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Darren (1599 KP) rated 1920 London (2016) in Movies
Jun 20, 2019
Story: 1920 London starts as we meet the Prince Veer (Karwel) and Princess Shivangi (Chopra) living in London, they soon become the latest victim of an evil spirit which takes over Veer’s body, Shivangi must go into her past to find her former lover Jai Singh Gujjar (Joshi) a man that was left banished because of their affair, who has an ability to tackle unwanted spirits.
With the past being placed in the past, Jai comes to figure out how to save Veer and giving Shivangi a peaceful life, only the evil spirit isn’t going to let that happen.
Thoughts on 1920 London
Characters – Shivangi the princess who has just gotten married, she sees her husband become possessed, which forces her to return to her family for help, with her ex-lover being the only one that could save her husband. Jai Singh is the exorcist that was once the lover of Shivangi, but not being from the royal family means he was once banished for their love. Now he must help her fight an evil spirit, he speciality. Veer is the husband that gets stricken down by the evil spirit that has taken over his body.
Performances – We focus mostly on just the two stars of the movie, Meera Chopra and Sharman Joshi who are both great through the film dealing with the horror, the personal status they are facing and love they both feel.
Story – The story here follows a possession, this is a story I have seen many times, but the different is, I have only ever seen Christian or Jewish religions deal with the spirits, this time we get to see how Hindus treat unwanted spirits. The story does follow the traditional scares, but then here is a twist in the story which explains the possession, one about honour, love and revenge, which does make the story feel fresher, I learnt that this is part of a series of film, but I am confident there isn’t a connection between the previous ones. Most of this is by the books and that is al we want from a horror film.
Horror/Mystery – There are good scare moments in this film, nothing overly original, but they will give the jumps required, the mystery comes from just what the motivation of the evil spirit is to be doing the possessing.
Settings – The film takes the action to London, which I guess is new to the franchise, this is fine even though we spend most of the time in the mansions with no landmarks in the background, with the landmark scenes including the bridges only.
Special Effects – The effects are used well to create the horror moments, like most films the practical is good, but the CGI comes off weak.
Scene of the Movie – The final battle.
That Moment That Annoyed Me – While I understand this is a Bollywood film, the songs lose moments of tension in the film.
Final Thoughts – This is a horror that works for the exorcism genre well, it shows how a different religion reads evil spirits and does battle against them, which is interesting to see and does give us good moments of horror.
Overall: Good horror.
https://moviesreview101.com/2018/07/27/abc-film-challenge-world-cinema-1920-london-2016/
With the past being placed in the past, Jai comes to figure out how to save Veer and giving Shivangi a peaceful life, only the evil spirit isn’t going to let that happen.
Thoughts on 1920 London
Characters – Shivangi the princess who has just gotten married, she sees her husband become possessed, which forces her to return to her family for help, with her ex-lover being the only one that could save her husband. Jai Singh is the exorcist that was once the lover of Shivangi, but not being from the royal family means he was once banished for their love. Now he must help her fight an evil spirit, he speciality. Veer is the husband that gets stricken down by the evil spirit that has taken over his body.
Performances – We focus mostly on just the two stars of the movie, Meera Chopra and Sharman Joshi who are both great through the film dealing with the horror, the personal status they are facing and love they both feel.
Story – The story here follows a possession, this is a story I have seen many times, but the different is, I have only ever seen Christian or Jewish religions deal with the spirits, this time we get to see how Hindus treat unwanted spirits. The story does follow the traditional scares, but then here is a twist in the story which explains the possession, one about honour, love and revenge, which does make the story feel fresher, I learnt that this is part of a series of film, but I am confident there isn’t a connection between the previous ones. Most of this is by the books and that is al we want from a horror film.
Horror/Mystery – There are good scare moments in this film, nothing overly original, but they will give the jumps required, the mystery comes from just what the motivation of the evil spirit is to be doing the possessing.
Settings – The film takes the action to London, which I guess is new to the franchise, this is fine even though we spend most of the time in the mansions with no landmarks in the background, with the landmark scenes including the bridges only.
Special Effects – The effects are used well to create the horror moments, like most films the practical is good, but the CGI comes off weak.
Scene of the Movie – The final battle.
That Moment That Annoyed Me – While I understand this is a Bollywood film, the songs lose moments of tension in the film.
Final Thoughts – This is a horror that works for the exorcism genre well, it shows how a different religion reads evil spirits and does battle against them, which is interesting to see and does give us good moments of horror.
Overall: Good horror.
https://moviesreview101.com/2018/07/27/abc-film-challenge-world-cinema-1920-london-2016/
Darren (1599 KP) rated All The Devil's Men (2018) in Movies
Jun 20, 2019
Story: All the Devil’s Men starts as we meet the bounty hunter team working for CIA agent Leigh (Hoeks), we have Collins (Gibson), Brennan (Fichtner) and new member Samuelson (Akinnagbe), whose latest job was a success, now in London they start to investigate the latest mission.
When the team gets set up Collins must lead the remaining members of the team in an operation around London which puts him against an old military brother Deighton (Millson).
Thoughts on All the Devil’s Men
Characters – Collins is the seal that has been working as a bounty hunter for the CIA, he has a dark past with missions he has completed and knows to trust the team around him, he won’t give up till the mission is complete. Leigh is the one that runs the operations, she puts the team together and tends to be their eyes in the sky, though she is willing to do anything to close the deal for the good of the country. Brennan is the older member of the team and the member that Collins has worked with the longest, he knows how the system operates and who to bring in when needing extra hands. Samuelson is the newest member of the team, he doesn’t want to be known as a bounty hunter more of a shadow warrior, he does following instructions well, but talks more than Collins wants him too.
Performances – Milo Gibson as the leading action man is solid, he doesn’t have too much to do that is overly difficult, few driving, shooting and ducking scenes, no real emotional moment required. Sylvia Hoeks was fantastic in Blade Runner 2049, which is a disappointment here because we know how great she can be, it feels like this wasted her talent. William Fichtner is solid enough which is here to give the biggest name for the film and Gbenga Akinnagbe gets laughs for the film when needed.
