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This was a fun, quirky, and cute graphic novel that I absolutely adored.
The charm of it was split fifty-fifty between the writing and the drawings. I don't know why, but I am obsessed with the character drawings from this novel! They are so cute and amazing and I love them.
I love how it was so successful as a web comic that Harper decided to turn it into print. Things like that make me feel all warm and fuzzy inside.
This comic had me straight out laughing out loud (to the point where my roommates thought something had gone wrong with me). I loved how Nimona had so much spunk and actually *minor spoiler* was more villainous than the actual villain of the story.
Speaking of, the relationship between Nimona and Blackhart was awesome! It was cool to see the father-daughter relationship as well as the villain-sidekick and overall besties vibe from the pair.
Goldenlion was fun, too. Even though he was the :hero" of the story, he was still able to see the good in Blackhart and question the Institution and their motives and actions.
I liked how this isn't really just one genre. It has elements of fantasy, science/tech, and medieval genres but also had a very modern take on certain parts. I have always wanted to read something set in a distant time period that also has a lot of modern aspects.
The story line was cute, but it also got really deep at times. It allows readers to start questioning their own country's "heroes" and Institutions. It also calls into question how far testing and militarization should be allowed to go.
Overall, I really enjoyed this fun and very quick read.
If anyone is in a reading slump or just need to get into a better mood, I definitely recommend this to you.
The charm of it was split fifty-fifty between the writing and the drawings. I don't know why, but I am obsessed with the character drawings from this novel! They are so cute and amazing and I love them.
I love how it was so successful as a web comic that Harper decided to turn it into print. Things like that make me feel all warm and fuzzy inside.
This comic had me straight out laughing out loud (to the point where my roommates thought something had gone wrong with me). I loved how Nimona had so much spunk and actually *minor spoiler* was more villainous than the actual villain of the story.
Speaking of, the relationship between Nimona and Blackhart was awesome! It was cool to see the father-daughter relationship as well as the villain-sidekick and overall besties vibe from the pair.
Goldenlion was fun, too. Even though he was the :hero" of the story, he was still able to see the good in Blackhart and question the Institution and their motives and actions.
I liked how this isn't really just one genre. It has elements of fantasy, science/tech, and medieval genres but also had a very modern take on certain parts. I have always wanted to read something set in a distant time period that also has a lot of modern aspects.
The story line was cute, but it also got really deep at times. It allows readers to start questioning their own country's "heroes" and Institutions. It also calls into question how far testing and militarization should be allowed to go.
Overall, I really enjoyed this fun and very quick read.
If anyone is in a reading slump or just need to get into a better mood, I definitely recommend this to you.
Eleanor (1463 KP) rated The Hiding Place / The Taking of Annie Thorne in Books
Jul 24, 2019
Supernatural small town horror meets twisty thriller
I listened to this book on an audio edition narrated by Richard Armitage who did a superb job of bringing the protagonist Joe Thorne to life. There is much of the dialog in this book that is interspersed with Joe’s own contradictory thoughts but I found it all so well narrated it flowed very enjoyably. Based in a part of the world I’m very familiar with the accent and attitudes (well written) all fitted perfectly.
Returning to his childhood home; the former mining town of Arnhill has few attractive qualities; and some very upsetting memories for Joe. As we learn about Joe’s past; which is still very present in Arnhill we get a cross between a creepy mystery horror story and flat out crime thriller. Annie Thorne was Joe’s sister, she disappeared at age eight and reappeared 48 hours later but was somehow different….. When he receives a mysterious note suggesting that history is repeating itself in Arnhill he is drawn back.
It’s dark and twisty tale full of easily pictured characters. Joe himself is far from a reliable narrator and even his true motives are less than clear. The story is well written with some very high standard dialogue that really pulls you into the setting. I can imagine the supernatural nature may be a put off to those just out for a solid mystery thriller but I don’t think it’s too in your face creepy horror. In fact I could have gone for more delving into the history and supernatural origins side of things. The more standard mystery and thriller side of the book has some interesting twists and turns and I give the book a general bump for the high quality audio adaptation I experienced.
Returning to his childhood home; the former mining town of Arnhill has few attractive qualities; and some very upsetting memories for Joe. As we learn about Joe’s past; which is still very present in Arnhill we get a cross between a creepy mystery horror story and flat out crime thriller. Annie Thorne was Joe’s sister, she disappeared at age eight and reappeared 48 hours later but was somehow different….. When he receives a mysterious note suggesting that history is repeating itself in Arnhill he is drawn back.
It’s dark and twisty tale full of easily pictured characters. Joe himself is far from a reliable narrator and even his true motives are less than clear. The story is well written with some very high standard dialogue that really pulls you into the setting. I can imagine the supernatural nature may be a put off to those just out for a solid mystery thriller but I don’t think it’s too in your face creepy horror. In fact I could have gone for more delving into the history and supernatural origins side of things. The more standard mystery and thriller side of the book has some interesting twists and turns and I give the book a general bump for the high quality audio adaptation I experienced.
