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GPS Kit HD
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- TIME Magazine’s 15 Fantastic Gadgets “Perfect for hiking or mountain biking.” - TUAW.com ...
Edufii: Coaching + Video Analysis
Sports and Health & Fitness
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Stop wasting precious time with emails, text messages and video analysis apps and start maximizing...
TrackaShip - Free Ship Finder & Marine Traffic
Navigation and Travel
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Ever wondered what ship it is you see passing a few miles off the beach?? This App gives you the...
Twilight Imperium Fourth Edition
8.1
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Tabletop Game Watch
Twilight Imperium (Fourth Edition) is a game of galactic conquest in which three to six players take...
How to Hypnotise Anyone - Confessions of a Rogue Hypnotist
9.0
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Book
The number 1 Amazon kindle bestseller on hypnosis is now available in paperback! Finally the hidden...
Emma @ The Movies (1786 KP) rated A Quiet Place: Part II (2021) in Movies
Sep 25, 2021
One of the many long time coming films from before the pandemonium finally made its way to our screens. The sequel to the film that made us uncomfortable to eat snacks while we were at the cinema... A Quiet Place Part II came out to an excited crowd going back to the movies.
The Abbots have survived the attack on their family and found a way to get the upper hand in the fight against the monsters. They need to move on, beyond the boundaries they're set up for themselves. But what is out there blocking their way? Friend or foe? There's no way of knowing.
I was sceptical about a second film, there was a perfectly good intriguing ending to the first, and sequels aren't always the follow-ups we hope for. Would there be enough to stretch out into a decent story?
Emily Blunt was Emily Blunt. The expected powerful performance, but it was nice to see her taking a slight back seat to allow other characters to take the lead... whether I enjoyed that or not.
The biggest change on that front was giving Regan a bigger piece of the action, and the chance to show the leadership that is now missing since the death of her father. And we get an interesting pairing with her and Cillian Murphy, there's a bond made that leads them to learn about each other and it was nice, while a little sad, to see her with a new father figure in her life for a while.
Murphy's character of Emmett seems far more at home with his life as a "lone survivor" than he did as a family man. He's bunkered down outside their radius and got himself a nice little set up... but... there's one very large point that is not addressed during the films, and it's quick frankly too odd (and slightly sinister) for them to have avoided. Apart from that, Emmett does unfold nicely through the film, and he really adjusts well to being reconnected with the Abbotts.
As much as I like Noah Jupe, I found Marcus to be entirely too frustrating in this film. I don't like to wish ill upon people, but, he deserved to be eaten by a monster, or at least lightly maimed. Reckless and idiotic, he quite frankly didn't deserve any kind of redemption.
Even more so than the first, this film gave me heavy Lost vibes. If you broke some of the scenes down into their vaguest detail and asked people to guess what you were talking about, I'd certainly forgive people for guessing wrong. But yet again it's a suspenseful offering, and I found it hilarious when I fell for the jump scares. Coming out to an almost instant announcement of a third film left me wondering though. What could it do from here? It really felt like it had come to a natural ending.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/09/a-quiet-place-part-ii-movie-review.html
The Abbots have survived the attack on their family and found a way to get the upper hand in the fight against the monsters. They need to move on, beyond the boundaries they're set up for themselves. But what is out there blocking their way? Friend or foe? There's no way of knowing.
I was sceptical about a second film, there was a perfectly good intriguing ending to the first, and sequels aren't always the follow-ups we hope for. Would there be enough to stretch out into a decent story?
Emily Blunt was Emily Blunt. The expected powerful performance, but it was nice to see her taking a slight back seat to allow other characters to take the lead... whether I enjoyed that or not.
The biggest change on that front was giving Regan a bigger piece of the action, and the chance to show the leadership that is now missing since the death of her father. And we get an interesting pairing with her and Cillian Murphy, there's a bond made that leads them to learn about each other and it was nice, while a little sad, to see her with a new father figure in her life for a while.
Murphy's character of Emmett seems far more at home with his life as a "lone survivor" than he did as a family man. He's bunkered down outside their radius and got himself a nice little set up... but... there's one very large point that is not addressed during the films, and it's quick frankly too odd (and slightly sinister) for them to have avoided. Apart from that, Emmett does unfold nicely through the film, and he really adjusts well to being reconnected with the Abbotts.
As much as I like Noah Jupe, I found Marcus to be entirely too frustrating in this film. I don't like to wish ill upon people, but, he deserved to be eaten by a monster, or at least lightly maimed. Reckless and idiotic, he quite frankly didn't deserve any kind of redemption.