Story – The story follows CIA bounty hunters that are tracking down suspects in London over one night before a major deal goes down, which could see weapons being giving to the wrong hands. The story gives us a chance to see how the unit uses their skills to track and try to stay ahead while also showing the villains planning for what happens next. For an action film the story is very simple, it doesn’t have anything overly complicated when it comes to twists and can be watched without needing to give the full attention. This is a late-night action film story which is all we want at times.
Action – The action gives us set-up location for confrontations with bullets flying around, the fights are simple, though not shot the best with too many cuts. With the bang, bang and bodies falling it is easy to watch.
Settings – We are mostly set in and around London at night, which is fine, we know London can be busy and full of deals going on, we do seem to stay on the outside of everything going on though.
Scene of the Movie – Plane chase.
That Moment That Annoyed Me – It does waste Sylvia Hoeks full talents.
Final Thoughts – This is good for a late-night action fans, it keeps everything very simple and could easily be put in the lists of any straight to DVD Seagal or Van Damme movies.
Overall: Simple actions film.
https://moviesreview101.com/2018/11/23/all-the-devils-men-2018/
When the team gets set up Collins must lead the remaining members of the team in an operation around London which puts him against an old military brother Deighton (Millson).
Thoughts on All the Devil’s Men
Characters – Collins is the seal that has been working as a bounty hunter for the CIA, he has a dark past with missions he has completed and knows to trust the team around him, he won’t give up till the mission is complete. Leigh is the one that runs the operations, she puts the team together and tends to be their eyes in the sky, though she is willing to do anything to close the deal for the good of the country. Brennan is the older member of the team and the member that Collins has worked with the longest, he knows how the system operates and who to bring in when needing extra hands. Samuelson is the newest member of the team, he doesn’t want to be known as a bounty hunter more of a shadow warrior, he does following instructions well, but talks more than Collins wants him too.
Performances – Milo Gibson as the leading action man is solid, he doesn’t have too much to do that is overly difficult, few driving, shooting and ducking scenes, no real emotional moment required. Sylvia Hoeks was fantastic in Blade Runner 2049, which is a disappointment here because we know how great she can be, it feels like this wasted her talent. William Fichtner is solid enough which is here to give the biggest name for the film and Gbenga Akinnagbe gets laughs for the film when needed.
Story – The story follows CIA bounty hunters that are tracking down suspects in London over one night before a major deal goes down, which could see weapons being giving to the wrong hands. The story gives us a chance to see how the unit uses their skills to track and try to stay ahead while also showing the villains planning for what happens next. For an action film the story is very simple, it doesn’t have anything overly complicated when it comes to twists and can be watched without needing to give the full attention. This is a late-night action film story which is all we want at times.
Action – The action gives us set-up location for confrontations with bullets flying around, the fights are simple, though not shot the best with too many cuts. With the bang, bang and bodies falling it is easy to watch.
Settings – We are mostly set in and around London at night, which is fine, we know London can be busy and full of deals going on, we do seem to stay on the outside of everything going on though.
Scene of the Movie – Plane chase.
That Moment That Annoyed Me – It does waste Sylvia Hoeks full talents.
Final Thoughts – This is good for a late-night action fans, it keeps everything very simple and could easily be put in the lists of any straight to DVD Seagal or Van Damme movies.
Overall: Simple actions film.
https://moviesreview101.com/2018/11/23/all-the-devils-men-2018/
Lee (2222 KP) rated The Front Runner (2018) in Movies
Jan 8, 2019
Hugh Jackman (1 more)
J.K. Simmons
Enjoyable, great performances from all
I don't really follow, or know very much about American politics. Trying to cope with whatever Brexit nonsense is happening here in the UK on a daily basis is more than enough for me, so aside from face palming at whatever rubbish Donald Trump is currently spewing on Twitter, I'm fairly oblivious to it all. Back in 1988, I would have more likely been playing Super Mario World, than taking interest in former Colorado senator Gary Hart, who became the front runner for the Democratic presidential nomination. So why then would I be interested in watching a movie about him and the scandal he became involved in so close to achieving his dream of presidency? Well, when the movie stars versatile man of the moment Hugh Jackman as Gary Hart, along with another two of my favourite actors (Vera Farmiga and J.K. Simmons), then I'm more than happy to give it a shot!
The movie opens with Hart currently riding high, with only three weeks to go until the nomination. He's a very charismatic man, intelligent, and clearly striking a chord with the voters. His path to the White House seems clear and certain. But, as the opening on-screen titles remind us, a lot can happen in three weeks...
Those three weeks, for the most part, run pretty smoothly, giving us a chance to get to know Hart and the vast number of supporting characters as the campaign progresses through its final stages. J.K. Simmons is campaign manager Bill Dixon, brilliant and often hilarious in every scene he's in. Vera Farmiga plays Harts wife Lee, slightly underused in the role of supportive wife placed in a difficult position. Elsewhere, there are plenty of strong supporting characters, both throughout the campaign team and within the news teams that are tasked with following Hart around the country. One of those reporters eventually gets wind of a potential story, although he initially doesn't believe the young nervous girl phoning his office one night, telling him about her friend who is due to go and meet with Hart at the weekend. A last minute change in Harts schedule for the weekend leads the reporter to suspect there may be some truth to the phone call and he follows up on the lead, staking out Harts townhouse in a bid to get some dirt on him.
When the dirt does start to come out, Hart attempts to brush it aside. We've already seen what a private man he is, baffled as to why anyone would want to see him posing for photos with his family in People magazine. He believes that his policies and the politician that he is are all that matters, and that the public aren't interested in his private life at all, so all of this will just blow over. His staff rally round to try and contain the story and work out what to do with the woman involved in the scandal, while Harts wife and daughter deal with the fallout back home. All the while, the reporters and TV are having a field day. Every part of the story is interesting, and the characters involved are all superb. What always helps a movie like this though is when it is based on true events and what helps it even more is the fantastic cast, who all do a brilliant job at making this a very enjoyable movie.
