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Louise (64 KP) rated Warren the 13th and The All-Seeing Eye in Books
Jul 2, 2018
*I received a copy of this book from Netgalley and the Publisher in exchange for an honest review*
This is a book that I have had on my TBR for quite sometime *sorry Netgalley* and I even made it one of the books to read for #beatthebacklist which I have now achieved *fist pumps the air*
This Middle-grade book is excellent for this time of year the illustrations and story are quite dark- there is an eerie tone set to this book and definitely a Halloween book – it’s not scary but it has witches and other spooky beings.
This book is action packed with loads of fun stuff to read about – Warren has to go on quests and solve mysteries to help him save his beloved hotel that Aunt Annaconda is trying to take over. Supposedly there is an All-seeing eye in this hotel but nobody knows what it is and where exactly to find it – but this all-seeing eye contains a treasure – a treasure so powerful that he can’t let his awful aunt get her hands on it.
This book has a lot going on in it and a varied amount of characters that it doesn’t leave the reader bored for a moment and there is a mystery that you are trying to unravel whilst reading. There are some meaner characters such as Aunt Annaconda and her sisters but then we have other ones that are there for the young heir and help him.
I loved the fact that this book had illustrations and that it complemented the story very well, they were very dark, gothic style and used a darker palette – I just wish at some point I can read the physical copy.
Overall this is a great middle-grade novel,it’s fast paced and intriguing with an eclectic range of characters and will be appreciated by children and adults of any age.
I rated this 4 out of 5 stars
This is a book that I have had on my TBR for quite sometime *sorry Netgalley* and I even made it one of the books to read for #beatthebacklist which I have now achieved *fist pumps the air*
This Middle-grade book is excellent for this time of year the illustrations and story are quite dark- there is an eerie tone set to this book and definitely a Halloween book – it’s not scary but it has witches and other spooky beings.
This book is action packed with loads of fun stuff to read about – Warren has to go on quests and solve mysteries to help him save his beloved hotel that Aunt Annaconda is trying to take over. Supposedly there is an All-seeing eye in this hotel but nobody knows what it is and where exactly to find it – but this all-seeing eye contains a treasure – a treasure so powerful that he can’t let his awful aunt get her hands on it.
This book has a lot going on in it and a varied amount of characters that it doesn’t leave the reader bored for a moment and there is a mystery that you are trying to unravel whilst reading. There are some meaner characters such as Aunt Annaconda and her sisters but then we have other ones that are there for the young heir and help him.
I loved the fact that this book had illustrations and that it complemented the story very well, they were very dark, gothic style and used a darker palette – I just wish at some point I can read the physical copy.
Overall this is a great middle-grade novel,it’s fast paced and intriguing with an eclectic range of characters and will be appreciated by children and adults of any age.
I rated this 4 out of 5 stars
BookblogbyCari (345 KP) rated Bad Billionaire in Books
Oct 16, 2018
Book Review by Cari Mayhew. Rating 7/10.
This book offers an adult romance with a dramatic backstory!
After reading the darkly gothic book The Corset, I was ready for some nice light reading – something modern with a feel good factor – and that’s exactly what I got!
The story telling is split between 2 protagonists, Olivia and bad boy Devon Wilder. They are neighbours who have eyed each other from afar. Then one day Devon offers Olivia a lift home, and it all goes on from there. Devon is deliciously dangerous next to ordinary Olivia, he’s a loner with a tendency to get into trouble.
Early in the story Devon gets caught as a getaway driver and is sent to prison, and it’s towards the end of his sentence that he’s informed that he’s come into a large inheritance. And that makes him more interesting to the crowd that used to get him into trouble.
Despite there being 2 narrators, the book is most definitely aimed at straight women, as all the adult scenes are from Olivia’s stand point.
I found the characters and story believable.
It has its differences with 50 Shades of Grey – Devon is no gentleman for a start. The tension is there but the drama takes a different route.
I chose this book for its brevity, but the problem with its book is its brevity – I’m sure the author could have thrown a few more adult scenes in there, or maybe combined some of the story from the sequel in with this book.
