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BankofMarquis (1832 KP) rated Doctor Sleep (2019) in Movies
Oct 5, 2020
Better Than I Expected
Over the years, there has been "cash grab" sequels thrown out onto an unsuspecting public years after the beloved original film has settled into the warm memories of time. Films like THE TWO JAKES (sequel to CHINATOWN), THE EVENING STAR (sequel to TERMS OF ENDEARMENT) and, most notably, THE GODFATHER III (sequel to the first two, terrific GODFATHER films) all were filmed more than 10 years after the original classic and quickly died at the box office.
Thus, I steered very clear of the sequel to the great Stanley Kubrick film THE SHINING (based on the novel by Stephen King). This time it was Ewan MacGregor as a grown up Danny Torrance, otherwise known as DOCTOR SLEEP. True, this one was based on Stephen King's sequel novel, but still, I avoided it.
Well...2020 being 2020...I was searching for something "new" to watch and tripped across this, so thought "what the heck, I'll give it a go"...
And...I was pleasantly surprised - Doctor Sleep is actually a pretty good flick, capturing the flavor of the original while becoming an entity of it's own.
Doctor Sleep tells the tale of an adult Danny Torrance (Ewan MacGregor) the grown-up son of the Jack Nicholson character (Jack Torrance) in THE SHINING. Danny struggles to come to grips with what happened at the Overlook Hotel - and with his ability to "Shine".
As written and directed by Mike Flanagan (GERALD'S GAME), Doctor Sleep serves as a creepy "chase flick" and a homage to The Shining at the same time. Flanagan does a decent job of giving us motivations and meanings to Danny's own personal journey while weaving in a plausible, effective use of the characters and locations of The Shining.
Part of this success rests on the castings of actors to recreate the roles - and feelings - of characters from the original Stanley Kubrick film. Alex Essoe (Wendy Torrance), Carl Lumbly (Dick Halloran) and Henry Thomas - yes the kid from ET - (as "the bartender", who is clearly Jack Torrance) all bring the essence of the previous film's characters to the events while carving out their own versions of the characters. The same can be said for Flanagan's use (re-use?) of the Overlook Hotel locations and stylings. From the patterned carpet to the typewriter in the lobby to the elevators spewing blood to the hole in the bathroom door that the axe went through - all added to the creepy eeriness of "I've been here before".
But, I think Flanagan was more interested in that part of the story/film than the other part, for faring less successfully is Danny's journey. Fault cannot be made of Ewan MacGregor's performance, he is very good, considering the clunky dialogue he is given, and he gives Danny a haunted feeling, simultaneously chasing and running from his past. But Flanagan really skims over this part of the film - why/how Danny becomes the titular "Doctor Sleep" is almost in a "blink and you'll miss it" moment. While I like the pacing of this film, I think it could have used a little more care and feeding on the front end, to help us understand/invest in Danny's journey more.
Also not faring as well as it could have is the bad guys in this film - a group of characters called THE KNOT. Flanagan enlists a "decent enough" group of character actors for this group though, I think, this film pulls it's punches with these villains and it suffers from it. The leader of the group is "Rose The Hat", played by Rebecca Ferguson (THE GIRL ON THE TRAIN) and she is charismatic (as always) and draws you into her world, and her group. She is very seductive in this role - and that is really good. HOWEVER, when it is time for this "spider" to pounce on her prey, she just doesn't have the intimidation and fear factor, so I was never really scared or unnerved by her.
But, as far as sequels go, this one holds up very well and does a very good job of being an homage to the original film while driving it's own story - and characters - along.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Thus, I steered very clear of the sequel to the great Stanley Kubrick film THE SHINING (based on the novel by Stephen King). This time it was Ewan MacGregor as a grown up Danny Torrance, otherwise known as DOCTOR SLEEP. True, this one was based on Stephen King's sequel novel, but still, I avoided it.
Well...2020 being 2020...I was searching for something "new" to watch and tripped across this, so thought "what the heck, I'll give it a go"...
And...I was pleasantly surprised - Doctor Sleep is actually a pretty good flick, capturing the flavor of the original while becoming an entity of it's own.
Doctor Sleep tells the tale of an adult Danny Torrance (Ewan MacGregor) the grown-up son of the Jack Nicholson character (Jack Torrance) in THE SHINING. Danny struggles to come to grips with what happened at the Overlook Hotel - and with his ability to "Shine".
As written and directed by Mike Flanagan (GERALD'S GAME), Doctor Sleep serves as a creepy "chase flick" and a homage to The Shining at the same time. Flanagan does a decent job of giving us motivations and meanings to Danny's own personal journey while weaving in a plausible, effective use of the characters and locations of The Shining.
Part of this success rests on the castings of actors to recreate the roles - and feelings - of characters from the original Stanley Kubrick film. Alex Essoe (Wendy Torrance), Carl Lumbly (Dick Halloran) and Henry Thomas - yes the kid from ET - (as "the bartender", who is clearly Jack Torrance) all bring the essence of the previous film's characters to the events while carving out their own versions of the characters. The same can be said for Flanagan's use (re-use?) of the Overlook Hotel locations and stylings. From the patterned carpet to the typewriter in the lobby to the elevators spewing blood to the hole in the bathroom door that the axe went through - all added to the creepy eeriness of "I've been here before".
But, I think Flanagan was more interested in that part of the story/film than the other part, for faring less successfully is Danny's journey. Fault cannot be made of Ewan MacGregor's performance, he is very good, considering the clunky dialogue he is given, and he gives Danny a haunted feeling, simultaneously chasing and running from his past. But Flanagan really skims over this part of the film - why/how Danny becomes the titular "Doctor Sleep" is almost in a "blink and you'll miss it" moment. While I like the pacing of this film, I think it could have used a little more care and feeding on the front end, to help us understand/invest in Danny's journey more.
