starting off.
I received a free advance copy from the publisher and NetGalley in exchange for an honest review.
The group find themselves slimmed down very quickly as members of the group drop like flies. Soon a small number of them find themselves in the company of some Russian spies, looking to stop the Americans' attempts to take power. For some reason, phony clairvoyant Coco Fendi now has actual powers and is capable of mind-reading, earning the respect and assistance of these spies.
There then follows a fairly enjoyable attempt to catch up with a train and board it to stop a nuclear war from breaking out.
The translation again is quite poor here, as some phrases do not make sense and make the reader work to understand what is meant. I am giving Heitz the benefit of the doubt and laying blame at the door of the translator here (though looking at some of the reviews on goodreads in German I'm not sure this is fair). However, there are some very odd passages that take the reader right out of the book, for example 'the time had come to test the 4x4's four-litre twin turbo engine promising 650 horsepower and a top speed of 190 miles an hour'. I mean, what the hell? Has Clarkson been asked to translate this book? It was completely irrelevant and odd.
In the 'Twilight' book of the series, there were some hints at other users of the doors and their purpose and provenance. This book builds on that to an extent, which is a clever idea from Heitz - in order to answer the questions, I think you need to read all three books. However, as a book in its own right, there are simply too many unanswered questions left (though slightly fewer than in 'Twilight').
An improvement, with a more coherent story once through the door in question, but still not a great read. As the first c25% is duplicated between books, I merrily skipped through this section looking for the distinct part starting off.
I received a free advance copy from the publisher and NetGalley in exchange for an honest review.
BookInspector (124 KP) rated Gather the Daughters in Books
Sep 24, 2020
The first thing which attracted me to this book, was the cover; I think it’s absolutely stunning and incredibly mysterious. The second reason why I picked it up, was the blurb; cult on an island, I was absolutely intrigued with this, and it absolutely drawn me in once I started it.
This book absolutely hooked me with its diverse and complex characters. This novel is told by children, sharing different perspectives of the events happening in the book, and beautifully opening up their personalities and feelings. I loved how Melamed is giving insight into different lives, first of children, and then how it feels, once you are forced into adulthood. There is a great variety of characters to choose from, and everyone will be able to find their favourite. My favourite one was Janey, I absolutely loved her strength and her wish to do something, to change the lives of young girls. All the characters are carrying so much pain and sadness that it literary breaks your heart while reading the book. That’s why, if you are sensitive towards child abuse and incest, you might want to skip this one.
The plot of this book was incredibly well thought through and very amusing. Melamed’s experience with traumatised children was shining through in this novel. The whole narrative travels through seasons, starting in spring and finishing in spring again. Every season brought in different stories and different feelings. I really enjoyed the creative twists and turns in this novel, which made it more enticing and didn’t leave me bored. The topics discussed in this book are endless; every girl shared the issue they were facing, that’s why this book is really fascinating and intriguing. Even though this is a work of fiction, there are some of the described things still happening in this world. For example, child marriage and abusing children as soon as they hit puberty, is still a common practice in South Asia and Middle East, and is absolutely horrifying.
The writing style of this novel is gorgeous and I absolutely loved it. The chapters are decent length and didn’t make me bored while reading. The ending of the book rounded up everything really nicely, leaving me satisfied, but questioning at the same time. I think it is absolutely stunning debut of Melamed and I will be looking forward to read more of her books. So, to conclude, this is a very dark and sorrowful novel filled with complex family relations and children, who want to be children as long as they can. I do strongly recommend this book and I hope people find it as fascinating, as I did.
Was given this book by publisher for honest review.
This book absolutely hooked me with its diverse and complex characters. This novel is told by children, sharing different perspectives of the events happening in the book, and beautifully opening up their personalities and feelings. I loved how Melamed is giving insight into different lives, first of children, and then how it feels, once you are forced into adulthood. There is a great variety of characters to choose from, and everyone will be able to find their favourite. My favourite one was Janey, I absolutely loved her strength and her wish to do something, to change the lives of young girls. All the characters are carrying so much pain and sadness that it literary breaks your heart while reading the book. That’s why, if you are sensitive towards child abuse and incest, you might want to skip this one.
