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Jenny Houle (24 KP) rated The Weight of This World in Books
Jan 13, 2018
I received an ARC from FirstToRead for an unbiased review of THE WEIGHT OF THE WORLD.
It's particularly hard to explain the details of this book without spoilers, beyond the blurb already posted about it: "A combat veteran returned from war, Thad Broom can’t leave the hardened world of Afghanistan behind, nor can he forgive himself for what he saw there. His mother, April, is haunted by her own demons, a secret trauma she has carried for years. Between them is Aiden McCall, loyal to both but unable to hold them together. Connected by bonds of circumstance and duty, friendship and love, these three lives are blown apart when Aiden and Thad witness the accidental death of their drug dealer and a riot of dope and cash drops in their laps. On a meth-fueled journey to nowhere, they will either find the grit to overcome the darkness or be consumed by it."
I don't entirely think I knew what I was getting myself into reading the book, which was well written but a little too graphic for me. I think in referring others to it, I will consider those who handle certain scenarios well, versus those who do not (for example, I'm not exactly rushing out to recommend this to any of my friends who've returned home from war and are dealing with PTSD).
The development of the three main characters and the intensity of their bonds and loyalty, despite all the ways they continued to fail one another, were a true depiction of human spirit. How we can love someone so much that we never mean to fail them, yet we can never do fully right by them.
I loved the epilogue but not the ending...if that makes sense (I'm afraid to say much for fear of spoilers). Part of me wanted so desperately for Aiden, Thad and April to all find their way away from Little Canada, alone or together, having beaten all their demons. Part of me, though, is realistic enough to know that is not how life works.
I will absolutely be hunting for other books by David Joy having read this one. So glad I took the time and stuck out the scenes that were hard to stomach.
It's particularly hard to explain the details of this book without spoilers, beyond the blurb already posted about it: "A combat veteran returned from war, Thad Broom can’t leave the hardened world of Afghanistan behind, nor can he forgive himself for what he saw there. His mother, April, is haunted by her own demons, a secret trauma she has carried for years. Between them is Aiden McCall, loyal to both but unable to hold them together. Connected by bonds of circumstance and duty, friendship and love, these three lives are blown apart when Aiden and Thad witness the accidental death of their drug dealer and a riot of dope and cash drops in their laps. On a meth-fueled journey to nowhere, they will either find the grit to overcome the darkness or be consumed by it."
I don't entirely think I knew what I was getting myself into reading the book, which was well written but a little too graphic for me. I think in referring others to it, I will consider those who handle certain scenarios well, versus those who do not (for example, I'm not exactly rushing out to recommend this to any of my friends who've returned home from war and are dealing with PTSD).
The development of the three main characters and the intensity of their bonds and loyalty, despite all the ways they continued to fail one another, were a true depiction of human spirit. How we can love someone so much that we never mean to fail them, yet we can never do fully right by them.
I loved the epilogue but not the ending...if that makes sense (I'm afraid to say much for fear of spoilers). Part of me wanted so desperately for Aiden, Thad and April to all find their way away from Little Canada, alone or together, having beaten all their demons. Part of me, though, is realistic enough to know that is not how life works.
I will absolutely be hunting for other books by David Joy having read this one. So glad I took the time and stuck out the scenes that were hard to stomach.
Sensitivemuse (246 KP) rated Lovemurder in Books
May 3, 2018
Tension and head games galore!
This can be read as a stand alone if you come across this book although it’s highly encouraged to read the first one only because it’s just as good!
This time around, Valerie doesn’t get pummelled all over the place and you don’t cringe as much when she gets hit by something (whether it’s a bullet or a hit to the head). The plot held up to the same standards as the first; fast paced, filled with scenes of gratuitous violence and some sexual content here and there. This may not be for some readers as it does get graphic but I think without it, it would be hard to describe how heinous the crimes are.