Unlike most first books in a series, it doesn’t end in a cliff hanger; and it turns out the next book focuses on different characters. I may read the sequel one day, but I’m not in a rush.
Admittedly a lot of book is cliché, but I found it very likable. I would recommend it, but for the target audience only.
This book offers an adult romance with a dramatic backstory!
After reading the darkly gothic book The Corset, I was ready for some nice light reading – something modern with a feel good factor – and that’s exactly what I got!
The story telling is split between 2 protagonists, Olivia and bad boy Devon Wilder. They are neighbours who have eyed each other from afar. Then one day Devon offers Olivia a lift home, and it all goes on from there. Devon is deliciously dangerous next to ordinary Olivia, he’s a loner with a tendency to get into trouble.
Early in the story Devon gets caught as a getaway driver and is sent to prison, and it’s towards the end of his sentence that he’s informed that he’s come into a large inheritance. And that makes him more interesting to the crowd that used to get him into trouble.
Despite there being 2 narrators, the book is most definitely aimed at straight women, as all the adult scenes are from Olivia’s stand point.
I found the characters and story believable.
It has its differences with 50 Shades of Grey – Devon is no gentleman for a start. The tension is there but the drama takes a different route.
I chose this book for its brevity, but the problem with its book is its brevity – I’m sure the author could have thrown a few more adult scenes in there, or maybe combined some of the story from the sequel in with this book.
Unlike most first books in a series, it doesn’t end in a cliff hanger; and it turns out the next book focuses on different characters. I may read the sequel one day, but I’m not in a rush.
Admittedly a lot of book is cliché, but I found it very likable. I would recommend it, but for the target audience only.
KalJ95 (25 KP) rated the PlayStation 4 version of Vampyr in Video Games
Jan 6, 2020 (Updated Jan 6, 2020)
Narrative is often surprising and gripping. (1 more)
I would play a sequel.
Graphics are terrible. (2 more)
Atrocious controls.
An absolute bore most of the time.
No bite, no good.
I saw Vampyr advertised a long time ago at several game conferences, with the promise of a complete Vampire experience, never seen before in video games. Already, I was salivating. Vampyr looked fantastic in its early stages. Combat looked fluid and balanced, the protagonist looked interesting enough to keep the story flowing, and Gothic London looked bloody beautiful. Where did it all go wrong?
Vampyr is a mess, from its clunky controls to its basic, bland combat. The game in it's current state is unfixable, starting with the graphics. How did any developer think this game looked ready to play? London's gloomy, black hearted environment is so breathtaking at times it feels like a support character. Thank god as theres no other interesting ones around. Character animations are abysmal, so much so they look around ten years old. Whats even more strange is the trailer released a while back shows a different game altogether. That one looked brilliant, which makes me wonder if downgrades were made.
Vampyr is such a mixed bag of narrative vs gameplay. The game of a doctor who is turned into a vampire is often so gripping in premise, especially at the start and end, that I would honestly like to know where this story will go. Should it have a sequel?
Absolutely not.
Gameplay is frankly the worst aspect of Vampyr. Jonathan Reid feels awful to control, even robotic at times. Combat is just as cyborb-ish. Yes, there are some interesting components to keep the fighting fresh, but it all feels like a chore rather than anything fun. As a vampire, making some awful decisions to feed his hunger should bring a moral dilemma to the gamer, but you couldn't care less. And that is what completely pins everything together with Vampyr.
I just didn't care.
Vampyr is a mess, from its clunky controls to its basic, bland combat. The game in it's current state is unfixable, starting with the graphics. How did any developer think this game looked ready to play? London's gloomy, black hearted environment is so breathtaking at times it feels like a support character. Thank god as theres no other interesting ones around. Character animations are abysmal, so much so they look around ten years old. Whats even more strange is the trailer released a while back shows a different game altogether. That one looked brilliant, which makes me wonder if downgrades were made.