The plot of this book was incredibly well thought through and very amusing. Melamed’s experience with traumatised children was shining through in this novel. The whole narrative travels through seasons, starting in spring and finishing in spring again. Every season brought in different stories and different feelings. I really enjoyed the creative twists and turns in this novel, which made it more enticing and didn’t leave me bored. The topics discussed in this book are endless; every girl shared the issue they were facing, that’s why this book is really fascinating and intriguing. Even though this is a work of fiction, there are some of the described things still happening in this world. For example, child marriage and abusing children as soon as they hit puberty, is still a common practice in South Asia and Middle East, and is absolutely horrifying.
The writing style of this novel is gorgeous and I absolutely loved it. The chapters are decent length and didn’t make me bored while reading. The ending of the book rounded up everything really nicely, leaving me satisfied, but questioning at the same time. I think it is absolutely stunning debut of Melamed and I will be looking forward to read more of her books. So, to conclude, this is a very dark and sorrowful novel filled with complex family relations and children, who want to be children as long as they can. I do strongly recommend this book and I hope people find it as fascinating, as I did.
Was given this book by publisher for honest review.
Joe Goodhart (27 KP) rated The Batman Who Laughs in Books
Nov 30, 2020
I am really eating up DC's books of late, especially the Scott Snyder and James Tynion IV! Yes, there are some hiccups along the way, as true for even the best of publishers, but the overall good output far outshines the bad/MEH output! I am quite liking this whole "Rebirth" thing and the way it ties into WATCHMEN, can't wait to see it all wrapped with DOOMSDAY CLOCK #12. <i>*ahem*</i> Let's not get ahead of ourselves then, eh? Onto my thoughts on TBWL..
I liked it quite a bit! Yes, it probably could easily have been a 5-issue mini, but I don't feel the story suffered by the added length. It allowed for the crazy roller coaster ride that it was to be even crazier, helped to spread just a bit more darkness in Gotham! Oh, and it showed how Alfred truly is the necessary light in Batman/Bruce's life, something B-Man totally needs, far more than Selina (sorry, Tom King, but I don't think the romance between the two works. Jus' sayin' is all!).
I know a lot of folks absolutely <b>abhor</b> DARK NIGHTS: METAL and anything relating to it, including the Batman Who Laughs! Me? I am enjoying it to no great end! It reminds me of some of the best things about the 90's, just turned up to 11! I think it's an interesting concept, bringing some clever creepiness into DC's "Rebirth"! And besides, it is at least something fresh and different (unlike the umpteenth X-deaths/reboots over at Marvel!)!
One aspect of the mini that really drove it all home was the art by Jock. I loved what he did in the WYTCHES (also with Snyder), and here it is just as good, if not better. The use of shadows and angles brings the creepiness all up and about, leaving with you long after the lights have gone out and sleep comes over you!
I already mentioned it, and several others have as well in their reviews, but Alfred was clearly the MVP here! He was totally on board, taking being a butler to a whole new level beyond 100%! I think sometimes he is under-utilized, but here he definitely got some much needed appreciation and respect! Kudos to you, Scott Snyder, for giving Alfred his due!
And lastly, that ending, the last couple panels? Ewwwww... chills!! Now, I can not wait to read Joshua Williamson's BATMAN/SUPERMAN #1! No spoilers, tho', promise!
So, yes, I was super-impressed with THE BATMAN WHO LAUGHS, just as I was with Snyder's DARK NIGHTS: METAL. If you didn't like METAL, then, well, chances are pretty likely you won't like this one!
I liked it quite a bit! Yes, it probably could easily have been a 5-issue mini, but I don't feel the story suffered by the added length. It allowed for the crazy roller coaster ride that it was to be even crazier, helped to spread just a bit more darkness in Gotham! Oh, and it showed how Alfred truly is the necessary light in Batman/Bruce's life, something B-Man totally needs, far more than Selina (sorry, Tom King, but I don't think the romance between the two works. Jus' sayin' is all!).
I know a lot of folks absolutely <b>abhor</b> DARK NIGHTS: METAL and anything relating to it, including the Batman Who Laughs! Me? I am enjoying it to no great end! It reminds me of some of the best things about the 90's, just turned up to 11! I think it's an interesting concept, bringing some clever creepiness into DC's "Rebirth"! And besides, it is at least something fresh and different (unlike the umpteenth X-deaths/reboots over at Marvel!)!
One aspect of the mini that really drove it all home was the art by Jock. I loved what he did in the WYTCHES (also with Snyder), and here it is just as good, if not better. The use of shadows and angles brings the creepiness all up and about, leaving with you long after the lights have gone out and sleep comes over you!