LeftSideCut (3778 KP) rated Scream 4 (2011) in Movies
Nov 12, 2020
11 years after Scream 3 "graced" cinema screens, Wes Craven returned to his meta horror series in an era where the genre had gone into full remake mode.
I'm not convinced that Scream 4 needs to exist, especially after the underwhelming way the third film closed out the original trilogy, but this entry is definitely a step up.
The Meta side of things is again a little over the top, but it's good to see Ghostface in a more modern setting. This Ghostface is brutal as well, and Scream 4 is arguably the goriest of the franchise, making it's iconic masked antagonist more intimidating than ever.
The returning cast are back again - Neve Campbell, Courtney Cox, and David Arquette - and have somehow survived all of the Scream movies - as per usual, it feels like a homecoming with them in tow. It's not often in horror you have one person make it this far, let alone three. It gives the series a uniqueness that I can appreciate.
The new characters are all written like typical cannon fodder slasher victims but they all serve there purpose well. Hayden Panittiere is a welcome addition, and it's nice to see Anthony Anderson in a pre Black-ish role.
The plot is so so. It's all ground that has been relentlessly trodden by this point, but it still works. Sidney is back in town. People start getting stabbed. Everyone is a suspect. Rinse and repeat.
The killer reveal in this one isn't too shoddy either, and makes more sense that the reveals in Scream 2 and 3, and there's a lot of direct homage to the first movie in how it's all executed (coming round full circle to the remake commentary)
All in all, Scream 4 is a bucket load of fun, even if it doesn't quite hit the heights if the original. It will be interesting to see how the upcoming sequel will turn out following Craven's death, but I have the feeling it won't quite be the same. Long live Wes Craven!
I'm not convinced that Scream 4 needs to exist, especially after the underwhelming way the third film closed out the original trilogy, but this entry is definitely a step up.
The Meta side of things is again a little over the top, but it's good to see Ghostface in a more modern setting. This Ghostface is brutal as well, and Scream 4 is arguably the goriest of the franchise, making it's iconic masked antagonist more intimidating than ever.
The returning cast are back again - Neve Campbell, Courtney Cox, and David Arquette - and have somehow survived all of the Scream movies - as per usual, it feels like a homecoming with them in tow. It's not often in horror you have one person make it this far, let alone three. It gives the series a uniqueness that I can appreciate.
The new characters are all written like typical cannon fodder slasher victims but they all serve there purpose well. Hayden Panittiere is a welcome addition, and it's nice to see Anthony Anderson in a pre Black-ish role.
The plot is so so. It's all ground that has been relentlessly trodden by this point, but it still works. Sidney is back in town. People start getting stabbed. Everyone is a suspect. Rinse and repeat.
The killer reveal in this one isn't too shoddy either, and makes more sense that the reveals in Scream 2 and 3, and there's a lot of direct homage to the first movie in how it's all executed (coming round full circle to the remake commentary)
All in all, Scream 4 is a bucket load of fun, even if it doesn't quite hit the heights if the original. It will be interesting to see how the upcoming sequel will turn out following Craven's death, but I have the feeling it won't quite be the same. Long live Wes Craven!
Kevin Wilson (179 KP) rated the PlayStation 4 version of Soma in Video Games
Jul 13, 2018
Interesting concept and story (3 more)
Good length
Creepy atmosphere
Amazing world
Bad AI (2 more)
Awkward acting and diologue
Slow parts
Great game, a few flaws
Contains spoilers, click to show
This is a great game, I loved it but there were a few flaws that knocked the rating down sadly.
First off the concept, story and world were by far the best parts of the game. It lasted me around 10 hours and I wanted to keep coming back to it.
The idea to transfer consciousness to robot has fascinated me for a long time. It's not new, it's been talked about for a long time and this game shows it in a very interesting way.
Basically you have a brain scan. Your creating a digital copy of yourself and that is being transferred into the robot. So it doesn't matter if it's 1 year or 100 years later you will have the brain scan and then wake up in a robot because this version of you is from that moment the brain scan took place (stay with me haha) which means the original "you" could have gone on to live 50 more years for all we know.
It's intriguing but also a scary thought because it does beg the question, is this version actually you? It's a copy so surely it's not you conscious?
So obviously we meet our protagonist, Simon who is suffering a brain injury and goes for a brain scan. He doesnt know what the brain scan is intended for so he is immediately woken up in the far future and feeling very confused and this could have been a very interesting story about him descending into madness and insanity as he begins to realise what he has now become. However this falls flat and when he does find out the truth he is quickly accepting and calm about it all. It wasn't very believable and could have done so much more with it.
There is a 2nd character you meet, Catherine who turns out to be a machine who then gets transfer into your omnitool so you assume will be a constant companion and will talk to you constantly as you walk about. However this is not the case as she only talks when plugged into a console which was too few for my liking. Her acting and diologue also felt too emotionless and wooden which could have been intentional and gradually made her out to be obsessive and manipulative and this would have further showed that if they had her talking as you walked about. But again this was not the case, the game is predictable which was disappointing. The ending was predictable despite a few twists but I still liked it.