Also not faring as well as it could have is the bad guys in this film - a group of characters called THE KNOT. Flanagan enlists a "decent enough" group of character actors for this group though, I think, this film pulls it's punches with these villains and it suffers from it. The leader of the group is "Rose The Hat", played by Rebecca Ferguson (THE GIRL ON THE TRAIN) and she is charismatic (as always) and draws you into her world, and her group. She is very seductive in this role - and that is really good. HOWEVER, when it is time for this "spider" to pounce on her prey, she just doesn't have the intimidation and fear factor, so I was never really scared or unnerved by her.
But, as far as sequels go, this one holds up very well and does a very good job of being an homage to the original film while driving it's own story - and characters - along.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Lottie disney bookworm (1056 KP) rated The Winter Duke in Books
Oct 13, 2020
A duchy of ice and snow above, a duchy of water and magic below, separated only by a lake of ice. Both dependent upon one another and both as violent as they are beautiful.
Ekata is a middle child within the Avenko royal family: a family who are intent on murdering each other to get to the throne. However, Ekata has no interest in the throne at all: her interests lie in biology rather than brokering treaties and she wants nothing more than to leave Kylma Above and attend university.
However, at the age of thirteen, Ekata wakes to find herself the only member of her family who has not been cursed into a permanent sleep. Suddenly, she is the Grand Duke and is expected to prove herself worthy to rule Kylma Above: conquering the world of politics and magic in order to find a way to wake her family and avoid death herself.
The Winter Duke spans only six days in its storyline. Nonetheless, this does not diminish the journey that Bartlett takes her readers on: there are twists at every turn and almost everyone seems like a villain; neither Ekata nor the reader knows whom they can trust.
Although this is very much Ekata’s story, there are so many characters surrounding her that there is a danger some of these may seem undeveloped. Thankfully, I didn’t feel this way at all. Bartlett brings something different to each character she introduces: from Sigis’ immediate repulsiveness; Eirhan’s deadpan nature and Inkar’s flirty charms. All the characters have their part to play and, although keeping track of all the ministers could be difficult at times, this only added to the overwhelming suffocation that Ekata must be feeling.
Ekata herself is an amazing protagonist: at just thirteen she makes a number of impulsive decisions which end disastrously – so why do we, as a reader, not get frustrated with her? Again, I feel that this is due, in part, to the dizzying number of secondary characters. The reader witnesses the sheer number of commitments that fall onto the shoulders of one who never aspired to this role: we attend unwanted proposals; hear the accusations of murdering her own family; comprehend that she is used as a pawn by her Prime Minister and constantly see Ekata’s authority undermined due to her sex. It is impossible not to empathise with her desperate need to return to her normal life.
Sexism plays a large part in Ekata’s story, with Sigis immediately heralded as the solution to her problems due to his position as a strong man with an army. Inkar is also underestimated due to being female: before she then shatters these perceptions with her axes, her willingness to fight and her protective nature over Ekata.
However, The Winter Duke has to be commended for the gender fluidity within its pages. The brideshow is made of men and women, at least one minister is non-binary and the only romance within this novel is between two queer females. This was such a natural romance as well, slow-burning and cautious due to the politics involved but one that, when the walls of both women came down, could achieve the impossible.
The world building by Claire Eliza Bartlett in this novel is second to none. Kylma Above is impressive with its ice palaces and winter roses invading every corner. However, Kylma Below, the duchy below the ice is magical and sinister in equal measure. With fields of magic, sharks used in tribunals, and coral gardens, it wasn’t only Ekata who wanted to explore further.
Quite a few YA novels recently have included queer women smashing the patriarchy. This is the first one I have read where they smash the autocracy.
Ekata’s journey to find out what kind of ruler she will be is encapsulating and riveting. In a story where the betrayal just keeps coming, Ekata remains loyal to the end – despite the epilogue proving that this is never appreciated. The world of Kylma was immersive and the themes of politics, murder, sexism and violence are swept up by the breezy writing style to create a book that was impossible to put down.
Thank you to Netgalley for giving me the opportunity to read and review this wonderful novel.
Ekata is a middle child within the Avenko royal family: a family who are intent on murdering each other to get to the throne. However, Ekata has no interest in the throne at all: her interests lie in biology rather than brokering treaties and she wants nothing more than to leave Kylma Above and attend university.
However, at the age of thirteen, Ekata wakes to find herself the only member of her family who has not been cursed into a permanent sleep. Suddenly, she is the Grand Duke and is expected to prove herself worthy to rule Kylma Above: conquering the world of politics and magic in order to find a way to wake her family and avoid death herself.
The Winter Duke spans only six days in its storyline. Nonetheless, this does not diminish the journey that Bartlett takes her readers on: there are twists at every turn and almost everyone seems like a villain; neither Ekata nor the reader knows whom they can trust.
Although this is very much Ekata’s story, there are so many characters surrounding her that there is a danger some of these may seem undeveloped. Thankfully, I didn’t feel this way at all. Bartlett brings something different to each character she introduces: from Sigis’ immediate repulsiveness; Eirhan’s deadpan nature and Inkar’s flirty charms. All the characters have their part to play and, although keeping track of all the ministers could be difficult at times, this only added to the overwhelming suffocation that Ekata must be feeling.
Ekata herself is an amazing protagonist: at just thirteen she makes a number of impulsive decisions which end disastrously – so why do we, as a reader, not get frustrated with her? Again, I feel that this is due, in part, to the dizzying number of secondary characters. The reader witnesses the sheer number of commitments that fall onto the shoulders of one who never aspired to this role: we attend unwanted proposals; hear the accusations of murdering her own family; comprehend that she is used as a pawn by her Prime Minister and constantly see Ekata’s authority undermined due to her sex. It is impossible not to empathise with her desperate need to return to her normal life.
Sexism plays a large part in Ekata’s story, with Sigis immediately heralded as the solution to her problems due to his position as a strong man with an army. Inkar is also underestimated due to being female: before she then shatters these perceptions with her axes, her willingness to fight and her protective nature over Ekata.
However, The Winter Duke has to be commended for the gender fluidity within its pages. The brideshow is made of men and women, at least one minister is non-binary and the only romance within this novel is between two queer females. This was such a natural romance as well, slow-burning and cautious due to the politics involved but one that, when the walls of both women came down, could achieve the impossible.
