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Our World to Change!

Ruedi Baur

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Book

To explain the desperate state of our world, its functioning and malfunctioning, is the ambitious...

Logo Studio Designer

Business and Productivity

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Design professional logos and graphics easily. Frequent free updates with new options and features. ...

PDF Scanner for Documents Receipts Emails and Business Cards with OCR

Business and Productivity

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Scan, print and manage documents with your iPhone or iPad ! The Only Scanner App that lets you can...

Matthew Krueger (10051 KP) rated The Hills Have Eyes (1977) in Movies

Sep 4, 2020

Cannibal Savages

The Hills Have Eyes- is a disturbing psychological survival horror film. Wes did it again.

The plot: Wes Craven's cult classic about cannibalistic mountain folk, including the Carter family, who are on the trail of stranded vacationers in the arid Southwest Californian desert.

Craven based the film's script on the legend of cannibal Sawney Bean, which Craven viewed as illustrating how supposedly civilized people could become savage.

Wes Craven desired to make a non-horror film, following his directorial debut, The Last House on the Left (1972), because he saw the horror genre as constraining. However, he could not find producers interested in financing a project that did not feature bloody violence.

The film was initially given an X rating by the MPAA due to its graphic violence. Due to this, significant material was removed from Fred's death scene, the sequence where Mars and Pluto attack the trailer, and the last confrontation with Papa Jupiter.

Its a excellent movie.

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Awix (3310 KP) rated Tie Me Up! Tie Me Down! (¡Átame!) (1989) in Movies

Jun 3, 2020

Black romantic-comedy, a rare misfire from Pedro Almodovar. A mentally-unstable young man kidnaps a troubled actress and junkie and keeps her prisoner until she falls in love with him. Yes, I know: I would say it was a Spanish thing but it's fundamentally the same plot as Passengers and a few other movies.

I suppose it's conceivable that you could make quite an interesting and provocative film based on such a premise, provided you approached it the right way (perhaps in this case doing it ironically might be justified). However, Almodovar plays it unexpectedly straight, and quite apart from how dodgy the basis of the plot is, not even actors like Banderas and Abril (who do the best they can with the material) can make the story work. Lots of interesting characters and story material gets crowded out to the edges of the film, and it's oddly graphic for what's supposed to be a romance. Watchable but not satisfying.