Search
Search results
Ivana A. | Diary of Difference (1171 KP) rated By the Feet of Men in Books
Oct 5, 2020
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2020/09/Book-Review-Banner-80.png?resize=768%2C432&ssl=1"/>;
By the Feet of Men by Grant Price is a very good post-apocalyptic novel, full of adventures and danger. I am glad I got the chance to read and review this book. Thank you to the author, Grant Price, for sending me a copy of his book in exchange for my honest review.
<b><i>Synopsis:</i></b>
The book is set in a post-apocalyptic world, where the world’s population has been decimated by the Change, a chain reaction of events triggered by global warming. Governments have fallen and cities have crumbled. The productions have stopped. The Alps region, which contains the continent’s fresh water, has become a closed state with heavily fortified borders.
The ones that managed to survive cling on by trading through the Runners, truck drivers who deliver cargo and take a percentage. Two Runners, Cassady and Ghazi are called to deliver medical supplies to a research base deep in the Italian desert, where scientists claim to be building a machine that could reverse the effects of the Change.
On this journey they will be joined by a collection of other Runners, all of whom have something to prove and have a story of their own. Standing in their way are starving nomads, crumbling cities, hostile weather and a rogue state set to destroy the convoy. And there’s another problem: Cassady is close to losing his nerve.
<b><i>My Thoughts: </i></b>
The world building in By the Feet of Men is very interesting and very well described, especially the part about the Change and the Koalition. From the beginning, we get a very good idea of what kind of world we are living in now, from global warming, to the starving nomads, to how the Runners make a living. I think that was a very good introduction to the new normal that we are about to engage in.
I think perhaps due to the elaborate description, I found the beginning quite slow. The true adventure and road trip doesn’t start until halfway through the book. Once the adventure begins, though, many things happen in short spaces of time. The pacing is quite fast until the very end. The book contains brutal and graphic details, so it may contain a lot of trigger warnings and I wouldn’t recommend it for the faint hearted people.
I loved Cassady and Ghazi and really enjoyed their backstories.
The way how they made decisions based on their past experiences, which were sometimes very different. I love the constant battle they seem to have between what is right and wrong, when a decision has to be made quite fast to ensure their survival. Sometimes, their survival might mean leaving someone behind, and not both of them would agree that this is the right decision to be made. However, I think there is something much more difficult than making such a decision, and that’s living with the consequences.
Apart from the main characters, I had a very hard time remembering the other characters and their backstories. This made me annoyed a few times. I am very good at remembering side characters, and I usually prefer them to the main characters. However. this wasn’t the case for this book. And this is something that really bothers me.
I was quite intrigued about the ending.
I enjoyed it and I liked how it ended. My initial thoughts were that it was very realistic. It also had an ending that I haven’t seen too much explored in any post-apocalyptic fiction I’ve read or seen. I was a bit disappointed by the lack of explanation to some points. However, I think the main characters’ stories and experiences in the end of the book contributed to a balanced and emotional ending.
I definitely recommend By the Feet of Men to all fans of post-apocalyptic fiction. Something new and fresh, unexplored anywhere else and full of adventure and realistic brutality. I am sure you will enjoy it.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2020/09/Book-Review-Banner-80.png?resize=768%2C432&ssl=1"/>;
By the Feet of Men by Grant Price is a very good post-apocalyptic novel, full of adventures and danger. I am glad I got the chance to read and review this book. Thank you to the author, Grant Price, for sending me a copy of his book in exchange for my honest review.
<b><i>Synopsis:</i></b>
The book is set in a post-apocalyptic world, where the world’s population has been decimated by the Change, a chain reaction of events triggered by global warming. Governments have fallen and cities have crumbled. The productions have stopped. The Alps region, which contains the continent’s fresh water, has become a closed state with heavily fortified borders.