The movie opens with Hart currently riding high, with only three weeks to go until the nomination. He's a very charismatic man, intelligent, and clearly striking a chord with the voters. His path to the White House seems clear and certain. But, as the opening on-screen titles remind us, a lot can happen in three weeks...
Those three weeks, for the most part, run pretty smoothly, giving us a chance to get to know Hart and the vast number of supporting characters as the campaign progresses through its final stages. J.K. Simmons is campaign manager Bill Dixon, brilliant and often hilarious in every scene he's in. Vera Farmiga plays Harts wife Lee, slightly underused in the role of supportive wife placed in a difficult position. Elsewhere, there are plenty of strong supporting characters, both throughout the campaign team and within the news teams that are tasked with following Hart around the country. One of those reporters eventually gets wind of a potential story, although he initially doesn't believe the young nervous girl phoning his office one night, telling him about her friend who is due to go and meet with Hart at the weekend. A last minute change in Harts schedule for the weekend leads the reporter to suspect there may be some truth to the phone call and he follows up on the lead, staking out Harts townhouse in a bid to get some dirt on him.
When the dirt does start to come out, Hart attempts to brush it aside. We've already seen what a private man he is, baffled as to why anyone would want to see him posing for photos with his family in People magazine. He believes that his policies and the politician that he is are all that matters, and that the public aren't interested in his private life at all, so all of this will just blow over. His staff rally round to try and contain the story and work out what to do with the woman involved in the scandal, while Harts wife and daughter deal with the fallout back home. All the while, the reporters and TV are having a field day. Every part of the story is interesting, and the characters involved are all superb. What always helps a movie like this though is when it is based on true events and what helps it even more is the fantastic cast, who all do a brilliant job at making this a very enjoyable movie.
Hazel (1853 KP) rated Perfect Lies (Mind Games, #2) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Not having had the opportunity to read the previous book it was sometimes difficult to understand what was going on, thus it is also tricky to give a completely honest review. <i>Perfect Lies</i> is the sequel to Kiersten White’s <i>Sister Assassin</i>(UK version, or <i>Mind Games</i>, US version) about two sisters with extraordinary gifts.
The story is told from the points of view of both sisters but from different time periods. Everything is leading up to a big event, but what that is we are not told. Fia is closer in time to it with her first chapter beginning “five days before”, whereas Annie is “four months before” but jumping through time quickly so that both her and Fia’s narratives meet up at the end.
Those who have already read the first book will know that Annie, although blind, has visions of the future. <i>Perfect Lies</i> begins with Annie pretending to be dead. Fia has “killed” her in order to keep her safe. Now the girls are separated and working with different people, people who seem to be enemies of each other, but whose aim is supposedly the same: destroy Keane Enterprises. Annie is what is known as a Seer and there are many girls with similar abilities as well as Feelers and Readers. Keane Enterprises has been seeking out these girls and educating them in a special school (Annie and Fia attended in the first novel) but then begin to take advantage of their powers – and many end up dead.
As time goes on it becomes less clear who the trustworthy people are and what their true intentions are. Fia thought she was protecting Annie by convincing people she were dead but now Annie believes that it is Fia that needs saving. Will the sisters ever be safe? As days turn to hours it appears that a happy ending is less and less likely…
Obviously not reading the first book meant that it took a while to work out who was who and for a long time felt, to quote Annie, “not up to speed on what’s going on, and I’d really like to be clued in.” The shifts in perspectives, especially time periods, were also confusing. When Annie had a vision involving Fia’s future it was quite often Fia’s present in the way this book was written.
It was interesting to read a narrative from a blind person’s point of view. For understandable reasons there were no visual descriptions (except for the visions) and so White relied on references to sounds, smells and feelings in order to set the seen. Fia’s chapters were also written in a noteworthy way. Presumably past experiences have left Fia slightly unhinged and a lot of her perspective involved her talking to herself in her head. White often used short, snappy sentences giving an impression of Fia’s flighty, unbalanced thoughts.
After getting past the who’s who and what’s what <i>Perfect Lies</i> became really interesting. It is a rather unique concept but anyone thinking about reading these books should definitely begin with <i>Sister Assassin/Mind Games</i> in order to get all the background information to save any confusion at the beginning of the sequel.
Not having had the opportunity to read the previous book it was sometimes difficult to understand what was going on, thus it is also tricky to give a completely honest review. <i>Perfect Lies</i> is the sequel to Kiersten White’s <i>Sister Assassin</i>(UK version, or <i>Mind Games</i>, US version) about two sisters with extraordinary gifts.
The story is told from the points of view of both sisters but from different time periods. Everything is leading up to a big event, but what that is we are not told. Fia is closer in time to it with her first chapter beginning “five days before”, whereas Annie is “four months before” but jumping through time quickly so that both her and Fia’s narratives meet up at the end.
Those who have already read the first book will know that Annie, although blind, has visions of the future. <i>Perfect Lies</i> begins with Annie pretending to be dead. Fia has “killed” her in order to keep her safe. Now the girls are separated and working with different people, people who seem to be enemies of each other, but whose aim is supposedly the same: destroy Keane Enterprises. Annie is what is known as a Seer and there are many girls with similar abilities as well as Feelers and Readers. Keane Enterprises has been seeking out these girls and educating them in a special school (Annie and Fia attended in the first novel) but then begin to take advantage of their powers – and many end up dead.
As time goes on it becomes less clear who the trustworthy people are and what their true intentions are. Fia thought she was protecting Annie by convincing people she were dead but now Annie believes that it is Fia that needs saving. Will the sisters ever be safe? As days turn to hours it appears that a happy ending is less and less likely…
Obviously not reading the first book meant that it took a while to work out who was who and for a long time felt, to quote Annie, “not up to speed on what’s going on, and I’d really like to be clued in.” The shifts in perspectives, especially time periods, were also confusing. When Annie had a vision involving Fia’s future it was quite often Fia’s present in the way this book was written.
