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    Animated Essential Atlas

    Animated Essential Atlas

    Medical and Education

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    The Focus Animated Essential Atlas of Anatomy and Physiology includes a full chapter on: -Cell –...

    Pinball HD Collection

    Pinball HD Collection

    Games and Sports

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    This unique table features pinball bumpers and targets, plus a color monitor where you can take on a...

    Guitarism - Pocket Guitar

    Guitarism - Pocket Guitar

    Music and Entertainment

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    Over a million downloads. 9,000+ user reviews. 4.5 star avg rating. Get it now! "My guitarist...

Joker (2019)
Joker (2019)
2019 | Crime, Drama
A Near Perfect Film/Comic Book Movie With A Piece Missing
Contains spoilers, click to show
This film did a great job in making the Joker or rather Arthur a sympathetic character. Joaquin Phoenix did a phenomenal job in this movie. His laugh made me really feel for this character, it sounded sad but also painful, like it physically hurt him. I really felt for Arthur and it actually made me feel bad for him equally when he was getting beat up and assaulted but also just berated and treated bad by others. People were talking about the violence in the movie and how it was graphic and disturbing but what bothered me more were the parts where Arthur was having violence done on him, it made me sad for him. I thought a lot of the movie was well done. The double twist in him finding his mother's letter to Thomas Wayne saying he (Arthur) is his son only to find out that he was adopted was a great reveal. Still makes me wonder what the truth really is, because later he does find a photograph with Thomas Wayne's initials on the back. Either he really is his son and Wayne had it covered up, which he totally has the means to do, or maybe she was delusional about it. I also thought it was cool how they showed Arthur also had delusions of grandeur in the begging when he is watching the Murray show and he imagines himself as a guest there. Like I said this movie was really well done in a lot of ways but there were somethings that bothered me. One right off the back is that Bruce Wayne is just a kid in this movie and if Arthur is supposed to be the Joker he would be way older than he should be when Wayne becomes Batman. To mere there wasn't a lot that Arthur really did as Joker. Nothing grandiose or epic like what I've become accustomed to with the Joker in other incarnations. There was no plans or power moves like in The Dark Knight or parade and taking over the city like in 1989's Batman. They really could have called the movie something else since he really only becomes the Joker at the end of the movie for not really that long even. I know it's supposed to be an origin story of how he becomes the Joker but it wasn't even going off of any of the comics and just loosely based on the version of Joker from The Killing Joke and then given the "Hollywood" treatment. I think I just expected more Joker from a movie called Joker. I thought the ending was perfect if it would have ended with him on top of the car when they helped him escape. I honestly don't know why they should that little part with him in Arkham, I don't think it added anything and kind of took away from it. The only thing I can think of is they didn't want to end it that dark. I have to say that if your judging this film from not being a big fan of Joker, the comics or the films and only on as a stand alone film it's probably like a 9/10. But for me since at it's core it is a comic book movie I give it an 8/10.
  
Paper Dolls (Dark Carousel #2)
Paper Dolls (Dark Carousel #2)
Anya Allyn | 2017 | Horror, Paranormal, Young Adult (YA)
6
6.0 (1 Ratings)
Book Rating
I really loved Dollhouse, the first book in the Dark Carousel series by Anya Allyn. I couldn't wait to dive into the next book in the series, Paper Dolls. I wanted to love Paper Dolls as much as Dollhouse, but it just wasn't as great.

Paper Dolls takes place right after Dollhouse although Paper Dolls also goes back to 1920 to focus more on Jessamine's back story and to thicken the modern day plot. While I loved Jessamine's story, Cassie's narrative is a bit lackluster. The pacing for Cassie's plot feels very slow moving. While there were a few plot twists regarding Cassie's story, the main one was the most predictable from early on. Don't get me wrong, Allyn's writing is fantastic, but Cassie's plotline just didn't wow me as before. Jessamine's, on the other hand, was fantastic! I loved learning more about Jessamine and how she become like she was in Dollhouse. Jessamine's narrative moved at a great pace, and I would get so excited when her chapters would come up. I also loved how Jessamine's chapters involved more backstory for Henry and Audette and explains how they became ghosts. It also talks more about the mysterious Donovan Fiveash. Many of the other characters, even characters with small parts, from Dollhouse are mentioned again in Paper Dolls. We get a bit more of their back story as well which was nice. There is a big cliffhanger at the end of this book which will lead into the next book in the series, Marionette. Although this book is intended for young adults, I would say it's more aimed towards a mature young adult audience as it's a lot more dark compared to Dollhouse.

As with the first book in the series, Anya Allyn did a fantastic job keeping her characters realistic relatable. Even though I found Cassie's story a little boring, I still enjoyed Cassie's character. I did find her a bit naïve in this book, but she is a teenager, so I could understand why she'd trust the first boy that showed her attention. I felt like I was Cassie's babysitter and was mentally urging her not to trust anyone! Jessamine was my obviously my favorite character. I just wanted to hug her as she had such a sad life for the most part. After reading her story, I understood why she was the way she was in Dollhouse. I really wanted to protect Jessamine throughout the whole book especially when she was still alive although I already knew she'd end up as a ghost. Henry was a character I didn't think I'd end up liking since he seemed like a bad guy in the first book. However, the audience is shown a whole different side of Henry in Paper Dolls. I just wanted Audette to disappear though. Not because she was written poorly but just because how vile and horrible she was to Jessamine. Although they were nice, I had a hard time trusting the Batiste family. They just seemed a little too nice for my liking.

Trigger warnings for Paper Dolls include death, murder, attempted rape, violence, occult activity, and mentions of sex (though not graphic).