Vampyr is such a mixed bag of narrative vs gameplay. The game of a doctor who is turned into a vampire is often so gripping in premise, especially at the start and end, that I would honestly like to know where this story will go. Should it have a sequel?
Absolutely not.
Gameplay is frankly the worst aspect of Vampyr. Jonathan Reid feels awful to control, even robotic at times. Combat is just as cyborb-ish. Yes, there are some interesting components to keep the fighting fresh, but it all feels like a chore rather than anything fun. As a vampire, making some awful decisions to feed his hunger should bring a moral dilemma to the gamer, but you couldn't care less. And that is what completely pins everything together with Vampyr.
I just didn't care.
Mark @ Carstairs Considers (2456 KP) rated Death with a Dark Red Rose in Books
Feb 29, 2020
Mysterious Disappearance
Life is going well for Lena London. Her latest collaboration with bestselling novelist Camilla Graham is doing well, she and her fiance, Sam West, are just starting to plan their wedding, and she enjoys spending time with her new friends in Blue Lake. The only shadow is the new factory that is being built just outside of town. It looks like the building is going to be an eye sore, and Lena is not happy about it and other ways it might change this area she considers home. However, a cold wind blows in when someone vanishes. Soon, Lena and her friends are caught up in another race to figure out what is happening before things turn deadly. Will they solve things in time?
I thought this novel’s beginning was weak, but it was the weakest part of the story. Even then, that is a minor complaint since I was hooked from the very first page and could hardly put the book down until I reached the end. If real life didn’t interfere, I could have easily finished it in one sitting. I did see one or two twists coming, but there were plenty others I didn’t suspect, but they made perfect sense by the time we reached the end of the story. I love Lena and her friends, and we got plenty of time with them in these pages. Their relationships are fantastic. Each chapter starts with a quote from the projects that Lena and Camilla are currently working on, and I found they helped me better understand just how this series works Gothic elements into each book. Honestly, I’d love to read their books if they were real. It is best to read this series in order since some events of previous books are spoiled by necessity. That’s not an issue since all the books in this series are great. Set aside plenty of time when you pick up this book because you won’t want to put it down until you’ve read every thrilling page.
I thought this novel’s beginning was weak, but it was the weakest part of the story. Even then, that is a minor complaint since I was hooked from the very first page and could hardly put the book down until I reached the end. If real life didn’t interfere, I could have easily finished it in one sitting. I did see one or two twists coming, but there were plenty others I didn’t suspect, but they made perfect sense by the time we reached the end of the story. I love Lena and her friends, and we got plenty of time with them in these pages. Their relationships are fantastic. Each chapter starts with a quote from the projects that Lena and Camilla are currently working on, and I found they helped me better understand just how this series works Gothic elements into each book. Honestly, I’d love to read their books if they were real. It is best to read this series in order since some events of previous books are spoiled by necessity. That’s not an issue since all the books in this series are great. Set aside plenty of time when you pick up this book because you won’t want to put it down until you’ve read every thrilling page.
JT (287 KP) rated The Girl in the Spider's Web (2018) in Movies
Mar 10, 2020
It would be a major change for any actress. But for Claire Foy, to go from the beauty and elegance of Elizabeth II in The Crown, to punked out gothic hacker in The Girl in the Spider’s Web takes some doing – and she adapts to it extremely well.
The film is based on the novel written by David Lagercrantz after original writer Stig Larsson’s death. It attempted to restart the series which had become very popular, especially with the original films starring Noomi Rapace. These were held in high regard and the decision to remake The Girl with the Dragon Tattoo was met with cautious scepticism.
But where David Fincher’s remake was dark and unnerving Fede Alvarez‘s Spider’s Web is stylish and explosive. Filled with gadgets and a variety of hacking abilities that wouldn’t look out of place within the world of James Bond or Mission Impossible, the film doesn’t provide enough sinister thrills. Instead, it pumps out several action set pieces, that while thoroughly entertaining, leave behind the trauma and shock value of Dragon Tattoo and subsequent originals.