It was interesting to read a narrative from a blind person’s point of view. For understandable reasons there were no visual descriptions (except for the visions) and so White relied on references to sounds, smells and feelings in order to set the seen. Fia’s chapters were also written in a noteworthy way. Presumably past experiences have left Fia slightly unhinged and a lot of her perspective involved her talking to herself in her head. White often used short, snappy sentences giving an impression of Fia’s flighty, unbalanced thoughts.
After getting past the who’s who and what’s what <i>Perfect Lies</i> became really interesting. It is a rather unique concept but anyone thinking about reading these books should definitely begin with <i>Sister Assassin/Mind Games</i> in order to get all the background information to save any confusion at the beginning of the sequel.
Hazel (1853 KP) rated Blood for Blood (Wolf By Wolf #2) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Ryan Graudin blew readers away with her alternate historical novel <i>Wolf by Wolf</i>. Now it is time to conclude the imaginative narrative with the highly anticipated sequel, <i>Blood for Blood. </i>Continuing from the precise moment Yael pulled the trigger on the Führer’s doppelgänger, the reader is thrown into a lively story of twists and turns, where danger lives around every corner.
To recap, it is 1956 and Hitler has won the war. Germany, or Germania, is ruling over Europe and many countries in Asia and Africa. Yael is a Jewish girl who a doctor experimented on whilst she was detained in a concentration camp. As a result of the brutal medical treatment, Yael is a successful result of the Doppelgänger Project – she can now change her physical appearance and anatomy at will.<i> Wolf by Wolf</i> focused on Yael and the resistance’s attempt to win a prestigious motorcycle race in order to get close to the Führer and end his life. As it turns out, Yael is not the only person with this skin shifting ability.
On the run with the entire world knowing her secret, Yael is desperate to make contact with the resistance leaders and continue with their plot to assassinate Hitler. However, unable to leave innocent people to suffer at the hands of the National Socialists, Yael ends up being accompanied and hindered by two Aryan boys, Luka and Felix. Yet with no way of knowing who can be trusted, Yael is taking a fatal risk by helping others instead of saving herself.
Despite circumstances, the blossoming romance that began to advance toward the end of the first book continues to feature in <i>Blood for Blood</i> as characters begin to rely on and trust each other. Nonetheless, constant plot developments obstruct all thoughts of a happy ending. Clever twists and gradually emerging truths prevent any opportunity for rest or safety.
<i>Wolf by Wolf </i>was an exciting, new concept for young adult readers, answering a “what if” question about the second world war. Yet the historical setting – albeit fictional – was impeded by the focus on the Axis Tour as characters raced from Germania to Tokyo. In contrast, <i>Blood for Blood</i> leaves all distractions behind, giving full attention to the life and danger under Hitler’s dictatorship. Despite Germany/Germania’s triumphant win, war is still raging throughout Europe. Anyone not meeting the Aryan description is at risk of death or deportment. Strictly speaking, the situation described must look similar, if not the same, as the true result of Nazi ruling.
Ryan Graudin is a formidable writer with the ability to make fiction seem like reality. Despite the added science fiction twist, the imaginative scenario is so well researched and planned that it becomes almost believable. Graudin comes at the story from so many directions, evidencing the effort put into creating the thrilling plot. It is one thing to be able to string words together, but to make them come alive it takes a genius.
<i>Blood for Blood</i> is by far the better of the two novels, making it the perfect conclusion to a fantastic two-part story. Beginning with explosive action and not stopping until its heart-wrenching conclusion, <i>Blood for Blood</i> will satisfy readers of all ages and genres. Those who have read <i>Wolf by Wolf</i> definitely must get their hands on this amazing sequel. You will not be disappointed.
Ryan Graudin blew readers away with her alternate historical novel <i>Wolf by Wolf</i>. Now it is time to conclude the imaginative narrative with the highly anticipated sequel, <i>Blood for Blood. </i>Continuing from the precise moment Yael pulled the trigger on the Führer’s doppelgänger, the reader is thrown into a lively story of twists and turns, where danger lives around every corner.
To recap, it is 1956 and Hitler has won the war. Germany, or Germania, is ruling over Europe and many countries in Asia and Africa. Yael is a Jewish girl who a doctor experimented on whilst she was detained in a concentration camp. As a result of the brutal medical treatment, Yael is a successful result of the Doppelgänger Project – she can now change her physical appearance and anatomy at will.<i> Wolf by Wolf</i> focused on Yael and the resistance’s attempt to win a prestigious motorcycle race in order to get close to the Führer and end his life. As it turns out, Yael is not the only person with this skin shifting ability.
On the run with the entire world knowing her secret, Yael is desperate to make contact with the resistance leaders and continue with their plot to assassinate Hitler. However, unable to leave innocent people to suffer at the hands of the National Socialists, Yael ends up being accompanied and hindered by two Aryan boys, Luka and Felix. Yet with no way of knowing who can be trusted, Yael is taking a fatal risk by helping others instead of saving herself.
Despite circumstances, the blossoming romance that began to advance toward the end of the first book continues to feature in <i>Blood for Blood</i> as characters begin to rely on and trust each other. Nonetheless, constant plot developments obstruct all thoughts of a happy ending. Clever twists and gradually emerging truths prevent any opportunity for rest or safety.
<i>Wolf by Wolf </i>was an exciting, new concept for young adult readers, answering a “what if” question about the second world war. Yet the historical setting – albeit fictional – was impeded by the focus on the Axis Tour as characters raced from Germania to Tokyo. In contrast, <i>Blood for Blood</i> leaves all distractions behind, giving full attention to the life and danger under Hitler’s dictatorship. Despite Germany/Germania’s triumphant win, war is still raging throughout Europe. Anyone not meeting the Aryan description is at risk of death or deportment. Strictly speaking, the situation described must look similar, if not the same, as the true result of Nazi ruling.
