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Sophia (Bookwyrming Thoughts) (530 KP) rated The Last Changeling (The Last Changeling, #1) in Books
Jan 23, 2020
The worst I thought would happen to The Last Changeling is an exact replica of The Iron Fey, only a much darker version.
Thankfully, that isn't the case.
In actuality, The Last Changeling is a talking book. Chelsea Pitcher's latest work certainly didn't sprout a mouth and start speaking to me. Although it would be really cool to have a talking book. "Morning, Last Changeling! Please summarize what I read three weeks ago. Thank you!"
(Should that actually happen, I would probably use it a lot. For the books whose sequels I read years later. *cough* Matched *cough*)
See, one of our main characters, Elora, is a Dark Faery Princess on a quest for the Bright/Seelie Queen. Our other main character is a dude by the name of Taylor who is a soccer player and has great morality, but the guy honestly puts himself down far too much. They meet... at a swing set, and because "Lora" doesn't seem to have a place to go, Taylor offers to let her stay at his house.
Thus begins the talking. And more talking. About faery history, which essentially leads to well... Elora's history (always a great idea for us to know the characters of course, especially the main ones). By the end of the book, you'll know Elora pretty well, and meanwhile... it's pretty much expected Taylor and Elora will fall heads over heels in love from their first meeting. The characters just don't admit it (not that any pair of fictional characters ever do).
Plus, Taylor and I are distant buddies. Quite distant, because it seems as though Pitcher focuses a little too much on Elora and the reader knowing Elora yet neglecting Taylor.
So basically my biggest question is this: Is Elora's quest just talking, trying to acclimate to the mortal world, while trying to figure out the answer to the Bright Queen's riddle which was off the charts wrong? I was sort of expecting adventure. Fireballs! Or... shadowballs in this case...
But I most certainly did not expect talking. Lots and lots of talking.
I guess I'm the reader who prefers the blood and gore. Occasionally, the fluffy, bunny book (NOT like eating bunny tails, as Ella likes to say. Though I suppose that's accurate as well.) is enjoyable.
On the bright side, I do think Elora and Taylor go well together. By the end of the story, Taylor seems much more confident and seems to stand up for himself rather than letting others push him around. And Elora, despite the fact her lack of knowledge of the mortal world is hilarious, makes a great impact to those who would rather be a doormat and not stand up for themselves. I personally think Chelsea Pitcher's latest novel sends a strong message across to readers, even though there's far too much talking than "questing."
----------------------
Advanced copy provided by Flux for review (and the blog tour)
Original Rating: 3.5 out of 5
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/11/blog-tour-the-last-changeling-by-chelsea-pitcher-arc-review-and-giveaway.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
Thankfully, that isn't the case.
In actuality, The Last Changeling is a talking book. Chelsea Pitcher's latest work certainly didn't sprout a mouth and start speaking to me. Although it would be really cool to have a talking book. "Morning, Last Changeling! Please summarize what I read three weeks ago. Thank you!"
(Should that actually happen, I would probably use it a lot. For the books whose sequels I read years later. *cough* Matched *cough*)
See, one of our main characters, Elora, is a Dark Faery Princess on a quest for the Bright/Seelie Queen. Our other main character is a dude by the name of Taylor who is a soccer player and has great morality, but the guy honestly puts himself down far too much. They meet... at a swing set, and because "Lora" doesn't seem to have a place to go, Taylor offers to let her stay at his house.
Thus begins the talking. And more talking. About faery history, which essentially leads to well... Elora's history (always a great idea for us to know the characters of course, especially the main ones). By the end of the book, you'll know Elora pretty well, and meanwhile... it's pretty much expected Taylor and Elora will fall heads over heels in love from their first meeting. The characters just don't admit it (not that any pair of fictional characters ever do).
Plus, Taylor and I are distant buddies. Quite distant, because it seems as though Pitcher focuses a little too much on Elora and the reader knowing Elora yet neglecting Taylor.
So basically my biggest question is this: Is Elora's quest just talking, trying to acclimate to the mortal world, while trying to figure out the answer to the Bright Queen's riddle which was off the charts wrong? I was sort of expecting adventure. Fireballs! Or... shadowballs in this case...
But I most certainly did not expect talking. Lots and lots of talking.
I guess I'm the reader who prefers the blood and gore. Occasionally, the fluffy, bunny book (NOT like eating bunny tails, as Ella likes to say. Though I suppose that's accurate as well.) is enjoyable.
On the bright side, I do think Elora and Taylor go well together. By the end of the story, Taylor seems much more confident and seems to stand up for himself rather than letting others push him around. And Elora, despite the fact her lack of knowledge of the mortal world is hilarious, makes a great impact to those who would rather be a doormat and not stand up for themselves. I personally think Chelsea Pitcher's latest novel sends a strong message across to readers, even though there's far too much talking than "questing."
----------------------
Advanced copy provided by Flux for review (and the blog tour)
Original Rating: 3.5 out of 5
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/11/blog-tour-the-last-changeling-by-chelsea-pitcher-arc-review-and-giveaway.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
Night Reader Reviews (683 KP) rated 36 Hours in Books
Feb 4, 2020
Honest Review for Free Copy of Book
36 Hours by B. J. Woster is a thrilling crime book fro the reader who doesn't want to deal with all the legal stuff. Yes, readers follow the police search but the author has omitted writing a lengthy book about a trial.
Christian Price is a serial killer, though that is not his real name and no one has realized the deaths are all connected. Yet. Christian is not killing because he likes to kill, no, he does this because he feels he has to. In his opinion, many local police forces are incompetent or lack the drive to solve missing person cases and Christian has decided to motivate them. He does this by kidnapping a woman and called it into the police to find her within a limited amount of time or else she dies. The first one usually doses. He then continues this pattern with another woman, usually not going past three victims is one area, until the police are successful after which he moves to a different city. Things are a little bit different in Atlanta though.