Filled with gadgets and a variety of hacking abilities that wouldn’t look out of place within the world of James Bond or Mission Impossible
After an opening that provides plenty of back story surrounding Lisbeth’s childhood, we’re fast-forwarded into the high-tech world. Here a computer programme that can access virtually any nuclear codes in the world has been created by a now remorseful tech whiz (Stephen Merchant) who wants to help destroy it. With a number of people interested in the program, Lisbeth must go on the run and at the same time dig up her past in order to save the world.
This incarnation of Lisbeth Salander feels like a softer version compared with the portrayal by Rapace and 2011’s Rooney Mara. Yet the character is played with gusto by Foy who delivers her lines with a determined grittiness. The film’s plot while somewhat far fetched, is still an enjoyable ride.
The film is based on the novel written by David Lagercrantz after original writer Stig Larsson’s death. It attempted to restart the series which had become very popular, especially with the original films starring Noomi Rapace. These were held in high regard and the decision to remake The Girl with the Dragon Tattoo was met with cautious scepticism.
But where David Fincher’s remake was dark and unnerving Fede Alvarez‘s Spider’s Web is stylish and explosive. Filled with gadgets and a variety of hacking abilities that wouldn’t look out of place within the world of James Bond or Mission Impossible, the film doesn’t provide enough sinister thrills. Instead, it pumps out several action set pieces, that while thoroughly entertaining, leave behind the trauma and shock value of Dragon Tattoo and subsequent originals.
Filled with gadgets and a variety of hacking abilities that wouldn’t look out of place within the world of James Bond or Mission Impossible
After an opening that provides plenty of back story surrounding Lisbeth’s childhood, we’re fast-forwarded into the high-tech world. Here a computer programme that can access virtually any nuclear codes in the world has been created by a now remorseful tech whiz (Stephen Merchant) who wants to help destroy it. With a number of people interested in the program, Lisbeth must go on the run and at the same time dig up her past in order to save the world.
This incarnation of Lisbeth Salander feels like a softer version compared with the portrayal by Rapace and 2011’s Rooney Mara. Yet the character is played with gusto by Foy who delivers her lines with a determined grittiness. The film’s plot while somewhat far fetched, is still an enjoyable ride.
JT (287 KP) rated The Wolfman (2010) in Movies
Mar 10, 2020
As what we would describe as the classic monster horror, this remake of the 1941 black and white picture in some way does itself and the original some justice.
Back then horror was starting to carve itself out to a market of film goers who really didn’t have much of an idea as to how film could and would change their lives. The likes of Dracula and Frankenstein had also achieved great historic status.
The plot of the story stays true, man is bitten, man becomes werewolf, all hell breaks loose and it is the efforts of a love interest that tries in vein to break the curse. Something which not even the gypsies could achieve.
Special effects wise its impressive, Del Toro went through make up hell in order to gain the look, some three hours to apply and one to remove so his dedication must be applauded. As to whether he was the right choice for the part is another question, in some parts, in human form he loodke out of place with his foreign slightly merged American accent.
The original film ultimately was basic, a drama that based itself around a werewolf, there was no gore and hardly any blood. So of course it was only fitting that this film should contain both, and vast quantities of flying limbs and spouting red stuff. Did it need it? It surely must have only been there too satisfy an age where any lack of these effects would seem a disappointment.
The supporting cast ranging from Anthony Hopkins as Sir John Talbot, Hugo Weaving as Inspector Abberline and the beautiful Emily Blunt as Gwen all do a wonderful job adding their talents to the narrative. Hopkins especially was his usual dark, sinister and composed self.
There are some truly scary scenes, and some fantastic shots of a Gothic London but the film tends to drift off in places. Overall its a worthwhile watch but doesn’t do enough to really make it one of standouts of 2010.
Back then horror was starting to carve itself out to a market of film goers who really didn’t have much of an idea as to how film could and would change their lives. The likes of Dracula and Frankenstein had also achieved great historic status.
