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RəX Regent (349 KP) rated V for Vendetta (2005) in Movies
Mar 7, 2019
Missed the point... Ponderously
Contains spoilers, click to show
"BOLLOCKS!" This is the standard British insult which is banded about by the stereotypical characters as perceived by our American cousins. Or is this a succinct review of the film? Alan Moore, more famously known for Watchmen, was the original author of the graphic novel of the same name, which was published between 1982 and '85 and then later reprinted in full by DC comics, had his name removed during production. The Brothers Wachowski, of The Matrix fame, a seminal film, penned the adaptation and did so without truly understanding the source.
We ended up with a dull, overly bombastic and ponderous take on a much more subversive novel, with stereotypical fascist villains, shown to have taken power by releasing a virus upon the country's population, rather than the comic's thesis on the apathetic voters, legitimately electing them.
This is Hollywood does Britain, and as usual, they got it wrong. This is a sci-fi fantasy, where the hero/terrorist dons a Guy Fawkes mask and romantically spreads revolution across the country. But Hugo Weaving's ranting, good though he always is, is just boring and overblown. He is a Nutter and not in the good sense. I don't understand what gives him the right to blow up Parliament for us? I think that he's the other side of the same coin; a dictator in his own right. Is this the point? Maybe, but that point is lost when the film is trying to walk the fine line between epic political film-making with an edge, and a major comic book adaptation by the creators of the revolutionary Matrix. Though, the ill-conceived sequels should have served as a warning to us all as to what to expect from this project.
When I first watched this, I thought it was okay, but on repeat viewings it just continues to fall further and further down in my estimation. Boring, contrived, and misconceived. The Brothers Grimm Wachowski need to rethink their strategy and their role in the business and they are in no way, shape or form serious filmmakers. They have a fantastic and they did have a revolutionary view of cinematography, but as for being deep and meaningful writers... more ponderous and self absorbed than anything else.
We ended up with a dull, overly bombastic and ponderous take on a much more subversive novel, with stereotypical fascist villains, shown to have taken power by releasing a virus upon the country's population, rather than the comic's thesis on the apathetic voters, legitimately electing them.
This is Hollywood does Britain, and as usual, they got it wrong. This is a sci-fi fantasy, where the hero/terrorist dons a Guy Fawkes mask and romantically spreads revolution across the country. But Hugo Weaving's ranting, good though he always is, is just boring and overblown. He is a Nutter and not in the good sense. I don't understand what gives him the right to blow up Parliament for us? I think that he's the other side of the same coin; a dictator in his own right. Is this the point? Maybe, but that point is lost when the film is trying to walk the fine line between epic political film-making with an edge, and a major comic book adaptation by the creators of the revolutionary Matrix. Though, the ill-conceived sequels should have served as a warning to us all as to what to expect from this project.
When I first watched this, I thought it was okay, but on repeat viewings it just continues to fall further and further down in my estimation. Boring, contrived, and misconceived. The Brothers Grimm Wachowski need to rethink their strategy and their role in the business and they are in no way, shape or form serious filmmakers. They have a fantastic and they did have a revolutionary view of cinematography, but as for being deep and meaningful writers... more ponderous and self absorbed than anything else.
RəX Regent (349 KP) rated Watchmen (2009) in Movies
Mar 7, 2019
Director's Cut
Contains spoilers, click to show
I first watched the theatrical cut back in 2009 and though I was impressed, I knew that it required a second viewing to be judged fairly. This didn't happen until a couple of months ago when I was treated to the Director's Cut, a version extended by approximately 25 minutes.
The funny thing about this cut is that it is hard to see the joins, which is obviously very good, as a lot of special editions have scenes shoehorned in and held together with sellotape. But this was a smooth three hour epic, not so much redefining the genre but demonstrating how indeed, it can be done.
That in many ways was my problem the first time, that I was expecting more thrills and spills often associated with the comic genre, but was given an intellectual, character drama, played and directed so very well, that it is hard to peg this in to any particular slot. This is primarily a drama, and as such, is light on action but heavy on emotion and melodrama.
