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Darren (1599 KP) rated The Midnight Man (2016) in Movies
Oct 31, 2019
Characters – Chev Chelios somehow survives his mile high fall from the first film, he is given a new artificial heart which he must keep charged or he will die, he goes in search of his own heart which will see him go against another gang in LA, Eve now knows about Chev’s career, she has become a stripper and will supporting him trying to get his heart back. Doc Miles will do everything he can to help Chev giving him advice on how to keep his heart going. Venus is the brother of Kaylo who goes on to help Chev to get revenge for his own brother’s death. We have more gangs that are working against Chev this time, some return others are new.
Performances – Jason Statham does what he can with the leading role, he handles the action with ease, only he just doesn’t reach the same levels as before, this does affect the rest of the cast who do struggle to make an impact in this film.
Story – The story does follow the next chapter of Chev’s life, the one after he should have died, only for him to get a new chance which sees him needing to race against time to get his own heart back. This side is simple enough at does work for what the film is doing, Chev take on endless amounts of enemies, the problem here with the story is that we dive too much into the side characters of what is going on and end up getting too many completely random scenes which just seem offensive on too many levels. This story does end up becoming messy and just has one of the worst scripts out there.
Action/Crime – The action does try to become bigger, only for it to be shot in a style which doesn’t make it easy to connect. The criminal world does feel bigger, but now everything does seem more personal rather gang controlled.
Settings – The film remains set in LA which does continue to show the crazy gangs that are meant to operate in this city.
Special Effects – The effects do feel like they are being more ambitious, only for some to be so farfetched they only seem to make things look confusing, including an insulting looking Godzilla like fight.
Scene of the Movie – Final showdown.
That Moment That Annoyed Me – Godzilla like fight.
Final Thoughts – This is a wildly over the top sequel which only ends up becoming too much to handle for the crazy nature of everything going on.
Overall: Too wild.
Performances – Jason Statham does what he can with the leading role, he handles the action with ease, only he just doesn’t reach the same levels as before, this does affect the rest of the cast who do struggle to make an impact in this film.
Story – The story does follow the next chapter of Chev’s life, the one after he should have died, only for him to get a new chance which sees him needing to race against time to get his own heart back. This side is simple enough at does work for what the film is doing, Chev take on endless amounts of enemies, the problem here with the story is that we dive too much into the side characters of what is going on and end up getting too many completely random scenes which just seem offensive on too many levels. This story does end up becoming messy and just has one of the worst scripts out there.
Action/Crime – The action does try to become bigger, only for it to be shot in a style which doesn’t make it easy to connect. The criminal world does feel bigger, but now everything does seem more personal rather gang controlled.
Settings – The film remains set in LA which does continue to show the crazy gangs that are meant to operate in this city.
Special Effects – The effects do feel like they are being more ambitious, only for some to be so farfetched they only seem to make things look confusing, including an insulting looking Godzilla like fight.
Scene of the Movie – Final showdown.
That Moment That Annoyed Me – Godzilla like fight.
Final Thoughts – This is a wildly over the top sequel which only ends up becoming too much to handle for the crazy nature of everything going on.
Overall: Too wild.
The Art of Rogue One: A Star Wars Story
6.5
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This book is a visual chronicle of the Lucasfilm art department's creation of new worlds,...
Logan Eccles (135 KP) rated Godzilla: King of the Monsters (2019) in Movies
Oct 1, 2020 (Updated Oct 2, 2020)
Take it as it is, A MONSTER MOVIE!
First things first I've never been a huge Godzilla fan and I was not a fan of the 2014 predecessor of this film. I am however a fan of the monster movie genre. There is nothing like a big ol' dumb monster movie. They are a breath of fresh air, especially in today's world when everything has to connect and make sense, Id rather just watch a bunch of made-up monsters beat each other up!
So yes, like every other review on her says, the monster fights are great. And yes, the monsters look amazing! But no, the cast is dull. And the story is ok-ish. Is this film as fun as "Kong: Skull Island"? In my opinion, No. Am I excited for "Gozilla vs Kong? Absolutely! Two respective Kings going at each other. Sign me up!My suggestion to everyone interested in watching this film is this; don't get invested in the story, and don't try to read in between the lines. Watch it for the Monsters. Watch it for the fights. Take it as it is and don't try to make it into anything else. If you follow those guidelines you will enjoy this movie.