The ones that managed to survive cling on by trading through the Runners, truck drivers who deliver cargo and take a percentage. Two Runners, Cassady and Ghazi are called to deliver medical supplies to a research base deep in the Italian desert, where scientists claim to be building a machine that could reverse the effects of the Change.
On this journey they will be joined by a collection of other Runners, all of whom have something to prove and have a story of their own. Standing in their way are starving nomads, crumbling cities, hostile weather and a rogue state set to destroy the convoy. And there’s another problem: Cassady is close to losing his nerve.
<b><i>My Thoughts: </i></b>
The world building in By the Feet of Men is very interesting and very well described, especially the part about the Change and the Koalition. From the beginning, we get a very good idea of what kind of world we are living in now, from global warming, to the starving nomads, to how the Runners make a living. I think that was a very good introduction to the new normal that we are about to engage in.
I think perhaps due to the elaborate description, I found the beginning quite slow. The true adventure and road trip doesn’t start until halfway through the book. Once the adventure begins, though, many things happen in short spaces of time. The pacing is quite fast until the very end. The book contains brutal and graphic details, so it may contain a lot of trigger warnings and I wouldn’t recommend it for the faint hearted people.
I loved Cassady and Ghazi and really enjoyed their backstories.
The way how they made decisions based on their past experiences, which were sometimes very different. I love the constant battle they seem to have between what is right and wrong, when a decision has to be made quite fast to ensure their survival. Sometimes, their survival might mean leaving someone behind, and not both of them would agree that this is the right decision to be made. However, I think there is something much more difficult than making such a decision, and that’s living with the consequences.
Apart from the main characters, I had a very hard time remembering the other characters and their backstories. This made me annoyed a few times. I am very good at remembering side characters, and I usually prefer them to the main characters. However. this wasn’t the case for this book. And this is something that really bothers me.
I was quite intrigued about the ending.
I enjoyed it and I liked how it ended. My initial thoughts were that it was very realistic. It also had an ending that I haven’t seen too much explored in any post-apocalyptic fiction I’ve read or seen. I was a bit disappointed by the lack of explanation to some points. However, I think the main characters’ stories and experiences in the end of the book contributed to a balanced and emotional ending.
I definitely recommend By the Feet of Men to all fans of post-apocalyptic fiction. Something new and fresh, unexplored anywhere else and full of adventure and realistic brutality. I am sure you will enjoy it.
Heather Cranmer (2721 KP) rated Someone Knows in Books
Jun 26, 2019
I was on the fence about reading Someone Knows by Lisa Scottoline. I kept wanting to read it, but then I'd change my mind. However, when I noticed it was available at my library, I decided to check it out. While it wasn't a great read, it was still alright.
Allie is a 15 year old overweight teenage girl. When popular and beautiful Sasha talks to her and invites her to hang out, she can't say no. When another teenager moves to the area and hangs out with them one night, things go lethally wrong. None of the teens confess to what actually happen, and no one gets in trouble. However, Allie continues to feel guilty over the next twenty years. This big secret has affected every aspect of Allie's life. When Allie finally wants to confess, things turn deadly.
The plot to Someone Knows sounded very similar to a book I had read previously. However, once I started reading it, I noticed how Lisa Scottoline gave her book a bunch of little twits and turns to keep it fresh. The plot seemed very realistic. I enjoyed how each chapter was told from each character's point of view. It was interesting to see the thought process behind each person. It was easy to lose myself in the story because of how realistic everything felt. Although I've never been as privileged financially as all the teens in the book, I felt like I was part of the group. There were no cliffhangers in this book either which was nice. While I did predict one plot twist, there was one that I didn't see coming! That was a nice curve ball!