Even more so than the first, this film gave me heavy Lost vibes. If you broke some of the scenes down into their vaguest detail and asked people to guess what you were talking about, I'd certainly forgive people for guessing wrong. But yet again it's a suspenseful offering, and I found it hilarious when I fell for the jump scares. Coming out to an almost instant announcement of a third film left me wondering though. What could it do from here? It really felt like it had come to a natural ending.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/09/a-quiet-place-part-ii-movie-review.html
Lantern (Danubian #1)
8.0
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Book
In the black night, I alone uphold the shrine of the seven lantern gods. The year is 2448....
MM Paranormal Romance
Bila Yarrudhanggalangdhuray
Book
Gundagai, 1852 The powerful Murrumbidgee River surges through town leaving death and destruction...
Purple Phoenix Games (2266 KP) rated Lair in Tabletop Games
Feb 13, 2020
Raise your hand if you’ve ever dreamed of being a superhero – fighting crime and saving lives. Great! This game is not about that. Instead, embrace your inner villain as you work to create the greatest evil lair in the world! Dig deep and put your villainy to the test as you command Henchmen to build nefarious rooms and outmaneuver the other villains vying for power in this evil organization.
Lair is a worker placement game in which players are racing to complete the construction of a secret lair for their evil boss, Mr. White. Played over a series of rounds, players select turn order and command henchmen to construct new rooms, collect supplies, interfere with your competitors’ plans, or dig deeper into the volcano in which this lair is housed. The first player to reach the core of the volcano, thus completing the lair, is the winner!
Disclaimer: We were provided a copy of Lair for the purposes of this review. I do not intend to rehash the entire rulebook, but rather provide an overview of the rules and comment on the gameplay. For a more in-depth look at the rules, find the game at your FLGS or directly from the publisher! -L
To setup, place the foundation cards at the top of the table and then place 4 elevator cards in a single line underneath the center-most foundation card, and put the Core card at the bottom of the line. Flip the top elevator card, give each player their components (Player Card, Boss token, and 2 Henchmen tokens), create a room card pool, and you are ready to go! Choose the first player as described in the rule book. To start each round, players will choose turn order. All spaces in the turn order track offer different resources/rewards (collect Work Tokens, claim room cards, etc), so going first each turn might not necessarily be best for your strategy. Once turn order is established, players take turns moving 1 worker (either a Henchmen or Boss), and possibly performing the action of the room card to which they moved. Each move costs 1 Work Token, and is paid to the “bank.” In order to perform a room’s action, you must play your Boss token to that card, and there must be a Henchmen token already in the room. Here’s the catch – if the Henchmen token belongs to an opponent, you pay THEM 1 Work Token (instead of the bank) for having moved into a room that they have claimed. Do you want to use a room action enough to justify giving an opponent another Work Token to be used against you? Or can you rework your strategy to avoid using that action? Play continues in the round as long as players have Work Tokens to spend. Once you run out of actions, or choose to stop, you ‘retire’ and pass until the next round begins. There is an incentive to retiring early, though – the first player to retire in a round is the first player to choose their turn order in the next round. Play continues until one player has reached the final spot on the elevator track, the Core. The game immediately ends, and that player is the victor!
So how does Lair play? In my opinion, it’s a great little game. There is so much strategy involved for such a small game, and that is really what takes it to the next level for me. Let’s start with selecting turn order. In most games, this means vying for first dibs in the next round. In this game, however, each different turn order slot provides different resources/rewards. Depending on your strategy, you may really need that 3rd slot, or even the last one! So going first is not necessarily always the best thing in this game. You have to balance the risk of going later in the round with the reward of your chosen resources. The next strategic part of this game has to do with Henchmen placement. As I stated earlier, in order to use a room’s action, you must move your Boss to that card, and there must already be a Henchmen present. If the Henchmen belongs to an opponent, you pay them instead of the bank. This is vital because Work Tokens are what allow you to take turns, so paying an opponent means giving them a chance for another turn next round. Is it worth rewarding an opponent for use of a room action? On the flip side – can you strategically place your Henchmen to ensure that opponents have to pay you to complete their goals? The Boss may be in charge, but the Henchmen are the underdogs in this game for sure.
Components. The components are pretty good quality in this game. The cards are nice and thick, the art is thematic, and the wooden and cardboard tokens are sturdy. No complaints there. The only qualm that we had with Lair has to do with iconography. Every possible action has a corresponding symbol, and that is what is shown on the card. The downside is that there are so many symbols and icons, so there is a bit of a learning curve when it comes to playing Lair for the first time. To alleviate some of the confusion, the game comes with some nice reference cards, and the symbols do get easier to recognize with more plays. But just be warned: at first you may be a little confused with all of the symbology.