Despite being a bit of a slow read, I still enjoyed Paper Dolls. Learning more about many of the ghosts' backstory was extremely interesting, and I loved all the characters. I would recommend Paper Dolls by Anya Allyn to those aged 16+ who love supernatural horror. I have already started reading Marionette, the next book in the Dark Carousel series, since I'm loving this series!
  
Mortal Kombat (2021)
Mortal Kombat (2021)
2021 | Action, Adventure, Fantasy
Contains spoilers, click to show
Mortal Kombat is one of those films that doesn't seem to know what story it wants to tell, it starts with a grudge battle between a proto Sub Zero and Proto Scorpion then jumps to the modern times with Sub-Zero hunting a young fighter, Cole Young. Then it (kind of) switches back to the Scorpion/Sub-Zero grudge match.

  The bulk of the movie follows Cole as he joins up with Sonya Blade to find a group of 'Earths Champions' in an attempt to stop a secret invasion from Outworld. The hero's are, of course various characters from the 'Mortal Kombat' video games and a lot of the film is just looking for excuses to for the characters to shout out one liners from the games.
This isn't to say that Mortal Kombat is a bad movie, it has good fight scenes and the relationship between Sonia and Kano lead to some of the funniest moments of the movie. In fact I would go as far as saying that Kano is the best character of the film, a tough job seeing as he seems to be there for the comic relief.
There is a lot of time put into the put into the human characters but almost nothing to the villains, the most we find out about them is that Kabal seems to be a human and that Kano put him in his suit, there is no back story to this, no information a to how he ended up on outworld and, puzzlingly he seems to want to Kano to join up with his team.
I felt that there was something disappointing about the ending (HERE BE SPOILERS)..... All through the film we are told that Cole is the last of Hanzo Hasashi's (Scorpion) blood line (even though Cole has a daughter so she should be the last), he's given Hanzo's weapon and is being set up to become Scorpion. Then suddenly Hanzo is back, as Scorpion and all but saves the day. I know the film has the law of the games to follow but building one character up and then just re introducing someone else to all but take his place just feels like a cheat, especially as most of the film is about finding the power within and using it to win.

Saying all that Mortal Kombat is a good film, it has action and humour and some quite graphic 'Brutalities'. I think part of the problem is the 1995 Mortal Kombat film which feels a lot more fun, it doesn't have all the blood but it has a simple story, the villains seem slightly more rounded and the soundtrack just works. Also, and I know there is a big push to have actors of the 'correct' ethnicity I really do think that Christopher Lambert was a better 'Lord Rayden', Tadanobu Asano, who plays the character in this version seems bland and emotionless. I think that even an elder god would get worked up if evil forces were trying to invade his realm, especially if the invaders were breaking the rules.
 The effects are good although some charters seem to have more attention than others (Sub-Zero, I'm looking at you) and there could have been more attention spent to the 'Evil' characters but, over all the film works with few problems.
  
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Natasha Khan recommended Works 1965-1995 by Steve Reich in Music (curated)

 
Works 1965-1995 by Steve Reich
Works 1965-1995 by Steve Reich
1997 | Classical, Compilation
(0 Ratings)
Album Favorite

"I discovered him at university when I was 20. The first thing I ever heard was 'Come Out' which has a sampled voice that just keeps saying "blood, come out" and it just keeps beating, so this was Steve Reich's very early tape phase experiments where he stuck it on two tapes and would press play at the same time and they start off together and then gradually start to move apart. First of all you get an echo on the vocal, and then as the two vocals move away it starts to kind of [imitates the sound], and it's so trippy it's amazing. I feel like it's the earliest rap or something, it’s got this really amazing sample, this guy who's street, the way he's talking - his accent's amazing and authentic, and then you just have like the rhythm that's created through words. Percussiveness and then there's ... syncopation starts happening and it's constantly evolving, moving, different rhythms, and that's basically his thing. 'Come Out' inspired me when I was at uni. I made a tape and slide piece, which is this projected piece that you animate using different slides. [Reich]'s using really graphic, violent imagery and I got a little boy to talk about fights at school, he was like six! I was asking how he felt about the fighting, has anyone ever tried to punch him, how does it feel? And I put his voice along with all these images of men fighting, and I phased it and did weird things to it, laid them all on top of each other, just experimenting in my own way with that. But that really inspired me and I started to delve more into Steve Reich. There are some preachers which he did tape phase experiments with, like "it's gonna raiiiiin, it's gonna rain!", such a musicality to what he's doing even though what he was doing was very conceptual. Again, it was a very rigid, composer-y thing to do, which is to set up a tape experiment, but within that he chose words and expressions that are really emotional and move through all different phases, making you think about all sorts of things and culturally, politically, there's a lot behind it. And then on this [Works] there's 'Music for 18 Musicians' which I absolutely love. Eighteen musicians would sit round, play their rhythm and then the next person would start a fraction of a second after them so they'd be in sync sometimes all playing the same thing but with a slightly different time part, so it totally fucked your brain. But the sounds that come out: you get all these weird intervals, syncopations, harmonies, rhythmic counterparts that are happening but the key that he chooses is heartbreaking and amazing as well. There are certain notes and harmonies, certain two notes will just start to really vibrate together and it just starts to create an amazing cinematic, filmic burst of ideas in my mind. It's almost like meditation or mantras, Ravi Shankar or something for me, Reich has done a similar thing. Like it just keeps on going round and round and then you get drones and then other drones come in and then they create textures that are moving all the time, so it's almost like a meditative state that you get into."

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