I liked Allie very much. She reminded me a lot of myself at 15 years old. I definitely could see myself as Allie. In fact, my thought process was a lot like Allie's. I've never lost a sibling like Allie, but I was saddened by the death of her sister Jill, and I sympathized with Allie's mother when it came to depression. I do wish Allie would have clued her husband about what was going on because I felt bad for him since Allie was distant throughout a lot of the marriage. I get why she kept her secret to herself, but I still felt bad for Allie's and Larry's marriage. Sasha was an interesting character. I've definitely known a few Sashas in my life! Sasha was able to make any guy putty in her hands. I loved reading Sasha's point of view. Even though she could sometimes be a mean girl, I enjoyed her very much. It was interesting to read about David and learn of his struggle especially when it came to how his father was. David came across as a nice guy. Julian was a character who I would say was a mix of Sasha and David. He could be really nice and charming when he wanted to be, but he would say mean things about Allie to Sasha which wouldn't be very nice. However, I did admire how business oriented he was. I loved Kyle so much, and I hated how he was shunned because of something his father did. Kyle seemed like such a sweet boy who was dealt a tough hand through no fault of his own.
The pacing in Someone Knows seemed to be fairly slow throughout about 80 percent of the book especially during the first half or so. I know it was probably to set up the world building and backstory, but it was just so tedious. I would have liked a bit more action or had the backstory given to me during and after the main event. The pacing is what really let this book down in my opinion.
Trigger warnings include underage drinking, adult drinking, prescription pill abuse, death, talks of suicide, violence, and sexual situations (both underage and adult which aren't overly graphic).
Although the pacing for Someone Knows lets this book down, it's still an alright read. It does have some interesting characters with realistic problems that readers can identify with. I would recommend Someone Knows by Lisa Scottoline to those aged 17+ who are looking for an alright thriller to read.
Allie is a 15 year old overweight teenage girl. When popular and beautiful Sasha talks to her and invites her to hang out, she can't say no. When another teenager moves to the area and hangs out with them one night, things go lethally wrong. None of the teens confess to what actually happen, and no one gets in trouble. However, Allie continues to feel guilty over the next twenty years. This big secret has affected every aspect of Allie's life. When Allie finally wants to confess, things turn deadly.
The plot to Someone Knows sounded very similar to a book I had read previously. However, once I started reading it, I noticed how Lisa Scottoline gave her book a bunch of little twits and turns to keep it fresh. The plot seemed very realistic. I enjoyed how each chapter was told from each character's point of view. It was interesting to see the thought process behind each person. It was easy to lose myself in the story because of how realistic everything felt. Although I've never been as privileged financially as all the teens in the book, I felt like I was part of the group. There were no cliffhangers in this book either which was nice. While I did predict one plot twist, there was one that I didn't see coming! That was a nice curve ball!
I liked Allie very much. She reminded me a lot of myself at 15 years old. I definitely could see myself as Allie. In fact, my thought process was a lot like Allie's. I've never lost a sibling like Allie, but I was saddened by the death of her sister Jill, and I sympathized with Allie's mother when it came to depression. I do wish Allie would have clued her husband about what was going on because I felt bad for him since Allie was distant throughout a lot of the marriage. I get why she kept her secret to herself, but I still felt bad for Allie's and Larry's marriage. Sasha was an interesting character. I've definitely known a few Sashas in my life! Sasha was able to make any guy putty in her hands. I loved reading Sasha's point of view. Even though she could sometimes be a mean girl, I enjoyed her very much. It was interesting to read about David and learn of his struggle especially when it came to how his father was. David came across as a nice guy. Julian was a character who I would say was a mix of Sasha and David. He could be really nice and charming when he wanted to be, but he would say mean things about Allie to Sasha which wouldn't be very nice. However, I did admire how business oriented he was. I loved Kyle so much, and I hated how he was shunned because of something his father did. Kyle seemed like such a sweet boy who was dealt a tough hand through no fault of his own.
The pacing in Someone Knows seemed to be fairly slow throughout about 80 percent of the book especially during the first half or so. I know it was probably to set up the world building and backstory, but it was just so tedious. I would have liked a bit more action or had the backstory given to me during and after the main event. The pacing is what really let this book down in my opinion.