As you can see by our ratings, we kind of had mixed feelings about this one. For a game that seems so small and light, it actually has a lot of bulk to it. Between strategic choices and learning symbology, this might not be a game we can just pull out for a quick filler, but I think that it’s good enough to stand on its own. Sometimes physically smaller games can be overlooked, but don’t let the size fool you – Lair packs a punch. Purple Phoenix Games gives Lair a nefarious 12 / 18.
Lair is a worker placement game in which players are racing to complete the construction of a secret lair for their evil boss, Mr. White. Played over a series of rounds, players select turn order and command henchmen to construct new rooms, collect supplies, interfere with your competitors’ plans, or dig deeper into the volcano in which this lair is housed. The first player to reach the core of the volcano, thus completing the lair, is the winner!
Disclaimer: We were provided a copy of Lair for the purposes of this review. I do not intend to rehash the entire rulebook, but rather provide an overview of the rules and comment on the gameplay. For a more in-depth look at the rules, find the game at your FLGS or directly from the publisher! -L
To setup, place the foundation cards at the top of the table and then place 4 elevator cards in a single line underneath the center-most foundation card, and put the Core card at the bottom of the line. Flip the top elevator card, give each player their components (Player Card, Boss token, and 2 Henchmen tokens), create a room card pool, and you are ready to go! Choose the first player as described in the rule book. To start each round, players will choose turn order. All spaces in the turn order track offer different resources/rewards (collect Work Tokens, claim room cards, etc), so going first each turn might not necessarily be best for your strategy. Once turn order is established, players take turns moving 1 worker (either a Henchmen or Boss), and possibly performing the action of the room card to which they moved. Each move costs 1 Work Token, and is paid to the “bank.” In order to perform a room’s action, you must play your Boss token to that card, and there must be a Henchmen token already in the room. Here’s the catch – if the Henchmen token belongs to an opponent, you pay THEM 1 Work Token (instead of the bank) for having moved into a room that they have claimed. Do you want to use a room action enough to justify giving an opponent another Work Token to be used against you? Or can you rework your strategy to avoid using that action? Play continues in the round as long as players have Work Tokens to spend. Once you run out of actions, or choose to stop, you ‘retire’ and pass until the next round begins. There is an incentive to retiring early, though – the first player to retire in a round is the first player to choose their turn order in the next round. Play continues until one player has reached the final spot on the elevator track, the Core. The game immediately ends, and that player is the victor!
So how does Lair play? In my opinion, it’s a great little game. There is so much strategy involved for such a small game, and that is really what takes it to the next level for me. Let’s start with selecting turn order. In most games, this means vying for first dibs in the next round. In this game, however, each different turn order slot provides different resources/rewards. Depending on your strategy, you may really need that 3rd slot, or even the last one! So going first is not necessarily always the best thing in this game. You have to balance the risk of going later in the round with the reward of your chosen resources. The next strategic part of this game has to do with Henchmen placement. As I stated earlier, in order to use a room’s action, you must move your Boss to that card, and there must already be a Henchmen present. If the Henchmen belongs to an opponent, you pay them instead of the bank. This is vital because Work Tokens are what allow you to take turns, so paying an opponent means giving them a chance for another turn next round. Is it worth rewarding an opponent for use of a room action? On the flip side – can you strategically place your Henchmen to ensure that opponents have to pay you to complete their goals? The Boss may be in charge, but the Henchmen are the underdogs in this game for sure.
Components. The components are pretty good quality in this game. The cards are nice and thick, the art is thematic, and the wooden and cardboard tokens are sturdy. No complaints there. The only qualm that we had with Lair has to do with iconography. Every possible action has a corresponding symbol, and that is what is shown on the card. The downside is that there are so many symbols and icons, so there is a bit of a learning curve when it comes to playing Lair for the first time. To alleviate some of the confusion, the game comes with some nice reference cards, and the symbols do get easier to recognize with more plays. But just be warned: at first you may be a little confused with all of the symbology.
As you can see by our ratings, we kind of had mixed feelings about this one. For a game that seems so small and light, it actually has a lot of bulk to it. Between strategic choices and learning symbology, this might not be a game we can just pull out for a quick filler, but I think that it’s good enough to stand on its own. Sometimes physically smaller games can be overlooked, but don’t let the size fool you – Lair packs a punch. Purple Phoenix Games gives Lair a nefarious 12 / 18.