So yes, like every other review on her says, the monster fights are great. And yes, the monsters look amazing! But no, the cast is dull. And the story is ok-ish. Is this film as fun as "Kong: Skull Island"? In my opinion, No. Am I excited for "Gozilla vs Kong? Absolutely! Two respective Kings going at each other. Sign me up!My suggestion to everyone interested in watching this film is this; don't get invested in the story, and don't try to read in between the lines. Watch it for the Monsters. Watch it for the fights. Take it as it is and don't try to make it into anything else. If you follow those guidelines you will enjoy this movie.
Agents of Fortune: The Blue Oyster Cult Story
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Forty years in the business...six gold & platinum U.S. albums...classic songs like (Don'tFear) The...
Tapped by My Roommate (Thrust Into Love #3)
8.0
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Ethan Greene: Shy geek, newly bi-curious, and...propositioning his gay roommate? I have a passion...
Contemporary MM Romance Roommates Bi Awakening Geek Romance
LeftSideCut (3776 KP) rated Cloverfield (2008) in Movies
Aug 13, 2019 (Updated Aug 19, 2019)
Cloverfield is a rare beast - it's a genuinely quality movie experience, but another aspect that truly sets it apart is it's infamous marketing, which I'll talk about first.
I remember the trailer for Cloverfield debuting. A first person 'found footage' style camera angle, watching a group of people at a party, when suddenly, a distant explosion rocks the building. As they all head to the roof to see whats going on, flaming debris is hurled towards them. They run to the street just in time the see the Statue of Liberty's fricking torn off head slam to the street as screaming echoes all around and then the trailer ends with a release date. Not title or any further info. It was fantastic.
The internet lit up with rumours, from Godzilla to Pokemon (!?) as fake websites we're set up left and right, providing small clues to what was coming.
I went to see Cloverfield on release day, completely unsure of what I was about to see, and it was pretty awesome.
The film itself lived up to the hype for me, as New York is attacked by an unknown monster. It's tense and all of the then-unknown leads sell the panic and terror very well, in a post 9/11 world.
We are drip fed glimpses of the monster (there's one particular shot where they see it from a collapsing skyscraper that is really quite chilling) in a smart move that keeps you on the edge of your seat throughout.
The concept of 'found footage' isn't anything new in this day and age, but Cloverfield does something with it that feels fresh and thrilling.
The film ends rather abruptly, leaving you feeling like you've just been caught in stampede or something,
And ultimately leaves the audience with more questions than answers to the excellent marketing campaign.
It's different and deserves your attention.
I remember the trailer for Cloverfield debuting. A first person 'found footage' style camera angle, watching a group of people at a party, when suddenly, a distant explosion rocks the building. As they all head to the roof to see whats going on, flaming debris is hurled towards them. They run to the street just in time the see the Statue of Liberty's fricking torn off head slam to the street as screaming echoes all around and then the trailer ends with a release date. Not title or any further info. It was fantastic.
The internet lit up with rumours, from Godzilla to Pokemon (!?) as fake websites we're set up left and right, providing small clues to what was coming.
I went to see Cloverfield on release day, completely unsure of what I was about to see, and it was pretty awesome.
The film itself lived up to the hype for me, as New York is attacked by an unknown monster. It's tense and all of the then-unknown leads sell the panic and terror very well, in a post 9/11 world.
We are drip fed glimpses of the monster (there's one particular shot where they see it from a collapsing skyscraper that is really quite chilling) in a smart move that keeps you on the edge of your seat throughout.
The concept of 'found footage' isn't anything new in this day and age, but Cloverfield does something with it that feels fresh and thrilling.
The film ends rather abruptly, leaving you feeling like you've just been caught in stampede or something,
And ultimately leaves the audience with more questions than answers to the excellent marketing campaign.
It's different and deserves your attention.
Jesters_folly (230 KP) rated Monster Hunter (2020) in Movies
Jun 25, 2021
Contains spoilers, click to show
First off I'll start by saying that I've never played any of the Monster Hunter games so I went into this with no real point of reference.
