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BankofMarquis (1832 KP) rated My Week with Marilyn (2011) in Movies
Dec 30, 2019
Strong performance by Williams in a terrific film
According to my Letterboxd profile, I view (on average) 4.5 films/week. Only 1 or 2 of them in a week are at the theater. The rest, I stream (or pop in the DVD). I spare you (for the most part) my review of mediocre or just plain bad films that I see (case in point the recent A CHRISTMAS CAROL on FX starring Guy Pearce - only watch it if you've ever wanted to see Marley drop the F-bomb multiple times). But...every once in a while I catch up with a gem that compels me to write a review to inform you folks of a wonderful film you might have missed (or have forgotten about).
Such is the case with the 2011 film MY WEEK WITH MARILYN. the adaptation of Colin Clark's memoirs of working as an Assistant Director on the 1957 film THE PRINCE AND THE SHOWGIRL (which starred the unlikely pair of Sir Laurence Olivier and Marilyn Monroe). As Directed by Simon Curtis (WOMAN IN GOLD) MWWM is a wonderful character study of a young man coming of age while watching the clash between the old school acting/working style of Olivier and "the method" of the new age of acting in the guise of Marilyn Monroe.
Eddie Redmayne (before he became the famous Oscar winning Actor for THE THEORY OF EVERYTHING) is perfectly cast as the young Colin Clark. He has a naivete and longing to him that is ideal in this part. You watch him fall in love through the course of this film and you, the filmgoer, fall in love as well.
Bringing the strength and charisma to the screen as Olivier - as expected - is Kenneth Brannagh (MURDER ON THE ORIENT EXPRESS). He was often described as he was ascending in the British Theater world as "the next Olivier" and Brannagh captures his idol well. Giving light to the brilliance, arrogance and impatience of a celebrated actor, Brannagh was (rightfully) nominated for a Best Supporting Actor for his work and he shone whenever he was on the screen.
Which brings me to Michelle Williams Oscar nominated work as Marilyn Monroe. All I can say is...wow. She took on the aura and personae of this icon and I felt as if I was watching a real, troubled person with great charisma on the screen. Williams embodies Monroe both in personality and in physicality (Monroe was a tremendously good physical comedic actress) showing there is much, much more to this actress than the beautiful package that meets the eye. How Williams lost the Oscar to Meryl Streep's portrayal of Margaret Thatcher in THE IRON LADY (a performance I really liked) is beyond me.
It is important that both Brannagh and Redmayne hold their own in this film (and they do) for this performance by Williams could have easily swallowed up all around her - it is that good and powerful a performance. But Director Curtis and Brannagh and Redmayne (as well as wonderful supporting work by such great actors as Judi Dench, Toby Jones, Julia Ormond, Derek Jacoby, Dougray Scott, Emma Watson, Zoe Wannamaker and Dominic Cooper) strongly balance her work to give us, the audience, a pretty balanced portrait of this troubled production and this troubled person.
This is not the fastest paced film you will ever see - but the deliberateness of the pace serves the story well. Colin falls in love with Marilyn (and Marilyn lets him fall in love with her) and we need the time and the space for those emotions to sink in.
If you are looking for a film that is a bit of an antidote to the usual CGI-Fest, SuperHero, Space films that are filling the multiplex, you will be well rewarded with MY WEEK WITH MARILYN. A loving, gentle film with strong performances - a type of film that is in short supply these days.
MY WEEK WITH MARILYN can be currently streamed on NETFLIX. You can also purchase/rent it on Amazon, Vudu, iTunes and YouTube.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with the 2011 film MY WEEK WITH MARILYN. the adaptation of Colin Clark's memoirs of working as an Assistant Director on the 1957 film THE PRINCE AND THE SHOWGIRL (which starred the unlikely pair of Sir Laurence Olivier and Marilyn Monroe). As Directed by Simon Curtis (WOMAN IN GOLD) MWWM is a wonderful character study of a young man coming of age while watching the clash between the old school acting/working style of Olivier and "the method" of the new age of acting in the guise of Marilyn Monroe.
Eddie Redmayne (before he became the famous Oscar winning Actor for THE THEORY OF EVERYTHING) is perfectly cast as the young Colin Clark. He has a naivete and longing to him that is ideal in this part. You watch him fall in love through the course of this film and you, the filmgoer, fall in love as well.
Bringing the strength and charisma to the screen as Olivier - as expected - is Kenneth Brannagh (MURDER ON THE ORIENT EXPRESS). He was often described as he was ascending in the British Theater world as "the next Olivier" and Brannagh captures his idol well. Giving light to the brilliance, arrogance and impatience of a celebrated actor, Brannagh was (rightfully) nominated for a Best Supporting Actor for his work and he shone whenever he was on the screen.
Which brings me to Michelle Williams Oscar nominated work as Marilyn Monroe. All I can say is...wow. She took on the aura and personae of this icon and I felt as if I was watching a real, troubled person with great charisma on the screen. Williams embodies Monroe both in personality and in physicality (Monroe was a tremendously good physical comedic actress) showing there is much, much more to this actress than the beautiful package that meets the eye. How Williams lost the Oscar to Meryl Streep's portrayal of Margaret Thatcher in THE IRON LADY (a performance I really liked) is beyond me.
It is important that both Brannagh and Redmayne hold their own in this film (and they do) for this performance by Williams could have easily swallowed up all around her - it is that good and powerful a performance. But Director Curtis and Brannagh and Redmayne (as well as wonderful supporting work by such great actors as Judi Dench, Toby Jones, Julia Ormond, Derek Jacoby, Dougray Scott, Emma Watson, Zoe Wannamaker and Dominic Cooper) strongly balance her work to give us, the audience, a pretty balanced portrait of this troubled production and this troubled person.
This is not the fastest paced film you will ever see - but the deliberateness of the pace serves the story well. Colin falls in love with Marilyn (and Marilyn lets him fall in love with her) and we need the time and the space for those emotions to sink in.
If you are looking for a film that is a bit of an antidote to the usual CGI-Fest, SuperHero, Space films that are filling the multiplex, you will be well rewarded with MY WEEK WITH MARILYN. A loving, gentle film with strong performances - a type of film that is in short supply these days.
MY WEEK WITH MARILYN can be currently streamed on NETFLIX. You can also purchase/rent it on Amazon, Vudu, iTunes and YouTube.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Jordan Binkerd (567 KP) rated Star Wars, Vol. 2: Showdown on the Smuggler's Moon in Books
Aug 9, 2019
Note: this review is transposted from my personal review blog, and so was originally written several years ago. I figured if I reposted it here, someone might actually read it….
I very much enjoyed the first volume of Marvel’s ongoing Star Wars series, but many other reviewers took issue with it for playing things safe and giving us a story like many we’d seen before. These criticisms are not completely unfounded, I’ll admit, but neither are they completely fair. Either way, this is not a problem the series has going forward…. This second volume also includes the one-off flashback story THE LAST OF HIS BREED, featuring Obi-Wan Kenobi adjusting to his exile on Tatooine, which is discussed separately below.
Luke Skywalker has successfully escaped the clutches of the bounty hunter Boba Fett, but all he got for his troubles was the journal of Obi-Wan Kenobi–no small prize, but probably not all that helpful in furthering his Jedi training. So what’s the next logical step in learning about the Jedi? Try and sneak onto Coruscant to infiltrate the old Jedi Temple, of course! But when his attempt to find a discreet ship and pilot in a seedy bar on Nar Shaddaa goes horribly awry, Luke finds himself the prisoner of Grakkus the Hutt. In addition to the traditional crime and vice, Grakkus has made a name for himself as one of the foremost collectors of Jedi artifacts. Now Luke faces the battle of his life in Grakkus’ arena, billed as “the last Jedi” and pitted against a fearsome creature for the amusement of Grakkus’ fellow crime lords….Meanwhile, Han and Leia are out scouting potential locations for a new Rebel base when they run across a figure from Han’s past. Her name is Sana, and she claims to be his wife….