Throughout the novel, Valerie has these tete a tetes with Katherine and they’re well written. You feel the tension between them and the mind games Katherine plays are subtle and sometimes even frustrating because she’s maddingly brilliant and manipulative. You’re running along with Valerie trying to catch this killer and you follow through the chase filled with puzzles and cryptic notes and gifts (none very nice gifts either…). The killer is brilliant and when you think he’s this one person, he ends up being someone you didn’t realize and it’s mind blowing considering who this killer ends up kidnapping.
And just when you think everything’s done there’s more extra twists happening. This is what makes this novel so quick and fast to read. You’re deeply engrossed in the plot and in the chase to find this killer but you forget he most likely has a plan B and you’re blindsided again. This is what makes this book so good!!!!!! I loved every minute of it!!!
The only concern I have is, how much more can happen in this series before this starts getting repetitive. I love the way it’s going and I hope the series can stay fresh and exciting like it’s been so far. I am looking forward to seeing what happens next, given there’s a bit of a teaser at the very last page of the book.
This time around, Valerie doesn’t get pummelled all over the place and you don’t cringe as much when she gets hit by something (whether it’s a bullet or a hit to the head). The plot held up to the same standards as the first; fast paced, filled with scenes of gratuitous violence and some sexual content here and there. This may not be for some readers as it does get graphic but I think without it, it would be hard to describe how heinous the crimes are.
Throughout the novel, Valerie has these tete a tetes with Katherine and they’re well written. You feel the tension between them and the mind games Katherine plays are subtle and sometimes even frustrating because she’s maddingly brilliant and manipulative. You’re running along with Valerie trying to catch this killer and you follow through the chase filled with puzzles and cryptic notes and gifts (none very nice gifts either…). The killer is brilliant and when you think he’s this one person, he ends up being someone you didn’t realize and it’s mind blowing considering who this killer ends up kidnapping.
And just when you think everything’s done there’s more extra twists happening. This is what makes this novel so quick and fast to read. You’re deeply engrossed in the plot and in the chase to find this killer but you forget he most likely has a plan B and you’re blindsided again. This is what makes this book so good!!!!!! I loved every minute of it!!!
The only concern I have is, how much more can happen in this series before this starts getting repetitive. I love the way it’s going and I hope the series can stay fresh and exciting like it’s been so far. I am looking forward to seeing what happens next, given there’s a bit of a teaser at the very last page of the book.
Daniel Boyd (1066 KP) rated Polar (2019) in Movies
Feb 7, 2019 (Updated Feb 7, 2019)
Extremely Polarizing
Wow, what a train wreck this turned out to be..
Think diet John Wick meets an immature, garish comic book full of pantomime villains and you have Polar. Sometimes you see a movie and can't help but wonder, "What the hell were they thinking?" Unfortunately this is one of those times. There are folks out there that have crafted a solid script and are struggling to get their movie funded and made, meanwhile there is low level trash like this being paid for and distributed by a huge platform like Netflix?! It is an outrageous and pretty sad state of affairs.
Without a doubt the worst part of this thing is the god awful assortment of villains. They are so annoying and infuriating in every scene they are in and only get worse as the movie goes on. Half the movie is spent following this massively irritating group as they hunt for Mads Mikkelsen's character and they are so unlikable, but not in the way that they are supposed to be. They all work for the main villain, who is inexplicably played by Matt Lucas from Little Britain. That's right, Vicky Pollard is this movie's main antagonist. He is god awful here and I genuinely don't even know what they were attempting to do with this character. Every scene that he is in feels like a discarded Little Britain sketch.
The one bright spot in the film is Mads Mikkelsen's turn as Duncan, the ex-hitman being hunted throughout the film by his ex-employers who serves as our main protagonist. I love seeing Mads in anything he appears in, so I actually found the scenes with him in them pretty enjoyable, and frankly they were the only thing that stopped this movie from being scored a pathetic 1/10.
Overall, this is total mess. It is the worst type of comic book movie and doesn't seem appealing to anyone over the age of 12. Please don't waste your time with this garbage, there are much better movies out there based on graphic novels that don't only cater to horny, brain-dead teenagers.