The AI was very confusing. I didn't understand what the rules were. Was it attracted to light, movement or sound? It was very unpredictable but thankfully the developer updated the game to add a safe mode which keeps everything the same, and still keeps the creepiness but removes the ability for enemies to harm you which did make the game more enjoyable. Plus trophies still unlock on that mode for those completionests.
Overall game was too good to not play thanks to story and the concept behind it. I loved learning about the world through recordings and terminal. I'd love to learn more in a sequel or prequel but with different characters and location. The atmosphere felt creepy and clostophobic at times. But gameplay was generic. Walk to here, open this door, use this terminal.
I do recommend anyone playing it but the lack of collectibles and multiple endings doesn't give good replayability.
First off the concept, story and world were by far the best parts of the game. It lasted me around 10 hours and I wanted to keep coming back to it.
The idea to transfer consciousness to robot has fascinated me for a long time. It's not new, it's been talked about for a long time and this game shows it in a very interesting way.
Basically you have a brain scan. Your creating a digital copy of yourself and that is being transferred into the robot. So it doesn't matter if it's 1 year or 100 years later you will have the brain scan and then wake up in a robot because this version of you is from that moment the brain scan took place (stay with me haha) which means the original "you" could have gone on to live 50 more years for all we know.
It's intriguing but also a scary thought because it does beg the question, is this version actually you? It's a copy so surely it's not you conscious?
So obviously we meet our protagonist, Simon who is suffering a brain injury and goes for a brain scan. He doesnt know what the brain scan is intended for so he is immediately woken up in the far future and feeling very confused and this could have been a very interesting story about him descending into madness and insanity as he begins to realise what he has now become. However this falls flat and when he does find out the truth he is quickly accepting and calm about it all. It wasn't very believable and could have done so much more with it.
There is a 2nd character you meet, Catherine who turns out to be a machine who then gets transfer into your omnitool so you assume will be a constant companion and will talk to you constantly as you walk about. However this is not the case as she only talks when plugged into a console which was too few for my liking. Her acting and diologue also felt too emotionless and wooden which could have been intentional and gradually made her out to be obsessive and manipulative and this would have further showed that if they had her talking as you walked about. But again this was not the case, the game is predictable which was disappointing. The ending was predictable despite a few twists but I still liked it.
The AI was very confusing. I didn't understand what the rules were. Was it attracted to light, movement or sound? It was very unpredictable but thankfully the developer updated the game to add a safe mode which keeps everything the same, and still keeps the creepiness but removes the ability for enemies to harm you which did make the game more enjoyable. Plus trophies still unlock on that mode for those completionests.
Overall game was too good to not play thanks to story and the concept behind it. I loved learning about the world through recordings and terminal. I'd love to learn more in a sequel or prequel but with different characters and location. The atmosphere felt creepy and clostophobic at times. But gameplay was generic. Walk to here, open this door, use this terminal.
I do recommend anyone playing it but the lack of collectibles and multiple endings doesn't give good replayability.
Phillip McSween (751 KP) rated The Hunt for Red October (1990) in Movies
Jul 15, 2020
Boring
I spent a minute trying to figure out a logline for this movie and I couldn’t quite get a grasp on how to put it into words. Something about a submarine led by a defective Soviet commander headed for American soil and special agent Jack Ryan (Alec Baldwin) having to hunt him down. That’s the best I can do.
Acting: 10
Performances were strong across the board and is not where the movie fell flat in the slightest. Alec Baldwin delivers as Ryan with a sharp charisma that makes the movie just slightly more bearable. I was also impressed with Sean Connery’s role as villain Marko Ramius. Definitely the type of guy you love to hate and Connery did a solid job of bringing him to life.
Beginning: 8
Wasn’t 100% bought in after the first ten minutes, but enough happened to make me want to watch more. While I have seen way better movies in my day, I have definitely seen way worse beginnings too. It gives you a bit of story while creating excitement and intrigue for the story.
Characters: 5
The acting was fine. The characters, on the other hand, bored the absolute hell out of me. None of their storylines or backgrounds compelled me to ultimately care about the story as a whole. How many times have I said bad characters breed bad movies? Couldn’t be truer here.
Cinematography/Visuals: 5
This movie relies a lot on smoke and mirrors. First you see a submarine, then it disappears. You see a missile, then it’s gone. After awhile the parlor trick gets old and so does the story. It felt like their action sequences suffered from a lower budget.
Conflict: 5
The action was mediocre at best. For this to be a movie about dueling submarines, there certainly aren’t a lot of dueling submarines. I can’t think of a better way to say this: This movie is really boring. There is way too much close-quarters talk and not enough actually happening.
Entertainment Value: 6
For every solid moment The Hunt For Red October brings, it gives you more scenes of people just sitting around discussing strategy. The high points were few and far between. It’s not a total dumpster fire, but I was certainly hoping for more.
Memorability: 4
Pace: 2
Plot: 10
Resolution: 2
Overall: 57
Contrary to what you might think, I hate shitting on movies. Sometimes, as is the case for The Hunt For Red October, it’s unavoidable. With such a stellar cast, I was hoping for more.
