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The Possession of Hannah Grace (2018)
The Possession of Hannah Grace (2018)
2018 | Horror
If there was ever somewhere befitting of a horror film it’s in a morgue. But unlike the terrifying Autopsy of Jane Doe which, uses the location in a dark and gothic manner, The Possession of Hannah Grace feels overworked and desperate to please.

When an exorcism goes horribly wrong the body ends up within the confines of a Boston hospital morgue three months later. There, ex-cop Megan (Shay Mitchell) who is recovering from her own personal trauma, takes a job working the graveyard shift. The setting had so much potential it’s annoying that the film just saunters along, relying on cheap jump scares to capture audience attention.

As Megan walks about with not much to do until the eventual arrival of Hannah Grace’s disfigured corpse, she spends the time familiarising herself with the creepy surroundings. Megan’s backstory is far more interesting. Suffering from PTSD after watching her partner get gunned down, she battles an addiction to pills and now has the thankless task of having to battle a demon – hardly job satisfaction.

The setting had so much potential it’s annoying that the film just saunters along, relying on cheap jump scares to capture audience attention.

In fairness to director Diederik Van Rooijen, he has chosen a tried and tested subgenre. And he isn’t helped by Brian Sieve‘s poor script. There is the odd positive moment, mainly when Hannah’s twisted body offers a glimpse at something more sinister lurking inside her. But that’s about it.

“When you die, you die. End of story,” says Megan – and after 85 minutes we’re pleased it did.
  
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Heather Cranmer (2721 KP) created a post

Apr 16, 2020  
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**BOOK SYNOPSIS**
In the isolated estate she’s found the perfect getaway. But there’s no escaping the past in this chilling novel from the bestselling author of The Unremembered Girl.

Filmmaker Tessa Shepherd helped free a man she believed was wrongly imprisoned for murder. When he kills again, Tessa’s life is upended.

She’s reeling with guilt, her reputation destroyed. Worse, Tessa’s mother has unexpectedly passed away, and her sister, Margot, turns on her after tensions from their past escalate. Hounded by a bullying press, Tessa needs an escape. That’s when she learns of a strange inheritance bequeathed by her mother: a derelict and isolated estate known as Fallbrook. It seems like the perfect refuge.

A crumbling monument to a gruesome history, the mansion has been abandoned by all but two elderly sisters retained as caretakers. They are also guardians of all its mysteries. As the house starts revealing its dark secrets, Tessa must face her fears and right the wrongs of her past to save herself and her relationship with Margot. But nothing and no one at Fallbrook are what they seem.