The world building by Claire Eliza Bartlett in this novel is second to none. Kylma Above is impressive with its ice palaces and winter roses invading every corner. However, Kylma Below, the duchy below the ice is magical and sinister in equal measure. With fields of magic, sharks used in tribunals, and coral gardens, it wasn’t only Ekata who wanted to explore further.
Quite a few YA novels recently have included queer women smashing the patriarchy. This is the first one I have read where they smash the autocracy.
Ekata’s journey to find out what kind of ruler she will be is encapsulating and riveting. In a story where the betrayal just keeps coming, Ekata remains loyal to the end – despite the epilogue proving that this is never appreciated. The world of Kylma was immersive and the themes of politics, murder, sexism and violence are swept up by the breezy writing style to create a book that was impossible to put down.
Thank you to Netgalley for giving me the opportunity to read and review this wonderful novel.
Kristina (502 KP) rated Keep Me Still (Keep Me Still, #1) in Books
Dec 7, 2020
Holy freaking cow. This book sat on my Kindle app for the longest time. Many nights I scanned over it, couldn’t remember if I read it or not, so just avoided it all together. Lately, the eBooks I have downloaded are dwindling, so I got desperate and clicked on practically every book I owned and either hadn’t read or just couldn’t remember reading. I skimmed through a few and just wasn’t feeling it – you ever get that way, start reading the first couple of chapters in several books and just know it’s not what you’re in the mood for? Finally, I clicked on Keep Me Still, though I still couldn’t recall whether or not I had read it. The Kindle version I read had all 3 parts of Keep Me Still. Only after a couple of pages in Let You Leave (part 1), I immediately knew I hadn’t read it and that it was what I was looking for.
From the beginning, I was intrigued with Layla. At first, it sounded as if she had come back from dealing with depression or something of the sort, so I was drawn to figuring out why she felt the way she did and how she overcame it. Then I met Landen; reading his mother beg him to not get into any fights piqued my interest. Who doesn’t love a bad boy, eh? During the first few chapters, if I’m being honest, I was only interested in finding out why the school treated Layla like a pariah. Being a victim of bullying, there was an instant connection with her on that level and I was curious to figure out what could have happened to earn her the nickname “Freaky Flaherty”. Somehow, without my knowing it, that mystery fell to the wayside as I watched Layla’s guard slowly crumble enough to allow Landen in. I’m a sucker for a good romance, it’s pretty much the only thing I read, so their spark inflamed the fire of curiosity within me. I like to guess at what the catalyst will be when it comes to these kinds of stories. There’s always one and I tried my best to figure out what would tear them apart. Watching them come together, watching Layla allow Landen to tear down her walls and show her love, was amazing. Of course, then my heart got crushed when that catalyst occurred.
Immediately, I read the second part, ‘Keep Me Still’, almost with desperation. I needed them to get back together, I needed them to reconcile and let their feelings for each other obliterate all the insecurities and fears they were holding onto. To my delight, there wasn’t much of a fight when they finally came back together, but again, I was waiting for the catalyst – which was a lot more obvious this time around. The end of that section made me ecstatic, but the novella came after and I couldn’t ignore it.
The novella, Hold Us Close, slayed me. Practically from the second or third page, it took my heart and tore it into little tiny pieces, then proceeded to stomp all over it with every heart breaking moment, back to back to back. Many times I had to hold my breath, several moments left me staring at the screen in horrified shock, more often than not, I was shaking my head and mentally berating both Landen and Layla (though Landen got the brunt of my scolding). The ending – the final ending – scared the living daylights out of me. I didn’t know how it would turn out; it was shaping up to be a story without an HEA and I knew I wouldn’t be able to handle it. Before the last page of their story, before reading Landen’s letter, the ending left me in tears. I don’t remember when I downloaded this eBook, but I do know I’m beyond grateful for all those sites that tell you when Amazon is giving them away for free – that’s the only way I could have owned Keep Me Still, because I would remember if I spent money on it, but I’m certainly appreciative to whichever e-mail I received with this title listed for free.
*PS: I really love Corin. She's amazing. Is there a novella with a little more of her and Skylar's story??
From the beginning, I was intrigued with Layla. At first, it sounded as if she had come back from dealing with depression or something of the sort, so I was drawn to figuring out why she felt the way she did and how she overcame it. Then I met Landen; reading his mother beg him to not get into any fights piqued my interest. Who doesn’t love a bad boy, eh? During the first few chapters, if I’m being honest, I was only interested in finding out why the school treated Layla like a pariah. Being a victim of bullying, there was an instant connection with her on that level and I was curious to figure out what could have happened to earn her the nickname “Freaky Flaherty”. Somehow, without my knowing it, that mystery fell to the wayside as I watched Layla’s guard slowly crumble enough to allow Landen in. I’m a sucker for a good romance, it’s pretty much the only thing I read, so their spark inflamed the fire of curiosity within me. I like to guess at what the catalyst will be when it comes to these kinds of stories. There’s always one and I tried my best to figure out what would tear them apart. Watching them come together, watching Layla allow Landen to tear down her walls and show her love, was amazing. Of course, then my heart got crushed when that catalyst occurred.
Immediately, I read the second part, ‘Keep Me Still’, almost with desperation. I needed them to get back together, I needed them to reconcile and let their feelings for each other obliterate all the insecurities and fears they were holding onto. To my delight, there wasn’t much of a fight when they finally came back together, but again, I was waiting for the catalyst – which was a lot more obvious this time around. The end of that section made me ecstatic, but the novella came after and I couldn’t ignore it.
The novella, Hold Us Close, slayed me. Practically from the second or third page, it took my heart and tore it into little tiny pieces, then proceeded to stomp all over it with every heart breaking moment, back to back to back. Many times I had to hold my breath, several moments left me staring at the screen in horrified shock, more often than not, I was shaking my head and mentally berating both Landen and Layla (though Landen got the brunt of my scolding). The ending – the final ending – scared the living daylights out of me. I didn’t know how it would turn out; it was shaping up to be a story without an HEA and I knew I wouldn’t be able to handle it. Before the last page of their story, before reading Landen’s letter, the ending left me in tears. I don’t remember when I downloaded this eBook, but I do know I’m beyond grateful for all those sites that tell you when Amazon is giving them away for free – that’s the only way I could have owned Keep Me Still, because I would remember if I spent money on it, but I’m certainly appreciative to whichever e-mail I received with this title listed for free.