Trigger warnings include underage drinking, adult drinking, prescription pill abuse, death, talks of suicide, violence, and sexual situations (both underage and adult which aren't overly graphic).
Although the pacing for Someone Knows lets this book down, it's still an alright read. It does have some interesting characters with realistic problems that readers can identify with. I would recommend Someone Knows by Lisa Scottoline to those aged 17+ who are looking for an alright thriller to read.
Andy K (10821 KP) rated Chernobyl in TV
Oct 6, 2019
No words...
Every once in a while, a piece of cinema comes along so profound, epic, chilling, horrible, emotional, disgusting, jarring, magnificent and wondrous it completely takes my breathe away. When I was a child it was films like E.T., Return of the Jedi and Raiders of the lost Ark. Since becoming an adult, it has changed to movies like Schindler's List, 2001: A Space Odyssey, Requiem For A Dream and now Chernobyl.
This five part HBO series not only accounts for the immediate aftermath of the disaster, but shows the relatively unknown sagas of those people who were just doing their jobs not knowing their heroism and ultimate sacrifice probably saved millions of lives and maybe the entire planet Earth.
The men in the control room of the Chernobyl nuclear power plant did not know what just happened. They heard an explosion and then thought there was a fire on the roof of one of the buildings. Residents in the nearly town went out to see the spectacle taking their children and stood on a nearby bridge so they could see. Those men with the local fire department were called in the deal with the fire and quickly arrived to see the devastation they faced. Little did they know most of them were doomed with this assignment.
Soon after, nuclear experts are called in to formulate a plan to not only contain and extinguish the atomic blaze, but also to contain the radiation which the wind is carrying to neighboring countries. Proud Russian state officials also downplay the situation to the rest of the world and are wary to ask for outside assistance not wanting to show weakness.
After the plan to douse the flames in successful a new problem arises. Large water tanks which are supposed to be empty now contain water from the fireman's work which now could cause a nuclear megaton explosion killing millions and laying waste to an entire region of the Earth. A plan is also forged to deal with this new development.
Meanwhile, hospitals overrun with casualties are now forced to deal with unimaginable human suffering from those who took the worst of the radiation. Their agony and torture is some of the worst human suffrage short of war time in the history of the Earth. At the same time, a scientist and nuclear expert speaks with the men near death to assume a timeline and details of what took place during those fateful minutes before the disaster.
The monumental feat this mini-series puts to task is truly astonishing. The technical and historical detail filmmakers took to ensure accuracy is among the most impressive I have ever seen. The European locations used for filming were authentic to the last detail and the style of film was harsh and unrelenting. I watched all 5 episodes straight through as I couldn't wait to get to the next installment. As each ended, I was left with my jaw on the floor is amazement wear tears in my eyes and streaming down my face. Creator/writer Craig Mazin should be commended for his screenplay which is based on quite a lot of first-hand accounts of the situation from people who witnessed it.
Lead actors Jared Harris, Stellan Skarsgård and Emily Watson were all astonishing, especially Harris who portrayed Valery Legasov with such conviction, you as the audience were outraged and sympathetic to his role in this ordeal.
The human suffering portrayed onscreen through the use of remarkable make up effects were so real there were several points I had to stop the film just so I could catch my breath. I was so emotional while watching this masterpiece I feel now like a changed person after just having witnessed something as magic as this perfect piece of filmmaking.
I was so enamored with this production I watched all the making of material afterwards and a documentary about the real events including some of the real graphic patient images that I will never forget.
Hopefully, this will be shown in schools in the future and future generations will continue to learn about the Chernobyl catastrophe as a symbol of human arrogance so that it will never be repeated.
This five part HBO series not only accounts for the immediate aftermath of the disaster, but shows the relatively unknown sagas of those people who were just doing their jobs not knowing their heroism and ultimate sacrifice probably saved millions of lives and maybe the entire planet Earth.