Brooke Madison is terrified of parking garages, especially after her friend and co-worker Sandra McIntyre was abducted from the garage and later killed. Brooke and Sandra had both been taking self-defense classes together but it doesn't appear to help. Sadly Brooke discovers first hand how easy it was for Sandra to be abducted when it happens to her as well. Now she is trapped in a Wearhouse somewhere, the next in line in a series of experiments to jump-start the police’s interest again, Will they find her before the time is up or will Christian take yet another victim?
It would appear that the author did their homework because the book made sense. While I would have liked more details on a few things I prefer this approach compared to those who just guess and come up with situations that would never possibly work. In this case, I believe the author found a nice balance. Multiple time limits take place during this book and I was expecting just one well-detailed one. Also, the back of the book mentions how Christian suffered a tragedy that was unsolved by police and that is why he does this. The defining tragedy gets very little recognition when it is a big piece of backstory.
Young adults will enjoy this book the most. It has very little in the lines of gore or inappropriate content. Overall it is a nice mid-grade crime/mystery book. It is great for those that want a decent book without it being super long. I rate this book 2 out of 4. It was not what I was expecting. While it was a good read, the content spanned over a much longer time than what the book leads readers to believe. Also, the lack of diving into Christian’s backstory was disappointing at best.
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Christian Price is a serial killer, though that is not his real name and no one has realized the deaths are all connected. Yet. Christian is not killing because he likes to kill, no, he does this because he feels he has to. In his opinion, many local police forces are incompetent or lack the drive to solve missing person cases and Christian has decided to motivate them. He does this by kidnapping a woman and called it into the police to find her within a limited amount of time or else she dies. The first one usually doses. He then continues this pattern with another woman, usually not going past three victims is one area, until the police are successful after which he moves to a different city. Things are a little bit different in Atlanta though.
Brooke Madison is terrified of parking garages, especially after her friend and co-worker Sandra McIntyre was abducted from the garage and later killed. Brooke and Sandra had both been taking self-defense classes together but it doesn't appear to help. Sadly Brooke discovers first hand how easy it was for Sandra to be abducted when it happens to her as well. Now she is trapped in a Wearhouse somewhere, the next in line in a series of experiments to jump-start the police’s interest again, Will they find her before the time is up or will Christian take yet another victim?
It would appear that the author did their homework because the book made sense. While I would have liked more details on a few things I prefer this approach compared to those who just guess and come up with situations that would never possibly work. In this case, I believe the author found a nice balance. Multiple time limits take place during this book and I was expecting just one well-detailed one. Also, the back of the book mentions how Christian suffered a tragedy that was unsolved by police and that is why he does this. The defining tragedy gets very little recognition when it is a big piece of backstory.
Young adults will enjoy this book the most. It has very little in the lines of gore or inappropriate content. Overall it is a nice mid-grade crime/mystery book. It is great for those that want a decent book without it being super long. I rate this book 2 out of 4. It was not what I was expecting. While it was a good read, the content spanned over a much longer time than what the book leads readers to believe. Also, the lack of diving into Christian’s backstory was disappointing at best.
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https://facebook.com/nightreaderreviews
https://smashbomb.com/nightreader
Gareth von Kallenbach (980 KP) rated Lincoln (2012) in Movies
Aug 7, 2019
The history of this country is steeped in mystery and intrigue, but it’s fuzzy on the details. We cling to heroes of the past because we are jaded by the present. Lincoln, a new film from Steven Spielberg, comes to us at a time when there seems to be even more political strife than usual. (Or perhaps that’s just me getting older and actually paying attention.) Either way, I think this movie’s arrival on the silver screen is very timely, given the recent election.
Daniel Day Lewis, a man revered for his choice of films and roles, as well as his ability to portray characters with so much emotion and conviction, has done it once again. As the title character for this film, Lewis portrays one of the U.S.A’s greatest leaders and pioneers in a way that few other men could. Surrounded by some of the best actors in Hollywood (including Tommy Lee Jones), this star-studded film has a laundry list of very recognizable faces from all corners of Hollywood. The red carpet was clearly rolled out for this film.
The story starts amid the death and destruction of the American Civil War, an event that is both a fixed point of the story and a constant backdrop. Seeing the fighting and killing made me wonder how gritty this movie would get, but as it turns out, they kept the level of gore pretty low.
The film goes on to set the stage for the final footsteps into the southern theater that was the Civil War. In tandem, it follows the highly controversial 13th amendment, which was barely passed at the time due to racism and the belief that one color of human should be slave to another color. The absurdity of this notion is highlighted, but it’s also familiar in the way it parallels issues we face today: legalizing pot, gay marriage, prostitution, the right to bear arms, etc. Perhaps our grandchildren will watch a film in the future about these struggles, and regard it as we do a film about the Civil War. As I sat and watched this movie, I was nearly in tears at the thought of how African-Americans were once regarded as lesser beings. Will our grandchildren cry at the ridiculousness of our beliefs?
The cinematography was amazingly crisp. Many of the characters are introduced in such a way that they have a grand entrance through the mystique created by camera angles. I have to truly applaud Spielberg for what might be his best film yet. The camera work was immensely effective, relying heavily on the contrast between shadow and light. Coupled with richly detailed sets, it made everything staggeringly realistic, and absolutely convincing.
I will say this for Lincoln: I haven’t been so moved and taken aback by a period film in my life. This is a must see for everyone.