Acting: 10
Performances were strong across the board and is not where the movie fell flat in the slightest. Alec Baldwin delivers as Ryan with a sharp charisma that makes the movie just slightly more bearable. I was also impressed with Sean Connery’s role as villain Marko Ramius. Definitely the type of guy you love to hate and Connery did a solid job of bringing him to life.
Beginning: 8
Wasn’t 100% bought in after the first ten minutes, but enough happened to make me want to watch more. While I have seen way better movies in my day, I have definitely seen way worse beginnings too. It gives you a bit of story while creating excitement and intrigue for the story.
Characters: 5
The acting was fine. The characters, on the other hand, bored the absolute hell out of me. None of their storylines or backgrounds compelled me to ultimately care about the story as a whole. How many times have I said bad characters breed bad movies? Couldn’t be truer here.
Cinematography/Visuals: 5
This movie relies a lot on smoke and mirrors. First you see a submarine, then it disappears. You see a missile, then it’s gone. After awhile the parlor trick gets old and so does the story. It felt like their action sequences suffered from a lower budget.
Conflict: 5
The action was mediocre at best. For this to be a movie about dueling submarines, there certainly aren’t a lot of dueling submarines. I can’t think of a better way to say this: This movie is really boring. There is way too much close-quarters talk and not enough actually happening.
Entertainment Value: 6
For every solid moment The Hunt For Red October brings, it gives you more scenes of people just sitting around discussing strategy. The high points were few and far between. It’s not a total dumpster fire, but I was certainly hoping for more.
Memorability: 4
Pace: 2
Plot: 10
Resolution: 2
Overall: 57
Contrary to what you might think, I hate shitting on movies. Sometimes, as is the case for The Hunt For Red October, it’s unavoidable. With such a stellar cast, I was hoping for more.
Hazel (2934 KP) rated The Coffinmaker's Garden (Ash Henderson #3) in Books
Jan 17, 2021
I realise that starting to read a series on book 3 is probably not the best idea but having previously read and enjoyed some of Stuart MacBride's Logan McRae series, I thought what the heck and I certainly wasn't disappointed in the slightest and would definitely say this works as a standalone.
What we have here are 2 investigations that are equally disturbing and upsetting - a serial killer who has gone undetected for decades and a child killer who is refining his modus operandi with each innocent life he takes. Ash, in his role as consultant, is involved in both.
The characters are great - Ash, Alice, Mother, Shifty, DS Franklin and even Henry - all of them in fact, some may be a tad OTT or stereotypical but all had their place and their own little quirks which made them believable. The various settings were really well written with the scenes being so well written that they invoked sounds and smells that put me right there.
The book is written mainly from Ash's point of view. He can be a cynical and grumpy so-and-so and definitely doesn't do things by the books and does have questionable decision-making skills at times, but he definitely grew on me; I think it was his dark sense of humour that did it but also his aversion to authority who have been so far removed from the job that they haven't got a clue helped a bit ... oh and the fact that he certainly gets put through the wringer by Mr MacBride during his investigation and from what has obviously gone on in the previous books in the series, which might have had something to do with it too!
With the story lines being as dark as they are, you might think this is a dark and depressing read but fear not, this is not the case at all. Yes, as you can imagine, it's not a laugh a minute and there is quite a lot of violence throughout but there are plenty of lighter moments that will have you laughing out loud. You do have to suspend reality for some parts of the book as there are bits that are a little unbelievable but if you can't do this in a work of fiction, when can you? and it certainly didn't spoil my reading experience.
All in all, a really great book and one I would highly recommend to those of you who love their crime thrillers dark both in the plot and the humour.
Thanks to HarperCollins / HarperFiction and NetGalley for my copy in exchange for an honest, unbiased and unedited review.
What we have here are 2 investigations that are equally disturbing and upsetting - a serial killer who has gone undetected for decades and a child killer who is refining his modus operandi with each innocent life he takes. Ash, in his role as consultant, is involved in both.
The characters are great - Ash, Alice, Mother, Shifty, DS Franklin and even Henry - all of them in fact, some may be a tad OTT or stereotypical but all had their place and their own little quirks which made them believable. The various settings were really well written with the scenes being so well written that they invoked sounds and smells that put me right there.
The book is written mainly from Ash's point of view. He can be a cynical and grumpy so-and-so and definitely doesn't do things by the books and does have questionable decision-making skills at times, but he definitely grew on me; I think it was his dark sense of humour that did it but also his aversion to authority who have been so far removed from the job that they haven't got a clue helped a bit ... oh and the fact that he certainly gets put through the wringer by Mr MacBride during his investigation and from what has obviously gone on in the previous books in the series, which might have had something to do with it too!
With the story lines being as dark as they are, you might think this is a dark and depressing read but fear not, this is not the case at all. Yes, as you can imagine, it's not a laugh a minute and there is quite a lot of violence throughout but there are plenty of lighter moments that will have you laughing out loud. You do have to suspend reality for some parts of the book as there are bits that are a little unbelievable but if you can't do this in a work of fiction, when can you? and it certainly didn't spoil my reading experience.