As with the previous volume, this was some stellar work. Jason Aaron nails the banter between Han & Leia, to the point where you can almost hear Carrie Fisher and Harrison Ford delivering the lines, and Luke’s mix of cockiness and self-doubt is spot-on for his character and situation. Also of note is Stuart Immonen’s spectacular artwork. From the character closeups to the panoramic vistas, this was pure Star Wars. Also amusing was watching our entire cast wade into battle wielding lightsabers. Did Luke manage to salvage anything of value from Grakkus’ stash on his way out? I guess we’ll have to wait and see….
Then there’s the Obi-Wan backup story. It’s been seven years since the rise of the Empire, seven years since the death of the Jedi and the Republic. Formerly one of the greatest Jedi of his generation, now Obi-Wan Kenobi lives a life of obscurity on the desert planet of Tatooine. Where once he protected the innocent of the galaxy, now “Old Ben” forces himself to look the other way lest he draw the Empire’s notice as Jabba’s thugs extort water from the locals. All that matters is protecting the boy, Luke Skywalker, on whose unknowing shoulders rest the fate of the galaxy. But there are limits to the patience of even the greatest of Jedi….
This was a good one. The story was solid, and it’s always interesting to see Obi-Wan’s state of mind during his exile. Was this done better in John Jackson Miller’s KENOBI? Yes. That goes without saying, if only because he had more than twenty-four pages to tell his story. At any rate, KENOBI isn’t canon anymore, so we’ll not dwell on it. Simone Bianchi’s art here was stellar, I must say, and his Kenobi managed to blend Ewan McGregor and Alec Guinness superbly. I would very much like to see more of these one-off excerpts from Obi-Wan’s journal appear in future issues of the comic.
CONTENT: Moderate violence, not too gruesome most of the time. Mild profanity. Mild sexual innuendo and flirting.
Original posts: Main story (https://jordanbinkerd.wordpress.com/2015/11/23/review-star-wars-showdown-on-the-smugglers-moon-by-jason-aaron-stuart-immonen/) & Obi-Wan Flashback (https://jordanbinkerd.wordpress.com/2015/11/23/review-star-wars-the-last-of-his-breed-by-jason-aaron-simone-bianchi/)
I very much enjoyed the first volume of Marvel’s ongoing Star Wars series, but many other reviewers took issue with it for playing things safe and giving us a story like many we’d seen before. These criticisms are not completely unfounded, I’ll admit, but neither are they completely fair. Either way, this is not a problem the series has going forward…. This second volume also includes the one-off flashback story THE LAST OF HIS BREED, featuring Obi-Wan Kenobi adjusting to his exile on Tatooine, which is discussed separately below.
Luke Skywalker has successfully escaped the clutches of the bounty hunter Boba Fett, but all he got for his troubles was the journal of Obi-Wan Kenobi–no small prize, but probably not all that helpful in furthering his Jedi training. So what’s the next logical step in learning about the Jedi? Try and sneak onto Coruscant to infiltrate the old Jedi Temple, of course! But when his attempt to find a discreet ship and pilot in a seedy bar on Nar Shaddaa goes horribly awry, Luke finds himself the prisoner of Grakkus the Hutt. In addition to the traditional crime and vice, Grakkus has made a name for himself as one of the foremost collectors of Jedi artifacts. Now Luke faces the battle of his life in Grakkus’ arena, billed as “the last Jedi” and pitted against a fearsome creature for the amusement of Grakkus’ fellow crime lords….Meanwhile, Han and Leia are out scouting potential locations for a new Rebel base when they run across a figure from Han’s past. Her name is Sana, and she claims to be his wife….
As with the previous volume, this was some stellar work. Jason Aaron nails the banter between Han & Leia, to the point where you can almost hear Carrie Fisher and Harrison Ford delivering the lines, and Luke’s mix of cockiness and self-doubt is spot-on for his character and situation. Also of note is Stuart Immonen’s spectacular artwork. From the character closeups to the panoramic vistas, this was pure Star Wars. Also amusing was watching our entire cast wade into battle wielding lightsabers. Did Luke manage to salvage anything of value from Grakkus’ stash on his way out? I guess we’ll have to wait and see….
Then there’s the Obi-Wan backup story. It’s been seven years since the rise of the Empire, seven years since the death of the Jedi and the Republic. Formerly one of the greatest Jedi of his generation, now Obi-Wan Kenobi lives a life of obscurity on the desert planet of Tatooine. Where once he protected the innocent of the galaxy, now “Old Ben” forces himself to look the other way lest he draw the Empire’s notice as Jabba’s thugs extort water from the locals. All that matters is protecting the boy, Luke Skywalker, on whose unknowing shoulders rest the fate of the galaxy. But there are limits to the patience of even the greatest of Jedi….
This was a good one. The story was solid, and it’s always interesting to see Obi-Wan’s state of mind during his exile. Was this done better in John Jackson Miller’s KENOBI? Yes. That goes without saying, if only because he had more than twenty-four pages to tell his story. At any rate, KENOBI isn’t canon anymore, so we’ll not dwell on it. Simone Bianchi’s art here was stellar, I must say, and his Kenobi managed to blend Ewan McGregor and Alec Guinness superbly. I would very much like to see more of these one-off excerpts from Obi-Wan’s journal appear in future issues of the comic.
CONTENT: Moderate violence, not too gruesome most of the time. Mild profanity. Mild sexual innuendo and flirting.
Original posts: Main story (https://jordanbinkerd.wordpress.com/2015/11/23/review-star-wars-showdown-on-the-smugglers-moon-by-jason-aaron-stuart-immonen/) & Obi-Wan Flashback (https://jordanbinkerd.wordpress.com/2015/11/23/review-star-wars-the-last-of-his-breed-by-jason-aaron-simone-bianchi/)
Lee (2222 KP) rated Castle Rock in TV
Jan 21, 2019
Sissy Spacek (1 more)
Bill Skarsgård
Fantastic story telling
Set in the Stephen King multiverse, the Maine town of Castle Rock is the setting for this psychological horror thriller spanning ten episodes. It utilises various characters and settings from the authors work, and even actors who have appeared in movie versions of his books, resulting in a unique and richly detailed story which has been clearly influenced by the great author.
The story begins with yet another Shawshank prison warden, Warden Lacy, committing suicide. When his successor Theresa Porter takes over, she begins plans to reopen an abandoned cell block within the prison in order to cater for the growing number of inmates. As guards investigate the old block, they discover a young man (Bill Skarsgård, as creepy without his 'It' makeup as he is in it!) locked in an underground cage, with no record as to who he is or why he was down there. The only words he utters when asked his name are Henry Deaver, the name of a lawyer who'd had a troubled childhood in Castle Rock (glimpsed in a flashback right at the start of the episode) and is now living in Texas. As the kid gets moved to the main prison cells while they try to figure out where he came from, mystery and death seem to follow him. We discover in flashbacks that Warden Lacy was the one responsible for caging him and keeping him alive all these years, claiming that god had instructed him to do it. Eventually Henry Deaver manages to get the kid released into the community, but bad things continue to happen wherever he goes and he also appears to be drawn to the childhood home of Henry Deaver, where his dementia suffering mother Ruth (Sissy Spacek) and her new partner Alan are. Is this mysterious stranger actually the devil? Why did Warden Lacy tell him before he committed suicide that he must ask for Henry Deaver if ever discovered? And why, as we discover later on, has this kid not aged one bit in the last 27 years?!