The dialog is highly political, and sometimes goes along at quite a clip; be prepared to miss a few things the first time around. However, watching it a second time surely won’t be a sin. The humor alone merits a second viewing. There are many good laughs to be had.
Lincoln is a work of art.
Daniel Day Lewis, a man revered for his choice of films and roles, as well as his ability to portray characters with so much emotion and conviction, has done it once again. As the title character for this film, Lewis portrays one of the U.S.A’s greatest leaders and pioneers in a way that few other men could. Surrounded by some of the best actors in Hollywood (including Tommy Lee Jones), this star-studded film has a laundry list of very recognizable faces from all corners of Hollywood. The red carpet was clearly rolled out for this film.
The story starts amid the death and destruction of the American Civil War, an event that is both a fixed point of the story and a constant backdrop. Seeing the fighting and killing made me wonder how gritty this movie would get, but as it turns out, they kept the level of gore pretty low.
The film goes on to set the stage for the final footsteps into the southern theater that was the Civil War. In tandem, it follows the highly controversial 13th amendment, which was barely passed at the time due to racism and the belief that one color of human should be slave to another color. The absurdity of this notion is highlighted, but it’s also familiar in the way it parallels issues we face today: legalizing pot, gay marriage, prostitution, the right to bear arms, etc. Perhaps our grandchildren will watch a film in the future about these struggles, and regard it as we do a film about the Civil War. As I sat and watched this movie, I was nearly in tears at the thought of how African-Americans were once regarded as lesser beings. Will our grandchildren cry at the ridiculousness of our beliefs?
The cinematography was amazingly crisp. Many of the characters are introduced in such a way that they have a grand entrance through the mystique created by camera angles. I have to truly applaud Spielberg for what might be his best film yet. The camera work was immensely effective, relying heavily on the contrast between shadow and light. Coupled with richly detailed sets, it made everything staggeringly realistic, and absolutely convincing.
I will say this for Lincoln: I haven’t been so moved and taken aback by a period film in my life. This is a must see for everyone.
The dialog is highly political, and sometimes goes along at quite a clip; be prepared to miss a few things the first time around. However, watching it a second time surely won’t be a sin. The humor alone merits a second viewing. There are many good laughs to be had.
Lincoln is a work of art.
Emma @ The Movies (1786 KP) rated Zoo (2018) in Movies
Feb 27, 2021
I'm not sure how this came into the watching loop, I honestly think it was the fact it was only about an hour and a half long.
John and Karen have fallen out of love with each other, their future might have been very different if it wasn't for the mysterious and dangerous plague going on outside their flat. Can they wait out the danger with the promise of rescue on the horizon?
From the outset the music comes across as quite jarring. I would expect it to be for this sort of topic, however I didn't find it easy to listen to, or that it fit well into the overall film. It's something I noticed several times, and you know me, I only notice music if it's amazing or terrible.
John and Karen, played by Ed Speleers and Zoë Tapper, take most of the screen time in their flat. We see their relationship change over the course of the film, from their rocky beginning they use their time together to become reacquainted with each other. At the beginning I wasn't entirely sure about them as a couple, the chemistry between the two actors seemed a little off, even when taking into account the divide in their character's relationship. Once we're underway though I found the power dynamic became more apparent and that helped move things along.
Despite them being confined, you never get that claustrophobic feeling, and that seemed rather strange. That spacious flat almost felt welcoming with its size, and that's at odds with the point of the film. Their spacious flat almost felt welcoming with its size. Had it "opened up" as we progressed, that would have made some sense, but all the space was used fairly early on even as extra people get added. At no point did their environment inside the flat have any real sense of danger.
The character of Karen is never massively likeable even in vulnerable moments, and her actions often seem to contradict themselves during the proceedings. When the neighbours are added into the mix I genuinely didn't see the reality in their interactions. It became a struggle between two alphas and their clueless partners, but it lacked chemistry and was a low point in the film for me.
At the beginning as the couple montage their way to trying to survive I started to engage more, but the middle chunk didn't really click with me. But somewhere along the way it seemed to get back on track... but again, more of that contradiction came and it became a real miss match.
Because of the way Death Do Us Part decided to handle the catastrophe you actually get a lot less gore than you'd expect. There are still violent moments to be seen, but it does quite a good job of hiding most of it away.
Death Do Us Part was an intriguing take on a zombie movie, with definite highs and lows. And while it was eventually an enjoyable watch, it does leave you with few answers about the story outside their flat, which was both fine and yet frustrating.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/02/death-do-us-part-movie-review.html
John and Karen have fallen out of love with each other, their future might have been very different if it wasn't for the mysterious and dangerous plague going on outside their flat. Can they wait out the danger with the promise of rescue on the horizon?
From the outset the music comes across as quite jarring. I would expect it to be for this sort of topic, however I didn't find it easy to listen to, or that it fit well into the overall film. It's something I noticed several times, and you know me, I only notice music if it's amazing or terrible.
John and Karen, played by Ed Speleers and Zoë Tapper, take most of the screen time in their flat. We see their relationship change over the course of the film, from their rocky beginning they use their time together to become reacquainted with each other. At the beginning I wasn't entirely sure about them as a couple, the chemistry between the two actors seemed a little off, even when taking into account the divide in their character's relationship. Once we're underway though I found the power dynamic became more apparent and that helped move things along.
Despite them being confined, you never get that claustrophobic feeling, and that seemed rather strange. That spacious flat almost felt welcoming with its size, and that's at odds with the point of the film. Their spacious flat almost felt welcoming with its size. Had it "opened up" as we progressed, that would have made some sense, but all the space was used fairly early on even as extra people get added. At no point did their environment inside the flat have any real sense of danger.