Ryan Graudin is a formidable writer with the ability to make fiction seem like reality. Despite the added science fiction twist, the imaginative scenario is so well researched and planned that it becomes almost believable. Graudin comes at the story from so many directions, evidencing the effort put into creating the thrilling plot. It is one thing to be able to string words together, but to make them come alive it takes a genius.
<i>Blood for Blood</i> is by far the better of the two novels, making it the perfect conclusion to a fantastic two-part story. Beginning with explosive action and not stopping until its heart-wrenching conclusion, <i>Blood for Blood</i> will satisfy readers of all ages and genres. Those who have read <i>Wolf by Wolf</i> definitely must get their hands on this amazing sequel. You will not be disappointed.
Phillip McSween (751 KP) rated Rocky Balboa (2006) in Movies
Jan 28, 2019
Surprisingly Good
I think I’ve stayed away from this movie for so long because I expected it to be garbage. I mean, let’s be adult about this, Rocky V was no picnic. I was done with Rocky. Until I saw the trailer for Creed. It was at that moment that I decided to give things another go. Yes, the boxer we all know and love Rocky (Sylvester Stallone) is back at it in Rocky Balboa facing off against his first (and hopefully last) opponent since Drago.
Acting: 10
Beginning: 9
Two things really grabbed me as the movie opens. I loved the beautiful shots of Philadelphia at the start. The city plays a huge role in Rocky’s character development and these shots helped get me in tune with the heart of what the city is all about. I also appreciated the first scene between Rocky and his son Rocky Jr. (Milo Ventimiglia) depicting their strained relationship since Adrian’s death. It’s an awkward scene that makes you sympathize with where Rocky is in his life.
How did he get to this point? It’s seem like he’s lost so much, yet he’s still that gentle character from the 70’s we fell in love with. Seeing this scene was enough to tell me this film would take a lot different approach than the previous movies.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Rocky’s older and not at the top of his game like he was when he took on Clubber Lang (what a name!). Yet he still found a way to get me out of my chair as he did in previous movies. The main bout gets pretty intense in spots as you root for the Italian Stallion to knock some sense into the new kid on the block. The conflict extends beyond the ring as well as Rocky tries to help people from his neighborhood while maintaining close relationships with family members Paulie (Burt Young) and Rocky Jr. On the surface he’s a hero, but underneath his life is in shambles. As an audience, we find ourselves rallying behind Rocky as we’ve done in all the others movies past.
Genre: 10
Memorability: 7
Compared to other films, it doesn’t quite have the same memorability as classic ones I’ve seen, but succeeds in giving us a reason to cheer and a reason to feel. Rocky Balboa succeeds in being more than just a movie about trading punches. Rather than being hollow and fight-driven, it’s a movie with real heart.
Pace: 4
The “heart” portion, unfortunately, comes at a cost. When you watch the movie, you have to adjust your expectations as things move at a much slower pace. Rocky doesn’t even consider making a return until well into the movie. I kept watching waiting for a fight to finally happen and it was slow-going. However, even with a slower pace than the previous movies, Balboa still shines.
Plot: 8
Resolution: 9
Somewhat predictable but no less powerful. It ties up nicely what we see at the beginning. A fitting finale to Rocky’s in-the-ring saga.
Overall: 87
Heroes in movies come in many forms. What makes Rocky so special is his consistency of character throughout the decades. He swore in the beginning to never change who he was, but I think he lied to us. I think he became an even better man. Rocky Balboa. Hero for the generations.
Acting: 10
Beginning: 9
Two things really grabbed me as the movie opens. I loved the beautiful shots of Philadelphia at the start. The city plays a huge role in Rocky’s character development and these shots helped get me in tune with the heart of what the city is all about. I also appreciated the first scene between Rocky and his son Rocky Jr. (Milo Ventimiglia) depicting their strained relationship since Adrian’s death. It’s an awkward scene that makes you sympathize with where Rocky is in his life.
How did he get to this point? It’s seem like he’s lost so much, yet he’s still that gentle character from the 70’s we fell in love with. Seeing this scene was enough to tell me this film would take a lot different approach than the previous movies.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Rocky’s older and not at the top of his game like he was when he took on Clubber Lang (what a name!). Yet he still found a way to get me out of my chair as he did in previous movies. The main bout gets pretty intense in spots as you root for the Italian Stallion to knock some sense into the new kid on the block. The conflict extends beyond the ring as well as Rocky tries to help people from his neighborhood while maintaining close relationships with family members Paulie (Burt Young) and Rocky Jr. On the surface he’s a hero, but underneath his life is in shambles. As an audience, we find ourselves rallying behind Rocky as we’ve done in all the others movies past.
Genre: 10
Memorability: 7
Compared to other films, it doesn’t quite have the same memorability as classic ones I’ve seen, but succeeds in giving us a reason to cheer and a reason to feel. Rocky Balboa succeeds in being more than just a movie about trading punches. Rather than being hollow and fight-driven, it’s a movie with real heart.
Pace: 4
The “heart” portion, unfortunately, comes at a cost. When you watch the movie, you have to adjust your expectations as things move at a much slower pace. Rocky doesn’t even consider making a return until well into the movie. I kept watching waiting for a fight to finally happen and it was slow-going. However, even with a slower pace than the previous movies, Balboa still shines.
Plot: 8
Resolution: 9
Somewhat predictable but no less powerful. It ties up nicely what we see at the beginning. A fitting finale to Rocky’s in-the-ring saga.
Overall: 87
Heroes in movies come in many forms. What makes Rocky so special is his consistency of character throughout the decades. He swore in the beginning to never change who he was, but I think he lied to us. I think he became an even better man. Rocky Balboa. Hero for the generations.