The remainder of the season continues to slowly add details and backstory, adding a few more interesting characters along the way with very few clues that may provide a full answer to these questions. It's wonderful story telling, continuing to provide mystery every step of the way and demanding that you pay close attention to absolutely everything. Towards the end of the season are two outstanding episodes which reward your attention, making you re-evaluate everything you've seen before and giving you a fresh perspective on the whole story. They focus on the two most interesting characters of the season, coincidentally played by actors who have previously starred in Stephen King movie adaptations. In 'The Queen', we focus on Ruth - walking us through conversations and scenes we've seen before in previous episodes but showing them the way she experiences them, which isn't necessarily the way they unfolded for others. It's an emotional representation of dementia, showing just how terrifying and tragic a deteriorating mind can be. Then, in the episode 'Henry Deaver', we focus on the kid and finally get to understand who he is, where he came from and the reason for everything that's happened so far. We get a lot of answers, and whether or not you'd already got a pretty good idea of what was going on (I hadn't), this is still a fantastic episode.
Overall, Castle Rock managed to keep me hooked, entertained, and at times confused, and I really can't ask for more than that in a show. I'm not a reader of books, so wouldn't have picked up on all of the Easter eggs dotted around the show for fans of Stephen King to enjoy. But I absolutely love the movies that are based on them, so I got a real kick out of revisiting the setting of Shawshank. I also love 'The Shining', so got an even bigger kick out of a final end credits scene where the niece of Jack Torrance, and an author herself, states that she's headed out west to dig deeper into her family history. If we're headed to the Overlook Hotel next, then I absolutely cannot wait for season 2!
The story begins with yet another Shawshank prison warden, Warden Lacy, committing suicide. When his successor Theresa Porter takes over, she begins plans to reopen an abandoned cell block within the prison in order to cater for the growing number of inmates. As guards investigate the old block, they discover a young man (Bill Skarsgård, as creepy without his 'It' makeup as he is in it!) locked in an underground cage, with no record as to who he is or why he was down there. The only words he utters when asked his name are Henry Deaver, the name of a lawyer who'd had a troubled childhood in Castle Rock (glimpsed in a flashback right at the start of the episode) and is now living in Texas. As the kid gets moved to the main prison cells while they try to figure out where he came from, mystery and death seem to follow him. We discover in flashbacks that Warden Lacy was the one responsible for caging him and keeping him alive all these years, claiming that god had instructed him to do it. Eventually Henry Deaver manages to get the kid released into the community, but bad things continue to happen wherever he goes and he also appears to be drawn to the childhood home of Henry Deaver, where his dementia suffering mother Ruth (Sissy Spacek) and her new partner Alan are. Is this mysterious stranger actually the devil? Why did Warden Lacy tell him before he committed suicide that he must ask for Henry Deaver if ever discovered? And why, as we discover later on, has this kid not aged one bit in the last 27 years?!
The remainder of the season continues to slowly add details and backstory, adding a few more interesting characters along the way with very few clues that may provide a full answer to these questions. It's wonderful story telling, continuing to provide mystery every step of the way and demanding that you pay close attention to absolutely everything. Towards the end of the season are two outstanding episodes which reward your attention, making you re-evaluate everything you've seen before and giving you a fresh perspective on the whole story. They focus on the two most interesting characters of the season, coincidentally played by actors who have previously starred in Stephen King movie adaptations. In 'The Queen', we focus on Ruth - walking us through conversations and scenes we've seen before in previous episodes but showing them the way she experiences them, which isn't necessarily the way they unfolded for others. It's an emotional representation of dementia, showing just how terrifying and tragic a deteriorating mind can be. Then, in the episode 'Henry Deaver', we focus on the kid and finally get to understand who he is, where he came from and the reason for everything that's happened so far. We get a lot of answers, and whether or not you'd already got a pretty good idea of what was going on (I hadn't), this is still a fantastic episode.
Overall, Castle Rock managed to keep me hooked, entertained, and at times confused, and I really can't ask for more than that in a show. I'm not a reader of books, so wouldn't have picked up on all of the Easter eggs dotted around the show for fans of Stephen King to enjoy. But I absolutely love the movies that are based on them, so I got a real kick out of revisiting the setting of Shawshank. I also love 'The Shining', so got an even bigger kick out of a final end credits scene where the niece of Jack Torrance, and an author herself, states that she's headed out west to dig deeper into her family history. If we're headed to the Overlook Hotel next, then I absolutely cannot wait for season 2!
Ryan Hill (152 KP) rated Spider-Man 2 (2004) in Movies
Jul 1, 2019
"There's a hero in all of us"
One of the finest sequels ever made and still counted amongst the greatest superhero flicks in existence, Spider-Man 2 is a remarkable follow-up to its already-impressive predecessor that skilfully builds upon the solid foundation provided by the first film, presents significant upgrades in each filmmaking aspect and beautifully balances all its elements to succeed as not just a de-facto standard of its genre but also as one of the best films of its year.
Set two years after the events of the first film, the story of Spider-Man 2 finds Peter Parker struggling to balance his personal life & his obligations as Spider-Man. His love interest is engaged to someone else, his grades have been steadily declining and he also seems to be losing his powers. Meanwhile, a brilliant scientist named Dr. Otto Octavius transforms into a supervillain with four robotic tentacles fused to his spine after his effort to sustain a nuclear fusion reaction goes horribly wrong.
Directed by Sam Raimi, Spider-Man 2 is a far more mature effort from him in comparison to his previous venture and presents the director in sublime form for this sequel picks up the story right where it was left off the last time despite the 2 years span, progresses the arc of its reprising characters amazingly well while giving a proper introduction to the new ones, and also does an outstanding job in balancing its storytelling elements with moments of action in a seamless manner, due to which everything about this sequel just works.
Alvin Sargent's screenplay is worthy of praise as well for the story takes a darker approach than the last time yet packs in enough humour to prevent it from becoming too bleak, and although the cheesiness of the first chapter isn't reduced, the narrative flow is much more stream-lined than before. Production design team comes up with bigger, more refined set pieces, Cinematography preserves the vibrant camerawork but has a firmer grip on it this time while Editing is definitely one of its strongest aspects for there isn't a dull moment in the picture.
Visual effects is much improved as well and by not overdoing its CGI elements, it keeps the artificiality of its universe at bay for the most part. Sure a number of moments are over-the-top but most of them still fall under the realm of on-screen believability. Last but not the least, Danny Elfman delivers again with a splendid soundtrack that stays true to the original film's score, works as a wonderfully evolved successor, and captures the darker tone with finesse just like it did the last time. Even the existing songs used in the picture are nicely chosen & help compliment the respective sequences.
Coming to the performances, Tobey Maguire, Kirsten Dunst, James Franco & J.K. Simmons return to reprise their respective roles of Peter Parker, Mary Jane Watson, Harry Osborn & J. Jonah Jameson and do a better job than before. Maguire builds up on his earlier input to impress once again and what he lacks in star presence, he makes up for it by chipping in a complex performance. Simmons is hilarious as before, Dunst & Franco are still on base level but it's Alfred Molina who impresses the most in what is a sympathetic rendition of Doc Ock, thus making him a classic foe in every way.
On an overall scale, Spider-Man 2 delivers everything one can expect from a sequel. It goes bigger, better & more action-packed than before yet stays completely true to its origin, plus finishes on a high with enough open choices for where it can be headed in later instalments, something that Sony failed to take advantage of. Sam Raimi has weaved a magical web yet again that tightly grasps on to every necessary ingredient to come up with an incredibly fun, highly enjoyable, wildly entertaining & thoroughly satisfying extravaganza that promises yet another high-flying, web-sligning roller-coaster ride and effortlessly delivers it.
Set two years after the events of the first film, the story of Spider-Man 2 finds Peter Parker struggling to balance his personal life & his obligations as Spider-Man. His love interest is engaged to someone else, his grades have been steadily declining and he also seems to be losing his powers. Meanwhile, a brilliant scientist named Dr. Otto Octavius transforms into a supervillain with four robotic tentacles fused to his spine after his effort to sustain a nuclear fusion reaction goes horribly wrong.