Think diet John Wick meets an immature, garish comic book full of pantomime villains and you have Polar. Sometimes you see a movie and can't help but wonder, "What the hell were they thinking?" Unfortunately this is one of those times. There are folks out there that have crafted a solid script and are struggling to get their movie funded and made, meanwhile there is low level trash like this being paid for and distributed by a huge platform like Netflix?! It is an outrageous and pretty sad state of affairs.
Without a doubt the worst part of this thing is the god awful assortment of villains. They are so annoying and infuriating in every scene they are in and only get worse as the movie goes on. Half the movie is spent following this massively irritating group as they hunt for Mads Mikkelsen's character and they are so unlikable, but not in the way that they are supposed to be. They all work for the main villain, who is inexplicably played by Matt Lucas from Little Britain. That's right, Vicky Pollard is this movie's main antagonist. He is god awful here and I genuinely don't even know what they were attempting to do with this character. Every scene that he is in feels like a discarded Little Britain sketch.
The one bright spot in the film is Mads Mikkelsen's turn as Duncan, the ex-hitman being hunted throughout the film by his ex-employers who serves as our main protagonist. I love seeing Mads in anything he appears in, so I actually found the scenes with him in them pretty enjoyable, and frankly they were the only thing that stopped this movie from being scored a pathetic 1/10.
Overall, this is total mess. It is the worst type of comic book movie and doesn't seem appealing to anyone over the age of 12. Please don't waste your time with this garbage, there are much better movies out there based on graphic novels that don't only cater to horny, brain-dead teenagers.
Mothergamer (1536 KP) rated the PC version of Fable III in Video Games
Apr 3, 2019
I finished my first play through of Fable 3. I did pick the hero role my first time through. You can choose to play an evil tyrant also. I loved hearing John Cleese as the voice of your trusty butler Jasper, along with other recognizable voices throughout the game such as Simon Pegg and Ben Kingsley. The first half of the game follows the template of exploration, quests, and combat as you recruit followers and gather an army as either a prince or princess of Albion. While some of the quests are courier (package delivery) quests, there are quests that are creative with things like donning a chicken costume, performing in a play, or wearing a disguise.
Once you have your army, the revolution can begin and Fable 3 becomes a tactician strategy game where the tough decisions you make actually have an impact in the story. Interaction with others is one on one now making it easier to recruit followers or woo a spouse. Another thing that I loved is the solution to the clunky menu system. That is gone and you now have the sanctuary where you can organize weapons, costumes, and your full magic arsenal. There is also an offline and online co-op feature that works really well so you can play with others and pool together treasure, resources, and rewards from adventuring together.
That isn't to say that there aren't any problems. There are a few. At times, there are loading time issues with the load screen as you enter a new area. There are also little graphic errors here and there where you're holding an npc's hand for a quest and as you are running, it looks like they're not holding hands with you, or they end up stopping and standing there so you have to come back to get them. Even with the world map and fast travel, there still seems to be a loading issue.
However, you forget all that as you play Fable 3 immersed in fun quests, planning a revolution, and deciding if you will be a hero or a villain. Who knew revolution could be so much fun?
Once you have your army, the revolution can begin and Fable 3 becomes a tactician strategy game where the tough decisions you make actually have an impact in the story. Interaction with others is one on one now making it easier to recruit followers or woo a spouse. Another thing that I loved is the solution to the clunky menu system. That is gone and you now have the sanctuary where you can organize weapons, costumes, and your full magic arsenal. There is also an offline and online co-op feature that works really well so you can play with others and pool together treasure, resources, and rewards from adventuring together.
That isn't to say that there aren't any problems. There are a few. At times, there are loading time issues with the load screen as you enter a new area. There are also little graphic errors here and there where you're holding an npc's hand for a quest and as you are running, it looks like they're not holding hands with you, or they end up stopping and standing there so you have to come back to get them. Even with the world map and fast travel, there still seems to be a loading issue.