The character of Karen is never massively likeable even in vulnerable moments, and her actions often seem to contradict themselves during the proceedings. When the neighbours are added into the mix I genuinely didn't see the reality in their interactions. It became a struggle between two alphas and their clueless partners, but it lacked chemistry and was a low point in the film for me.
At the beginning as the couple montage their way to trying to survive I started to engage more, but the middle chunk didn't really click with me. But somewhere along the way it seemed to get back on track... but again, more of that contradiction came and it became a real miss match.
Because of the way Death Do Us Part decided to handle the catastrophe you actually get a lot less gore than you'd expect. There are still violent moments to be seen, but it does quite a good job of hiding most of it away.
Death Do Us Part was an intriguing take on a zombie movie, with definite highs and lows. And while it was eventually an enjoyable watch, it does leave you with few answers about the story outside their flat, which was both fine and yet frustrating.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/02/death-do-us-part-movie-review.html
Heather Cranmer (2721 KP) rated Made You Up in Books
Jun 22, 2021
I'm big into books that deal with mental illnesses. When I heard about Made You Up by Francesca Zappia, I knew it was a book that was right up my alley. I was not left feeling disappointed.
The plot and world building felt very realistic although I'm not Schizophrenic nor do I know anyone who is. I could not tell what was real and what was a delusion by Alex. Kudos to Zappia for giving us a brief glimpse into how a Schizophrenic would feel. I kept second guessing myself throughout Made You Up. Sometimes it would be obvious that Alex was hallucinating, but there were many times everything felt too real to be a hallucination. I would be wrong, and something realistic would be a hallucination. As you can imagine, there were many plot twists throughout this book. There was one major plot twist which I had predicted towards the beginning which turned out to be true thanks to subtle hints the author would throw in, so be sure to be attention to every word on the page to try to grasp what is Alex's reality and what is not. I did feel like the main storyline of Made You Up was whether or not Miles, the boy Alex met briefly when she was a young child, was actually real or not since she meets him again her senior year of high school. It was fun trying to guess if Miles was real or not and if he was the same boy Alex met as a child.
All of the characters in Made You Up had a lot of depth to them. They were all easy for me to imagine as real people instead of characters in a book. I enjoyed reading about Alex and her thought process and what all she had to go through all the time due to her Schizophrenia. Alex, like all the characters in this book, was a very likable character. Miles was interesting. I didn't really know what to make of him throughout the book (mainly because I was trying to figure out if he was real or imaginary). I did enjoy him, and I was definitely intrigued by his back story. It was great learning about him. I loved little Charlie and how much she seemed to love her big sister, Alex. Alex loved Charlie so much as well, and I loved reading about the tight sisterly bond between them.
Trigger warnings for Made You Up include some profanity, some violence, death, minor gore, some child abuse, mental illness, a minor sexual situation, bullying, references to Nazis, attempted murder, and death.
All in all, Made You Up is a very interesting read with a fantastic plot and well developed characters. It's obvious the author did her homework before writing this novel. I would definitely recommend Made You Up by Francesca Zappia to those aged 16+ who are seeking a book full of twists and turns. Just be warned that this book will have you second guessing almost everything (which isn't a bad thing).
The plot and world building felt very realistic although I'm not Schizophrenic nor do I know anyone who is. I could not tell what was real and what was a delusion by Alex. Kudos to Zappia for giving us a brief glimpse into how a Schizophrenic would feel. I kept second guessing myself throughout Made You Up. Sometimes it would be obvious that Alex was hallucinating, but there were many times everything felt too real to be a hallucination. I would be wrong, and something realistic would be a hallucination. As you can imagine, there were many plot twists throughout this book. There was one major plot twist which I had predicted towards the beginning which turned out to be true thanks to subtle hints the author would throw in, so be sure to be attention to every word on the page to try to grasp what is Alex's reality and what is not. I did feel like the main storyline of Made You Up was whether or not Miles, the boy Alex met briefly when she was a young child, was actually real or not since she meets him again her senior year of high school. It was fun trying to guess if Miles was real or not and if he was the same boy Alex met as a child.
All of the characters in Made You Up had a lot of depth to them. They were all easy for me to imagine as real people instead of characters in a book. I enjoyed reading about Alex and her thought process and what all she had to go through all the time due to her Schizophrenia. Alex, like all the characters in this book, was a very likable character. Miles was interesting. I didn't really know what to make of him throughout the book (mainly because I was trying to figure out if he was real or imaginary). I did enjoy him, and I was definitely intrigued by his back story. It was great learning about him. I loved little Charlie and how much she seemed to love her big sister, Alex. Alex loved Charlie so much as well, and I loved reading about the tight sisterly bond between them.
Trigger warnings for Made You Up include some profanity, some violence, death, minor gore, some child abuse, mental illness, a minor sexual situation, bullying, references to Nazis, attempted murder, and death.
All in all, Made You Up is a very interesting read with a fantastic plot and well developed characters. It's obvious the author did her homework before writing this novel. I would definitely recommend Made You Up by Francesca Zappia to those aged 16+ who are seeking a book full of twists and turns. Just be warned that this book will have you second guessing almost everything (which isn't a bad thing).
Matthew Krueger (10051 KP) rated Drag Me to Hell (2009) in Movies
Oct 28, 2020
Sam Raimi (1 more)
Alison Lohman
PG-13 (1 more)
Justin Long
Old Lady Curse
Drag me to Hell- is a anethor movie that ive wanted to see for couple years now and it was not disappointed. Its gory, horrorfying, terrorfying, scary, gory and overall a excellent movie.