All in all, a really great book and one I would highly recommend to those of you who love their crime thrillers dark both in the plot and the humour.
Thanks to HarperCollins / HarperFiction and NetGalley for my copy in exchange for an honest, unbiased and unedited review.
Debbiereadsbook (1110 KP) rated Diablo (The Gifted Ones #2) in Books
Apr 11, 2019
Far darker a read, but brilliant!
FREE, March 2019
We met the legend of Diablo in book one, Frostbite, but you don’t need to have read THAT book for this one to make sense. It would benefit you to, though. You need to know about this pack and how it works and how they look after their own.
Years ago, Antonio, a jaguar shifter and mage, made an angry decision, and it cost him. Now unable to channel his anger into anything other than fire, he is the legend Diablo, a far more dangerous one than Frostbite would ever be. But a single glance all those years ago also cost him. It cost him the price of his soul, because a gaze into the eyes of a child made Diablo see, SEE what he has become and how he does NOT want to be. That child was Trace, a wolf shifter, and Diablo had just slaughtered his whole village. Trace and his brother Casey managed to escape. But now, their past has come back, not as the devil, but as an angel who keeps saving Trace, who Trace now knows as his mate. Can the pack accept Antonio, even if Trace will have him? Can Antonio keep his anger at bay, or will he be consumed by his own flames?
I love a bad boy turned good, I really do, and Antonio is the epitome of the bad boy turned good! I loved this one!
A far DARKER read than Frostbite, this one. Here’s why. While Frostbite KNEW what he was doing when he killed, he did it in self-defence. Diablo, however, does NOT know why he did what he did. He blacks out, coming to only when his fire has died out, and his anger gone. He doesn’t remember killing all those people, and the poor cat carries a LOT of souls on his shoulders that he has no recollection of.
But he’s trying, he really is. Not only for Trace, but for him own soul. He does not want to be like this anymore, he wants to be free of the all consuming rage, and fire that has been his life for four hundred years. Forces are working against him though, and it takes a visit from a psychic, Remy, to dig deep into Antonio’s mind, and for TRACE to visit deep into Antonio’s mind, for Antonio to finally be free.
There is a lot of other stuff happening here too. Cyrus has his baby. A friend from Cyrus’ past causes . . problems . . (for want of a better word!) for Tobias and Bruno, the pack Beta. Those two have their work cut out for them with Tim, they really do. Their 3 way book is next. We also get just what Tobias is, and what that means for the pack, for Tim and his child and any future children there might be with Tobias. Typing this up, I’m also questioning who might be paired with Remy now he’s decided to stay with the pack. Todd also gets a book. OHHHHHHHHHHHHHH! Maybe I’m putting two and two together and getting five, but who cares!
Will there be an earth and air type mage/shifter? I dunno, don’t really mind who or what comes next, but I WILL be reading them!
5 stars
**same worded review will appear elsewhere**
We met the legend of Diablo in book one, Frostbite, but you don’t need to have read THAT book for this one to make sense. It would benefit you to, though. You need to know about this pack and how it works and how they look after their own.
Years ago, Antonio, a jaguar shifter and mage, made an angry decision, and it cost him. Now unable to channel his anger into anything other than fire, he is the legend Diablo, a far more dangerous one than Frostbite would ever be. But a single glance all those years ago also cost him. It cost him the price of his soul, because a gaze into the eyes of a child made Diablo see, SEE what he has become and how he does NOT want to be. That child was Trace, a wolf shifter, and Diablo had just slaughtered his whole village. Trace and his brother Casey managed to escape. But now, their past has come back, not as the devil, but as an angel who keeps saving Trace, who Trace now knows as his mate. Can the pack accept Antonio, even if Trace will have him? Can Antonio keep his anger at bay, or will he be consumed by his own flames?
I love a bad boy turned good, I really do, and Antonio is the epitome of the bad boy turned good! I loved this one!
A far DARKER read than Frostbite, this one. Here’s why. While Frostbite KNEW what he was doing when he killed, he did it in self-defence. Diablo, however, does NOT know why he did what he did. He blacks out, coming to only when his fire has died out, and his anger gone. He doesn’t remember killing all those people, and the poor cat carries a LOT of souls on his shoulders that he has no recollection of.
But he’s trying, he really is. Not only for Trace, but for him own soul. He does not want to be like this anymore, he wants to be free of the all consuming rage, and fire that has been his life for four hundred years. Forces are working against him though, and it takes a visit from a psychic, Remy, to dig deep into Antonio’s mind, and for TRACE to visit deep into Antonio’s mind, for Antonio to finally be free.
There is a lot of other stuff happening here too. Cyrus has his baby. A friend from Cyrus’ past causes . . problems . . (for want of a better word!) for Tobias and Bruno, the pack Beta. Those two have their work cut out for them with Tim, they really do. Their 3 way book is next. We also get just what Tobias is, and what that means for the pack, for Tim and his child and any future children there might be with Tobias. Typing this up, I’m also questioning who might be paired with Remy now he’s decided to stay with the pack. Todd also gets a book. OHHHHHHHHHHHHHH! Maybe I’m putting two and two together and getting five, but who cares!
