<i>Captive</i> is the debut young adult thriller by British author A. J. Grainger. Set in contemporary Britain, sixteen-year-old Robyn, the daughter of the Prime Minister, is kidnapped and held hostage by three animal rights activists. Until the government agrees to release the person accused of the attempted assassination of the PM four month previously, they refuse to free Robyn from captivity. It soon becomes clear that a lot of lies and cover-ups have been occurring and it is difficult to know whom to trust.
The novel gets off to a great start with a lot of action as Robyn and her family is ambushed on their way to visit grandparents. The first half of the book is really exciting as the reader slowly gets to grips with what is going on.
Grainger writes really well with great use of descriptive words and phrases. To keep the reader engaged and to lengthen the story she includes other interesting details that are educational in a way – for example, knowledge about birds.
Unfortunately the second half of the book is not as exciting as the first. A relationship starts developing between Robyn and one of the captors, which is rather unoriginal and predictable.
One thing that I particularly liked about this novel was Robyn’s character. Naturally people may expect daughters of prime ministers to be snobbish and spoilt but Robyn was the complete opposite. She did not care about where her clothes came from or whether or not she went to parties. Robyn was the representation of the average teenage girl preparing for her GCSEs.
Despite the clichéd captor/hostage situation <i>Captive</i> is a very enjoyable novel with a few exhilarating twists in the plot.
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LeftSideCut (3776 KP) rated The Visit (2015) in Movies
Nov 2, 2020
Anyway, The Visit is pretty good (if you ignore the whole rapping part - not sure if I've mentioned that yet). It has a minimal yet great cast, some solid creepy moments, and a surprisingly grounded twist from the notoriously inconsistent M. Night Shyamalan.
Olivia DeJonge and Ed Oxenbould are likable as the two leads. The framing device of them filming a documentary about their estranged grandparents is a natural explanation for the 'found footage' camera style.
The stand out though is Deanna Dunagan as the grandma. Christ she is unsettlingly creepy, even when she's being kind. Her contribution to this film really lends the narrative as a whole, a huge help of tension. The slow burn nature of it is fantastically realised, and presents the audience with a decent mystery plot, and a chance to try and unravel what is really going on before the inevitable twist hits.
The twist itself is simple yet effective, and is certainly an "oh shit" moment, but unfortunately it leads to a final act that feels a bit over the top and silly. It shifts from an atmospheric creepy chiller to a sub par horror trying a little too hard to pack in the scares. It's a shame because 80% of the runtime is genuinely engaging!
Despite the lackluster ending, The Visit is a solid POV thriller that is head and shoulders above a huge chunk of Shyamalan's back catalogue, and is decent enough way to spend 90 minutes, except for the 3-4 minutes spent with the kid rapping...