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The Companion
7.0
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The other orphans say Margot is lucky. Lucky to survive the horrible accident that killed her...
suspense horror
Matthew Krueger (10051 KP) rated Elder Sign in Tabletop Games
Jul 17, 2020 (Updated Jul 18, 2020)
The Theme (3 more)
Solo Gameplay
The Setting
High Replayabity
Little Pieces, Easy to lose (1 more)
Luck of the dice
Call of Cthulhu
Elder Sign- is a excellent fantasy adventure, horror card game. I learn about this game through Tabletop. And to me it looked really good. And plus you can play it solo. So i had to buy it, cause of the solo experience. I only played this solo and its fun, but hard to win. I love the theme of the game which is based on the Cthulhu Mythos of horror writer H.P. Lovecraft and Chaosium's Call of Cthulhu roleplaying game. I love both H.P. Lovecraft, and Cthulhu. If you don't know what Elder Sign is I will explain it.
Elder Sign- is a cooperative card and dice game, based on the Cthulhu Mythos of horror writer H.P. Lovecraft and Chaosium's Call of Cthulhu roleplaying game. It is published by Fantasy Flight Games, which also produces the Cthulhu Mythos games Arkham Horror, Call of Cthulhu: The Card Game, Mansions of Madness, and Eldritch Horror.
Gameplay:
Players randomly select a monster (known as an Ancient One) to oppose. The Ancient One requires a certain number of elder sign tokens to "seal" or imprison it. Conversely, the Ancient One can be "awakened" or released by a number of doom tokens.
There are also many other less powerful monsters that can appear during the game.
Each player chooses an investigator to play as (usually randomly), each investigator having unique abilities.
Players take turns exploring a randomly generated room (there are Adventure cards and Other World cards). If a player succeeds at completing all of the tasks in the room they are exploring, they obtain a reward. Conversely, if they fail, they receive a penalty. If the player's investigator is devoured (either by losing all of their stamina and/or sanity), they lose what they originally had, a doom token is added to the doom track, and the player returns to play as a different investigator.
Rooms are explored until either the Ancient One is "sealed" or "awakened". If the Ancient One is sealed, the players immediately win. If the Ancient One awakens, the players must face it in battle. This battle is designed to be extremely difficult with a low chance of success, so players must try to prevent the Ancient One from awakening at all costs.
Its a excellent gothic horror game, it has fantasy, dice, cards and adventure and alot of replayablity. Buy it if you havent already. Cause its excellent.
Elder Sign- is a cooperative card and dice game, based on the Cthulhu Mythos of horror writer H.P. Lovecraft and Chaosium's Call of Cthulhu roleplaying game. It is published by Fantasy Flight Games, which also produces the Cthulhu Mythos games Arkham Horror, Call of Cthulhu: The Card Game, Mansions of Madness, and Eldritch Horror.
Gameplay:
Players randomly select a monster (known as an Ancient One) to oppose. The Ancient One requires a certain number of elder sign tokens to "seal" or imprison it. Conversely, the Ancient One can be "awakened" or released by a number of doom tokens.
There are also many other less powerful monsters that can appear during the game.
Each player chooses an investigator to play as (usually randomly), each investigator having unique abilities.
Players take turns exploring a randomly generated room (there are Adventure cards and Other World cards). If a player succeeds at completing all of the tasks in the room they are exploring, they obtain a reward. Conversely, if they fail, they receive a penalty. If the player's investigator is devoured (either by losing all of their stamina and/or sanity), they lose what they originally had, a doom token is added to the doom track, and the player returns to play as a different investigator.
Rooms are explored until either the Ancient One is "sealed" or "awakened". If the Ancient One is sealed, the players immediately win. If the Ancient One awakens, the players must face it in battle. This battle is designed to be extremely difficult with a low chance of success, so players must try to prevent the Ancient One from awakening at all costs.
Its a excellent gothic horror game, it has fantasy, dice, cards and adventure and alot of replayablity. Buy it if you havent already. Cause its excellent.
Jesters_folly (230 KP) rated Elvira, Mistress of the Dark (1988) in Movies
Oct 27, 2019
Horror movie hostess Elvira dreams of hosting a show in Vegas. When she receives saying that her Great Aunt had died she thinks her dreams have come true. Once she arrives at Fallwell, Massachusetts for the reading of the will she finds that things won’t be as easy as she had hoped. As the town turns against her and family secrets are uncovered Elvira needs to find a way to stop her great Uncles plan.