Jessica - Where the Book Ends (15 KP) rated All the Bright Places in Books
Jan 30, 2019
First let me start by saying that though I try to do spoiler free reviews I don’t know if I can do that with this one, so read this review at your own risk. People may not like my review of this book, and that’s okay. To be honest I don’t really like my review of this book, but it’s how I feel and I can’t change that. I desperately wanted to love these characters, but I didn’t. So, lets start with what I did like…
I loved the premise of the story. I loved the feels that the circumstances the characters dealt with gave me. But that’s about it…
For me, the characters were flat. They didn’t show enough emotion given the situations that they dealt with in their lives. Violet doesn’t show much emotion around the death of her sister, the death of Finch, the way her family doesn’t talk about Elenore, the way her friends treat her or Finch. Finch is just as bad, he doesn’t show much emotion over the demise of his family, or the way his dad treats him, and not about the fact that his mom is just a shell who drinks wine and doesn’t care about her children. They bottle it up and that leaves the reader with nothing to relate to, or feel. Feelings your characters have is a way for you to reach out to your reader and pull them in. Make them want more. Essentially, you’re their feels dealer and you must give them the first hit to pull them in and keep them coming back for more. In order for you to do that you have to have some emotion for the reader.
There is so much going on with these characters and I don’t feel like the author even touches it. I understand that teen suicide is the main focus of the story, but there is more to it than that. The bipolar disorder, and anxiety, depression, they are just mentioned almost as a way to explain how the characters may have gotten to that point. The book just kind of ends and there is no epilogue to tie up how the characters are doing. Finches parents, where did Violet go to school, did her online magazine take off. There was so much I was left wondering.
I was told by several people that this book was a must read and that I would love it. I guess my over-all thoughts were that for me this book was lacking. I expected and wanted so much more from this book and these characters, and at the end of the day it just didn’t do it for me. So, I’m giving this a 3 star rating. This is a subject that should be read about and should more prevalent. There needs to be an awareness amongst teens about suicide. They need to be told about the signs and what to do if you think someone you know is contemplating suicide.
Most importantly remember if you’re ever in crisis and you need someone to talk to just text 741741 which is the number for the Crisis Text Line. You will be able to speak with a trained Crisis Counselor.
I loved the premise of the story. I loved the feels that the circumstances the characters dealt with gave me. But that’s about it…
For me, the characters were flat. They didn’t show enough emotion given the situations that they dealt with in their lives. Violet doesn’t show much emotion around the death of her sister, the death of Finch, the way her family doesn’t talk about Elenore, the way her friends treat her or Finch. Finch is just as bad, he doesn’t show much emotion over the demise of his family, or the way his dad treats him, and not about the fact that his mom is just a shell who drinks wine and doesn’t care about her children. They bottle it up and that leaves the reader with nothing to relate to, or feel. Feelings your characters have is a way for you to reach out to your reader and pull them in. Make them want more. Essentially, you’re their feels dealer and you must give them the first hit to pull them in and keep them coming back for more. In order for you to do that you have to have some emotion for the reader.
There is so much going on with these characters and I don’t feel like the author even touches it. I understand that teen suicide is the main focus of the story, but there is more to it than that. The bipolar disorder, and anxiety, depression, they are just mentioned almost as a way to explain how the characters may have gotten to that point. The book just kind of ends and there is no epilogue to tie up how the characters are doing. Finches parents, where did Violet go to school, did her online magazine take off. There was so much I was left wondering.
I was told by several people that this book was a must read and that I would love it. I guess my over-all thoughts were that for me this book was lacking. I expected and wanted so much more from this book and these characters, and at the end of the day it just didn’t do it for me. So, I’m giving this a 3 star rating. This is a subject that should be read about and should more prevalent. There needs to be an awareness amongst teens about suicide. They need to be told about the signs and what to do if you think someone you know is contemplating suicide.
Most importantly remember if you’re ever in crisis and you need someone to talk to just text 741741 which is the number for the Crisis Text Line. You will be able to speak with a trained Crisis Counselor.
Gareth von Kallenbach (977 KP) rated Pirates of the Caribbean: At Worlds End (2007) in Movies
Aug 14, 2019
Captain Jack Sparrow (Johnny Depp) returns in “Pirates of the Caribbean: At Worlds End”, the third film in the series which has set box office records the world over. Picking up shortly after the events of the previous film, “Dead Man’s Chest”, it’s a new world for pirates and those who associate with pirates. Once the hunters, they’ve become the hunted, rounded up by The East India Trading Company, headed by Lord Cutler Beckett (Tom Hollander). Now under Beckett’s command, The Flying Dutchman, and its miserable, unforgiving captain, Davy Jones (Bill Nighy), sails the seven seas hunting pirate ships and giving no quarter.
Will Turner (Orlando Bloom), Elizabeth Swann (Keira Knightley) and Captain Barbossa (Geoffrey Rush) journey to exotic Singapore and confront Chinese pirate Captain Sao Feng (Chow Yun-Fat) to gain charts, and a ship, that will take them off to world’s end, to rescue Jack from his cursed fate in Davy Jone’s Locker.
They need to gather the Nine Lords of the Brethren Court, their only hope to defeat Beckett, the Flying Dutchman, and his Armada. Sao Feng is one of the nine lords as is Captain Jack Sparrow (Johnny Depp). Their clandestine meeting does not go unnoticed, with the East India Trading Company dispatching troops to interfere, and soon a battle royale erupts in one of the films better moments, which sadly were few and far between.
British troops and treacherous waters dispensed with, Elizabeth, Captain Barbosa, and Will Turner (Orlando Bloom), are reunited with Jack, which sets into motion a very long, and at times confusing series of events. Jack is trying to avoid his debt to the squid faced Davy Jones, while Will is hoping to free his father from the Flying Dutchman as well, and at the same time restore his damaged relationship with Elizabeth.
While this covers the main three characters, the agenda for the others in the film are much more murky, especially that of Barbossa and other members of the Brethren Court who join together and seem content to risk life and limb without much in the way of compensation. There is a tacked on subplot about the Pieces of Eight that are needed to free a magical entity who may be of help in their battle with the deadly Jones and his otherworldly crew, but sadly most of the film’s nearly three hour running times seems either unnecessary and/or confusing as it works its way towards the final climax.