*PS: I really love Corin. She's amazing. Is there a novella with a little more of her and Skylar's story??
Eleanor Luhar (47 KP) rated Nothing Tastes as Good in Books
Jun 24, 2019
I happened to see this book by chance, in my local library. I was drawn to it because it's cover, it's title - I'm anorexic, and I happen to be drawn to things relating to mental health. It doesn't expressly say on it that it's about anorexia, but the cover made it pretty obvious to me. A warning to anyone that wants to read it: it's hard. If you suffer from something like this, like me, then you will probably have difficulty reading something so close to home. Especially if you're recovering. But it gets better. (I mean the book; I'm not using that "life gets better" crap.)
So Annabel is dead. I'm studying The Lovely Bones at school so the whole beyond-death narration isn't that special to me now. But Hennessy does it pretty differently to Sebold.
We don't know much about Annabel, not at first. But we begin to learn about her while she helps her assigned "soul-in-need" - The Boss (definitely not God) has promised her a final communication with her family if she helps Julia. And this looks easy, at first - Julia is from Annabel's old school, with a loving family and good grades. Everything is fine, except she's fat. Annabel thinks this should be easy - after all, she's an expert in weight loss. She lost weight until she died.
But Annabel soon finds out that Julia's issues are a whole lot more complex than her weight. At first, losing weight helps. But then her old scars come back to haunt her, and Annabel realises that maybe losing weight isn't going to fix all her problems.
Aside from the obvious issue, this book does talk about a lot of important topics. It covers friendships and relationships, like most YA novels do, but it also combats ideas on feminism, affairs with older men, and people all having their own hidden demons.
At first, I wasn't keen on Annabel. I wanted to like her - I felt I should, because I could relate to her story so much. But she was a bitch. She wanted other people to be like her, and rather than encouraging recovery and health and happiness, she shared tipped on weight loss. It really did hurt to read. Her ideas on "perfection" and being weak for eating just really hit a nerve for me. Not because it was wrong (though I'd never encourage an eating disorder in someone else), but because it's exactly how I'd think about myself. Her behaviours, her worries, her anger - they were so real.
But Annabel, despite being dead, grows alongside Julia. Yes, she tells Julia to starve herself and run on an empty stomach and hate herself, but eventually she starts to feel for her. She wants Julia to combat her issues, to actually be happy. And she realises, despite having been so upset with her old friends for recovering, that maybe she wasted her life. Maybe she could have been something more, rather than striving to be less.
I found this really emotional. Annabel's love for her sister, the sister she neglected for years while she was focused on her goals, and the future she cut short. The way Julia's life changed when her passion for writing and journalism was overtaken by her obsession with food, calories, exercise. It's so real and so sad. And the ending isn't "happily ever after" - Annabel's still dead, Julia's in counselling - but it's real. It gives hope that things can change, that Julia can really achieve happiness.
At first, I didn't like this that much. I know Annabel is just a character, but I just didn't like her. She was one of those girls that makes anorexia sound like a choice, a lifestyle, and I hated that. But later she realises she is sick, and I actually felt sorry for her. I was sorry that she had been brainwashed by her illness into believing she was doing what was right.
The only reason I'm giving just 4.5 stars to this book is because Annabel was a bitch. Yes, she is a character, and yes, she grows considerably throughout the novel, but her encouragement of EDs just drove me insane. Personal pet peeve, I guess.
So Annabel is dead. I'm studying The Lovely Bones at school so the whole beyond-death narration isn't that special to me now. But Hennessy does it pretty differently to Sebold.
We don't know much about Annabel, not at first. But we begin to learn about her while she helps her assigned "soul-in-need" - The Boss (definitely not God) has promised her a final communication with her family if she helps Julia. And this looks easy, at first - Julia is from Annabel's old school, with a loving family and good grades. Everything is fine, except she's fat. Annabel thinks this should be easy - after all, she's an expert in weight loss. She lost weight until she died.
But Annabel soon finds out that Julia's issues are a whole lot more complex than her weight. At first, losing weight helps. But then her old scars come back to haunt her, and Annabel realises that maybe losing weight isn't going to fix all her problems.
Aside from the obvious issue, this book does talk about a lot of important topics. It covers friendships and relationships, like most YA novels do, but it also combats ideas on feminism, affairs with older men, and people all having their own hidden demons.
At first, I wasn't keen on Annabel. I wanted to like her - I felt I should, because I could relate to her story so much. But she was a bitch. She wanted other people to be like her, and rather than encouraging recovery and health and happiness, she shared tipped on weight loss. It really did hurt to read. Her ideas on "perfection" and being weak for eating just really hit a nerve for me. Not because it was wrong (though I'd never encourage an eating disorder in someone else), but because it's exactly how I'd think about myself. Her behaviours, her worries, her anger - they were so real.
But Annabel, despite being dead, grows alongside Julia. Yes, she tells Julia to starve herself and run on an empty stomach and hate herself, but eventually she starts to feel for her. She wants Julia to combat her issues, to actually be happy. And she realises, despite having been so upset with her old friends for recovering, that maybe she wasted her life. Maybe she could have been something more, rather than striving to be less.
I found this really emotional. Annabel's love for her sister, the sister she neglected for years while she was focused on her goals, and the future she cut short. The way Julia's life changed when her passion for writing and journalism was overtaken by her obsession with food, calories, exercise. It's so real and so sad. And the ending isn't "happily ever after" - Annabel's still dead, Julia's in counselling - but it's real. It gives hope that things can change, that Julia can really achieve happiness.
At first, I didn't like this that much. I know Annabel is just a character, but I just didn't like her. She was one of those girls that makes anorexia sound like a choice, a lifestyle, and I hated that. But later she realises she is sick, and I actually felt sorry for her. I was sorry that she had been brainwashed by her illness into believing she was doing what was right.
