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Suswatibasu (1701 KP) rated Sing, Unburied, Sing in Books

Oct 3, 2017

Sing, Unburied, Sing

Jesmyn Ward | 2017 | Fiction & Poetry

8.5

(6 Ratings)

Book Rating

A Toni Morrison novel updated for modern times

This is no doubt a modern day version of reading a Toni Morrison novel. From the magical realism aspect to social issues affecting African Americans, this novel is both haunting and almost poetic.

The story follows a family on their way to a prison, in which the children's white father is due to be released. The teenage boy and his three year old sister are mostly dependent on one another as well as their grandparents Pop and Mam. The mother Leonie is absent, and rather aloof in their upbringing, forcing her son, Jojo to bring up his kid sister. In between are disturbing stories featured in flashbacks and ghostly apparitions, The novel explores interracial relationships, police brutality and even post traumatic stress disorder to a degree.

While it can seem haphazard, going back and forth in time, and random narratives appearing throughout, it leaves the reader with a sense of unease and despair at the violent nature of society. A truly intriguing read.

Kudos

Awix (3310 KP) rated Seberg (2019) in Movies

Jan 14, 2020

Seberg (2019)

2019 | Biography, Drama, Thriller

7.0

(2 Ratings)

Movie Rating

Tonally awkward drama-thriller hybrid about the troubled life of 60s film star Jean Seberg (ask your grandparents, probably). Didn't know much about her (actually thought she was French), expected something arty and significant about the French New Wave - actually this borders on being another film about the Plight of Black America. Seberg (Kristen Stewart, watchable as usual) strives for significance, gets mixed up with the civil rights movement, finds herself surveilled and then tormented by the FBI.

Starts off quite interesting - Seberg is largely a forgotten figure nowadays, so the story is obscure - but as the thriller elements recede and it becomes more of a downbeat drama, the vitality and interest of the movie fades somewhat. If there is an irony in Stewart choosing to play a movie star looking to be more than just a pretty face in commercial schlock, the movie seems unaware of it. Pretty good performances, especially from Vince Vaughn (now quite well-established as a character heavy), but fizzles out a bit.