The men in the control room of the Chernobyl nuclear power plant did not know what just happened. They heard an explosion and then thought there was a fire on the roof of one of the buildings. Residents in the nearly town went out to see the spectacle taking their children and stood on a nearby bridge so they could see. Those men with the local fire department were called in the deal with the fire and quickly arrived to see the devastation they faced. Little did they know most of them were doomed with this assignment.
Soon after, nuclear experts are called in to formulate a plan to not only contain and extinguish the atomic blaze, but also to contain the radiation which the wind is carrying to neighboring countries. Proud Russian state officials also downplay the situation to the rest of the world and are wary to ask for outside assistance not wanting to show weakness.
After the plan to douse the flames in successful a new problem arises. Large water tanks which are supposed to be empty now contain water from the fireman's work which now could cause a nuclear megaton explosion killing millions and laying waste to an entire region of the Earth. A plan is also forged to deal with this new development.
Meanwhile, hospitals overrun with casualties are now forced to deal with unimaginable human suffering from those who took the worst of the radiation. Their agony and torture is some of the worst human suffrage short of war time in the history of the Earth. At the same time, a scientist and nuclear expert speaks with the men near death to assume a timeline and details of what took place during those fateful minutes before the disaster.
The monumental feat this mini-series puts to task is truly astonishing. The technical and historical detail filmmakers took to ensure accuracy is among the most impressive I have ever seen. The European locations used for filming were authentic to the last detail and the style of film was harsh and unrelenting. I watched all 5 episodes straight through as I couldn't wait to get to the next installment. As each ended, I was left with my jaw on the floor is amazement wear tears in my eyes and streaming down my face. Creator/writer Craig Mazin should be commended for his screenplay which is based on quite a lot of first-hand accounts of the situation from people who witnessed it.
Lead actors Jared Harris, Stellan Skarsgård and Emily Watson were all astonishing, especially Harris who portrayed Valery Legasov with such conviction, you as the audience were outraged and sympathetic to his role in this ordeal.
The human suffering portrayed onscreen through the use of remarkable make up effects were so real there were several points I had to stop the film just so I could catch my breath. I was so emotional while watching this masterpiece I feel now like a changed person after just having witnessed something as magic as this perfect piece of filmmaking.
I was so enamored with this production I watched all the making of material afterwards and a documentary about the real events including some of the real graphic patient images that I will never forget.
Hopefully, this will be shown in schools in the future and future generations will continue to learn about the Chernobyl catastrophe as a symbol of human arrogance so that it will never be repeated.
Andy K (10821 KP) rated Enter the Void (Soudain le vide) (2010) in Movies
Oct 13, 2019
WOW!
Not many modern filmmakers garner such a reputation for being controversial and are well deserved. Lars von Trier and Ari Aster come to mind, but I am sure there are others. They pull no punches with their work, so most provoke extreme reactions either love or hate. Maybe also appreciate the art form or what they are trying to say, but do not enjoy the extreme sex or violence or shock value from many of their scenes.
From the psychedelic opening credits (which are the complete film credits by the way, meaning no end credits at all) this film grabs your attention and should immediately realize what you are about to watch is going to be different, exciting, revolting and most of all unique in every way from most movies you have seen in your life until now.
The film focuses on the relationship between Oscar and Linda, a brother and sister living in Japan when tragedy strikes. Oscar goes to meet a friend for a drug deal only to have something go very wrong. For some reason, the police are present and pursue Oscar to the bathroom where he tries to dispense the drugs eliminating the evidence down the facilities. Shortly after, Oscar is shot in the chest and dies on the bathroom floor.
It seems as if Oscar's "soul" leaves his body and begins a hallucinatory journey interacting with his former friends, acquaintances and sister in a spiritual and mind blowing way to help make him and the audience understand the events which led to his death.