The only reason I'm giving just 4.5 stars to this book is because Annabel was a bitch. Yes, she is a character, and yes, she grows considerably throughout the novel, but her encouragement of EDs just drove me insane. Personal pet peeve, I guess.
Darren (1599 KP) rated For Love or Money (2019) in Movies
Jun 25, 2019
Story: For Love or Money starts when former bullied school kid Mark (Kazinsky) meets the former love of his life Connie (Barks) at her boyfriend’s funeral, when Connie and her business partner Johnny (Speleers) learn Mark might become mega rich, Connie gets involved in dating Mark hoping to get half his money once he gets it.
When Mark learns about Connie’s plan, he decides to go on his own mission to make her life a living hell until he can finally break her giving away her plan.
Thoughts on For Love or Money
Characters – Mark is the average joe, he has worked hard to get where he is, he doesn’t have much luck with the women though, he finds a way to be awkward around them, he thinks his life has turned around when he meets an old school friend, only to learn the truth about her intentions, forcing him to go out to get revenge with on her. Connie is the gold digger that is using Mark for a big payday, she is pretending to love Mark and even agrees to marry him, only she finds herself being put through the ringer, once he learns the truth. Kendra was once Connie’s best friend who was left embarrassed by Connie, she is willing to help with the revenge as she wants to be involved too, only she starts to question just how far they are going. Johnny is the business partner of Connie, he gives her the idea to use Mark for money, he is the kind of guy that you just look at and go, what an asshole, calling every single woman sugar tits. Tim is the best friend to Mark, that gets laughs of plenty through the film, along with his dog Ducky, he is dry to everything that happens in the film.
Performances – Robert Kazinsky is great in the leading role, he gets to show comic timing and enjoyment for what his character puts Connie through, in a way where we support him. Samantha Barks is great in this role, she manages to give us a character that we hate, but also sympathise for. Rachel Hurd-Wood does get plenty of strong moments in the film, with her character getting the important moments in the film. Ed Speleers does seem to have a lot of fun with his role in the film where he gets to play a complete asshole, it could be argued the Tony Way is a scene stealer in this film nailing the comedy every time in the film.
Story – The story here follows a man that starts dating his school crush, only to learn that she is only dating him to get to his money, where he decides to use this against her to get revenge. This story does put everything on the table early on which does give the story a nice spin on what we are used to seeing. It is nice to see a story where the victim gets to turn the tables, having fun knowing that the truth is only going to hurt them, seeing how far he can push things before breaking her. It would be fair the story doesn’t paint love in a very god way, though it does show how difficult it can be to move on with life when you believe somebody is perfect for you.
Comedy – The comedy in the film will give you plenty of laughs, Tim gets most of the laughs, while Johnny is the one you laugh at the most.
Settings – The film gives us an everyday setting which shows how life can keep on going even if the big plan is going on in the background, no location is used for an iconic moment.
Scene of the Movie – Camping.
That Moment That Annoyed Me – The final moments.
Final Thoughts – This is a funny romantic comedy that gets to show just how life can go in different directions, it turns a gold digger character on its head too.
Overall: Funny comedy that will leave you laughing most of the time.
https://moviesreview101.com/2019/06/24/for-love-or-money-2019/
When Mark learns about Connie’s plan, he decides to go on his own mission to make her life a living hell until he can finally break her giving away her plan.
Thoughts on For Love or Money
Characters – Mark is the average joe, he has worked hard to get where he is, he doesn’t have much luck with the women though, he finds a way to be awkward around them, he thinks his life has turned around when he meets an old school friend, only to learn the truth about her intentions, forcing him to go out to get revenge with on her. Connie is the gold digger that is using Mark for a big payday, she is pretending to love Mark and even agrees to marry him, only she finds herself being put through the ringer, once he learns the truth. Kendra was once Connie’s best friend who was left embarrassed by Connie, she is willing to help with the revenge as she wants to be involved too, only she starts to question just how far they are going. Johnny is the business partner of Connie, he gives her the idea to use Mark for money, he is the kind of guy that you just look at and go, what an asshole, calling every single woman sugar tits. Tim is the best friend to Mark, that gets laughs of plenty through the film, along with his dog Ducky, he is dry to everything that happens in the film.
Performances – Robert Kazinsky is great in the leading role, he gets to show comic timing and enjoyment for what his character puts Connie through, in a way where we support him. Samantha Barks is great in this role, she manages to give us a character that we hate, but also sympathise for. Rachel Hurd-Wood does get plenty of strong moments in the film, with her character getting the important moments in the film. Ed Speleers does seem to have a lot of fun with his role in the film where he gets to play a complete asshole, it could be argued the Tony Way is a scene stealer in this film nailing the comedy every time in the film.
Story – The story here follows a man that starts dating his school crush, only to learn that she is only dating him to get to his money, where he decides to use this against her to get revenge. This story does put everything on the table early on which does give the story a nice spin on what we are used to seeing. It is nice to see a story where the victim gets to turn the tables, having fun knowing that the truth is only going to hurt them, seeing how far he can push things before breaking her. It would be fair the story doesn’t paint love in a very god way, though it does show how difficult it can be to move on with life when you believe somebody is perfect for you.
Comedy – The comedy in the film will give you plenty of laughs, Tim gets most of the laughs, while Johnny is the one you laugh at the most.
Settings – The film gives us an everyday setting which shows how life can keep on going even if the big plan is going on in the background, no location is used for an iconic moment.
Scene of the Movie – Camping.
That Moment That Annoyed Me – The final moments.
Final Thoughts – This is a funny romantic comedy that gets to show just how life can go in different directions, it turns a gold digger character on its head too.
Overall: Funny comedy that will leave you laughing most of the time.
https://moviesreview101.com/2019/06/24/for-love-or-money-2019/
Emma @ The Movies (1786 KP) rated Love, Simon (2018) in Movies
Jun 29, 2019 (Updated Sep 25, 2019)
Simon Spier keeps a huge secret from his family, his friends, and all of his classmates: he's gay. When that secret is threatened, Simon must face everyone and come to terms with his identity.