Will there be an earth and air type mage/shifter? I dunno, don’t really mind who or what comes next, but I WILL be reading them!
5 stars
**same worded review will appear elsewhere**
Brea Lowther (26 KP) rated Everything, Everything in Books
Feb 5, 2018
Pleasantly Surprised
Contains spoilers, click to show
I read quite a bit. Young Adult is a genre that is really hit or miss with me. I wasn't expecting to have a very strong feeling for this book, but I was wrong, and pleasantly surprised. I initially read this, because I'm very much a "must read the book before watching the movie" person. I picked it up because it had been sitting on my "too read" shelf for far too long. I breezed through it because it wasn't a tough read, and it kept me hooked throughout.
The big shock came to me in it's unpredictable predictability. That sounds insane, so let me explain. As soon as you meet Madeline, you learn that she's been locked in her controlled environment most of her life because she has a rare disease called SCID. She gives the basic layout of her diagnosis, life of isolation, and the cute boy next door. She soon begins to question everything.
This is the point of the book, very early on, where I begin to think "Mom probably has Munchausen by Proxy," which is the mental disorder where, for lack of fancy medical knowledge and terms, your make your child or other person close to you sick on purpose to gain sympathy, or because you honestly convince yourself they are sick.
As I read a little more, and Maddy meets, and subsequently falls in love with Olly, I start to realize that I may be jumping to conclusions too soon. After all, this is a young adult novel, not a Gillian Flynn mystery.
When we come to the part of the great escape, Madeline's awakening, her most dangerous adventure, out of the controlled world she knows, I am not surprised to see her get very sick, and have to go to the hospital where she comes close to death.
She hits a period of depression, realizes that she can't see Olly anymore, and breaks his, and her own heart. BUT WAIT! She receives a letter from her doctor in Hawaii who tells her she doesn't have SCID, and her world comes crashing down.
She has to confront her mother, and decide what steps to take to finally start a life that was stolen from her.
I was pleasantly surprised to be tricked out of thinking I guessed the plot, and then thrown for a curve when I was right all along. Aside from that gem, this book did a great job of displaying an outsider's view on domestic violence, and her influencing Olly to have his mom leave. It wasn't your run of the mill teen love story. It showed the bitter betrayal that sometimes happens at the hands of the people who are supposed to love and protect you the most. It showed different mental conditions in different lights. It could've gone into more detail, but just shedding some light in a world where having a sick brain is so taboo is a tremendous feat.
This book was executed simply, and done very well. I am glad I finally read it, and would recommend it to anyone looking for a quick, yet emotional read.
The big shock came to me in it's unpredictable predictability. That sounds insane, so let me explain. As soon as you meet Madeline, you learn that she's been locked in her controlled environment most of her life because she has a rare disease called SCID. She gives the basic layout of her diagnosis, life of isolation, and the cute boy next door. She soon begins to question everything.
This is the point of the book, very early on, where I begin to think "Mom probably has Munchausen by Proxy," which is the mental disorder where, for lack of fancy medical knowledge and terms, your make your child or other person close to you sick on purpose to gain sympathy, or because you honestly convince yourself they are sick.
As I read a little more, and Maddy meets, and subsequently falls in love with Olly, I start to realize that I may be jumping to conclusions too soon. After all, this is a young adult novel, not a Gillian Flynn mystery.
When we come to the part of the great escape, Madeline's awakening, her most dangerous adventure, out of the controlled world she knows, I am not surprised to see her get very sick, and have to go to the hospital where she comes close to death.
She hits a period of depression, realizes that she can't see Olly anymore, and breaks his, and her own heart. BUT WAIT! She receives a letter from her doctor in Hawaii who tells her she doesn't have SCID, and her world comes crashing down.
She has to confront her mother, and decide what steps to take to finally start a life that was stolen from her.
I was pleasantly surprised to be tricked out of thinking I guessed the plot, and then thrown for a curve when I was right all along. Aside from that gem, this book did a great job of displaying an outsider's view on domestic violence, and her influencing Olly to have his mom leave. It wasn't your run of the mill teen love story. It showed the bitter betrayal that sometimes happens at the hands of the people who are supposed to love and protect you the most. It showed different mental conditions in different lights. It could've gone into more detail, but just shedding some light in a world where having a sick brain is so taboo is a tremendous feat.
This book was executed simply, and done very well. I am glad I finally read it, and would recommend it to anyone looking for a quick, yet emotional read.
Sarah (7798 KP) rated Sonic the Hedgehog (2020) in Movies
Dec 22, 2020
Not as bad as expected
Sonic the Hedgehog is a legend, a gaming institution, and adapting him for the big screen was always going to be a tall order. This was proved when the trailer for this 2020 release first dropped in 2019 - the original appearance of Sonic faced such outcry and derision that studio Paramount did the unexpected and completely overhauled Sonic's looks. The result in the final film released in February of this year is a character that looks very much like the Sonic we know and love, but in a storyline and film that is sadly rather lacking.