However, you forget all that as you play Fable 3 immersed in fun quests, planning a revolution, and deciding if you will be a hero or a villain. Who knew revolution could be so much fun?
Eleanor (1463 KP) rated The Surgeon (Rizzoli & Isles, #1) in Books
May 22, 2019
Gore heavy police procedural
This is the first book in the Rizzoli and Isles thriller series, apparently there is a TV series based off this but I’ve never seen it so went into this blind. Isles does not appear as a character in this book and even RIzzoli is more of a secondary character.
Catherine Cordell is a skilled surgeon working in Boston where she fled to following a horrific attack two years ago. Although she killed her attacker her exterior confidence hides the continued fear the trauma has instilled in her everyday life. When the impossible seems to occur and the killer returns to stalk her, Detective Moore is determined to protect along with fellow officer Rizzoli.
The villain and what he does is full on terrifying and creepy as hell (just the way I like them.) However if you are in any way squeamish and don’t like a lot of blood and gore you should probably avoid this book. There is a lot of graphic descriptions of injuries of people coming into an emergency room, surgery and torture. Rape is also a central theme and again descriptions can be disturbing so be warned.
This felt like a very solid police procedural book. The style will be familiar with Criminal Minds fans in that you get to see a bit behind the curtain. I didn’t feel there was a lot of puzzling mystery, but you were swept along in the investigation to find the unsub.
My main hope with this series is Rizzoli becomes a bit more human, in this book I just wanted to slap her for being such a cow to both victims and colleagues. Her constant internal moaning about how bad she is treated because she’s a woman made me laugh, it seemed more to be just because she isn’t a very nice person. She doesn't come across as a very good cop at all, poor at doing interviews, following procedure, working as a team. Meanwhile Moore was a much more sympathetic character.
Looking forward to seeing where the series goes from here.
Catherine Cordell is a skilled surgeon working in Boston where she fled to following a horrific attack two years ago. Although she killed her attacker her exterior confidence hides the continued fear the trauma has instilled in her everyday life. When the impossible seems to occur and the killer returns to stalk her, Detective Moore is determined to protect along with fellow officer Rizzoli.
The villain and what he does is full on terrifying and creepy as hell (just the way I like them.) However if you are in any way squeamish and don’t like a lot of blood and gore you should probably avoid this book. There is a lot of graphic descriptions of injuries of people coming into an emergency room, surgery and torture. Rape is also a central theme and again descriptions can be disturbing so be warned.
This felt like a very solid police procedural book. The style will be familiar with Criminal Minds fans in that you get to see a bit behind the curtain. I didn’t feel there was a lot of puzzling mystery, but you were swept along in the investigation to find the unsub.
My main hope with this series is Rizzoli becomes a bit more human, in this book I just wanted to slap her for being such a cow to both victims and colleagues. Her constant internal moaning about how bad she is treated because she’s a woman made me laugh, it seemed more to be just because she isn’t a very nice person. She doesn't come across as a very good cop at all, poor at doing interviews, following procedure, working as a team. Meanwhile Moore was a much more sympathetic character.
Looking forward to seeing where the series goes from here.
Awix (3310 KP) rated Logan (2017) in Movies
Feb 10, 2018 (Updated Feb 10, 2018)
Cover Granny's eyes and ears
The question we must ask ourselves here is: does adding graphic gory violence and F-bombs by the cartload really transform a reasonably formulaic X-men franchise movie into something qualitatively different? Because it seems to me that if you were to make a PG-rated edit of Logan it would not feel that much different from many of the other films in the series. Well, perhaps I exaggerate just a bit, because the film does have a downbeat mood quite unusual for this genre, and the focus on the fragility of its characters does give the actors a lot to work with (though Hugh Jackman is, quite predictably, acted off the screen by Patrick Stewart).
Plot as follows: the year is 2030, or thereabouts, and all is not well for mutantkind, inasmuch as they seem to have died out. A knocking-on-a-bit Wolverine is working as a limo driver and trying to keep a low profile while caring for a frail Charles Xavier, but the appearance of a young mutant girl forces the duo to reassess their priorities.