For the most part I found 'Monster Hunter' a pretty average film, the story has been done many times before, a group of solders find themselves in another reality and try to find there way back. Excepted (Spoolers) most of the solders are killed off near the beginning and there is no explanation as to why Artemis (Milla Jovovich) comes back to life (or if there is it's a blink and miss it explanation), I'm guessing that this is something explained more in the games.
There is no real investigation to how they got there they just see a storm by a strange tower and figure that a storm brought them there so that must be the way back.
This all leads to there being almost no story, there are hints to back story's, Artemis keeps looking at a wedding ring, the Hunter (Tony Jaa) preys to icons of his (assumed) family and the Admiral (Ron Perlman) states that people from Artemis' world (earth) had been there before. But that's it, apart from one or to other one liners that's all the back story we get.
The essence of 'Monster hunter' is that it's a journey, mostly Artemis and the Hunter going from the dessert to the tower, but a journey with monsters. The monsters are part of what pushes the film (just) above average, TOHO were involved in the production of the film and, for those of you who don't know, TOHO were the people behind the original, Japanese, Godzilla monster and they have continued do monsters eve since so you know that, when they are involved the monsters are going to be more than just cannon fodder.
The other thing that raises the film up are the action scenes, especially the fights between Artemis and the Hunter.
If you have nothing better to do then maybe give 'Monster Hunter' a watch, just don't expect a master peace, there is nothing wrong with the film but I feel that I've seen it all before in other films.
For the most part I found 'Monster Hunter' a pretty average film, the story has been done many times before, a group of solders find themselves in another reality and try to find there way back. Excepted (Spoolers) most of the solders are killed off near the beginning and there is no explanation as to why Artemis (Milla Jovovich) comes back to life (or if there is it's a blink and miss it explanation), I'm guessing that this is something explained more in the games.
There is no real investigation to how they got there they just see a storm by a strange tower and figure that a storm brought them there so that must be the way back.
This all leads to there being almost no story, there are hints to back story's, Artemis keeps looking at a wedding ring, the Hunter (Tony Jaa) preys to icons of his (assumed) family and the Admiral (Ron Perlman) states that people from Artemis' world (earth) had been there before. But that's it, apart from one or to other one liners that's all the back story we get.
The essence of 'Monster hunter' is that it's a journey, mostly Artemis and the Hunter going from the dessert to the tower, but a journey with monsters. The monsters are part of what pushes the film (just) above average, TOHO were involved in the production of the film and, for those of you who don't know, TOHO were the people behind the original, Japanese, Godzilla monster and they have continued do monsters eve since so you know that, when they are involved the monsters are going to be more than just cannon fodder.
The other thing that raises the film up are the action scenes, especially the fights between Artemis and the Hunter.
If you have nothing better to do then maybe give 'Monster Hunter' a watch, just don't expect a master peace, there is nothing wrong with the film but I feel that I've seen it all before in other films.
Mike Wilder (20 KP) rated 2012 (2009) in Movies
May 30, 2018
As a disaster movie it doesn't get much better than this.
Contains spoilers, click to show
Roland Emmerich has done it again. He seems to get a kick out of bringing out humanities worst fears and putting them on screen in all its glory. After destroying a large part of the world in Independence Day: ID4, and trashing New York with Godzilla, he decides to go the rest of the way and change the face of the earth forever and in the process kill off most of humanity. What is the enemy this time? Aliens? Nope done that. Monsters? Nope also done that. Bad weather? Once again done that. What is left? I know lets have the sun spit out solar flares that heat up the earth's core and destabilize the planet! Whatever his problem with humanity is, it translates well on to film. This is an epic disaster movie. No part of the world is safe and there is no magic quick fix here.
The film itself is simple, massive destruction minimal plot. But in this case it really works. With amazing effects and a great cast that includes John Cusack, Thandie Newton, Oliver Platt, Danny Glover and the story is played out well and the acting is good. It is not too over the top except the stand out performance from the great Woody Harrelson. He is your go to guy when you are looking for crazy, and once again he pulls off the crazy guy effortlessly.
I really enjoyed this film and I think it has been given an unfairly hard time by critics and movie goers alike. I don't understand what people expected from this film. It is a disaster film not The Shawshank Redemption! I expected disaster and destruction and it exceeded my expectations. I didn't expect award winning performances by the actors (many of who are award nominees and winners), and I didn't expect a plot more complicated than oh s**t, we are going to die what can we do? Many viewers and critics must have forgotten the other films by Roland Emmerich when viewing this or they were comparing it to other films that were released at the same time. However I judge a film on its own merit and not comparing it to films that are in a different category. As a disaster movie it doesn't get much better than this.