When the film does shift back into action mode which thankfully comes in the final 30 minutes or so of the film, with great special effects, the attractive and nimble cast really get a chance to shine. It is easily the most enjoyable and invigorating action sequence in all three of the films, and is almost worth the wait it took to get there. Almost. The film suffers mightily from the convoluted plot, dragging painfully on for long stretches of time, and only seems to come to life when Depp is on the screen. Sadly that is not nearly enough to save the film, weighed down as it is by the issues I’ve already detailed.
Although visually spectacular, I had high hopes for this film, especially after the great, but somewhat disturbing, opening sequence. Any momentum gained from that was quickly lost and the film soon became a bloated extravaganza of style over substance that was badly in need of having 45-60 minutes trimmed from its running time.
Will Turner (Orlando Bloom), Elizabeth Swann (Keira Knightley) and Captain Barbossa (Geoffrey Rush) journey to exotic Singapore and confront Chinese pirate Captain Sao Feng (Chow Yun-Fat) to gain charts, and a ship, that will take them off to world’s end, to rescue Jack from his cursed fate in Davy Jone’s Locker.
They need to gather the Nine Lords of the Brethren Court, their only hope to defeat Beckett, the Flying Dutchman, and his Armada. Sao Feng is one of the nine lords as is Captain Jack Sparrow (Johnny Depp). Their clandestine meeting does not go unnoticed, with the East India Trading Company dispatching troops to interfere, and soon a battle royale erupts in one of the films better moments, which sadly were few and far between.
British troops and treacherous waters dispensed with, Elizabeth, Captain Barbosa, and Will Turner (Orlando Bloom), are reunited with Jack, which sets into motion a very long, and at times confusing series of events. Jack is trying to avoid his debt to the squid faced Davy Jones, while Will is hoping to free his father from the Flying Dutchman as well, and at the same time restore his damaged relationship with Elizabeth.
While this covers the main three characters, the agenda for the others in the film are much more murky, especially that of Barbossa and other members of the Brethren Court who join together and seem content to risk life and limb without much in the way of compensation. There is a tacked on subplot about the Pieces of Eight that are needed to free a magical entity who may be of help in their battle with the deadly Jones and his otherworldly crew, but sadly most of the film’s nearly three hour running times seems either unnecessary and/or confusing as it works its way towards the final climax.
When the film does shift back into action mode which thankfully comes in the final 30 minutes or so of the film, with great special effects, the attractive and nimble cast really get a chance to shine. It is easily the most enjoyable and invigorating action sequence in all three of the films, and is almost worth the wait it took to get there. Almost. The film suffers mightily from the convoluted plot, dragging painfully on for long stretches of time, and only seems to come to life when Depp is on the screen. Sadly that is not nearly enough to save the film, weighed down as it is by the issues I’ve already detailed.
Although visually spectacular, I had high hopes for this film, especially after the great, but somewhat disturbing, opening sequence. Any momentum gained from that was quickly lost and the film soon became a bloated extravaganza of style over substance that was badly in need of having 45-60 minutes trimmed from its running time.
Darren (1599 KP) rated Scream 3 (2000) in Movies
Oct 31, 2019
Characters – Sidney is now living off the map, helping women in need of a helping hand, when the killer tracks her down, she comes to help from her hiding where she will come face to face with the true killer. Dewey is now working on the set of the Stab films, he is helping one of the stars of the film understand her character and gets stuck into the investigation this time. Gale isn’t as cut throat as she once was, her career didn’t go as well as it could have, she must put up with the needy actress who is playing her in the film. Detective Mark Kincaid is the cop assigned to try and track down the killer willing to push boundaries to uncover the truth. We get a string of actors that will be playing to the roles of the characters in the franchise, with Jennifer Jolie preparing to be Gale being the highlight of these and if not the whole movie. Our suspect list is long which only adds to the mystery we might be seeing through the film.
Performances – Neve Campbell, Courteney Cox and David Arquette all return and give good performances through the film, they don’t build on what we know from them, Parker Posey however steals the whole movie, every scene she is in we want to see more from her. This film does suffer from having too many actors which does stop giving the stars the time required to truly shine.
Story – The story follows the production of the third ‘Stab’ movie which is from the series of films that are based on the events of the Scream films, that starts getting its own body count from a new killer with connections to Sidney’s mother. This could easily be considered the weakest story of the three so far in the franchise, this is mostly because of the idea of being on the film set with the actors and real people gets overly complicated and takes away from the suspense we previously experience. As for the twists we learn the rules that make things feel like a larger scale operation which even after seeing the previous film do fit together much like what many of the 80s slashers did.
Horror/Mystery – The horror in the film comes from the slasher side of things which are all routine enough and work for the film, with the mystery coming from just who is truly behind the murders.
Settings – Setting the film in Hollywood, mostly in and around a film set makes us relive the moments we have gotten to know through the years and most importantly show us how a film could be getting made.
Special Effects – The effects in the movie continue the style we have seen before, it gives us the blood we need to make look real without being over the top.
Scene of the Movie – The continuing reference to how difficult Scream 2 was to make.
That Moment That Annoyed Me – Some of the supporting characters, mostly the actors don’t get much screen time.
Final Thoughts – This is the third part of one of the greatest horror trilogies, it continues to show us behind the curtain of horror movies with a twist we didn’t know about to keep the story feeling fresh throughout the film.
Overall: This is how to make a trilogy.
Performances – Neve Campbell, Courteney Cox and David Arquette all return and give good performances through the film, they don’t build on what we know from them, Parker Posey however steals the whole movie, every scene she is in we want to see more from her. This film does suffer from having too many actors which does stop giving the stars the time required to truly shine.
Story – The story follows the production of the third ‘Stab’ movie which is from the series of films that are based on the events of the Scream films, that starts getting its own body count from a new killer with connections to Sidney’s mother. This could easily be considered the weakest story of the three so far in the franchise, this is mostly because of the idea of being on the film set with the actors and real people gets overly complicated and takes away from the suspense we previously experience. As for the twists we learn the rules that make things feel like a larger scale operation which even after seeing the previous film do fit together much like what many of the 80s slashers did.