Directed by Sam Raimi, Spider-Man 2 is a far more mature effort from him in comparison to his previous venture and presents the director in sublime form for this sequel picks up the story right where it was left off the last time despite the 2 years span, progresses the arc of its reprising characters amazingly well while giving a proper introduction to the new ones, and also does an outstanding job in balancing its storytelling elements with moments of action in a seamless manner, due to which everything about this sequel just works.
Alvin Sargent's screenplay is worthy of praise as well for the story takes a darker approach than the last time yet packs in enough humour to prevent it from becoming too bleak, and although the cheesiness of the first chapter isn't reduced, the narrative flow is much more stream-lined than before. Production design team comes up with bigger, more refined set pieces, Cinematography preserves the vibrant camerawork but has a firmer grip on it this time while Editing is definitely one of its strongest aspects for there isn't a dull moment in the picture.
Visual effects is much improved as well and by not overdoing its CGI elements, it keeps the artificiality of its universe at bay for the most part. Sure a number of moments are over-the-top but most of them still fall under the realm of on-screen believability. Last but not the least, Danny Elfman delivers again with a splendid soundtrack that stays true to the original film's score, works as a wonderfully evolved successor, and captures the darker tone with finesse just like it did the last time. Even the existing songs used in the picture are nicely chosen & help compliment the respective sequences.
Coming to the performances, Tobey Maguire, Kirsten Dunst, James Franco & J.K. Simmons return to reprise their respective roles of Peter Parker, Mary Jane Watson, Harry Osborn & J. Jonah Jameson and do a better job than before. Maguire builds up on his earlier input to impress once again and what he lacks in star presence, he makes up for it by chipping in a complex performance. Simmons is hilarious as before, Dunst & Franco are still on base level but it's Alfred Molina who impresses the most in what is a sympathetic rendition of Doc Ock, thus making him a classic foe in every way.
On an overall scale, Spider-Man 2 delivers everything one can expect from a sequel. It goes bigger, better & more action-packed than before yet stays completely true to its origin, plus finishes on a high with enough open choices for where it can be headed in later instalments, something that Sony failed to take advantage of. Sam Raimi has weaved a magical web yet again that tightly grasps on to every necessary ingredient to come up with an incredibly fun, highly enjoyable, wildly entertaining & thoroughly satisfying extravaganza that promises yet another high-flying, web-sligning roller-coaster ride and effortlessly delivers it.
Darren (1599 KP) rated Hook (1991) in Movies
Jul 7, 2019
Director: Steven Spielberg
Writer: James V Hart, Nick Castle, Malia Scotch Marmo (Screenplay) J.M. Barrie (Books)
Starring: Dustin Hoffman, Robin Williams, Julia Roberts, Bob Hoskins, Maggie Smith, Caroline Goodall, Charlie Korsmo, Amber Scott
Plot: When Captain Hook kidnaps his children, an adult Peter Pan must return to Neverland and reclaim his youthful spirit in order to challenge his old enemy.
Tagline – What if Peter Pan grew up?
Runtime: 2 Hours 22 Minutes
There may be spoilers in the rest of the review
Verdict: Fun-Filled Fantasy
Story: Hook starts as we meet businessman Peter Banning (Williams) who has started over working leading to his children become distant, his wife Moira (Goodall) forces him to visit his Granny Wendy (Smith) in London for Christmas, where she sees how much Peter has changed since his childhood of never wanting to grow up.
Captain Hook (Hoffman) takes Peter’s children, which sees Peter needing to be pushed into returning to Neverland, a place he has long forgotten about, with Tinkerbell (Roberts) taking him there only for Hook to be left disappointed by the man Peter has become, Tinkerbell has three days to restore Peter’s faith in Neverland to save his children.
Thoughts on Hook
Characters – Peter Banning is a lawyer that has been neglecting his family, his Grandmother sees him losing his young heart that made her take him in, in the first place, Peter must confront his past to save his children from his old nemesis Captain Hook in Neverland, a place he has long since forgotten about. Peter has become everything he once hated as a child and shows how at times parents can get buried in their work. Captain Hook has been waiting for the day Peter Pan returns, he is left disappointed when he does return a shell of the boy that left, giving him three days to prepare for a battle, while having his own plan to get revenge on Peter. Tinkerbell comes to Peter to bring him back to Neverland, she helps transform him back to his original self, while showing him what he is still fighting for.
Performances – Robin Williams was a great choice for this role, he gets to manages the serious adult side of everything as well as the playful side of Peter Pan with ease being able to swap between the two whenever he needs to. Dustin Hoffman as the villainous Hook has great enjoyment in this role where he does get to play along with his character. Julia Roberts does all she needs to do without being as involved as the lead too.
Story – The story follows an older Peter Pan that must return to Neverland to save his own children after his old nemesis Captain Hook takes them there. This spin on the Peter Pan story is a wonderful on because see Peter grown up becoming everything he promised he wouldn’t shows us just how difficult being an adult can be, you will turn your back on parts of your childhood become what you once feared. This was always the meaning behind Peter Pan in the first place, finding an escape from the busy lives, now an adult must use this to save his own relationship with his children and family, which is what is important in life.
Adventure/Comedy/Fantasy – The adventure side of the film takes Peter to Neverland to relive moments of his childhood in a fantasy battle against pirates with fairies on their side. We do get elements of comedy, but even Robin Williams is held back from going into his full routine like we saw in Aladdin.
Settings – The film uses the same settings that we know from Peter Pan, the London setting might well be a more modern one, but Neverland hasn’t aged a day since Peter has left.
Scene of the Movie – The battle.
That Moment That Annoyed Me – Pop culture references.
Final Thoughts – This is a magical version of Peter Pan’s adventures showing how life can change for adults who never thought they would be when they were children.
Overall: Magical adventure.
Rating
Writer: James V Hart, Nick Castle, Malia Scotch Marmo (Screenplay) J.M. Barrie (Books)
Starring: Dustin Hoffman, Robin Williams, Julia Roberts, Bob Hoskins, Maggie Smith, Caroline Goodall, Charlie Korsmo, Amber Scott
Plot: When Captain Hook kidnaps his children, an adult Peter Pan must return to Neverland and reclaim his youthful spirit in order to challenge his old enemy.
Tagline – What if Peter Pan grew up?
Runtime: 2 Hours 22 Minutes
There may be spoilers in the rest of the review
Verdict: Fun-Filled Fantasy
Story: Hook starts as we meet businessman Peter Banning (Williams) who has started over working leading to his children become distant, his wife Moira (Goodall) forces him to visit his Granny Wendy (Smith) in London for Christmas, where she sees how much Peter has changed since his childhood of never wanting to grow up.
Captain Hook (Hoffman) takes Peter’s children, which sees Peter needing to be pushed into returning to Neverland, a place he has long forgotten about, with Tinkerbell (Roberts) taking him there only for Hook to be left disappointed by the man Peter has become, Tinkerbell has three days to restore Peter’s faith in Neverland to save his children.
Thoughts on Hook
Characters – Peter Banning is a lawyer that has been neglecting his family, his Grandmother sees him losing his young heart that made her take him in, in the first place, Peter must confront his past to save his children from his old nemesis Captain Hook in Neverland, a place he has long since forgotten about. Peter has become everything he once hated as a child and shows how at times parents can get buried in their work. Captain Hook has been waiting for the day Peter Pan returns, he is left disappointed when he does return a shell of the boy that left, giving him three days to prepare for a battle, while having his own plan to get revenge on Peter. Tinkerbell comes to Peter to bring him back to Neverland, she helps transform him back to his original self, while showing him what he is still fighting for.
Performances – Robin Williams was a great choice for this role, he gets to manages the serious adult side of everything as well as the playful side of Peter Pan with ease being able to swap between the two whenever he needs to. Dustin Hoffman as the villainous Hook has great enjoyment in this role where he does get to play along with his character. Julia Roberts does all she needs to do without being as involved as the lead too.