The film itself is simple, massive destruction minimal plot. But in this case it really works. With amazing effects and a great cast that includes John Cusack, Thandie Newton, Oliver Platt, Danny Glover and the story is played out well and the acting is good. It is not too over the top except the stand out performance from the great Woody Harrelson. He is your go to guy when you are looking for crazy, and once again he pulls off the crazy guy effortlessly.
I really enjoyed this film and I think it has been given an unfairly hard time by critics and movie goers alike. I don't understand what people expected from this film. It is a disaster film not The Shawshank Redemption! I expected disaster and destruction and it exceeded my expectations. I didn't expect award winning performances by the actors (many of who are award nominees and winners), and I didn't expect a plot more complicated than oh s**t, we are going to die what can we do? Many viewers and critics must have forgotten the other films by Roland Emmerich when viewing this or they were comparing it to other films that were released at the same time. However I judge a film on its own merit and not comparing it to films that are in a different category. As a disaster movie it doesn't get much better than this.
Jesters_folly (230 KP) rated Love and Monsters (2021) in Movies
Apr 18, 2021
Contains spoilers, click to show
Love and monsters is quite a slow paced film about a journey and a character. Joel starts the film as a bit of a looser, he feels out of place and unneeded so he sets out to find the one person he thinks will appreciate him and, as he movers through the world he begins to find himself, a purpose and the meaning of family.
In some ways, Love and Monsters reminded me of 'Zombie land', we have some one who is just trying to find his place and his way in world that changed, he has to rely on the help of others whilst finding the right rules to help him survive. Of course the biggest difference is that there are monsters instead of Zombies.
Talking of the monsters, the effects are pretty good, the monsters are not all horrific and are pretty realistic. They help set the tone and pace in the film, providing threat, humour and atmosphere and it's nice to see that some of them just want to get on with their own lives.
Another thing that was nice to see was that (most of) the humans were also just trying to live, there weren't any 'Neagan's' or camps of overly aggressive thugs as you get used to seeing in a lot of post apocalyptic movies, which came as a bit as a surprise, I was expecting there to be something odd about the meeting between Joel and Aimee but, even though it doesn't necessarily go according to plan it still works out in a nice way.
And that's the thing, Love and Monsters is quite a nice film. The characters want to survive and even in a world populated by monsters that eat people the survivors find love and purpose, yes there are people who are just out for themselves, who are willing to steal and feed others to the monsters but they are in the minority.
The only really odd thing in this film are the Mav1s', there is not really anything to explain them.
Love and Monsters is no 'Godzilla', there are no monster v monster fights. and it's no 'A Quite Place' the monsters aren't necessarily hunting the survivors for anything other than food and this isn't a horror movie, it's a film about growth, love and family and man eating bugs.
In some ways, Love and Monsters reminded me of 'Zombie land', we have some one who is just trying to find his place and his way in world that changed, he has to rely on the help of others whilst finding the right rules to help him survive. Of course the biggest difference is that there are monsters instead of Zombies.
Talking of the monsters, the effects are pretty good, the monsters are not all horrific and are pretty realistic. They help set the tone and pace in the film, providing threat, humour and atmosphere and it's nice to see that some of them just want to get on with their own lives.
Another thing that was nice to see was that (most of) the humans were also just trying to live, there weren't any 'Neagan's' or camps of overly aggressive thugs as you get used to seeing in a lot of post apocalyptic movies, which came as a bit as a surprise, I was expecting there to be something odd about the meeting between Joel and Aimee but, even though it doesn't necessarily go according to plan it still works out in a nice way.
And that's the thing, Love and Monsters is quite a nice film. The characters want to survive and even in a world populated by monsters that eat people the survivors find love and purpose, yes there are people who are just out for themselves, who are willing to steal and feed others to the monsters but they are in the minority.
The only really odd thing in this film are the Mav1s', there is not really anything to explain them.