Horror/Mystery – The horror in the film comes from the slasher side of things which are all routine enough and work for the film, with the mystery coming from just who is truly behind the murders.
Settings – Setting the film in Hollywood, mostly in and around a film set makes us relive the moments we have gotten to know through the years and most importantly show us how a film could be getting made.
Special Effects – The effects in the movie continue the style we have seen before, it gives us the blood we need to make look real without being over the top.
Scene of the Movie – The continuing reference to how difficult Scream 2 was to make.
That Moment That Annoyed Me – Some of the supporting characters, mostly the actors don’t get much screen time.
Final Thoughts – This is the third part of one of the greatest horror trilogies, it continues to show us behind the curtain of horror movies with a twist we didn’t know about to keep the story feeling fresh throughout the film.
Overall: This is how to make a trilogy.
Heather Cranmer (2721 KP) rated The Girl Behind the Red Rope in Books
Oct 15, 2019
I'm a fan of dystopian novels, so when I heard about The Girl Behind the Red Rope by Ted Dekker and Rachelle Dekker, I knew it was a book that I just had to read sooner rather than later. Everything about the synopsis was calling out my name. Luckily, this book lived up to the hype.
As I stated previously, the synopsis of The Girl Behind the Red Rope definitely left me intrigued. Grace has seen what not following her religious community's strict rules can bring. However, when a young boy makes his way into their tight community, Grace begins to question everything she's been taught which puts her in extreme danger.
Everything flowed so smoothly including the pacing which never let me down. I was constantly finding excuses to finish reading The Girl Behind the Red Rope since I had to know what would happen next. While I felt the plot was predictable more often than not, I still really enjoyed this book. I felt like their were no cliff hangers, and all of my questions were answered by the ending.
As for the Christian aspect of this book, it didn't read like a Christian novel most of the way through. I'd say it was probably around the last quarter of the book where Christianity came into play. I didn't think it was overly preachy although I think that those who aren't very spiritual or who are agnostic or are atheist may feel it's a tad on the preachy side. I would say The Girl Behind the Red Rope is more anti-religion and pro-Christianity overall. That's what I took from it anyway. It does have a really good message regarding love though which I found really nice to read about.
I very much enjoyed how every character in The Girl Behind the Red Rope was written. I felt like I was actually part of their world, stuck in the same community with them. Grace is a very likable character. I loved how the characters made her feel like a real person by giving her the conflicting thoughts as to who was to be believed throughout the novel. I enjoyed Grace's thought process about everything throughout the book. While I knew who and what she should choose, it was easy to see why she was so torn. Bobbie and Sylous were both very intriguing characters. I never trusted Sylous from the start, but Bobbie was one character that I wasn't sure if she actually had Grace's best interest at heart or if she had ulterior motives. There were times I despised Rose, not because she wasn't written poorly, in fact, she was written perfectly, but because of how much trust she put into Sylous and how overly judgmental she could be sometimes. I know that Rose was only going on what she thought to be true, but there were just so many times I wanted Rose to disappear! My favorite character was Eli. I loved his innocence and how happy go lucky he was.
Trigger warnings for The Girl Behind the Red Rope include cult mentality, violence, and murder.
All in all, The Girl Behind the Red Rope is such a fantastic read with such a powerful message. The characters are written beautifully, and the plot is done superbly. I would definitely recommend The Girl Behind the Red Rope by Ted Dekker and Rachelle Dekker to those aged 15+. Christians will definitely enjoy this book, but I think even non-Christians will probably love it as well.
As I stated previously, the synopsis of The Girl Behind the Red Rope definitely left me intrigued. Grace has seen what not following her religious community's strict rules can bring. However, when a young boy makes his way into their tight community, Grace begins to question everything she's been taught which puts her in extreme danger.
Everything flowed so smoothly including the pacing which never let me down. I was constantly finding excuses to finish reading The Girl Behind the Red Rope since I had to know what would happen next. While I felt the plot was predictable more often than not, I still really enjoyed this book. I felt like their were no cliff hangers, and all of my questions were answered by the ending.
As for the Christian aspect of this book, it didn't read like a Christian novel most of the way through. I'd say it was probably around the last quarter of the book where Christianity came into play. I didn't think it was overly preachy although I think that those who aren't very spiritual or who are agnostic or are atheist may feel it's a tad on the preachy side. I would say The Girl Behind the Red Rope is more anti-religion and pro-Christianity overall. That's what I took from it anyway. It does have a really good message regarding love though which I found really nice to read about.
I very much enjoyed how every character in The Girl Behind the Red Rope was written. I felt like I was actually part of their world, stuck in the same community with them. Grace is a very likable character. I loved how the characters made her feel like a real person by giving her the conflicting thoughts as to who was to be believed throughout the novel. I enjoyed Grace's thought process about everything throughout the book. While I knew who and what she should choose, it was easy to see why she was so torn. Bobbie and Sylous were both very intriguing characters. I never trusted Sylous from the start, but Bobbie was one character that I wasn't sure if she actually had Grace's best interest at heart or if she had ulterior motives. There were times I despised Rose, not because she wasn't written poorly, in fact, she was written perfectly, but because of how much trust she put into Sylous and how overly judgmental she could be sometimes. I know that Rose was only going on what she thought to be true, but there were just so many times I wanted Rose to disappear! My favorite character was Eli. I loved his innocence and how happy go lucky he was.
Trigger warnings for The Girl Behind the Red Rope include cult mentality, violence, and murder.
All in all, The Girl Behind the Red Rope is such a fantastic read with such a powerful message. The characters are written beautifully, and the plot is done superbly. I would definitely recommend The Girl Behind the Red Rope by Ted Dekker and Rachelle Dekker to those aged 15+. Christians will definitely enjoy this book, but I think even non-Christians will probably love it as well.