I had been looking forward to this one, book adaptation... of course I was going to be... so getting this as our secret screening was fun great. But it really divided the pack and there was much discussion online about it after. But not so much about the film. I'm going to get the grumpy portion of this out of the way first.
I think this is only the second secret screening I've been to. The first one was Molly's Game, which again, was one I'd been looking forward to seeing, and when the card came up at the beginning I think only one person left. It certainly wasn't many. The card comes up for this one... well, it was like a mass exodus. Without the film even rolling I think we lost about half a dozen people. After the first couple of minutes we lost another load. It was that second lot that made me lose faith in humanity a little, because it wasn't more than seconds after Simon says that he's gay that I heard disapproving noises and footsteps trotting out of seats.
Most people online said the same thing about their cinemas. And I know that you don't have to watch every film ever made. But don't just turn your nose up at it because (and here's me being optimistic) it's a young adult film/novel. If you turned your nose up at it because its main character is gay... well... welcome to the real world, they're here, they're queer, and they're here to stay.
I was pleased to see that lots of people gave it a chance, and many seemed to enjoy it. There was a lot of hate for it from others though, and honestly, when you read the comments for it... well, just don't read the comments. For every good there is a bad, but most of the bad either just walked out or don't really give much in the way of a genuine excuse. Several feel like they're being cheated by Cineworld for showing things that aren't blockbusters... people... this isn't how these things work. Trust me, the company comes to the middle man who presents it to the consumer. Business 101. Companies know that you're going to pay to see their big blockbusters and buy their merchandise... why would they give it to you for free? (Yes I know we all have Unlimited cards and essentially get them for free, but you get my meaning.) There's already hype around them, they don't need more. Anyway, away from my rant.
Love, Simon was a wonderful film, and despite what some are saying, (sorry, swerving into rant territory there again) it was laugh out loud funny... and everyone was laughing. Except those people who left without giving it a chance... wow, sorry, I just can't let this go.
If you haven't quite forgotten your teenage years you'll see lots of bits in this that really ring a bell. Those awkward moments, the crushes, the annoying teachers, the pain. If you've experienced any of them then there will be bits that you physically react to. You can feel the emotions that are running around the characters, you know the decisions they're making are good, bad and terrible, and you can almost see the future. As the story unfolds you really do get pulled along with Simon. You feel his pain and you feel his joy.
A genuine smile inducing film. I think you can see my favourite bit in one of the trailers... straight people not having to come out... it honestly cracked me up.
Of course the book is in the TBR, I'll get round to it eventually. But regardless of how it stacks up next to the book is was a wonderful film. You can only hope that it is enlightening to some that watch it, and helpful to others.
I had been looking forward to this one, book adaptation... of course I was going to be... so getting this as our secret screening was fun great. But it really divided the pack and there was much discussion online about it after. But not so much about the film. I'm going to get the grumpy portion of this out of the way first.
I think this is only the second secret screening I've been to. The first one was Molly's Game, which again, was one I'd been looking forward to seeing, and when the card came up at the beginning I think only one person left. It certainly wasn't many. The card comes up for this one... well, it was like a mass exodus. Without the film even rolling I think we lost about half a dozen people. After the first couple of minutes we lost another load. It was that second lot that made me lose faith in humanity a little, because it wasn't more than seconds after Simon says that he's gay that I heard disapproving noises and footsteps trotting out of seats.
Most people online said the same thing about their cinemas. And I know that you don't have to watch every film ever made. But don't just turn your nose up at it because (and here's me being optimistic) it's a young adult film/novel. If you turned your nose up at it because its main character is gay... well... welcome to the real world, they're here, they're queer, and they're here to stay.
I was pleased to see that lots of people gave it a chance, and many seemed to enjoy it. There was a lot of hate for it from others though, and honestly, when you read the comments for it... well, just don't read the comments. For every good there is a bad, but most of the bad either just walked out or don't really give much in the way of a genuine excuse. Several feel like they're being cheated by Cineworld for showing things that aren't blockbusters... people... this isn't how these things work. Trust me, the company comes to the middle man who presents it to the consumer. Business 101. Companies know that you're going to pay to see their big blockbusters and buy their merchandise... why would they give it to you for free? (Yes I know we all have Unlimited cards and essentially get them for free, but you get my meaning.) There's already hype around them, they don't need more. Anyway, away from my rant.
Love, Simon was a wonderful film, and despite what some are saying, (sorry, swerving into rant territory there again) it was laugh out loud funny... and everyone was laughing. Except those people who left without giving it a chance... wow, sorry, I just can't let this go.
If you haven't quite forgotten your teenage years you'll see lots of bits in this that really ring a bell. Those awkward moments, the crushes, the annoying teachers, the pain. If you've experienced any of them then there will be bits that you physically react to. You can feel the emotions that are running around the characters, you know the decisions they're making are good, bad and terrible, and you can almost see the future. As the story unfolds you really do get pulled along with Simon. You feel his pain and you feel his joy.
A genuine smile inducing film. I think you can see my favourite bit in one of the trailers... straight people not having to come out... it honestly cracked me up.
Of course the book is in the TBR, I'll get round to it eventually. But regardless of how it stacks up next to the book is was a wonderful film. You can only hope that it is enlightening to some that watch it, and helpful to others.
Lucy Buglass (45 KP) rated Jojo Rabbit (2019) in Movies
Oct 14, 2019
The premise of Jojo Rabbit is a bold one, and something that could have very easily been executed terribly on-screen.
Whilst you might feel some apprehension about the concept of a 10-year-old boy who has Hitler as an imaginary friend, Taika Waititi has turned it into something brilliant and poignant.
As mentioned above, the film follows Johannes ‘Jojo’ Betzler, who lives in Nazi Germany. He’s a fanatic and is driven by his desire to serve Adolf Hitler in the German army during World War II, even joining a Hitler Youth Camp which is run by Captain Klenzendorf (Sam Rockwell).
Jojo is unlike any other child protagonist I’ve seen, because it’s easy to have very mixed feelings about who he is as a person. He’s a child and his everyday behaviour is indicative of someone who lacks maturity, resulting in some laugh out loud moments.
