Jimmy and Reg, the first-person protagonist and his best friend, were really realistic too – there were things like Reg having a stutter, the number of dead-arms the boys give each other (!) and the sense of guilt Jimmy feels when he realises he’s in the wrong, which made the boys really 3D, relatable characters.
I loved that the book brought to life a picture of not only mudlarking, but the start of the First World War and everyday people’s reactions to it. The twists that take place in the book can’t be guessed from the blurb, and I found myself surprised a lot of the time. The solution to the mystery had to be explained to me just as much as it did to Jimmy and Reg, which is rare, as I can usually guess what’s coming from at least a couple of pages before. PLUS, the solution was historically accurate. Double tick!
I reckon this book will appeal to boys (and probably girls too!) around 11-14, especially those with a love of history. Mind you, once I get the book back I’ll be sending it to my grandpa, who I’m sure will love it. It’s his old stomping ground, after all, although he’s never been as nasty as the policemen in the book!
If you liked this review, I also went into some of the history of mudlarking in Portsmouth on my <a href="http://www.a-worldofwords.com/2013/05/mudlark-by-john-sedden.html">blog</a>; please feel free to check it out!
JT (287 KP) rated Ready or Not (2019) in Movies
Mar 3, 2020
After a long sweeping shot through a gothic house 30-years earlier which sets up the back story to what is going to unfold, Grace is tasked with drawing a card from a mysterious mechanical box.
The premise is simple, whatever game is on the card she has to play in order to be accepted into the family – a tradition which must be accepted.
Innocently believing that it is just a harmless game of Hide-and-Seek Grace sets off to hide. The family, however, arming themselves with a variety of antique weaponry, must kill poor Grace before sunrise or they will all perish.
The family is an eclectic mix of batshit crazed parents, eccentric grandparents, troublesome daughters and drunken sons. When merged they come across as a psychopath’s answer to the Keystone Cops, all flair but no clue whatsoever.
Ready or Not manages to balance horror and comedy nicely. It is gory when it needs to be with several grotesque and humorous scenes that will leave viewers squirming in their seats.
The remainder of the film is a tense game of cat and mouse with Grace now realising what the real motives of the family are. She must hold her nerve to see out the night and make it to morning.
The setting is perfect for this type of caper and the gothic mansion provides plenty of twists and turns; from secret doors and passages to outhouses filled with decaying corpses.
Grace turns from the bride in white to the bride in blood as she battles the family – the tension rarely lets up for a second. Ready or Not gets just about everything spot on and it never suffers from horror cliches or boredom.
Weaving gives a good account of herself as a modern-day scream queen turned badass, running around in a torn wedding dress and trainers dispelling the myth ‘till death do us part‘.
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