Story – The story follows an older Peter Pan that must return to Neverland to save his own children after his old nemesis Captain Hook takes them there. This spin on the Peter Pan story is a wonderful on because see Peter grown up becoming everything he promised he wouldn’t shows us just how difficult being an adult can be, you will turn your back on parts of your childhood become what you once feared. This was always the meaning behind Peter Pan in the first place, finding an escape from the busy lives, now an adult must use this to save his own relationship with his children and family, which is what is important in life.
Adventure/Comedy/Fantasy – The adventure side of the film takes Peter to Neverland to relive moments of his childhood in a fantasy battle against pirates with fairies on their side. We do get elements of comedy, but even Robin Williams is held back from going into his full routine like we saw in Aladdin.
Settings – The film uses the same settings that we know from Peter Pan, the London setting might well be a more modern one, but Neverland hasn’t aged a day since Peter has left.
Scene of the Movie – The battle.
That Moment That Annoyed Me – Pop culture references.
Final Thoughts – This is a magical version of Peter Pan’s adventures showing how life can change for adults who never thought they would be when they were children.
Overall: Magical adventure.
Rating
365Flicks (235 KP) rated Bad Frank (2017) in Movies
Nov 20, 2019
I love it when a movie can come completely out of nowhere and surprise this humble reviewer. Bad Frank is exactly that, A movie that on paper looks and sounds like most other Kidnap Revenge thrillers you may have seen over the years. But let me tell you that Bad Frank is far from some of the copy and paste garbage out there.
I was instantly drawn to this Flick after stumbling upon its Twitter page and hey full disclosure I saw Tom Sizemore and Brian O’Halloran and thought ‘Okay, Im in’. Little did I know that after contacting the movies director I was about to watch a somewhat by the numbers movie that takes all of the numbers and turns them on there head with a great tightly written script and one hell of a powerhouse performance (not by either of the two men I named above by the way).
Bad Frank is about a man named ummmm Frank. Frank (played by Kevin Interdonato) is a seemingly normal guy living a seemingly normal existence. He seems to have it all, but you can tell right from the outset that the man has got some demons. We learn that he is on some serious medication to deal with his head aches from a life of regrets, He is estranged from both his mum and dad and struggling to keep his marriage together. Frank is pulled into an easy money job by his buddy Travis (Brandon Heitkamp) who is in deep to Donny Shakes (O’Halloran). What is promised to be a quick job brings Frank face to face with an old acquaintance he would rather forget. Things really go sideways on the job and in turn his life, when Franks wife Gina (Amanda Clayton) is kidnapped by face from the past Mickey Duro (Sizemore). I am gonna stop plot wise now because anymore and I am giving too much away.
Tony Germinario has pulled an absolute stormer out of the bag for his debut feature length movie, a fact that was completely lost on me upon viewing. For a budget of roughly 80k he has used all tricks at his disposal to make it look like a multi million dollar flick and Bad Frank looks all the more impressive for it. A lot of the time a the script to a movie like this can get lost in its own simplicity but Tony wrote a script that really didnt conform to what I was expecting and gave the lead a chance to deliver. So lets just talk about the lead, Kevin Interdonato brings an absolute realism and intensity to this role that sucks you right in and leaves you kinda second guessing yourself, anything could happen with this guy at any moment and that to me is scary. I went from feeling sorry for this guy to thinking well he deserved everything and ending up thinking ‘SHIT’.
Tom Sizemore is in fine form as Sizemore always is. An actor that I personally love and wish got more of the beefier roles but it was great to see him on screen and like I say, seeing his name splashed on the poster was one of the reasons I sought this one out. Then there is Brian O’Halloran doing his thing as he does (always liked this dude since his Clerks days nice to see him spreading his wings).
It is easy to see how Tony and his crew took Bad Frank to Film Fest International in London last week and was not only nominated for 5 awards but Tony himself won Best Director.
I am gonna recommend the shit out of this Flick, Bad Frank is not what you expect going in, there are some pretty cool curve-balls, it moves along at a quick enough pace and no spoilers but the final 10 minutes are a Tour-De-Force. Performances wise you are getting more bang for you buck in what the Director himself considers to be an “as Indie as it gets” movie (not that you can tell mind you).
I was instantly drawn to this Flick after stumbling upon its Twitter page and hey full disclosure I saw Tom Sizemore and Brian O’Halloran and thought ‘Okay, Im in’. Little did I know that after contacting the movies director I was about to watch a somewhat by the numbers movie that takes all of the numbers and turns them on there head with a great tightly written script and one hell of a powerhouse performance (not by either of the two men I named above by the way).
Bad Frank is about a man named ummmm Frank. Frank (played by Kevin Interdonato) is a seemingly normal guy living a seemingly normal existence. He seems to have it all, but you can tell right from the outset that the man has got some demons. We learn that he is on some serious medication to deal with his head aches from a life of regrets, He is estranged from both his mum and dad and struggling to keep his marriage together. Frank is pulled into an easy money job by his buddy Travis (Brandon Heitkamp) who is in deep to Donny Shakes (O’Halloran). What is promised to be a quick job brings Frank face to face with an old acquaintance he would rather forget. Things really go sideways on the job and in turn his life, when Franks wife Gina (Amanda Clayton) is kidnapped by face from the past Mickey Duro (Sizemore). I am gonna stop plot wise now because anymore and I am giving too much away.
Tony Germinario has pulled an absolute stormer out of the bag for his debut feature length movie, a fact that was completely lost on me upon viewing. For a budget of roughly 80k he has used all tricks at his disposal to make it look like a multi million dollar flick and Bad Frank looks all the more impressive for it. A lot of the time a the script to a movie like this can get lost in its own simplicity but Tony wrote a script that really didnt conform to what I was expecting and gave the lead a chance to deliver. So lets just talk about the lead, Kevin Interdonato brings an absolute realism and intensity to this role that sucks you right in and leaves you kinda second guessing yourself, anything could happen with this guy at any moment and that to me is scary. I went from feeling sorry for this guy to thinking well he deserved everything and ending up thinking ‘SHIT’.
Tom Sizemore is in fine form as Sizemore always is. An actor that I personally love and wish got more of the beefier roles but it was great to see him on screen and like I say, seeing his name splashed on the poster was one of the reasons I sought this one out. Then there is Brian O’Halloran doing his thing as he does (always liked this dude since his Clerks days nice to see him spreading his wings).
It is easy to see how Tony and his crew took Bad Frank to Film Fest International in London last week and was not only nominated for 5 awards but Tony himself won Best Director.
I am gonna recommend the shit out of this Flick, Bad Frank is not what you expect going in, there are some pretty cool curve-balls, it moves along at a quick enough pace and no spoilers but the final 10 minutes are a Tour-De-Force. Performances wise you are getting more bang for you buck in what the Director himself considers to be an “as Indie as it gets” movie (not that you can tell mind you).
BankofMarquis (1832 KP) rated Ford v Ferrari (aka Le Mans '66) (2019) in Movies
Nov 25, 2019
GREAT chemistry between Bale and Damon
Most people are attending - or staying away from - the new James Mangold film, FORD v FERRARI because it is a "race car flick". But to label it as just that is doing a disservice to this film, so if that is what is keeping you away from this movie, think again, for this film is much more than a race car film.
It is, at it's core, a film about friendship and loyalty in the face of adversity and is a very serious contender for multiple awards this Oscar season.
A long gestating film project (Director Mangold first came across this property in 2010), FORD v FERRARI tells the tale of the Ford Motor Company's attempt to unseat the Italian car company, Ferrari, as an elite race car producer by defeating it on it's own turf - the 24 hour race at LeMans.
Entrusted to make this dream a reality by Henry Ford II (Tracy Letts) is (now) legendary race car designer Carroll Shelby (Matt Damon) who turns to his reckless friend - and top race car driver - Ken Miles (Christian Bale) to help put this project over the top.