However, a lot of what he says happens to be horrendous insults towards the Jewish community. He’s fuelled by a love of Hitler (even going as far as to describe him as his ‘best friend’).
Throughout the film, he imagines scenarios in which Hitler is there with him, such as when he’s looking in the mirror and giving himself a pep-talk.
The strength of Jojo Rabbit‘s protagonist is a testament to actor Roman Griffin Davis, and I found it hard to believe that this was his first ever film performance. He’s funny, flawed, and a very well-rounded character brilliantly brought to life.
As for Jojo’s imaginary Hitler, he’s hysterically funny and not at all how you’d imagine the real man to be. Played brilliantly by director Taika Waititi, he is a caricature of a deplorable historical figure, and fuels Jojo’s delusions of how wonderful he is.
He’s simply someone’s interpretation of a political leader, created by a child who has been brainwashed into believing Nazi propaganda by adults in his life.
This bubbly oversimplification of a dictator is what you’d expect from a naive child, who isn’t fully aware of the atrocities around him.
The fact Taika Waititi plays this version of Hitler feels important, because he’s mocking him in the best possible way. As a Jewish man, it feels very appropriate that he criticises Hitler’s ideology through his satirical performance. It was brilliant.
Adding jokes to such a horrific situation is difficult, but this is where Jojo Rabbit really excels. The balance between humour and gut-punching reality checks is beautifully done, and there were times when I wasn’t sure whether my tears were from laughing or because I was genuinely sad at what I’d just seen.
Relationships are an important part of the film, particularly the one between Jojo and his mother Rosie (Scarlett Johansson). However, this becomes strained when he finds out that his mother is hiding a young Jewish woman in their home.
Jojo’s meeting with Elsa Korr (Thomasin McKenzie) is central to the story and gives us a real insight into the horrific treatment of Jewish people during this period, and the extreme lengths they’d go to keep themselves safe.
Despite Elsa’s life constantly being in jeopardy, she’s very sassy and gives young Jojo a run for his money once the two meet. The way the two characters bounce off each other is exceptional, and again, you’ll laugh and cry in equal measure.
I was also impressed by some brief appearances in the film such as Rebel Wilson as Fraulein Rahm, who I found hilarious in this film. I must admit I’m not always a fan of her work, but here she really delivered.
Stephen Merchant as Captain Deertz and Archie Yates as young Yorki are also worthy of praise, as every time they were on screen I found them delightful to watch. Much like Roman Griffin Davis, this was Archie’s first film, and he stole the show every time he was in a scene.
Jojo Rabbit is, simply put, political satire at its finest. As a result of this, it’s an emotional rollercoaster and one that I am excited to revisit whenever I get the chance.
It’s darkly funny with an important overall message of confronting ideologies, and I’d urge you to seek it out ASAP.
Whilst you might feel some apprehension about the concept of a 10-year-old boy who has Hitler as an imaginary friend, Taika Waititi has turned it into something brilliant and poignant.
As mentioned above, the film follows Johannes ‘Jojo’ Betzler, who lives in Nazi Germany. He’s a fanatic and is driven by his desire to serve Adolf Hitler in the German army during World War II, even joining a Hitler Youth Camp which is run by Captain Klenzendorf (Sam Rockwell).
Jojo is unlike any other child protagonist I’ve seen, because it’s easy to have very mixed feelings about who he is as a person. He’s a child and his everyday behaviour is indicative of someone who lacks maturity, resulting in some laugh out loud moments.
However, a lot of what he says happens to be horrendous insults towards the Jewish community. He’s fuelled by a love of Hitler (even going as far as to describe him as his ‘best friend’).
Throughout the film, he imagines scenarios in which Hitler is there with him, such as when he’s looking in the mirror and giving himself a pep-talk.
The strength of Jojo Rabbit‘s protagonist is a testament to actor Roman Griffin Davis, and I found it hard to believe that this was his first ever film performance. He’s funny, flawed, and a very well-rounded character brilliantly brought to life.
As for Jojo’s imaginary Hitler, he’s hysterically funny and not at all how you’d imagine the real man to be. Played brilliantly by director Taika Waititi, he is a caricature of a deplorable historical figure, and fuels Jojo’s delusions of how wonderful he is.
He’s simply someone’s interpretation of a political leader, created by a child who has been brainwashed into believing Nazi propaganda by adults in his life.
This bubbly oversimplification of a dictator is what you’d expect from a naive child, who isn’t fully aware of the atrocities around him.
The fact Taika Waititi plays this version of Hitler feels important, because he’s mocking him in the best possible way. As a Jewish man, it feels very appropriate that he criticises Hitler’s ideology through his satirical performance. It was brilliant.
Adding jokes to such a horrific situation is difficult, but this is where Jojo Rabbit really excels. The balance between humour and gut-punching reality checks is beautifully done, and there were times when I wasn’t sure whether my tears were from laughing or because I was genuinely sad at what I’d just seen.
Relationships are an important part of the film, particularly the one between Jojo and his mother Rosie (Scarlett Johansson). However, this becomes strained when he finds out that his mother is hiding a young Jewish woman in their home.
Jojo’s meeting with Elsa Korr (Thomasin McKenzie) is central to the story and gives us a real insight into the horrific treatment of Jewish people during this period, and the extreme lengths they’d go to keep themselves safe.
Despite Elsa’s life constantly being in jeopardy, she’s very sassy and gives young Jojo a run for his money once the two meet. The way the two characters bounce off each other is exceptional, and again, you’ll laugh and cry in equal measure.
I was also impressed by some brief appearances in the film such as Rebel Wilson as Fraulein Rahm, who I found hilarious in this film. I must admit I’m not always a fan of her work, but here she really delivered.
Stephen Merchant as Captain Deertz and Archie Yates as young Yorki are also worthy of praise, as every time they were on screen I found them delightful to watch. Much like Roman Griffin Davis, this was Archie’s first film, and he stole the show every time he was in a scene.