The cinematography is well conceived, though the whole film plays out in a relatively and surprisingly classical manner, sometimes at odds with story and visuals which they are showcasing.
The action, though brutal and at times rightly so, is showcasing the brutality of vigilantism, and at others, leading into a splatter territory. But on repeat viewings this holds up and once you accept that it is what it is, then this is a first class film, as well as a crackingly smooth director's cut, expanding the 153 minute version with ease, adding a few scenes to gain more context, and others snugly fitting into the original mold.
This is a fully developed adaptation of an iconic graphic novel from the 1980′s, though in that sense it is lacking some of the context of that day, but still resonates in many others. I would not have known much about this story if it had not been adapted for the screen and this is a faithful one, but I can understand the view of those who say that it is 'too' faithful, as this could have done well to employ a little more theatrical license, maybe sacrificing some of the accuracy in favor of the truth of the story.
In the end, this is what it is, and it is something special and I believe, potentially timeless
The funny thing about this cut is that it is hard to see the joins, which is obviously very good, as a lot of special editions have scenes shoehorned in and held together with sellotape. But this was a smooth three hour epic, not so much redefining the genre but demonstrating how indeed, it can be done.
That in many ways was my problem the first time, that I was expecting more thrills and spills often associated with the comic genre, but was given an intellectual, character drama, played and directed so very well, that it is hard to peg this in to any particular slot. This is primarily a drama, and as such, is light on action but heavy on emotion and melodrama.
The cinematography is well conceived, though the whole film plays out in a relatively and surprisingly classical manner, sometimes at odds with story and visuals which they are showcasing.
The action, though brutal and at times rightly so, is showcasing the brutality of vigilantism, and at others, leading into a splatter territory. But on repeat viewings this holds up and once you accept that it is what it is, then this is a first class film, as well as a crackingly smooth director's cut, expanding the 153 minute version with ease, adding a few scenes to gain more context, and others snugly fitting into the original mold.
This is a fully developed adaptation of an iconic graphic novel from the 1980′s, though in that sense it is lacking some of the context of that day, but still resonates in many others. I would not have known much about this story if it had not been adapted for the screen and this is a faithful one, but I can understand the view of those who say that it is 'too' faithful, as this could have done well to employ a little more theatrical license, maybe sacrificing some of the accuracy in favor of the truth of the story.
In the end, this is what it is, and it is something special and I believe, potentially timeless
Emma @ The Movies (1786 KP) rated The Kid Who Would Be King (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Let's start by saying that this film is a wonderfully entertaining adventure, I don't remember the last time this sort of story graced our screens. I've always been a fan of myths and legends and this didn't disappoint.
I'm not really sure how well myths and legends are known these days, they were one of my favourite things as a child but the topic seems to go in and out of favour. I thought it was a nice start to the whole film to show a summary of the King Arthur legend, and the graphic novel style made a nice link throughout.
There are lots of great things about the film but I think my favourite is how they managed to align the fantasy and reality. The transitions between night and day, the depths of Morgana's prison and her army of the undead are all top notch. There's only one brief moment where I grumbled and that was during Morgana's transformation, she briefly resembles a poor quality Voldemort.
Louis Ashbourne Serkis gives a great performance as Alex our reluctant hero and he's supported by some solid acting, young and old(er). The little comedy duo of Alex and Bedders is so cute comparing themselves to Frodo and Sam *squee*. The adult cast was on form too, although we don't get to see much of Denise Gough, Noma Dumezweni and Mark Bonnar, which made me a little sad. Rebecca Ferguson fairs better with screen time and managed to get the evil thing down, she was particularly menacing as Morgana. Lastly cast-wise is obviously Patrick Stewart, I love him but this film made me a little glum. Firstly because young Merlin got more screen time and secondly because he looks old... that's not supposed to happen!!
At two hours it's quite long for a family film but it actually feels like it should have been longer. The ending of the film just sort of happens, the school montage and fight scenes feel relatively short when considered as part of the whole. I honestly think that the film could have taken an extra twenty minutes or so to properly complete that ending.