Maybe the problem is that the first trailer for this film - the one with the Johnny Cash soundtrack - promised something genuinely powerful and melancholic. The song isn't in the movie and neither, really, is the power and melancholy. The movie seems to be trying to tell the story of a conflicted man steeped in violence who tries to find redemption at the end of his life, but Jackman's Wolverine has always been so much of a teddy bear - his 'darkness' and 'edginess' have always felt like corporate branding - that this doesn't really work.
Still, the film is well-assembled and its vision of a dystopian near-future America is both engaging and consisting. The film's willingness to simply not worry about franchise continuity is also kind of refreshing. With the future of the X-franchise apparently somewhat up in the air, this is at the very least a superior entry to mark the departure of at least one of its mainstays.
Plot as follows: the year is 2030, or thereabouts, and all is not well for mutantkind, inasmuch as they seem to have died out. A knocking-on-a-bit Wolverine is working as a limo driver and trying to keep a low profile while caring for a frail Charles Xavier, but the appearance of a young mutant girl forces the duo to reassess their priorities.
Maybe the problem is that the first trailer for this film - the one with the Johnny Cash soundtrack - promised something genuinely powerful and melancholic. The song isn't in the movie and neither, really, is the power and melancholy. The movie seems to be trying to tell the story of a conflicted man steeped in violence who tries to find redemption at the end of his life, but Jackman's Wolverine has always been so much of a teddy bear - his 'darkness' and 'edginess' have always felt like corporate branding - that this doesn't really work.
Still, the film is well-assembled and its vision of a dystopian near-future America is both engaging and consisting. The film's willingness to simply not worry about franchise continuity is also kind of refreshing. With the future of the X-franchise apparently somewhat up in the air, this is at the very least a superior entry to mark the departure of at least one of its mainstays.
Lilyn G - Sci-Fi & Scary (91 KP) rated The Sleeper in Books
Feb 1, 2018
Interesting elements for a kids book
The Sleeper is a 96-page science fiction mystery early chapter book. It comes with a few accompanying discussion questions at the back, as well as with some writing prompts and a basic glossary. These writing prompts encourage the reader to continue to interact with the story on their own terms. It plunges the reader right into a world that is theoretically just a few days away from getting destroyed by aliens. But the viewpoint the story is being told from is different than you might expect.
The illustrations in The Sleeper are black and white and surprisingly creepy. The illustrator, Tom Percival, does a solid job doing things like showing how even a smile can be rather disturbing. Nothing is graphic or outright scary at all, and yet readers can definitely experience an unease just looking at the pictures.
The Sleeper introduces the concept of a sleeper agent to young readers. I thought this was interesting and wasn't expecting it even though the title should have been a dead giveaway. In my defense, the cover for The Sleeper and the two line synopsis don't exactly tell you what to expect other than aliens!
While there are several good points to The Sleeper, I can't say I particularly liked it. It felt too brief and even though the discussion questions invite the reader to continue the story, it ends on a massive cliffhanger regarding one of the kids' fate. This may be deliberate, and for younger readers, it may actually work out well. It enables the child to feel a sense of accomplishment that they finished a book, and yet provides the impetus for them to pick up the next one. (Still made me twitch as it reeks too much of the chop-job that some authors like to do to a plot to sell more books.)
Overall, The Sleeper was an okay read. If it gets even a handful of kids interested enough to pick up another book, then it is has done its job. And, as always, it's nice to see a beginning chapter book that focuses on science fiction!
The illustrations in The Sleeper are black and white and surprisingly creepy. The illustrator, Tom Percival, does a solid job doing things like showing how even a smile can be rather disturbing. Nothing is graphic or outright scary at all, and yet readers can definitely experience an unease just looking at the pictures.
The Sleeper introduces the concept of a sleeper agent to young readers. I thought this was interesting and wasn't expecting it even though the title should have been a dead giveaway. In my defense, the cover for The Sleeper and the two line synopsis don't exactly tell you what to expect other than aliens!