Love and Monsters is no 'Godzilla', there are no monster v monster fights. and it's no 'A Quite Place' the monsters aren't necessarily hunting the survivors for anything other than food and this isn't a horror movie, it's a film about growth, love and family and man eating bugs.
Lee (2222 KP) rated Colossal (2016) in Movies
Jul 26, 2017
Colossal is written and directed by Nacho Vigalondo, who also wrote and directed 2007’s Timecrimes. One of my favourite movies and probably the best movie about time travel that isn’t Back to the Future! So, I’d been looking forward to catching this, his latest movie, for a while now. Luckily, it didn’t disappoint.
Anne Hathaway is Gloria, a 30-something party girl whose life is in a serious downward spiral. Her boyfriend (an underused Dan Stevens) decides that enough is enough and kicks her out of his New York apartment. So, Gloria moves back to the quiet little town where she grew up and moves into her parents empty house in an attempt to try and rebuild her life. After a bad nights sleep on the bare floor (a nice running joke throughout the movie), she heads out to buy an inflatable mattress and on the way back is passed by Oscar (Jason Sudeikis) in his pickup truck, who pulls up and offers her a ride. It turns out that Oscar and Grace are old school friends and as they get talking about old times it transpires that things aren’t so great for Oscar these days either. He takes her to the bar he inherited from his father, only half renovated due to a lack of money, and later on offers Gloria a waitress job. Most of their time in the bar though seems to be spent after hours, drinking away the stock with a couple of other friends/barflies. Gloria is soon back to blacking out from drink and then waking up at some point the next day with vague memories of the night before.
And then one morning Gloria wakes to images on TV of a giant Godzilla-like creature which suddenly materialised and started rampaging through Seoul in South Korea. Furthermore, after a few more appearances by this creature, Gloria comes to the realisation that this creature somehow appears to be copying her movements! And a bit later on, a giant robot appears too!!
It’s difficult to elaborate on this part of the movie much further without going into serious spoiler territory. The whole idea sounds crazy, but it’s surprising just how quickly the whole concept just settles in and this remains primarily a movie about humans, our relationships and our inner demons. Hathaway and Sudeikis are at their best here, with Sudeikis progressing from his usual likeable slacker role into something much more darker and complex. Things become increasingly tense, culminating in a highly original and hugely satisfying final act which I absolutely loved. It’s truly amazing what’s been achieved here with such a low budget too, with only a few occasions where the effects appear a little shaky. Overall though, this is a smart must-see movie. Brilliant.
Anne Hathaway is Gloria, a 30-something party girl whose life is in a serious downward spiral. Her boyfriend (an underused Dan Stevens) decides that enough is enough and kicks her out of his New York apartment. So, Gloria moves back to the quiet little town where she grew up and moves into her parents empty house in an attempt to try and rebuild her life. After a bad nights sleep on the bare floor (a nice running joke throughout the movie), she heads out to buy an inflatable mattress and on the way back is passed by Oscar (Jason Sudeikis) in his pickup truck, who pulls up and offers her a ride. It turns out that Oscar and Grace are old school friends and as they get talking about old times it transpires that things aren’t so great for Oscar these days either. He takes her to the bar he inherited from his father, only half renovated due to a lack of money, and later on offers Gloria a waitress job. Most of their time in the bar though seems to be spent after hours, drinking away the stock with a couple of other friends/barflies. Gloria is soon back to blacking out from drink and then waking up at some point the next day with vague memories of the night before.
And then one morning Gloria wakes to images on TV of a giant Godzilla-like creature which suddenly materialised and started rampaging through Seoul in South Korea. Furthermore, after a few more appearances by this creature, Gloria comes to the realisation that this creature somehow appears to be copying her movements! And a bit later on, a giant robot appears too!!
It’s difficult to elaborate on this part of the movie much further without going into serious spoiler territory. The whole idea sounds crazy, but it’s surprising just how quickly the whole concept just settles in and this remains primarily a movie about humans, our relationships and our inner demons. Hathaway and Sudeikis are at their best here, with Sudeikis progressing from his usual likeable slacker role into something much more darker and complex. Things become increasingly tense, culminating in a highly original and hugely satisfying final act which I absolutely loved. It’s truly amazing what’s been achieved here with such a low budget too, with only a few occasions where the effects appear a little shaky. Overall though, this is a smart must-see movie. Brilliant.