What you should do
You should definitely see this film, it's good old fashioned fun for all ages
Movie thing you wish you could take home
I could do with a personal Lady of the Lake who can bring me my things when they go missing.
I'm not really sure how well myths and legends are known these days, they were one of my favourite things as a child but the topic seems to go in and out of favour. I thought it was a nice start to the whole film to show a summary of the King Arthur legend, and the graphic novel style made a nice link throughout.
There are lots of great things about the film but I think my favourite is how they managed to align the fantasy and reality. The transitions between night and day, the depths of Morgana's prison and her army of the undead are all top notch. There's only one brief moment where I grumbled and that was during Morgana's transformation, she briefly resembles a poor quality Voldemort.
Louis Ashbourne Serkis gives a great performance as Alex our reluctant hero and he's supported by some solid acting, young and old(er). The little comedy duo of Alex and Bedders is so cute comparing themselves to Frodo and Sam *squee*. The adult cast was on form too, although we don't get to see much of Denise Gough, Noma Dumezweni and Mark Bonnar, which made me a little sad. Rebecca Ferguson fairs better with screen time and managed to get the evil thing down, she was particularly menacing as Morgana. Lastly cast-wise is obviously Patrick Stewart, I love him but this film made me a little glum. Firstly because young Merlin got more screen time and secondly because he looks old... that's not supposed to happen!!
At two hours it's quite long for a family film but it actually feels like it should have been longer. The ending of the film just sort of happens, the school montage and fight scenes feel relatively short when considered as part of the whole. I honestly think that the film could have taken an extra twenty minutes or so to properly complete that ending.
What you should do
You should definitely see this film, it's good old fashioned fun for all ages
Movie thing you wish you could take home
I could do with a personal Lady of the Lake who can bring me my things when they go missing.
Chris Sawin (602 KP) rated Dante's Inferno (2010) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
A commercial for the Dante's Inferno video game aired during Super Bowl XLIV, which gave viewers the impression that the game would be incredibly reminiscent of games like Devil May Cry and God of War. Although I never played the game, Dante's Inferno: An Animated Epic was sent to me by the Amazon Vine program. My expectations weren't very high and that seemed to pay off in the long run. The animated feature takes the Batman: Gotham Knight approach where six different animation directors take hold of the film, but Dante's Inferno tells one semi-coherent story.
The film surely has no issue with showing graphic violence, gore, or nudity as there rarely isn't a moment in the 77 minute feature where buckets of blood aren't falling from the sky or where Dante's beloved Beatrice isn't exposing her rather well-endowed set of breasts. The changes in animation seemed rather infrequent and drastic at times while at others it felt a bit more natural. The voice acting is pretty top notch as the film utilizes voice actor veterans such as Mark Hamill, Steve Blum, and Kevin Michael Richardson.
Dante's descent through the nine circles of hell was unintentionally humorous at times though.; the main example being when he's fighting off and fleeing from the army of dead babies in Limbo. Also, his father accepting Lucifer's offer to work for him in exchange for all the gold he desired and the slaying of his mortal son wasn't surprising, but the fact that his mouth now looked like female genitalia was. Certain things just didn't add up at times. In the end, Dante's Inferno: An Animated Epic isn't terrible but isn't fantastic either. It's not worth hunting down specifically, but is worth sitting through on a rainy day afternoon or something.
The only special features included on the DVD are the EA game trailer and animatics for five scenes in the film.
For those interested in which animation studio did what, here they are in order:
Film Roman (American animation studio)
Manglobe (Samurai Champloo) picks up when Dante enters Limbo (directed by Shuko Mirase who did Ergo Proxy and Witch Hunter Robin, easily the best out of the bunch)
Dongwoo Animation handles the next four circles of Hell (unfortunately)
JM Animation steps in when Virgil and Dante reach the City of Dis
The final circle is handled by Production I.G.