While there are several good points to The Sleeper, I can't say I particularly liked it. It felt too brief and even though the discussion questions invite the reader to continue the story, it ends on a massive cliffhanger regarding one of the kids' fate. This may be deliberate, and for younger readers, it may actually work out well. It enables the child to feel a sense of accomplishment that they finished a book, and yet provides the impetus for them to pick up the next one. (Still made me twitch as it reeks too much of the chop-job that some authors like to do to a plot to sell more books.)
Overall, The Sleeper was an okay read. If it gets even a handful of kids interested enough to pick up another book, then it is has done its job. And, as always, it's nice to see a beginning chapter book that focuses on science fiction!
BankofMarquis (1832 KP) rated Red Sparrow (2018) in Movies
Mar 3, 2018
A Sexy spy thriller that would have been better without the SEXY
The new Jennifer Lawrence spy thriller RED SPARROW is being advertised as a "sexy" thriller, and if you watch the trailers for it, you would think it was a Jason Bourne/Mission Impossible-type of action thriller - with "sexy" action - and you would be misled and disappointed.
For, RED SPARROW, is a sexy, intelligent, inner-workings, "out-smart-the-other-guy" type of spy thriller in more of the mode of a John LeCarre novel (like TINKER, TAILOR, SOLIDER, SPY). It does have some action and some GRAPHIC torture scenes, but I would not classify it as an action film, so those looking for that will be bored.
RED SPARROW follows the tale of Bolshoi Ballet Prima Ballerina, Dominika Egorova (Jennifer Lawrence) who, after an accident ends her ballet career, is drawn into the deadly world of International Intelligence by her Uncle and must her her body as well as her mind to survive.
This is billed - and shot - as a "sexy" thriller with "SEXY" being the primary driving force - and that is too bad, for I found the sex and nudity to be gratuitous and didn't really drive the narrative forward. When the film stopped focusing on this aspect and focused on the mystery - and misdirection - at hand and Dominika's ability to outsmart and outhink those around her, that the film really catches it's footing and is quite good.
Unfortunately, you have to sit through the first 1/2 of this film - the training portion - and that is filled with gratuitous sex and sexual conquest and using your sex to disarm the enemy. It's an unfortunate choice that almost took me out of the movie, so when the (really) good second half of the film came about, I was surprised by it.
But if you can get through that, you'll be rewarded by a pretty good, pretty smart, pretty INTELLIGENT thriller.
Letter Grade: B (C for the 1st half, A for the 2nd half)
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
For, RED SPARROW, is a sexy, intelligent, inner-workings, "out-smart-the-other-guy" type of spy thriller in more of the mode of a John LeCarre novel (like TINKER, TAILOR, SOLIDER, SPY). It does have some action and some GRAPHIC torture scenes, but I would not classify it as an action film, so those looking for that will be bored.
RED SPARROW follows the tale of Bolshoi Ballet Prima Ballerina, Dominika Egorova (Jennifer Lawrence) who, after an accident ends her ballet career, is drawn into the deadly world of International Intelligence by her Uncle and must her her body as well as her mind to survive.
This is billed - and shot - as a "sexy" thriller with "SEXY" being the primary driving force - and that is too bad, for I found the sex and nudity to be gratuitous and didn't really drive the narrative forward. When the film stopped focusing on this aspect and focused on the mystery - and misdirection - at hand and Dominika's ability to outsmart and outhink those around her, that the film really catches it's footing and is quite good.
Unfortunately, you have to sit through the first 1/2 of this film - the training portion - and that is filled with gratuitous sex and sexual conquest and using your sex to disarm the enemy. It's an unfortunate choice that almost took me out of the movie, so when the (really) good second half of the film came about, I was surprised by it.
But if you can get through that, you'll be rewarded by a pretty good, pretty smart, pretty INTELLIGENT thriller.
Letter Grade: B (C for the 1st half, A for the 2nd half)
7 (out of 10) stars and you can take that to the Bank(ofMarquis)