Sonic the Hedgehog was directed by Jeff Fowler and stars James Marsden and Jim Carrey as the humans, with Ben Schwartz voicing the animated Sonic. The plot unfortunately is the entirely predictable buddy story you'd expect when a CGI character gets thrown into the real world - Sonic befriends a human, experiences all the fun earth has to offer before being hunted by an evil villain, and at the end everyone learns the value of friendship. So far, so generic and for me this was the biggest disappointment about this entire film. The script, the plot, the animation, it was all just so average.
Having seen the surprisingly good Detective Pikachu the previous year, which managed to seamlessly blend the real world with animated characters in a better than average story, I'd hoped Sonic would follow in the same vein but I'm sad to say it didn't. Yes Sonic looks a million times better than he did initially (the teeth in the original version are the stuff of nightmares), but he still looks too animated and cartoonish for the real world. The Pokémon in Warner Bros' film looked real, but Sonic just looks out of place. He isn't helped with Ben Schwartz's rather unconvincing voice which feels ill-fitting too, personally I think they should've done a Pikachu and Ryan Reynolds and gone with a completely outlandish OTT voice. It's a shame as the rest of the scenery and action based CGI are actually quite good, although the slow motion scenes have been done before and so much better (X-Men: Days of Future Past).
To be fair, despite a sometimes dodgy script, the human cast do at least do their best. James Marsden has surprisingly good chemistry with an animated hedgehog, although it's Jim Carrey as Dr Robotnik that steals the show. Whilst his Robotnik isn't quite the rounded Eggman of the games, Carrey's performance is wonderfully wacky, sinister and completely over the top, and is responsible for virtually all of the laughs here. He's having an absolute whale of a time and this really draws us in as viewers and makes us have fun too. He's the Carrey we know from the 90s, his performance so akin to those of Ace Ventura and The Mask that you can't help but love the exaggerated show he gives here.
Paramount has also done a good job of including some nostalgic nods to the games, from the gold rings in the opening Paramount logo to Sonic's red sneakers. Even the final battle between Sonic and Robotnik had me squealing with joy at how much it reminded me of the actions you undertake to defeat the boss battles. There are some aspects of the games that are missing, most noticeably the Badniks (Robotnik's creature like robots) and Sonic's friends, who have sadly been left for a blatant sequel baiting end credits scene for a sequel we may never see. I also found Robotnik's machines and vehicles to be a little too technologically advanced and was disappointed not to see some that were more reminiscent of the wacky contraptions from the games.
This adaptation of Sonic the Hedgehog isn't the best, and to be frank it could have been done so much better. That said, it still held my attention for its 100min run time and could never be called dull, even if it was a little too puerile to be anything better than average.
Sonic the Hedgehog was directed by Jeff Fowler and stars James Marsden and Jim Carrey as the humans, with Ben Schwartz voicing the animated Sonic. The plot unfortunately is the entirely predictable buddy story you'd expect when a CGI character gets thrown into the real world - Sonic befriends a human, experiences all the fun earth has to offer before being hunted by an evil villain, and at the end everyone learns the value of friendship. So far, so generic and for me this was the biggest disappointment about this entire film. The script, the plot, the animation, it was all just so average.
Having seen the surprisingly good Detective Pikachu the previous year, which managed to seamlessly blend the real world with animated characters in a better than average story, I'd hoped Sonic would follow in the same vein but I'm sad to say it didn't. Yes Sonic looks a million times better than he did initially (the teeth in the original version are the stuff of nightmares), but he still looks too animated and cartoonish for the real world. The Pokémon in Warner Bros' film looked real, but Sonic just looks out of place. He isn't helped with Ben Schwartz's rather unconvincing voice which feels ill-fitting too, personally I think they should've done a Pikachu and Ryan Reynolds and gone with a completely outlandish OTT voice. It's a shame as the rest of the scenery and action based CGI are actually quite good, although the slow motion scenes have been done before and so much better (X-Men: Days of Future Past).
To be fair, despite a sometimes dodgy script, the human cast do at least do their best. James Marsden has surprisingly good chemistry with an animated hedgehog, although it's Jim Carrey as Dr Robotnik that steals the show. Whilst his Robotnik isn't quite the rounded Eggman of the games, Carrey's performance is wonderfully wacky, sinister and completely over the top, and is responsible for virtually all of the laughs here. He's having an absolute whale of a time and this really draws us in as viewers and makes us have fun too. He's the Carrey we know from the 90s, his performance so akin to those of Ace Ventura and The Mask that you can't help but love the exaggerated show he gives here.
Paramount has also done a good job of including some nostalgic nods to the games, from the gold rings in the opening Paramount logo to Sonic's red sneakers. Even the final battle between Sonic and Robotnik had me squealing with joy at how much it reminded me of the actions you undertake to defeat the boss battles. There are some aspects of the games that are missing, most noticeably the Badniks (Robotnik's creature like robots) and Sonic's friends, who have sadly been left for a blatant sequel baiting end credits scene for a sequel we may never see. I also found Robotnik's machines and vehicles to be a little too technologically advanced and was disappointed not to see some that were more reminiscent of the wacky contraptions from the games.