The film surely has no issue with showing graphic violence, gore, or nudity as there rarely isn't a moment in the 77 minute feature where buckets of blood aren't falling from the sky or where Dante's beloved Beatrice isn't exposing her rather well-endowed set of breasts. The changes in animation seemed rather infrequent and drastic at times while at others it felt a bit more natural. The voice acting is pretty top notch as the film utilizes voice actor veterans such as Mark Hamill, Steve Blum, and Kevin Michael Richardson.
Dante's descent through the nine circles of hell was unintentionally humorous at times though.; the main example being when he's fighting off and fleeing from the army of dead babies in Limbo. Also, his father accepting Lucifer's offer to work for him in exchange for all the gold he desired and the slaying of his mortal son wasn't surprising, but the fact that his mouth now looked like female genitalia was. Certain things just didn't add up at times. In the end, Dante's Inferno: An Animated Epic isn't terrible but isn't fantastic either. It's not worth hunting down specifically, but is worth sitting through on a rainy day afternoon or something.
The only special features included on the DVD are the EA game trailer and animatics for five scenes in the film.
For those interested in which animation studio did what, here they are in order:
Film Roman (American animation studio)
Manglobe (Samurai Champloo) picks up when Dante enters Limbo (directed by Shuko Mirase who did Ergo Proxy and Witch Hunter Robin, easily the best out of the bunch)
Dongwoo Animation handles the next four circles of Hell (unfortunately)
JM Animation steps in when Virgil and Dante reach the City of Dis
The final circle is handled by Production I.G.
ClareR (6106 KP) rated You Let Me In in Books
Mar 10, 2020
A satisfyingly dark read!
You Let Me In is unlike anything I’ve read before. I signed up to read this on The Pigeonhole based purely on the cover. I didn’t read anything about it, in fact I thought it was going to be a thriller. The cover though: I actually thought it was a hand showing someone then bird’, and I was half right. It’s a dead bird, and the main character, Cassandra Tipp, does seem to spend most of her life metaphorically giving everyone ‘the bird’ (ie. telling them to leave her alone).
There is a mystery at the start of this. Cassandra Tipp has disappeared, and her niece and nephew have been told that after a year they can have her worldly goods if they go to her house, find the manuscript she has left them and deduce a code word.
This book is that story.
It transpires that Cassie has been involved in the death of three people: her husband Tommy Tipp, her father and her brother. But how did she get away with it? Or more importantly: who did it if she didn’t? And who is Pepper Man?
Ok, I don’t want to give too much away, but fairies are involved from the beginning, and they’re unlike the fairies I’ve read about in the past. They come with a fascinating origin story, and I’d be interested to know if they were a construct of the authors imagination, or whether they’re a Norwegian version of the fairies I’ve learnt about with my Anglo-Irish background. Either way, they’re great characters.
There’s also a chance that child abuse is involved, either by humans or fairies, it all depends on what you read in to things that happen, whether or not you believe that Cassie is in fact sane. Some of the violence is pretty graphic too, and did put some Pigeonhole readers off.
It’s a puzzling book, a book where you’re never sure whether the narrator is reliable. And I loved it. So, if you like quirky, puzzling, violent(ish), dark books, with fairies (or perhaps not) and potentially with characters with mental health issues, then you’ll enjoy this book as much as I did. It was a satisfying, startling ten days with The Pigeonhole!
There is a mystery at the start of this. Cassandra Tipp has disappeared, and her niece and nephew have been told that after a year they can have her worldly goods if they go to her house, find the manuscript she has left them and deduce a code word.
This book is that story.
It transpires that Cassie has been involved in the death of three people: her husband Tommy Tipp, her father and her brother. But how did she get away with it? Or more importantly: who did it if she didn’t? And who is Pepper Man?
Ok, I don’t want to give too much away, but fairies are involved from the beginning, and they’re unlike the fairies I’ve read about in the past. They come with a fascinating origin story, and I’d be interested to know if they were a construct of the authors imagination, or whether they’re a Norwegian version of the fairies I’ve learnt about with my Anglo-Irish background. Either way, they’re great characters.