The plot: Christine Brown (Alison Lohman) has a loving boyfriend (Justin Long) and a great job at a Los Angeles bank. But her heavenly life becomes hellish when, in an effort to impress her boss, she denies an old woman's request for an extension on her home loan. In retaliation, the crone places a curse on Christine, threatening her soul with eternal damnation. Christine seeks a psychic's help to break the curse, but the price to save her soul may be more than she can pay.
Raimi wrote Drag Me to Hell with his brother, Ivan, before working on the Spider-Man trilogy.
The original story for Drag Me to Hell was written ten years before the film went into production and was written by Sam Raimi and his brother Ivan Raimi. The film went into production under the name The Curse. The Raimis wrote the script as a morality tale, desiring to write a story about a character who wants to be a good person, but makes a sinful choice out of greed for her own betterment and pays the price for it. The Raimis tried to make the character of Christine the main focal point in the film, and tried to have Christine in almost all the scenes in the film.
The most significant parallel is that both stories involve the passing of a cursed object, which has to be passed to someone else, or its possessor will be devoured by one or more demons. Unlike his past horror films, Raimi wanted the film to be rated PG-13 and not strictly driven by gore, stating, "I didn't want to do exactly the same thing I had done before."
After finishing the script, Raimi desired to make the picture after the first draft of the script was completed, but other projects such as the Spider-Man film series became a nearly decade-long endeavor, pushing opportunities to continue work on Drag Me to Hell to late 2007. Raimi offered director Edgar Wright to direct Drag Me to Hell which Wright turned down as he was filming Hot Fuzz and felt that "If I did it, it would just feel like karaoke." After the previous three Spider-Man films, Raimi came back to the script of Drag Me to Hell, wanting to make a simpler and lower-budget film.
Raimi said he set out to create “a horror film with lots of wild moments and lots of suspense and big shocks that’ll hopefully make audiences jump. But I also wanted to have a lot of dark humor sprinkled throughout. I spent the last decade doing Spider-Man and you come to rely on a lot of people doing things for you and a lot of help, but it’s refreshing and wonderful to be reminded that, as with most filmmakers, the best way to do it is yourself, with a tight team doing the main jobs."
Its a excellent movie.
The plot: Christine Brown (Alison Lohman) has a loving boyfriend (Justin Long) and a great job at a Los Angeles bank. But her heavenly life becomes hellish when, in an effort to impress her boss, she denies an old woman's request for an extension on her home loan. In retaliation, the crone places a curse on Christine, threatening her soul with eternal damnation. Christine seeks a psychic's help to break the curse, but the price to save her soul may be more than she can pay.
Raimi wrote Drag Me to Hell with his brother, Ivan, before working on the Spider-Man trilogy.
The original story for Drag Me to Hell was written ten years before the film went into production and was written by Sam Raimi and his brother Ivan Raimi. The film went into production under the name The Curse. The Raimis wrote the script as a morality tale, desiring to write a story about a character who wants to be a good person, but makes a sinful choice out of greed for her own betterment and pays the price for it. The Raimis tried to make the character of Christine the main focal point in the film, and tried to have Christine in almost all the scenes in the film.
The most significant parallel is that both stories involve the passing of a cursed object, which has to be passed to someone else, or its possessor will be devoured by one or more demons. Unlike his past horror films, Raimi wanted the film to be rated PG-13 and not strictly driven by gore, stating, "I didn't want to do exactly the same thing I had done before."
After finishing the script, Raimi desired to make the picture after the first draft of the script was completed, but other projects such as the Spider-Man film series became a nearly decade-long endeavor, pushing opportunities to continue work on Drag Me to Hell to late 2007. Raimi offered director Edgar Wright to direct Drag Me to Hell which Wright turned down as he was filming Hot Fuzz and felt that "If I did it, it would just feel like karaoke." After the previous three Spider-Man films, Raimi came back to the script of Drag Me to Hell, wanting to make a simpler and lower-budget film.
Raimi said he set out to create “a horror film with lots of wild moments and lots of suspense and big shocks that’ll hopefully make audiences jump. But I also wanted to have a lot of dark humor sprinkled throughout. I spent the last decade doing Spider-Man and you come to rely on a lot of people doing things for you and a lot of help, but it’s refreshing and wonderful to be reminded that, as with most filmmakers, the best way to do it is yourself, with a tight team doing the main jobs."
Its a excellent movie.
Super-violent fighting "action"
I've never seen the original Baki the Grappler series. But on a recommendation from a friend, I decided to watch this one, which is apparently a sequel to the other. Although I feel you don't need to have watched the original, I feel there were a few parts in this one that would have had more meaning if I had seen the original.
Anyway, the story is about 17 year old Baki Hanma. A martial artist, who won an underground tournament, who is now targeted by 5 death-row inmates. Other members of the underground tournament take Baki's side to fight against them. That's pretty much it.
Each character seems to have a unique fighting style or ability & each character has their own special look. But no matter the look, these characters are ugly. I mean real ugly. They may be the most grotesque characters I've ever seen on film. Almost every one has a ridiculously unrealistic over-muscular body. It's as if a 10 year old drew a bodybuilder. Everyone's hands look like balloons, with marbles as knuckles. Everyone's feet look like a rock with tiny grapes as toes. Hideous faces & disturbing eyes. Even Baki, who is supposed to be good looking, looks overly glam. Again, like a 10 year old's drawing. As for the animation, it's not very good. Most of the show is two characters facing each other & talking crap to each other before finally, someone punches or kicks & then it's just a still shot of them hitting the other with a white streak, faking movement. In the cases where we actually see them moving, the animation jarringly switches to the horrible hand-drawn CGI animation that I can't stand.