I already mentioned it, and several others have as well in their reviews, but Alfred was clearly the MVP here! He was totally on board, taking being a butler to a whole new level beyond 100%! I think sometimes he is under-utilized, but here he definitely got some much needed appreciation and respect! Kudos to you, Scott Snyder, for giving Alfred his due!
And lastly, that ending, the last couple panels? Ewwwww... chills!! Now, I can not wait to read Joshua Williamson's BATMAN/SUPERMAN #1! No spoilers, tho', promise!
So, yes, I was super-impressed with THE BATMAN WHO LAUGHS, just as I was with Snyder's DARK NIGHTS: METAL. If you didn't like METAL, then, well, chances are pretty likely you won't like this one!
Eleanor Luhar (47 KP) rated The Girl with the Dragon Tattoo in Books
Jun 24, 2019
I've finally finished it! Whoop whoop!
This is a very different book to what I usually read. It contains a lot of strong language, sexual references, assault and Swedish finance. It also has a lot of investigating, which was my favourite part.
A financial journalist, Mikael Blomkvist, has been accused of libel after submitting a report about a rival company, owned by Hans-Erik Wennerström. The Wennerström Affair is huge - and has earned Blomkvist a three month stay in prison. This was all a bit hard for me to follow, as I don't know much about this subject. But I still managed to get the general gist of it.
A freelance worker at Milton Security is hired to research Mikael Blomkvist. Her name is Lisbeth Salander, and she's only in her twenties. Even so, she's probably the best worker Dragan Armansky has hired.
The client wanting a report on Blomkvist, Herr Frode, works for Henrik Vanger of the massive Vanger Corporation. Pleased with what they hear, they hire the journalist for a private matter - to solve the mystery of a missing girl from the 1960's.
While Blomkvist is researching the suspected crime, Lisbeth Salander is molested and raped by her legal guardian. She should turn him into the police, but that isn't her style. Instead, she gets her revenge.
Blomkvist finds out about the report written on him, and seeks out Salander. Together they begin to crack the case of Harriet Vanger. They are both put at risk when they discover the reason for Harriet's disappearance, and nobody's prepared for what they uncover.
Although the case is solved, the company Blomkvist works for - Millenium - needs revenge against Wennerström. To his surprise, Salander has just what he needs to really make a bang.
Like I said, this is quite an explicit novel - fathers raping their children, guardians attacking vulnerable young women, men sleeping with multiple women. The relationships seem to be ever-changing in this novel, but I suppose that's just realistic. But this is definitely not suitable for the faint-hearted, and there are some really horrific, visual descriptions that really will haunt you.
But if you like investigative or crime novels, I would definitely suggest giving it a go. It's not a quick read by any means, but it's cunning, it's realistic, and it's gripping. What more could you want from a novel of this genre? I really wasn't sure at first, as I just couldn't get into the multiple characters' stories or the whole situation with Mikael Blomkvist, but I did manage to get into the rhythm of it in the end, and really did enjoy it. For these reasons, I'm going to give Larsson's novel 4 stars. I'm seriously hoping I come across the next books in the series now!
This is a very different book to what I usually read. It contains a lot of strong language, sexual references, assault and Swedish finance. It also has a lot of investigating, which was my favourite part.
A financial journalist, Mikael Blomkvist, has been accused of libel after submitting a report about a rival company, owned by Hans-Erik Wennerström. The Wennerström Affair is huge - and has earned Blomkvist a three month stay in prison. This was all a bit hard for me to follow, as I don't know much about this subject. But I still managed to get the general gist of it.
A freelance worker at Milton Security is hired to research Mikael Blomkvist. Her name is Lisbeth Salander, and she's only in her twenties. Even so, she's probably the best worker Dragan Armansky has hired.
The client wanting a report on Blomkvist, Herr Frode, works for Henrik Vanger of the massive Vanger Corporation. Pleased with what they hear, they hire the journalist for a private matter - to solve the mystery of a missing girl from the 1960's.
While Blomkvist is researching the suspected crime, Lisbeth Salander is molested and raped by her legal guardian. She should turn him into the police, but that isn't her style. Instead, she gets her revenge.
Blomkvist finds out about the report written on him, and seeks out Salander. Together they begin to crack the case of Harriet Vanger. They are both put at risk when they discover the reason for Harriet's disappearance, and nobody's prepared for what they uncover.
Although the case is solved, the company Blomkvist works for - Millenium - needs revenge against Wennerström. To his surprise, Salander has just what he needs to really make a bang.