Will this duo succeed? Will Ford topple Ferrari? Can Shelby help smooth the rough waters that the temperamental Miles will, inevitably, create? What do you think?
But it is the journey - and not the destination - that is the joy of this film, for under the watchful, steady eye of veteran Director Mangold (WALK THE LINE) this film is much, much more than the cliched journey of a maverick bucking the system to, ultimately, prevail. It is a study of friendship and loyalty under intense pressure and Mangold finds the right balance between showing hardcore racing and the friendship and camaraderie of Miles and Shelby.
Mangold, of course, smartly knew that the success (or failure) of this film will rest on the chemistry between the two leads of this film - and he cast them well. Matt Damon brings his usual charm and easy-going attitude to Carroll Shelby, making him the heart and anchor of this film - we see the events unfold through his eyes - and he is a an easy stand-in for the audience during the proceedings and is someone that we are happy, and comfortable, to spend the 2 1/2 hours of this film with.
This is good, for he is strongly complimented - and challenged - by the hard intensity that Christian Bale brings to his portrayal of Ken Miles. This real-life racing car legend is driven (pun intended) to excellence, and does not suffer fools gladly. We spend a good amount of time in this film with Miles staring intently out the window of his race car and no one does smoldering, staring intensity better than Bale. This is another Oscar-worthy performance by an actor who has made a career of Oscar-worthy performances and has me asking - is he the finest actor working today? He certainly is in the conversation.
Bale and Damon play off each other very well, their chemistry seems real and we believe that these are 2 old friends working together. This is the first pairing of these two, and based on these results, I would guess that we'll be seeing these two in a film together again.
They are joined by strong supporting work by the likes of Letts, Jon Bernthal (portraying Lee Iacocca) and Caitriona Balfe (as Miles wife, Mollie). Only Josh Lucas (as the a-hole antagonist of the film) fares less well as his character is written in one note and Lucas just plays that note.
The racing scenes are well done - giving us the visceral intensity of what it must be like in the car, and in the pits, of a major race experience. But it is the friendship between Miles and Shelby that really is the engine that drives this film.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank (ofMarquis)
It is, at it's core, a film about friendship and loyalty in the face of adversity and is a very serious contender for multiple awards this Oscar season.
A long gestating film project (Director Mangold first came across this property in 2010), FORD v FERRARI tells the tale of the Ford Motor Company's attempt to unseat the Italian car company, Ferrari, as an elite race car producer by defeating it on it's own turf - the 24 hour race at LeMans.
Entrusted to make this dream a reality by Henry Ford II (Tracy Letts) is (now) legendary race car designer Carroll Shelby (Matt Damon) who turns to his reckless friend - and top race car driver - Ken Miles (Christian Bale) to help put this project over the top.
Will this duo succeed? Will Ford topple Ferrari? Can Shelby help smooth the rough waters that the temperamental Miles will, inevitably, create? What do you think?
But it is the journey - and not the destination - that is the joy of this film, for under the watchful, steady eye of veteran Director Mangold (WALK THE LINE) this film is much, much more than the cliched journey of a maverick bucking the system to, ultimately, prevail. It is a study of friendship and loyalty under intense pressure and Mangold finds the right balance between showing hardcore racing and the friendship and camaraderie of Miles and Shelby.
Mangold, of course, smartly knew that the success (or failure) of this film will rest on the chemistry between the two leads of this film - and he cast them well. Matt Damon brings his usual charm and easy-going attitude to Carroll Shelby, making him the heart and anchor of this film - we see the events unfold through his eyes - and he is a an easy stand-in for the audience during the proceedings and is someone that we are happy, and comfortable, to spend the 2 1/2 hours of this film with.
This is good, for he is strongly complimented - and challenged - by the hard intensity that Christian Bale brings to his portrayal of Ken Miles. This real-life racing car legend is driven (pun intended) to excellence, and does not suffer fools gladly. We spend a good amount of time in this film with Miles staring intently out the window of his race car and no one does smoldering, staring intensity better than Bale. This is another Oscar-worthy performance by an actor who has made a career of Oscar-worthy performances and has me asking - is he the finest actor working today? He certainly is in the conversation.
Bale and Damon play off each other very well, their chemistry seems real and we believe that these are 2 old friends working together. This is the first pairing of these two, and based on these results, I would guess that we'll be seeing these two in a film together again.
They are joined by strong supporting work by the likes of Letts, Jon Bernthal (portraying Lee Iacocca) and Caitriona Balfe (as Miles wife, Mollie). Only Josh Lucas (as the a-hole antagonist of the film) fares less well as his character is written in one note and Lucas just plays that note.
The racing scenes are well done - giving us the visceral intensity of what it must be like in the car, and in the pits, of a major race experience. But it is the friendship between Miles and Shelby that really is the engine that drives this film.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank (ofMarquis)
Heather Cranmer (2721 KP) rated Santa Claus Bank Robbery: A True Crime Saga in Texas in Books
Nov 26, 2019
I don't normally read a lot of non-fiction, but there was something about Tui Snider's true crime novel Santa Claus Bank Robbery that really drew me in. Maybe it was the fact that I love to imagine how things were back in the day or maybe it was the mystery of the blonde woman that I wanted to know. Whatever it was, I am thrilled that I had the chance to read Santa Claus Bank Robbery.
Tui Snider opens her novel with a chapter that talks about how she first heard of this crazy bank heist. She gives information behind the history of bank robberies in Texas. Snider then goes into details about the key players that were apart of the bank robbery in the next chapter. It isn't long before you're thrown into the action of what happened that fateful day in Cisco, Texas when at least four men - Marshall Ratliff, Henry Helms, Robert Hill, and Lewis Davis - decided to rob the First National Bank on December 23, 1927 with Ratliff dressed in a Santa Claus suit. It's a wonder more people didn't die considering back then anyone off the street could get a gun and shoot at criminals! Snider doesn't just end her book when the bank robbery ended. She also writes about what happened to the bank robbers after they were apprehended as well as what happened to some of the other people who were involved whether they were hostages, bystanders, or vigilantes.
It's very obvious that Tui Snider had done extensive research before writing Santa Claus Bank Robbery. Snider even includes a diagram that shows where everyone was standing when the bank robbery occurred! She includes names of many of the key players (witnesses, accessories, bystanders, etc) which can sometimes be a bit daunting to remember. I had to go back to previous chapters to find out who was who sometimes. The names of people get easier to remember further into the book though. I loved that photos from Newspapers around that time were also included in Santa Claus Bank Robbery.
It was nice to read Tui Snider's commentary on the events whilst reading through the chapters of Santa Claus Bank Robbery. I felt as if Snider was right beside me giving me her opinion on the events of the book. I do agree with her on who she thinks the mysterious blonde woman was. After reading Tui Snider's book, I'm definitely with Snider. I'm also left wondering, along with the author, why A.C. Greene left out major details and gave pseudonyms to some people in his book The Santa Claus Bank Robbery published in 1972 (not to be confused with Tui Snider's book Santa Claus Bank Robbery) but not to others. That's also a great mystery that I hope one day Snider can find out because it seemed like it was driving her crazy wondering Greene did that (ha!).
One more touch that I really appreciated from Tui Snider in her book Santa Claus Bank Robbery was the fact that at the end, she includes appendices for places of interest, staying in touch with her, and further reading. I really enjoyed the places of interest section which lists the address and websites of places mentioned in the book. After reading Santa Claus Bank Robbery, I'm hankering to check these places out!
Trigger warnings for Santa Claus Bank Robbery include murder, death, and violence. It is a true crime book after all!
Overall, Santa Claus Bank Robbery is a highly fascinating novel full of action and mystery that holds your attention from the very first page. So much research went into the writing of this book, and it really shows. After reading this novel, I have become fascinated with this case. I would definitely recommend Santa Claus Bank Robbery by Tui Snider to those aged 16+ who love true crime, mystery, or just a well written book in general. This is one of those books that you won't be able to put down even when you have to!