As I mentioned, each character has their own style of fighting. Whether it's karate or judo or hidden weapons or weapons hidden inside the body, etc... So, there's lots of variety. The show is for mature audiences due to the gore (lots of dismemberment, eye popping, etc...) & nudity. So, no kids, ok?
But here's the main problem I have. I don't care about the characters. I don't care about Baki. In fact, if you pay attention, he's not in most of the series. And when he is, most of the time he doesn't do anything. This show also has one of the most unintentionally hilarious scenes I've ever seen & that his sex scene. He's never had sex before & we get to hear his thoughts. It's almost like the writer never had sex either. I was laughing out loud.
So, why did I watch? Well, so I had a new anime to talk about with my friend. And although I said I don't care about the characters, I still want to see what happens. I would say the show is geared towards men, as there is only one female character & she's played like a stereo-typical damsel in distress. I have 3 episodes left to watch & no sign of a female fighter. I say give it a shot if you want some mindless ass-kicking fluff.
Anyway, the story is about 17 year old Baki Hanma. A martial artist, who won an underground tournament, who is now targeted by 5 death-row inmates. Other members of the underground tournament take Baki's side to fight against them. That's pretty much it.
Each character seems to have a unique fighting style or ability & each character has their own special look. But no matter the look, these characters are ugly. I mean real ugly. They may be the most grotesque characters I've ever seen on film. Almost every one has a ridiculously unrealistic over-muscular body. It's as if a 10 year old drew a bodybuilder. Everyone's hands look like balloons, with marbles as knuckles. Everyone's feet look like a rock with tiny grapes as toes. Hideous faces & disturbing eyes. Even Baki, who is supposed to be good looking, looks overly glam. Again, like a 10 year old's drawing. As for the animation, it's not very good. Most of the show is two characters facing each other & talking crap to each other before finally, someone punches or kicks & then it's just a still shot of them hitting the other with a white streak, faking movement. In the cases where we actually see them moving, the animation jarringly switches to the horrible hand-drawn CGI animation that I can't stand.
As I mentioned, each character has their own style of fighting. Whether it's karate or judo or hidden weapons or weapons hidden inside the body, etc... So, there's lots of variety. The show is for mature audiences due to the gore (lots of dismemberment, eye popping, etc...) & nudity. So, no kids, ok?
But here's the main problem I have. I don't care about the characters. I don't care about Baki. In fact, if you pay attention, he's not in most of the series. And when he is, most of the time he doesn't do anything. This show also has one of the most unintentionally hilarious scenes I've ever seen & that his sex scene. He's never had sex before & we get to hear his thoughts. It's almost like the writer never had sex either. I was laughing out loud.
So, why did I watch? Well, so I had a new anime to talk about with my friend. And although I said I don't care about the characters, I still want to see what happens. I would say the show is geared towards men, as there is only one female character & she's played like a stereo-typical damsel in distress. I have 3 episodes left to watch & no sign of a female fighter. I say give it a shot if you want some mindless ass-kicking fluff.
Gareth von Kallenbach (980 KP) rated Evil dead rise (2023) in Movies
Apr 19, 2023
Usually when a film series is embarking on a fifth outing the challenges
of keeping things fresh and original yet being new and creative can be a
massive obstacle.
Horror series ranging from “Halloween” to “Friday the 13th”, “SAW”, and
“A Nightmare on Elm Street” all faced issues with moving the series along
yet trying to stay true to the original film that inspired them and in
every case; failing to fully capture what made the original film a hit.
“Evil Dead Rise” is not only the latest entry into the series but a bold
take on the cinematic series as it abandons the remote cabin setting of
the first two films and the reboot in favor of an urban setting.
The film does open in a remote lakeside locale before jumping a day
earlier to California where estranged sisters Ellie (Alyssa Sutherland)
and Beth (Lilly Sullivan) reunite. Beth has been working as a guitar
technician and bristles that her sister refers to her as a groupie.
Ellie is raising three children after their father left and informs her
sister that the building they are living in is scheduled to be demolished
so they will have to move soon which is a shock to Beth as she has learned
that she is pregnant and is trying to figure out her life all the while
seeing what she thought would be a source of stability for her upended.
The arrival of an earthquake allows access to a hidden area in the parking
garage of their building and since the locale was a former bank; the kids
soon find a hidden book and records which the only son Danny (Morgan
Davies) hopes he can sell despite his sister Bridget (Gabrielle Echols)
admonishing him constantly to leave it alone and return it to where it was
found.
The book turns out to be a Necronomicon or “Book of the Dead” and as fans
of the series know; nothing good ever comes from one and thanks to playing
old records left by a Priest describing his thoughts on the book; a
summoning incantation is read and this causes Ellie to become possessed
and unleash grotesque carnage and terror on her family.
What follows is a gory and at times intense game of cat and mouse
punctuated by moments of levity as the demonic infestation knows no end.
The film has the over-the top- gore that is expected of the series and the
makeup and effects are very effective. Writer?Director Lee Cronin has done
a great job capturing the tone of the series while moving it forward as he
cleverly incorporates lines and nods to the series without making them
seem forced.
Some may find the excess of blood too much but the series has always been
known for taking things to the extreme as the blend of horror and comedic
parody is what made the original film such a success.
In the end “Evil Dead Rise” does enough to keep fans of the series happy
and hopefully we will be seeing a new entry in the series in the future.
3.5 stars out of 5
of keeping things fresh and original yet being new and creative can be a
massive obstacle.