The plot of the story stays true, man is bitten, man becomes werewolf, all hell breaks loose and it is the efforts of a love interest that tries in vein to break the curse. Something which not even the gypsies could achieve.
Special effects wise its impressive, Del Toro went through make up hell in order to gain the look, some three hours to apply and one to remove so his dedication must be applauded. As to whether he was the right choice for the part is another question, in some parts, in human form he loodke out of place with his foreign slightly merged American accent.
The original film ultimately was basic, a drama that based itself around a werewolf, there was no gore and hardly any blood. So of course it was only fitting that this film should contain both, and vast quantities of flying limbs and spouting red stuff. Did it need it? It surely must have only been there too satisfy an age where any lack of these effects would seem a disappointment.
The supporting cast ranging from Anthony Hopkins as Sir John Talbot, Hugo Weaving as Inspector Abberline and the beautiful Emily Blunt as Gwen all do a wonderful job adding their talents to the narrative. Hopkins especially was his usual dark, sinister and composed self.
There are some truly scary scenes, and some fantastic shots of a Gothic London but the film tends to drift off in places. Overall its a worthwhile watch but doesn’t do enough to really make it one of standouts of 2010.
Scarlett Mysteries: Cursed Child
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Charlotte Bronte: A Life
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Kenneth Clark: Life, Art and Civilisation
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Janeeny (200 KP) rated Monster, She Wrote in Books
Jul 8, 2020
I received an ARC of this book in return for an honest review.
I loved the concept behind this book, as a fan of gothic horror, and a lover of information, I was looking forward to getting a lot out of this.
The book is divided into eight parts, each focusing on a certain type of Horror or ‘Weird’ fiction. Within each part is a short introduction to each author and their works. Followed by a recommended reading list of the authors works, and other similar authors works.
As I said, in principle this book sounded great. Unfortunately it fell a bit short for me. It was full of some great facts, and I did come away learning something, but just as I was really getting my teeth into an interesting story or fact about an author, they moved onto the next thing. leaving me hanging!
Another note of discord for me was some of the references. Despite the fact there are a number of British authors featured, it didn’t feel like the book was aimed at an international audience. There were quite a few references to TV shows, magazines, and other authors that never quite made it over the pond. Unfortunately at times it just felt like I was involved in a conversation riddled with private jokes that I would never really ‘get’.
It’s not all bad though, as there were some nice illustrations within the book. My ARC hadn’t been formatted properly yet for me to get the most out of the illustrations, but from what I can see they’ll add a nice little touch to it. Plus, If this has done anything it has peaked my interest. I now want to find out more about a few authors and their works, and I have a few more books on my TBR list.
In summary, it is really a good book if you like just little titbits of information and a recommended reads list. If you want more in depth information, avoid.
I loved the concept behind this book, as a fan of gothic horror, and a lover of information, I was looking forward to getting a lot out of this.
The book is divided into eight parts, each focusing on a certain type of Horror or ‘Weird’ fiction. Within each part is a short introduction to each author and their works. Followed by a recommended reading list of the authors works, and other similar authors works.
As I said, in principle this book sounded great. Unfortunately it fell a bit short for me. It was full of some great facts, and I did come away learning something, but just as I was really getting my teeth into an interesting story or fact about an author, they moved onto the next thing. leaving me hanging!
Another note of discord for me was some of the references. Despite the fact there are a number of British authors featured, it didn’t feel like the book was aimed at an international audience. There were quite a few references to TV shows, magazines, and other authors that never quite made it over the pond. Unfortunately at times it just felt like I was involved in a conversation riddled with private jokes that I would never really ‘get’.
It’s not all bad though, as there were some nice illustrations within the book. My ARC hadn’t been formatted properly yet for me to get the most out of the illustrations, but from what I can see they’ll add a nice little touch to it. Plus, If this has done anything it has peaked my interest. I now want to find out more about a few authors and their works, and I have a few more books on my TBR list.
In summary, it is really a good book if you like just little titbits of information and a recommended reads list. If you want more in depth information, avoid.