--
(A special thank you to Tui Snider for providing me with a paperback copy of Santa Claus Bank Robbery in exchange for an honest and unbiased review.)
Tui Snider opens her novel with a chapter that talks about how she first heard of this crazy bank heist. She gives information behind the history of bank robberies in Texas. Snider then goes into details about the key players that were apart of the bank robbery in the next chapter. It isn't long before you're thrown into the action of what happened that fateful day in Cisco, Texas when at least four men - Marshall Ratliff, Henry Helms, Robert Hill, and Lewis Davis - decided to rob the First National Bank on December 23, 1927 with Ratliff dressed in a Santa Claus suit. It's a wonder more people didn't die considering back then anyone off the street could get a gun and shoot at criminals! Snider doesn't just end her book when the bank robbery ended. She also writes about what happened to the bank robbers after they were apprehended as well as what happened to some of the other people who were involved whether they were hostages, bystanders, or vigilantes.
It's very obvious that Tui Snider had done extensive research before writing Santa Claus Bank Robbery. Snider even includes a diagram that shows where everyone was standing when the bank robbery occurred! She includes names of many of the key players (witnesses, accessories, bystanders, etc) which can sometimes be a bit daunting to remember. I had to go back to previous chapters to find out who was who sometimes. The names of people get easier to remember further into the book though. I loved that photos from Newspapers around that time were also included in Santa Claus Bank Robbery.
It was nice to read Tui Snider's commentary on the events whilst reading through the chapters of Santa Claus Bank Robbery. I felt as if Snider was right beside me giving me her opinion on the events of the book. I do agree with her on who she thinks the mysterious blonde woman was. After reading Tui Snider's book, I'm definitely with Snider. I'm also left wondering, along with the author, why A.C. Greene left out major details and gave pseudonyms to some people in his book The Santa Claus Bank Robbery published in 1972 (not to be confused with Tui Snider's book Santa Claus Bank Robbery) but not to others. That's also a great mystery that I hope one day Snider can find out because it seemed like it was driving her crazy wondering Greene did that (ha!).
One more touch that I really appreciated from Tui Snider in her book Santa Claus Bank Robbery was the fact that at the end, she includes appendices for places of interest, staying in touch with her, and further reading. I really enjoyed the places of interest section which lists the address and websites of places mentioned in the book. After reading Santa Claus Bank Robbery, I'm hankering to check these places out!
Trigger warnings for Santa Claus Bank Robbery include murder, death, and violence. It is a true crime book after all!
Overall, Santa Claus Bank Robbery is a highly fascinating novel full of action and mystery that holds your attention from the very first page. So much research went into the writing of this book, and it really shows. After reading this novel, I have become fascinated with this case. I would definitely recommend Santa Claus Bank Robbery by Tui Snider to those aged 16+ who love true crime, mystery, or just a well written book in general. This is one of those books that you won't be able to put down even when you have to!
--
(A special thank you to Tui Snider for providing me with a paperback copy of Santa Claus Bank Robbery in exchange for an honest and unbiased review.)
Sophia (Bookwyrming Thoughts) (530 KP) rated Allegiant in Books
Jan 23, 2020
<b><u>Before Reading:</u></b>
I've been spoiled of the ending. Yep. SPOILED. Then I confirmed it at Barnes & Noble by finding out what chapter it happens on... which I won't say at all.
That should have stopped me from even picking up the last copy from the school library, or even asking, because I simply don't want to get smacked in the face by what happens in the end and how it truly leads there.
But I decided that I should simply take a chance on the series, because after all, I liked the other books in the series. It would be a different case if I didn't like Divergent and Insurgent.
And maybe I'll have different thoughts despite the ending when I do finish reading.
<b><u>After Reading:</b></u>
Let me just mention this first and foremost: this will not be a very rave review, despite the rating. So Divergent fans, if you cannot handle not-so-very-rave reviews, please turn around and walk out. If you can, or if you're remotely curious, feel free to continue on.
But don't say I didn't warn you. Because I certainly did, and I won't be warning again. Oh, and there may be a few spoilers. They're in red....
I’m just going to "Cut to the Chase" right this minute, and possibly earn a few tomatoes thrown at me as a result in the end. I’m pretty sure I’m entitled to my honest opinion, so if I lied, I wouldn’t be honest after all.
I do not mean the music video by Trish Thuy Trang featuring Cardin.
My nose might grow longer as well. ;)
Allegiant was dangling on a fish hook right above the surface of DNF Lake many times while reading it. Near the end though, after a HUGE – and by "HUGE," I mean at least 80% of the way through – chunk have been read, I kind of spared it and brought it back to shore. Some people may have noticed me complaining a bit – and giving a few brief review spoilers! – on Twitter or Personal Facebook. And yes, I have a Facebook. Please don't stalk me. :p
One of the review spoilers? I don't particularly like Tris as a character anymore. POSSIBLE SPOILER ALERT! Possibly making it worse – and basically only L knows about this – I don't feel really sorry about what happened to her. Well, I'm upset, but I'm not exactly going to start crying and being depressed over what happened.
I have my reasons.
I didn't really notice it back in Insurgent, but Tris seems too impulsive in her actions. She and Tobias also argue too much. :/ Then again, I'm not an expert in the relationship department. It was just aggravating and annoying.
Allegiant certainly wasn't boring, which was another review spoiler. It was Veronica Roth's writing. It seems more... I don't know. There's just something about the writing that bothers me in Allegiant. And it's not because of Tobias' POV being added in, though it was interesting to break into his mind and take a peek behind the "stoniness".
By stoniness, I meant that he doesn't seem to give out a lot of what he's really thinking. I guess it's a nice change, being able to see/read what Tobias is thinking. SPOILER ALERT! Oh, and he likes to hurt people?! Disappointing in that part...
Okay, you now have the right to bash me and throw tomatoes at me. Just give me ten seconds to run away. :p
<blockquote>Yeah, sometimes life really sucks. But you know what I'm holding on for?
The moments that don't suck. The trick is to notice them when they come around.</blockquote>
---------------------
Formatting may be lost due to copy and paste. Pictures have been removed from this review.
This review and more on <a href="http://bookwyrming-thoughts.blogspot.com/2013/12/review-allegiant-by-veronica-roth.html">Bookwyrming Thoughts</a>
<img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; />
I've been spoiled of the ending. Yep. SPOILED. Then I confirmed it at Barnes & Noble by finding out what chapter it happens on... which I won't say at all.
That should have stopped me from even picking up the last copy from the school library, or even asking, because I simply don't want to get smacked in the face by what happens in the end and how it truly leads there.
But I decided that I should simply take a chance on the series, because after all, I liked the other books in the series. It would be a different case if I didn't like Divergent and Insurgent.
And maybe I'll have different thoughts despite the ending when I do finish reading.
<b><u>After Reading:</b></u>
Let me just mention this first and foremost: this will not be a very rave review, despite the rating. So Divergent fans, if you cannot handle not-so-very-rave reviews, please turn around and walk out. If you can, or if you're remotely curious, feel free to continue on.
But don't say I didn't warn you. Because I certainly did, and I won't be warning again. Oh, and there may be a few spoilers. They're in red....
I’m just going to "Cut to the Chase" right this minute, and possibly earn a few tomatoes thrown at me as a result in the end. I’m pretty sure I’m entitled to my honest opinion, so if I lied, I wouldn’t be honest after all.
I do not mean the music video by Trish Thuy Trang featuring Cardin.