Like I said, this is quite an explicit novel - fathers raping their children, guardians attacking vulnerable young women, men sleeping with multiple women. The relationships seem to be ever-changing in this novel, but I suppose that's just realistic. But this is definitely not suitable for the faint-hearted, and there are some really horrific, visual descriptions that really will haunt you.
But if you like investigative or crime novels, I would definitely suggest giving it a go. It's not a quick read by any means, but it's cunning, it's realistic, and it's gripping. What more could you want from a novel of this genre? I really wasn't sure at first, as I just couldn't get into the multiple characters' stories or the whole situation with Mikael Blomkvist, but I did manage to get into the rhythm of it in the end, and really did enjoy it. For these reasons, I'm going to give Larsson's novel 4 stars. I'm seriously hoping I come across the next books in the series now!
Fred (860 KP) rated Mother! (2017) in Movies
Jul 10, 2019
What the hell did I just watch?
Contains spoilers, click to show
Okay, so normally as soon as I watch a film, I review it. That keeps my initial thoughts fresh. But with "Mother", I just couldn't. Because I don't know what the hell I just watched. It was only at the very end, when I realized Javier Bardem was God, that I knew I had to think back & figure out what this mess was about. And so, I slept on it. And here's the way I see it.
Bardem is God, Jennifer Lawrence is Mother Earth, Ed Harris is Adam, Michelle Pfeiffer is Eve. Their sons are of course, Cain & Able & everyone else is the human race. So, now it clicks and I understand what the movie is about. It's a great premise. However, it's a terrible movie.
Let's start with the acting. It is terrible. Normally greats like Lawrence, Harris & Bardem would light up the screen, but here they come across as over-the-top novice actors. I blame the dialogue & the direction, of course. At no point during the film did I feel that any of the actors were even acting. This brings me to the next point.
No one in the film acts like they should act. Now, I get that they are playing people who are the interpretation of biblical beings. But come on. These people barge in to your home and you're like "Can you please...." and "Go downstairs..." when it should be "Get the f*ck out of my house!!!" Perhaps if I knew the meaning before I watched the movie, I would have picked up on the way they were acting in these situations, but even now knowing, I find it so goddamn annoying. That may be the one word that best describes this movie. Annoying. When you want to scream at the screen to tell people how to act in a situation, it's just annoying. There's nothing worse than a movie where someone is treated like shit & they don't do anything about it. That's the entire movie.
Sure, you can sit back & think that people are over-populating the Earth. And that God is super-interested in being worshipped and some people are trying to help the Earth, while others treat it like garbage. Blah blah blah. The movie is still not a good movie. The idea is great & should have made for a great movie, but it's execution is terrible. I would actually think about watching it again, knowing what I know now, but thinking about how bad the movie is, I doubt that would happen. This would probably have been better as a book. I'm giving it 4 points for the idea, but 0 extra points for the movie.
Bardem is God, Jennifer Lawrence is Mother Earth, Ed Harris is Adam, Michelle Pfeiffer is Eve. Their sons are of course, Cain & Able & everyone else is the human race. So, now it clicks and I understand what the movie is about. It's a great premise. However, it's a terrible movie.
Let's start with the acting. It is terrible. Normally greats like Lawrence, Harris & Bardem would light up the screen, but here they come across as over-the-top novice actors. I blame the dialogue & the direction, of course. At no point during the film did I feel that any of the actors were even acting. This brings me to the next point.
No one in the film acts like they should act. Now, I get that they are playing people who are the interpretation of biblical beings. But come on. These people barge in to your home and you're like "Can you please...." and "Go downstairs..." when it should be "Get the f*ck out of my house!!!" Perhaps if I knew the meaning before I watched the movie, I would have picked up on the way they were acting in these situations, but even now knowing, I find it so goddamn annoying. That may be the one word that best describes this movie. Annoying. When you want to scream at the screen to tell people how to act in a situation, it's just annoying. There's nothing worse than a movie where someone is treated like shit & they don't do anything about it. That's the entire movie.
Sure, you can sit back & think that people are over-populating the Earth. And that God is super-interested in being worshipped and some people are trying to help the Earth, while others treat it like garbage. Blah blah blah. The movie is still not a good movie. The idea is great & should have made for a great movie, but it's execution is terrible. I would actually think about watching it again, knowing what I know now, but thinking about how bad the movie is, I doubt that would happen. This would probably have been better as a book. I'm giving it 4 points for the idea, but 0 extra points for the movie.