Horror series ranging from “Halloween” to “Friday the 13th”, “SAW”, and
“A Nightmare on Elm Street” all faced issues with moving the series along
yet trying to stay true to the original film that inspired them and in
every case; failing to fully capture what made the original film a hit.
“Evil Dead Rise” is not only the latest entry into the series but a bold
take on the cinematic series as it abandons the remote cabin setting of
the first two films and the reboot in favor of an urban setting.
The film does open in a remote lakeside locale before jumping a day
earlier to California where estranged sisters Ellie (Alyssa Sutherland)
and Beth (Lilly Sullivan) reunite. Beth has been working as a guitar
technician and bristles that her sister refers to her as a groupie.
Ellie is raising three children after their father left and informs her
sister that the building they are living in is scheduled to be demolished
so they will have to move soon which is a shock to Beth as she has learned
that she is pregnant and is trying to figure out her life all the while
seeing what she thought would be a source of stability for her upended.
The arrival of an earthquake allows access to a hidden area in the parking
garage of their building and since the locale was a former bank; the kids
soon find a hidden book and records which the only son Danny (Morgan
Davies) hopes he can sell despite his sister Bridget (Gabrielle Echols)
admonishing him constantly to leave it alone and return it to where it was
found.
The book turns out to be a Necronomicon or “Book of the Dead” and as fans
of the series know; nothing good ever comes from one and thanks to playing
old records left by a Priest describing his thoughts on the book; a
summoning incantation is read and this causes Ellie to become possessed
and unleash grotesque carnage and terror on her family.
What follows is a gory and at times intense game of cat and mouse
punctuated by moments of levity as the demonic infestation knows no end.
The film has the over-the top- gore that is expected of the series and the
makeup and effects are very effective. Writer?Director Lee Cronin has done
a great job capturing the tone of the series while moving it forward as he
cleverly incorporates lines and nods to the series without making them
seem forced.
Some may find the excess of blood too much but the series has always been
known for taking things to the extreme as the blend of horror and comedic
parody is what made the original film such a success.
In the end “Evil Dead Rise” does enough to keep fans of the series happy
and hopefully we will be seeing a new entry in the series in the future.
3.5 stars out of 5
Lee (2222 KP) rated Dunkirk (2017) in Movies
Jul 26, 2017
Breathtaking and Intense
It's 1940 and the Nazis are overpowering the British army, forcing them to retreat to Dunkirk in an effort to return home to England. The English channel is all that stands in the way of the 400,000 soldiers that are stranded on the beach. The story begins with Tommy (Fionn Whitehead), making his way through the town as propaganda is being dropped from the sky, informing them that the enemy are closing in. After a brief dash to avoid the bullets that begin raining down on him and some fellow soldiers, he barely manages to make it to the beach where the immense desperation of the situation becomes apparent. Thousands of men lined up, waiting for something to free them while bodies wash up on the beach. The cinematic scale is, as you'd expect from Christopher Nolan, impressive. And it doesn't let up from then on.
We follow three different stories, covering land, sea and air and spanning differing time-frames. Intersecting and even overtaking each other at crucial moments, which sounds confusing but actually works very well. After being introduced to the perspective on land, which then continues to play out over a week, we're introduced to Mr Dawson (Mark Rylance) as he prepares to set off from England by yacht along with his son and another local boy, loaded with lifejackets and keen to do their bit to help bring our boys home. This storyline is set to play out over the period of one day. Finally, we're introduced to RAF pilot Farrier (Tom Hardy), whose story will play out over an hour. He's up in the sky, over the channel. As we alternate between each story, momentum is never lost and the tension continues to grow as time, and available options, begin to dwindle. On land, bombs, bullets and torpedoes repeatedly prevent a successful escape, sinking boats and ships. Up in the air, a damaged fuel gauge means that Farrier has to constantly guesstimate how much fuel and time he's got left before dropping out of the sky, while single-handedly taking out enemy planes in the process. Down on the water, Dawson and his small crew have their own drama after rescuing a stranded soldier (Cillian Murphy). Clearly a broken man who takes a turn for the worse upon realising that they're not headed for home and are in fact on their way back to the hell that he's just left behind.
Despite featuring a number of famous faces, probably the most surprising cast member of all is Harry Styles. Every time he features in a scene, and he does feature quite a bit, it kind of threw me off balance and I was just expecting him to cock the whole thing up. Luckily he doesn't. This is a truly breathtaking movie, with no over the top CGI or gore and with everyone at the top of their game. Perfectly ramped up tension, accompanied by an intense musical score from the fantastic Hans Zimmer. The dogfights, featuring real spitfires filmed over the English Channel, are also incredible with the roar of their engines and bullets flying. The movie does an amazing job of fully immersing you in this pivotal moment of history. It's truly edge of seat stuff throughout. Incredible.
We follow three different stories, covering land, sea and air and spanning differing time-frames. Intersecting and even overtaking each other at crucial moments, which sounds confusing but actually works very well. After being introduced to the perspective on land, which then continues to play out over a week, we're introduced to Mr Dawson (Mark Rylance) as he prepares to set off from England by yacht along with his son and another local boy, loaded with lifejackets and keen to do their bit to help bring our boys home. This storyline is set to play out over the period of one day. Finally, we're introduced to RAF pilot Farrier (Tom Hardy), whose story will play out over an hour. He's up in the sky, over the channel. As we alternate between each story, momentum is never lost and the tension continues to grow as time, and available options, begin to dwindle. On land, bombs, bullets and torpedoes repeatedly prevent a successful escape, sinking boats and ships. Up in the air, a damaged fuel gauge means that Farrier has to constantly guesstimate how much fuel and time he's got left before dropping out of the sky, while single-handedly taking out enemy planes in the process. Down on the water, Dawson and his small crew have their own drama after rescuing a stranded soldier (Cillian Murphy). Clearly a broken man who takes a turn for the worse upon realising that they're not headed for home and are in fact on their way back to the hell that he's just left behind.