Jojo Rabbit is, simply put, political satire at its finest. As a result of this, it’s an emotional rollercoaster and one that I am excited to revisit whenever I get the chance.
It’s darkly funny with an important overall message of confronting ideologies, and I’d urge you to seek it out ASAP.
Darren (1599 KP) rated Street Fighter (1994) in Movies
Aug 24, 2019
Verdict: Basic Action Nonsense
Story: Street Fighter starts as the evil tyrant Bison (Julia) has been controlling the country of Shadaloo, Col William Guile (Van Damme) is leading the assault to bring him down after his latest demand is 20 Billion Dollars, to save the hostages he has taken. Chun-Li (Wen) has been reporting the story only for herself to have a personal investment in taking him down too.
Colonel Guile recruits Ken (Chapa) and Ryu (Mann) to go undercover to locate the secret base, before it is too late giving Guile a chance to go face to face with Bison in an ultimate fight between the two men.
Thoughts on Street Fighter
Characters – Colonel Guile is part of the Allied Nations a soldier that is trying a bring an end to the evil tyrant Bison, he is an expert in martial arts and will put himself in the line of fire in an attempt to stop this man. Bison is the dictator tyrant holding the country hostage, he is willing to offer anybody a chance to fight for their freedom, but his skills are beyond anything any normal person can handle, he is almost waiting for Guile to arrive for a worthy opponent. Chun-Li is a journalist with her own reasons for hunting down Bison, she is able to handle herself in a fight and willing to take just as many chances as Guile in finding the truth. Ken is involved in his own dealings with one of Bison’s supplies, he is used to get close to Bison to help locate the base of operations, while being one of the best fighters in the world.
Performances – Jean-Claude Van Damme is nowhere near his best in this role, he might handle the fighting, but everything else just looks out of place. Raul Julia is easily the best thing in this film, he is so wildly over the top you just want to see where he takes this character next. Ming-Na Wen does bring her character to life which is entertaining, though she seems to vanish for parts of the second half. We do get plenty of different characters from the history of the games, the performances are mixed as they look to bring these generic figures to life.
Story – The story follows the Allied Nations trying to bring down a tyrant trying to take over a country with his ludicrous demands, we see the favourite fighters from the game come into battle on both sides as they look to bring the end to the war for the country. This was one of the first attempts to bring a video game to life, we do get the characters, though as I am not a fan of the game, I can’t tell you how accurate the characters are. This isn’t a difficult story to follow, though it does feel like it wants to put all the favourite characters in scenes even if they aren’t always written strongly. This is however a good alcohol story because you can make a drinking game out of it.
Action/Comedy – The action in the film is countless numbers of fights, each fighter does have their own style, only for the scenes not being shot in the strongest style. This film does have comedy, though I am not sure if it is meant to be a comedy or not.
Settings – The film uses the typical locations with the secret base for the villain being a major part of the settings, it is filled with the gadgets you would expect to see from a video game style location.
Special Effects – The effects are low budget without being anything that will be remembered for being strong.
Scene of the Movie – The final showdown.
That Moment That Annoyed Me – Too many characters not getting enough time to shine.
Final Thoughts –This is the typical video game movie that just didn’t work, we have too many iconic characters that don’t get their time to shine which would only disappoint the fans of the game.
Overall: Disappointing video game movie.
Story: Street Fighter starts as the evil tyrant Bison (Julia) has been controlling the country of Shadaloo, Col William Guile (Van Damme) is leading the assault to bring him down after his latest demand is 20 Billion Dollars, to save the hostages he has taken. Chun-Li (Wen) has been reporting the story only for herself to have a personal investment in taking him down too.
Colonel Guile recruits Ken (Chapa) and Ryu (Mann) to go undercover to locate the secret base, before it is too late giving Guile a chance to go face to face with Bison in an ultimate fight between the two men.
Thoughts on Street Fighter
Characters – Colonel Guile is part of the Allied Nations a soldier that is trying a bring an end to the evil tyrant Bison, he is an expert in martial arts and will put himself in the line of fire in an attempt to stop this man. Bison is the dictator tyrant holding the country hostage, he is willing to offer anybody a chance to fight for their freedom, but his skills are beyond anything any normal person can handle, he is almost waiting for Guile to arrive for a worthy opponent. Chun-Li is a journalist with her own reasons for hunting down Bison, she is able to handle herself in a fight and willing to take just as many chances as Guile in finding the truth. Ken is involved in his own dealings with one of Bison’s supplies, he is used to get close to Bison to help locate the base of operations, while being one of the best fighters in the world.
Performances – Jean-Claude Van Damme is nowhere near his best in this role, he might handle the fighting, but everything else just looks out of place. Raul Julia is easily the best thing in this film, he is so wildly over the top you just want to see where he takes this character next. Ming-Na Wen does bring her character to life which is entertaining, though she seems to vanish for parts of the second half. We do get plenty of different characters from the history of the games, the performances are mixed as they look to bring these generic figures to life.
Story – The story follows the Allied Nations trying to bring down a tyrant trying to take over a country with his ludicrous demands, we see the favourite fighters from the game come into battle on both sides as they look to bring the end to the war for the country. This was one of the first attempts to bring a video game to life, we do get the characters, though as I am not a fan of the game, I can’t tell you how accurate the characters are. This isn’t a difficult story to follow, though it does feel like it wants to put all the favourite characters in scenes even if they aren’t always written strongly. This is however a good alcohol story because you can make a drinking game out of it.
Action/Comedy – The action in the film is countless numbers of fights, each fighter does have their own style, only for the scenes not being shot in the strongest style. This film does have comedy, though I am not sure if it is meant to be a comedy or not.
Settings – The film uses the typical locations with the secret base for the villain being a major part of the settings, it is filled with the gadgets you would expect to see from a video game style location.
Special Effects – The effects are low budget without being anything that will be remembered for being strong.
Scene of the Movie – The final showdown.
That Moment That Annoyed Me – Too many characters not getting enough time to shine.
Final Thoughts –This is the typical video game movie that just didn’t work, we have too many iconic characters that don’t get their time to shine which would only disappoint the fans of the game.
Overall: Disappointing video game movie.
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