Elvira, Mistress of the Dark brings a backstory to Cassandra Pearson's character Elvira, gothic late night horror hostess. The film starts during one of Elvira’s shows when she receives a telegram telling her to go the reading of a will for a dead relative and, in the events that follow she finds out that she really is a witch.
Elvira is odd in the fact that it is almost in the style of an 80’s teen movie but it isn’t quite one. There are a few teens in the cast but the film does focus on Elvira and other people in the town.
Elvira, Mistress of the dark is rated 15 and is a comedy with a couple of scenes of peril and one jump scare. A lot of the humour focuses on Elvira’s rather ample bosom but in a quite tasteful way, it’s not a ‘Sex comedy’.
Elvira, Mistress of the Dark brings a backstory to Cassandra Pearson's character Elvira, gothic late night horror hostess. The film starts during one of Elvira’s shows when she receives a telegram telling her to go the reading of a will for a dead relative and, in the events that follow she finds out that she really is a witch.
Elvira is odd in the fact that it is almost in the style of an 80’s teen movie but it isn’t quite one. There are a few teens in the cast but the film does focus on Elvira and other people in the town.
Elvira, Mistress of the dark is rated 15 and is a comedy with a couple of scenes of peril and one jump scare. A lot of the humour focuses on Elvira’s rather ample bosom but in a quite tasteful way, it’s not a ‘Sex comedy’.
JT (287 KP) rated Ready or Not (2019) in Movies
Mar 3, 2020
Original story (1 more)
Solid tension
White wedding goes full bloodshed
Grace (Samara Weaving) is about to marry the man of her dreams, Alex Le Domas (Mark O’Brien). But her new in-laws, as it turns out, are going to be a real nightmare.
After a long sweeping shot through a gothic house 30-years earlier which sets up the back story to what is going to unfold, Grace is tasked with drawing a card from a mysterious mechanical box.
The premise is simple, whatever game is on the card she has to play in order to be accepted into the family – a tradition which must be accepted.
Innocently believing that it is just a harmless game of Hide-and-Seek Grace sets off to hide. The family, however, arming themselves with a variety of antique weaponry, must kill poor Grace before sunrise or they will all perish.
The family is an eclectic mix of batshit crazed parents, eccentric grandparents, troublesome daughters and drunken sons. When merged they come across as a psychopath’s answer to the Keystone Cops, all flair but no clue whatsoever.
Ready or Not manages to balance horror and comedy nicely. It is gory when it needs to be with several grotesque and humorous scenes that will leave viewers squirming in their seats.
The remainder of the film is a tense game of cat and mouse with Grace now realising what the real motives of the family are. She must hold her nerve to see out the night and make it to morning.
The setting is perfect for this type of caper and the gothic mansion provides plenty of twists and turns; from secret doors and passages to outhouses filled with decaying corpses.
Grace turns from the bride in white to the bride in blood as she battles the family – the tension rarely lets up for a second. Ready or Not gets just about everything spot on and it never suffers from horror cliches or boredom.
Weaving gives a good account of herself as a modern-day scream queen turned badass, running around in a torn wedding dress and trainers dispelling the myth ‘till death do us part‘.
After a long sweeping shot through a gothic house 30-years earlier which sets up the back story to what is going to unfold, Grace is tasked with drawing a card from a mysterious mechanical box.
The premise is simple, whatever game is on the card she has to play in order to be accepted into the family – a tradition which must be accepted.
Innocently believing that it is just a harmless game of Hide-and-Seek Grace sets off to hide. The family, however, arming themselves with a variety of antique weaponry, must kill poor Grace before sunrise or they will all perish.
The family is an eclectic mix of batshit crazed parents, eccentric grandparents, troublesome daughters and drunken sons. When merged they come across as a psychopath’s answer to the Keystone Cops, all flair but no clue whatsoever.
Ready or Not manages to balance horror and comedy nicely. It is gory when it needs to be with several grotesque and humorous scenes that will leave viewers squirming in their seats.
The remainder of the film is a tense game of cat and mouse with Grace now realising what the real motives of the family are. She must hold her nerve to see out the night and make it to morning.
The setting is perfect for this type of caper and the gothic mansion provides plenty of twists and turns; from secret doors and passages to outhouses filled with decaying corpses.
Grace turns from the bride in white to the bride in blood as she battles the family – the tension rarely lets up for a second. Ready or Not gets just about everything spot on and it never suffers from horror cliches or boredom.