There’s also a chance that child abuse is involved, either by humans or fairies, it all depends on what you read in to things that happen, whether or not you believe that Cassie is in fact sane. Some of the violence is pretty graphic too, and did put some Pigeonhole readers off.
It’s a puzzling book, a book where you’re never sure whether the narrator is reliable. And I loved it. So, if you like quirky, puzzling, violent(ish), dark books, with fairies (or perhaps not) and potentially with characters with mental health issues, then you’ll enjoy this book as much as I did. It was a satisfying, startling ten days with The Pigeonhole!
Gareth von Kallenbach (980 KP) rated Bullet to the Head (2013) in Movies
Aug 7, 2019
Action icon Sylvester Stallone follows up his smash hit “The Expendables 2” with a turn as a New Orleans hitman on a mission of revenge in “Bullet to the Head”. Produced by Walter Hill, who brought us such classics as the “Alien” series and directed films such as “Red Heat” and “48 Hours”, his signature style is evident throughout.
Stallone plays James Bonomo, a.k.a. Jimmy Bobo, a thug with a long rap sheet and few friends. After celebrating a successful contract hit, his partner is brutally killed and an attempt is made on Jimmy’s life as well. Suspecting that they’d been setup, James reluctantly meets with a D.C. detective named Taylor Kwon (Sung Kang), who is in town to investigate the murder of his former partner. Fate forces the duo to work with one another despite Kwon’s by-the-book nature and utter disdain for James and his choice of profession. The two soon uncover a large conspiracy that threatens not only their lives but the cities very powerful and elite, making the duo the prime targets for those who will stop at nothing.
Despite having a fairly formulaic plot, the film works very well, thanks in large part to the cast. The two leads work very well with one another, and the fine supporting work by Jason Momoa and Adewale Akinnuoye-Agbaje really set the tone. The action in the film is intense and at times brutal but does not seem gratuitous, making it clear that the characters live in a violent world where accepting death is second nature to the urge to kill.
Stallone gives a very physical performance as the world weary James and you can tell that he went all out for the films action sequences despite the toll his body had to take. The film is based on the graphic novel “Du Plomb dans la Tête” and captures the elements of a classic film noir, with the action of a buddy cop film without pandering to many of the genre stereotypes.
While I enjoyed Schwarzenegger’s “The Last Stand” a bit more, I was very surprised at how enjoyable the film was after being underwhelmed by the trailer. In the end, if you’re a fan of Stallone, and love a good action film, then this is one you will not want to miss.
Stallone plays James Bonomo, a.k.a. Jimmy Bobo, a thug with a long rap sheet and few friends. After celebrating a successful contract hit, his partner is brutally killed and an attempt is made on Jimmy’s life as well. Suspecting that they’d been setup, James reluctantly meets with a D.C. detective named Taylor Kwon (Sung Kang), who is in town to investigate the murder of his former partner. Fate forces the duo to work with one another despite Kwon’s by-the-book nature and utter disdain for James and his choice of profession. The two soon uncover a large conspiracy that threatens not only their lives but the cities very powerful and elite, making the duo the prime targets for those who will stop at nothing.
Despite having a fairly formulaic plot, the film works very well, thanks in large part to the cast. The two leads work very well with one another, and the fine supporting work by Jason Momoa and Adewale Akinnuoye-Agbaje really set the tone. The action in the film is intense and at times brutal but does not seem gratuitous, making it clear that the characters live in a violent world where accepting death is second nature to the urge to kill.
Stallone gives a very physical performance as the world weary James and you can tell that he went all out for the films action sequences despite the toll his body had to take. The film is based on the graphic novel “Du Plomb dans la Tête” and captures the elements of a classic film noir, with the action of a buddy cop film without pandering to many of the genre stereotypes.
While I enjoyed Schwarzenegger’s “The Last Stand” a bit more, I was very surprised at how enjoyable the film was after being underwhelmed by the trailer. In the end, if you’re a fan of Stallone, and love a good action film, then this is one you will not want to miss.
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