This adaptation of Sonic the Hedgehog isn't the best, and to be frank it could have been done so much better. That said, it still held my attention for its 100min run time and could never be called dull, even if it was a little too puerile to be anything better than average.
Chris Sawin (602 KP) rated Gozu (2003) in Movies
Jun 21, 2019
Minami is stuck in a rather peculiar situation. Both him and his closest friend, Ozaki, are members of the Azamawari Crew. Their boss orders Minami to take Ozaki out of the picture. Rumors are swirling about how crazy Ozaki has become, as of late. He claimed a chihuahua was a "yakuza attack dog" and that a random car that happened to be behind them at the time was a "yakuza attack car." When Minami accidentally kills Ozaki before they reach the actual destination for Ozaki's "dismissal," he thinks that things can't get any worse. That is until he reaches the inn where everyone seems to be acting unusual and Ozaki's body disappears.
Now on a quest to find where Ozaki has gone, Minami must deal with the bizarre individuals along the way like the innkeeper who shares her breast milk secrets, the white faced man who seems a little to eager to help him on his quest, and then there's that cow-headed creature that shows up in his room late one night. Minami soon realizes that his quest for his lost friend will not only be a long one, but a perplexing one as well.
Let's just say that if you're familiar with Takashi Miike's previous work like Ichi the Killer, Audition, and the banned from TV Masters of Horror episode, "Imprint," that Gozu fits in quite well with Miike's reputation. Gozu reels you in with the opening scene and then seems to snowball as the film goes on. It seems to dawdle through its duration as its weird individuals and events begin to pile up. A particular scene from The Shining ran through my mind throughout the film. The bear costume fellatio sequence. The Shining is known for being bizarre and unsettling and that is a perfect description of Gozu from the opening minutes of the film until the credits roll.
This is also the second film of Miike's involving breast milk that I've had the pleasure of seeing. He must associate that with weirdness or something, which it is. It's not necessarily something that sounds appealing, but once it starts happening it winds up being too horrifying and too unusual to turn away from. Seeing how far Miike is willing to push ideas in his films is one of the reasons people find his films enjoyable. That and originality. Despite the strangeness found in his films, finding something similar to his work is practically impossible. Originality is something that should be cherished when it's found in someone's work, but maybe that's just a personal opinion.
It's hard to label Gozu as a specific genre as it has elements from just about every genre that comes to mind. A dramatic horror with a little bit of mystery thrown in for good measure is the best I can do. The film is definitely a unique trip that definitely isn't for everyone. The most bizarre ideas roaming around in your brain right now probably don't compare to the last twenty or so minutes of Gozu. The events that unfold during that time are pretty jaw dropping. So if you're a Miike fan or are looking for something incredibly different (I'm talking way out there), then this comes highly recommended. There is no way that everyone who views this film will enjoy it, but the ending is incredibly memorable if the viewer can make it that far.
Now on a quest to find where Ozaki has gone, Minami must deal with the bizarre individuals along the way like the innkeeper who shares her breast milk secrets, the white faced man who seems a little to eager to help him on his quest, and then there's that cow-headed creature that shows up in his room late one night. Minami soon realizes that his quest for his lost friend will not only be a long one, but a perplexing one as well.
Let's just say that if you're familiar with Takashi Miike's previous work like Ichi the Killer, Audition, and the banned from TV Masters of Horror episode, "Imprint," that Gozu fits in quite well with Miike's reputation. Gozu reels you in with the opening scene and then seems to snowball as the film goes on. It seems to dawdle through its duration as its weird individuals and events begin to pile up. A particular scene from The Shining ran through my mind throughout the film. The bear costume fellatio sequence. The Shining is known for being bizarre and unsettling and that is a perfect description of Gozu from the opening minutes of the film until the credits roll.
This is also the second film of Miike's involving breast milk that I've had the pleasure of seeing. He must associate that with weirdness or something, which it is. It's not necessarily something that sounds appealing, but once it starts happening it winds up being too horrifying and too unusual to turn away from. Seeing how far Miike is willing to push ideas in his films is one of the reasons people find his films enjoyable. That and originality. Despite the strangeness found in his films, finding something similar to his work is practically impossible. Originality is something that should be cherished when it's found in someone's work, but maybe that's just a personal opinion.
It's hard to label Gozu as a specific genre as it has elements from just about every genre that comes to mind. A dramatic horror with a little bit of mystery thrown in for good measure is the best I can do. The film is definitely a unique trip that definitely isn't for everyone. The most bizarre ideas roaming around in your brain right now probably don't compare to the last twenty or so minutes of Gozu. The events that unfold during that time are pretty jaw dropping. So if you're a Miike fan or are looking for something incredibly different (I'm talking way out there), then this comes highly recommended. There is no way that everyone who views this film will enjoy it, but the ending is incredibly memorable if the viewer can make it that far.