My nose might grow longer as well. ;)
Allegiant was dangling on a fish hook right above the surface of DNF Lake many times while reading it. Near the end though, after a HUGE – and by "HUGE," I mean at least 80% of the way through – chunk have been read, I kind of spared it and brought it back to shore. Some people may have noticed me complaining a bit – and giving a few brief review spoilers! – on Twitter or Personal Facebook. And yes, I have a Facebook. Please don't stalk me. :p
One of the review spoilers? I don't particularly like Tris as a character anymore. POSSIBLE SPOILER ALERT! Possibly making it worse – and basically only L knows about this – I don't feel really sorry about what happened to her. Well, I'm upset, but I'm not exactly going to start crying and being depressed over what happened.
I have my reasons.
I didn't really notice it back in Insurgent, but Tris seems too impulsive in her actions. She and Tobias also argue too much. :/ Then again, I'm not an expert in the relationship department. It was just aggravating and annoying.
Allegiant certainly wasn't boring, which was another review spoiler. It was Veronica Roth's writing. It seems more... I don't know. There's just something about the writing that bothers me in Allegiant. And it's not because of Tobias' POV being added in, though it was interesting to break into his mind and take a peek behind the "stoniness".
By stoniness, I meant that he doesn't seem to give out a lot of what he's really thinking. I guess it's a nice change, being able to see/read what Tobias is thinking. SPOILER ALERT! Oh, and he likes to hurt people?! Disappointing in that part...
Okay, you now have the right to bash me and throw tomatoes at me. Just give me ten seconds to run away. :p
<blockquote>Yeah, sometimes life really sucks. But you know what I'm holding on for?
The moments that don't suck. The trick is to notice them when they come around.</blockquote>
---------------------
Formatting may be lost due to copy and paste. Pictures have been removed from this review.
This review and more on <a href="http://bookwyrming-thoughts.blogspot.com/2013/12/review-allegiant-by-veronica-roth.html">Bookwyrming Thoughts</a>
<img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; />
Sophia (Bookwyrming Thoughts) (530 KP) rated A Place Beyond (The Danaan Trilogy, #3) in Books
Jan 23, 2020
I fully enjoyed the last few months of reading the first two books in the Danaan trilogy – The Forgotten Ones and Stone of Destiny. After reading the second book, I was extremely excited to read the final book in the trilogy just to see what Laura Howard had in mind for some of my favorite characters of the summer – emphasis on some – because I was hoping for something huge, spectacular, and out of this world. Of course, I have high expectations for the last books of a series. You guys are special (read: reallyyyy special)!
Oh, and The Forgotten Ones did land in one of my best reads of 2014.
Sadly, A Place Beyond suffered a little bit of what I call "Last Book Syndrome," in which compared to the prior books, the last book didn't exceed my expectations. Let me repeat: The last books are special. Simply because most of the time, I rarely get to the last book of the series, reason or no reason.
There are probably a few reasons why Laura Howard's ending to her debut series didn't exactly meet up to my expectations:
First, I feel as though A Place Beyond is questioning all of the Danaans' loyalties and where it lies – are the characters on the same side, or are the characters puppets and there's a puppeteer behind the scenes (aside from the author, who actually created the world) playing all the characters? It seems to particularly question royalty, especially Saoirse.
Second, the ENDING (aka final battle). Third, the villain. I'm putting both reasons together – in a way – because they go interchangeably.
If anything, I find the ending pretty important. It's the final battle! Who shall prevail?!?!?! All fans are sitting at the edge of their seats, flipping the pages, waiting to see what the author would throw at them next, anticipating the next move. Drama! Hooray! We all love drama in a way.
But in A Place Beyond, the villain gives up. Typical "NOOOOO." Roar.
The villain agrees to break the curse she had on Allison's mother and father – it's been there since The Forgotten Ones. There doesn't seem to be a bit of a fight. Again, I point to the villain giving up. It's like Aoife readily agreed – if she was going to give up, why even bother in the first place? Or maybe I'm just one of those weirdos who think you should go down fighting. It's funny, honestly. I have this tendency to ask for a draw sometimes in a chess match at a tournament, but I choose not to in the end.
Which is precisely why I'm probably currently one of the worst chess players in my state (I'm not the competitive type – competitive hardly goes well). And I honestly don't care too much because I'm too busy being scholarly to study chess. School, work and books are my priorities. Obviously, blogging is part of it.
But I repeat (for like the third time): the villain basically gives up. I would have loved to see her trapped in a fey globe again if you ask me – are there stronger ones out there? After making Aoife break the geis first, of course.
Oh, and Aoife's so nonchalant about sacrificing herself. It's total irony, guys. Just complete irony. Now that I think about it, the villain is so bad, it's good. Not to be so critical or anything – I'm absolutely peachy.
But hey, I still enjoyed A Place Beyond while it lasted. That's all that matters, right? No, A Place Beyond wasn't a great end to a trilogy, but it was a happy read (read: Ever After by Chloe Miles is just one of those happy reads I'm talking about). A quick read that gave me a break from the essays and projects I had earlier this month (yeah, yeah. I have more things to worry about in December. 8th graders, stop complaining so much. I worry about your future in three years). And really, I needed a good, quick read.
-------------------
Review copy provided by the author for the blog tour
Original Rating: 3.5 out of 5
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/11/blog-tour-place-beyond-by-laura-howard-review-and-giveaway.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
Oh, and The Forgotten Ones did land in one of my best reads of 2014.
Sadly, A Place Beyond suffered a little bit of what I call "Last Book Syndrome," in which compared to the prior books, the last book didn't exceed my expectations. Let me repeat: The last books are special. Simply because most of the time, I rarely get to the last book of the series, reason or no reason.
There are probably a few reasons why Laura Howard's ending to her debut series didn't exactly meet up to my expectations:
First, I feel as though A Place Beyond is questioning all of the Danaans' loyalties and where it lies – are the characters on the same side, or are the characters puppets and there's a puppeteer behind the scenes (aside from the author, who actually created the world) playing all the characters? It seems to particularly question royalty, especially Saoirse.
Second, the ENDING (aka final battle). Third, the villain. I'm putting both reasons together – in a way – because they go interchangeably.
If anything, I find the ending pretty important. It's the final battle! Who shall prevail?!?!?! All fans are sitting at the edge of their seats, flipping the pages, waiting to see what the author would throw at them next, anticipating the next move. Drama! Hooray! We all love drama in a way.
But in A Place Beyond, the villain gives up. Typical "NOOOOO." Roar.
The villain agrees to break the curse she had on Allison's mother and father – it's been there since The Forgotten Ones. There doesn't seem to be a bit of a fight. Again, I point to the villain giving up. It's like Aoife readily agreed – if she was going to give up, why even bother in the first place? Or maybe I'm just one of those weirdos who think you should go down fighting. It's funny, honestly. I have this tendency to ask for a draw sometimes in a chess match at a tournament, but I choose not to in the end.
Which is precisely why I'm probably currently one of the worst chess players in my state (I'm not the competitive type – competitive hardly goes well). And I honestly don't care too much because I'm too busy being scholarly to study chess. School, work and books are my priorities. Obviously, blogging is part of it.
But I repeat (for like the third time): the villain basically gives up. I would have loved to see her trapped in a fey globe again if you ask me – are there stronger ones out there? After making Aoife break the geis first, of course.
Oh, and Aoife's so nonchalant about sacrificing herself. It's total irony, guys. Just complete irony. Now that I think about it, the villain is so bad, it's good. Not to be so critical or anything – I'm absolutely peachy.
But hey, I still enjoyed A Place Beyond while it lasted. That's all that matters, right? No, A Place Beyond wasn't a great end to a trilogy, but it was a happy read (read: Ever After by Chloe Miles is just one of those happy reads I'm talking about). A quick read that gave me a break from the essays and projects I had earlier this month (yeah, yeah. I have more things to worry about in December. 8th graders, stop complaining so much. I worry about your future in three years). And really, I needed a good, quick read.
-------------------
Review copy provided by the author for the blog tour
Original Rating: 3.5 out of 5
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/11/blog-tour-place-beyond-by-laura-howard-review-and-giveaway.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>