Despite featuring a number of famous faces, probably the most surprising cast member of all is Harry Styles. Every time he features in a scene, and he does feature quite a bit, it kind of threw me off balance and I was just expecting him to cock the whole thing up. Luckily he doesn't. This is a truly breathtaking movie, with no over the top CGI or gore and with everyone at the top of their game. Perfectly ramped up tension, accompanied by an intense musical score from the fantastic Hans Zimmer. The dogfights, featuring real spitfires filmed over the English Channel, are also incredible with the roar of their engines and bullets flying. The movie does an amazing job of fully immersing you in this pivotal moment of history. It's truly edge of seat stuff throughout. Incredible.
Heather Cranmer (2721 KP) rated Drop Dead Gorgeous (Return to Fear Street #3) in Books
Feb 15, 2019
Great pacing (1 more)
Interesting plot
Cheesy Characters (1 more)
Not enough backstory
Cheesy but an Alright Read
I grew up reading R.L. Stine books especially his Fear Street series. When I heard there was going to be a new Fear Street series, I knew I had to read it. I loved the first book in the series, You May Now Kill the Bride. I was not impressed with the second book in the series, The Wrong Girl. I thought the latest book in the series, Drop Dead Gorgeous, was just an alright read.
The plot for Drop Dead Gorgeous was fairly interesting. Morgan Marks is the new girl at Linden High. No one knows where she came from, and her answers to everything are vague. She has a magnetic pull over all of the males in and around Linden. When I found out that Morgan was a vampire (not a spoiler, don't worry), I rolled my eyes and thought I wouldn't like this book. I'm not a big fan of vampire books (or films) since they've over-saturated the market. However, Drop Dead Gorgeous turned out to be alright. Anyway, someone is killing off the residents of Linden and draining their blood. Is it Morgan or could be be someone else? The world building was written to be believable enough even if some of the characters weren't believable. There were a few plot twists. A couple of them I didn't see coming, but I did predict a major plot twist.
All of the males in Drop Dead Gorgeous were beyond annoying and immature. All they could talk about were hot girls it seemed. They were really one dimensional, and I found myself not caring about Liam, Winks, and Zane. They would all brag how great they were, especially Winks. I'm sure there are some people like this, but I felt like it was a bit over the top having all three males in the book being so vapid and conceited. The females in Drop Dead Gorgeous had a little more depth to them thankfully. I still didn't care much about Delia, Amber, or Julie because there was no back story, so it was hard to connect to them. Out of the three girls, Delia seemed to feel the most real. Morgan was a good character. I enjoyed her backstory even if it was short, but hey, at least she had some backstory. The dialogue between the characters was extremely corny in some places, and I know I haven't been a teenager in many years, but I've never heard any teenage conversations like the ones in Drop Dead Gorgeous.
I will say that the pacing was done fairly well for Drop Dead Gorgeous. The first few chapters are a bit slow, but the pacing definitely picks up not much longer after that. I found myself immersed in what was happening in Linden.
Trigger warnings for Drop Dead Gorgeous include violence, death, murder, some gore, older man and underage girl kissing, and underage drinking.
Overall, Drop Dead Gorgeous was just an alright read. It wasn't great, but it wasn't a bad read either. If you can look past the overly cheesy characters, this is a good read. I would definitely recommend Drop Dead Gorgeous by R.L. Stine to those aged 15+.
The plot for Drop Dead Gorgeous was fairly interesting. Morgan Marks is the new girl at Linden High. No one knows where she came from, and her answers to everything are vague. She has a magnetic pull over all of the males in and around Linden. When I found out that Morgan was a vampire (not a spoiler, don't worry), I rolled my eyes and thought I wouldn't like this book. I'm not a big fan of vampire books (or films) since they've over-saturated the market. However, Drop Dead Gorgeous turned out to be alright. Anyway, someone is killing off the residents of Linden and draining their blood. Is it Morgan or could be be someone else? The world building was written to be believable enough even if some of the characters weren't believable. There were a few plot twists. A couple of them I didn't see coming, but I did predict a major plot twist.
All of the males in Drop Dead Gorgeous were beyond annoying and immature. All they could talk about were hot girls it seemed. They were really one dimensional, and I found myself not caring about Liam, Winks, and Zane. They would all brag how great they were, especially Winks. I'm sure there are some people like this, but I felt like it was a bit over the top having all three males in the book being so vapid and conceited. The females in Drop Dead Gorgeous had a little more depth to them thankfully. I still didn't care much about Delia, Amber, or Julie because there was no back story, so it was hard to connect to them. Out of the three girls, Delia seemed to feel the most real. Morgan was a good character. I enjoyed her backstory even if it was short, but hey, at least she had some backstory. The dialogue between the characters was extremely corny in some places, and I know I haven't been a teenager in many years, but I've never heard any teenage conversations like the ones in Drop Dead Gorgeous.
I will say that the pacing was done fairly well for Drop Dead Gorgeous. The first few chapters are a bit slow, but the pacing definitely picks up not much longer after that. I found myself immersed in what was happening in Linden.
Trigger warnings for Drop Dead Gorgeous include violence, death, murder, some gore, older man and underage girl kissing, and underage drinking.
Overall, Drop Dead Gorgeous was just an alright read. It wasn't great, but it wasn't a bad read either. If you can look past the overly cheesy characters, this is a good read. I would definitely recommend Drop Dead Gorgeous by R.L. Stine to those aged 15+.