Hazel (1853 KP) rated Glass Sword in Books
May 25, 2017
Good Sequel
This ARC was provided by the publisher via NetGalley in exchange for an honest review
It is finally here; the second book in the riveting Red Queen series by Victoria Aveyard – perfect for fans of The Hunger Games, The Selection series and Divergent. Continuing from the exact point the previous book closed on, Glass Sword is packed with action, suspense and emotional entertainment.
To recap, the world is divided by blood colour: Red (inferior) and Silver (superior); but it is the reason why Silvers consider themselves better that is important. Silver-blooded people are born with a superpower; Reds are not. Until Mare Barrow, that is. By pure accident, Mare discovers she can wield electricity with her bare hands, is forced to pretend she is a Silver living with the royal family, and is finally betrayed by someone she thought was on her side.
Now, in Glass Sword, teenage Mare is in hiding with the Scarlet Guard – Red-blooded rebels – with the knowledge that there are other people out there just like her: “Newbloods,” Red blood with Silver abilities. Mare and her companions are determined to find all of these people and train them to use their powers, however the Silver king is doing the same, with the intention of destroying them all. What makes it worse is Mare no longer knows whom she can trust; anyone could betray her.
Unlike the previous book, Glass Sword is one battle after another. There are no more pretty dresses, royal parties or grand castles. From beginning to end there is not a moment when Mare is not in danger; it is easy to lose count the number of times she narrowly escapes death. But as with any form of violence, someone always ends up injured or killed, resulting in some very upsetting outcomes.
Fans of the first book will already be aware of the love triangle that developed – one that made the conclusion so shocking. Whilst Glass Sword continues with the romantic theme, it is barely perceptible underneath all the bloodshed, arguments and warfare. So, do not expect a romance novel within these pages.
The constant action prevents the story from becoming slow or boring. There is a surprise around every corner; every page, to keep the reader engaged. This however has a downside. With conflict running into conflict it is easy to get confused and struggle to follow the course of the action. This is particularly the case in one of the final, most significant, attacks against the Silvers. The quick pace of the narrative results in the violent scene only taking up the space of a few pages, thus not giving the reader time to develop a clear picture in their head or fully understand what they are reading.
Naturally Mare’s story ends on yet another cliffhanger, so now we await the third installment. It must be difficult to provide a sequel as equally entertaining as the first, but Aveyard has gone above and beyond to create something far better than could be imagined. We can only hope this brilliance continues into the following books.
It is finally here; the second book in the riveting Red Queen series by Victoria Aveyard – perfect for fans of The Hunger Games, The Selection series and Divergent. Continuing from the exact point the previous book closed on, Glass Sword is packed with action, suspense and emotional entertainment.
To recap, the world is divided by blood colour: Red (inferior) and Silver (superior); but it is the reason why Silvers consider themselves better that is important. Silver-blooded people are born with a superpower; Reds are not. Until Mare Barrow, that is. By pure accident, Mare discovers she can wield electricity with her bare hands, is forced to pretend she is a Silver living with the royal family, and is finally betrayed by someone she thought was on her side.
Now, in Glass Sword, teenage Mare is in hiding with the Scarlet Guard – Red-blooded rebels – with the knowledge that there are other people out there just like her: “Newbloods,” Red blood with Silver abilities. Mare and her companions are determined to find all of these people and train them to use their powers, however the Silver king is doing the same, with the intention of destroying them all. What makes it worse is Mare no longer knows whom she can trust; anyone could betray her.
Unlike the previous book, Glass Sword is one battle after another. There are no more pretty dresses, royal parties or grand castles. From beginning to end there is not a moment when Mare is not in danger; it is easy to lose count the number of times she narrowly escapes death. But as with any form of violence, someone always ends up injured or killed, resulting in some very upsetting outcomes.
Fans of the first book will already be aware of the love triangle that developed – one that made the conclusion so shocking. Whilst Glass Sword continues with the romantic theme, it is barely perceptible underneath all the bloodshed, arguments and warfare. So, do not expect a romance novel within these pages.
The constant action prevents the story from becoming slow or boring. There is a surprise around every corner; every page, to keep the reader engaged. This however has a downside. With conflict running into conflict it is easy to get confused and struggle to follow the course of the action. This is particularly the case in one of the final, most significant, attacks against the Silvers. The quick pace of the narrative results in the violent scene only taking up the space of a few pages, thus not giving the reader time to develop a clear picture in their head or fully understand what they are reading.
Naturally Mare’s story ends on yet another cliffhanger, so now we await the third installment. It must be difficult to provide a sequel as equally entertaining as the first, but Aveyard has gone above and beyond to create something far better than could be imagined. We can only hope this brilliance continues into the following books.