Weaving gives a good account of herself as a modern-day scream queen turned badass, running around in a torn wedding dress and trainers dispelling the myth ‘till death do us part‘.
The Woman in White
8.1
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The Penguin English Library Edition of The Woman in White by Wilkie Collins 'In one moment, every...
Northanger Abbey
8.1
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The Penguin English Library Edition of Northanger Abbey by Jane Austen 'To look almost pretty, is an...
Jane, Unlimited
9.0
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Jane has lived a mostly ordinary life, raised by her recently deceased aunt Magnolia, whom she...
Otway93 (580 KP) rated the Playstation 5 version of Resident Evil: Village in Video Games
Dec 29, 2021
Gameplay (3 more)
Style
Character Design
Style
Basically flawless!
Contains spoilers, click to show
While at first I was dubious after the teaser trailers showing what appeared to be more classic horror creatures, they pulled it off perfectly!
The gameplay, while mostly unchanged in style from RE7, is still superb fun, and gives us a slightly more open-world to explore compared to the previous Ethan Winters adventure, as well as a more traditional gothic feel.
The various characters and bosses are all very different and for the most part original, each having their own look, combat style and personality.
My only criticism is not with the game itself, but with advertising. Most people will have noticed that Lady Dimitrescu, the pale, 9ft tall queen of RE memes features more than almost anybody in posters. The thing is, she has a surprisingly small part in the game. Advertising would have you believe she is the main antagonist of the game, where in fact she is in fact the very first main boss. That is as much as I will tell you in that regard!
Altogether, an outstanding game!
The gameplay, while mostly unchanged in style from RE7, is still superb fun, and gives us a slightly more open-world to explore compared to the previous Ethan Winters adventure, as well as a more traditional gothic feel.
The various characters and bosses are all very different and for the most part original, each having their own look, combat style and personality.
My only criticism is not with the game itself, but with advertising. Most people will have noticed that Lady Dimitrescu, the pale, 9ft tall queen of RE memes features more than almost anybody in posters. The thing is, she has a surprisingly small part in the game. Advertising would have you believe she is the main antagonist of the game, where in fact she is in fact the very first main boss. That is as much as I will tell you in that regard!
Altogether, an outstanding game!
The Resurrectionist
Book
It's 1820, and the physicians of London are on fire to unlock the secrets of human anatomy, some...
Historical Fiction Gothic Horror
Awix (3310 KP) rated The Blood on Satan's Claw (1971) in Movies
Feb 9, 2018 (Updated Feb 9, 2018)
What's In A Name?
One of the big three British folk-horror movies (along with Witchfinder General and The Wicker Man) and the only one to go for an explicitly supernatural storyline: in 18th century England, a ploughman unearths a deformed skull, which mysteriously disappears soon after. Insanity, mutation and violence begin to spread amongst the young people of the area, forcing the local judge to take extreme measures in the cause of virtue.
On one level this does sound like the broadest kind of exploitative schlock, and it's true that the monster suit at the end is utterly crapulous, but this does not take into account the disturbingly dreamy atmosphere conjured up by director Haggard and Marc Wilkinson's score. There's a touch of the genuine gothic in the way something ancient and disturbing erupts into a quietly bucolic world.
Plus, there is a hard edge of gleeful nastiness to this film which is wholly lacking from the movies being made by Tigon's better-known rivals at Hammer and Amicus during the same period. There's a sense in which most Hammer movies feel like costume dramas with a little blood included as a contractual obligation, but Blood on Satan's Claw goes all-out to mess the viewer up - it's not especially frightening as such, but it's a very unsettling, creepy movie that's a worthy successor to an ancient English tradition of supernatural horror stories.
On one level this does sound like the broadest kind of exploitative schlock, and it's true that the monster suit at the end is utterly crapulous, but this does not take into account the disturbingly dreamy atmosphere conjured up by director Haggard and Marc Wilkinson's score. There's a touch of the genuine gothic in the way something ancient and disturbing erupts into a quietly bucolic world.
Plus, there is a hard edge of gleeful nastiness to this film which is wholly lacking from the movies being made by Tigon's better-known rivals at Hammer and Amicus during the same period. There's a sense in which most Hammer movies feel like costume dramas with a little blood included as a contractual obligation, but Blood on Satan's Claw goes all-out to mess the viewer up - it's not especially frightening as such, but it's a very unsettling, creepy movie that's a worthy successor to an ancient English tradition of supernatural horror stories.