Lee KM Pallatina (951 KP) rated Impact Wrestling in TV
Apr 5, 2020
Founded by Jeff and Jerry Jarrett in 2002, the company was known as TNA it was officially changed to IMPACT (the company's weekly named staple show) in 2018.
Beginning as NWA/TNA Total Nonstop Action being associated with the National Wrestling Alliance (NWA), though not as a merged promotion.
In 2004 the company dropped the NWA co. Branding & ran soley as TNA (Total Nonstop Action Wrestling, but continued to use the NWA World Heavyweight and Tag Team championships in agreement with the NWA.
2007 - Becoming their own
both parties parted ways and the company created the TNA World Heavyweight and TNA World Tag Team championships. The promotion was purchased by Anthem at the beginning of 2017 and, in March of that year, was fully rebranded under its current name after its main television series.
Falling on hard times -
From its inception, the promotion had been considered the second-largest in the United States behind WWE.
Impact was viewed by some to have fallen behind longtime rival Ring of Honor in 2017, with the loss of their U.S. television contract with Spike in 2014, as well as monetary and personnel issues, being noted as factors to their decline.
2017 - Anthem sports & entertainment purchase TNA!
January 4th 2017, Anthem sports announced they had bought Majority interest in TNA & had formed Anthem wrestling exhibitions LLC. Having already owned Fight Network, a 24/7 multiplatform service dedicated to complete coverage of combat sports, TNA was a perfect fit that was sure to attain more attention.
Soon after, the TNA name was dropped & the promotion would simply be known as IMPACT WRESTLING!
2018 - Rebirth
Impact has since made a fantastic recovery & although has not quite reached the height of it's earlier Glory days, it has sustained an international television distribution with Anthems majority purchase of AXS TV, which subsequently began carrying Impact programming.
Though, with the formation of All Elite Wrestling (AEW) that year, and that promotion's high-profile U.S television deal with TNT (which is seen in more households than AXS), Impact is still viewed as a smaller promotion by comparison.
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Gareth von Kallenbach (971 KP) rated Pacific Rim: Uprising (2018) in Movies
Jun 19, 2019
Looting and operating parts from the former combat giants is very illegal but with the massive payout from their parts, the lure is too great for Jake to ignore. This pursuit leads him into trouble and reluctantly paired with young scrapper Amari Namani (Cailee Spaeny). Jake gets a choice of prison or returning to train Jaeger pilots as he is the son of the late hero Stacker Pentecost (Idris Elba), and naturally has many unresolved issues of sharing the name of the beloved hero.
Figuring training a class beats jail, Jake agrees to teach Amara and a new class of Jaeger pilots with his former rival Nate Lambert (Scott Eastwood), and to say they still have issues with one another would be an understatement.
Despite this, training moves along as planned and Nate and Jake even work well enough to pilot a Jaeger at a ceremony that will usher in a new but controversial new age in protection for humanity.
When an unexpected threat arrives and causes mass devastation and chaos, Jake and Nate must get to the bottom of the threat. As their investigation moves along a massive threat is discovered which pits them and their untested recruits against a threat old and new which threatens to end humanity.
What follows is a FX laden finale where cities are laid waste to and massive combatants engage is a truly impressive visual spectacle
While “Pacific Rim: Uprising” does use a familiar plot threads, it does so in an engaging way. The film does have a very basic plot and does not delve too much into character development and leaves some of the threads it opened unresolved. What it does have is a good amount of action after a slower than expected buildup. The action is visually appealing and exciting and delivers a much better experience than the last few “Transformer” films did. The cast works well with one another and it was nice to see Charlie Day and others from the first film return as Day always makes his scenes engaging.
While you may have a sense of seeing much of this before in giant monster and robot films, it is done in an appealing way. There is much of the film that you can see was clearly included to make sure the film appeals to audiences in China and Japan but in the new global film market, it is vital for films to do well in those markets, and with a film based in the Asian Pacific Rim, it only makes sense to do this. Eastwood and Boyega work well with one another and the finale opens the door wide open for a third film that looks like it would extend the franchise by taking things in a new and exciting direction.
http://sknr.net/2018/03/21/pacific-rim-uprising/
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