The siblings have had a rough life including the horrible death of their parents in an automobile accident when they were young. They were in the back seat as well, so not only witnessed the physical and emotional trauma, but also had to endure the subsequent separation from each other through foster care having to grow up without each other. Before they were separated, they made a blood pact and said they would always be there for each other no matter what.
Linda works at a dance/strip club and the forlorn about the death of her brother, but continues her job duties including dancing and having sex. She gets pregnant, then deals with the repercussions of the act. She becomes increasingly despondent with her life and wishes her brother was still with her.
Oscar's spirit meanders through the lives of his former life watching and understanding the emotions of those left on Earth.
The film is hard to explain and therefore maybe hard to understand as well. This seems to be one of those movies that is not only the words that are spoken, but the emotions that are portrayed and not said aloud. Whatever you believe spiritually about the soul and reincarnation, this film is not here to change your religious beliefs. It is shown in "first person" most of the time, so you interact with the characters of Oscar's life just as he is.
The use of neon colors both on the exterior cityscape of Japan and interior shots o the dance club are gorgeous and reminded me of what the world would appear as if life used a blacklight. The sequences of drug use could not be described as anything else other than living artwork. The rainbow kaleidoscope of the "trip" were reminiscent of "2001: A Space Odyssey" and I read afterwards which is where Noe drew some of his inspiration.
Undoubtedly, the multitude of graphic sex scenes and shocking imagery will turn many off as some of it is pretty extreme, but I feel suits this film symbiotically and perfectly. In fact, the second half of the film is more style than substance (which you could probably say for a lot of Noe's films), but somehow you don't mind since you are along for the ride and enjoy the spectacle anyways.
After reading about the film after my viewing, I discovered there is a "director's cut" including around 20 minutes of additional scenes bring the running time to over 2 1/2 hours.
It looks like I'll be getting the Blu-Ray and watching again in a few weeks!
From the psychedelic opening credits (which are the complete film credits by the way, meaning no end credits at all) this film grabs your attention and should immediately realize what you are about to watch is going to be different, exciting, revolting and most of all unique in every way from most movies you have seen in your life until now.
The film focuses on the relationship between Oscar and Linda, a brother and sister living in Japan when tragedy strikes. Oscar goes to meet a friend for a drug deal only to have something go very wrong. For some reason, the police are present and pursue Oscar to the bathroom where he tries to dispense the drugs eliminating the evidence down the facilities. Shortly after, Oscar is shot in the chest and dies on the bathroom floor.
It seems as if Oscar's "soul" leaves his body and begins a hallucinatory journey interacting with his former friends, acquaintances and sister in a spiritual and mind blowing way to help make him and the audience understand the events which led to his death.
The siblings have had a rough life including the horrible death of their parents in an automobile accident when they were young. They were in the back seat as well, so not only witnessed the physical and emotional trauma, but also had to endure the subsequent separation from each other through foster care having to grow up without each other. Before they were separated, they made a blood pact and said they would always be there for each other no matter what.
Linda works at a dance/strip club and the forlorn about the death of her brother, but continues her job duties including dancing and having sex. She gets pregnant, then deals with the repercussions of the act. She becomes increasingly despondent with her life and wishes her brother was still with her.
Oscar's spirit meanders through the lives of his former life watching and understanding the emotions of those left on Earth.
The film is hard to explain and therefore maybe hard to understand as well. This seems to be one of those movies that is not only the words that are spoken, but the emotions that are portrayed and not said aloud. Whatever you believe spiritually about the soul and reincarnation, this film is not here to change your religious beliefs. It is shown in "first person" most of the time, so you interact with the characters of Oscar's life just as he is.
The use of neon colors both on the exterior cityscape of Japan and interior shots o the dance club are gorgeous and reminded me of what the world would appear as if life used a blacklight. The sequences of drug use could not be described as anything else other than living artwork. The rainbow kaleidoscope of the "trip" were reminiscent of "2001: A Space Odyssey" and I read afterwards which is where Noe drew some of his inspiration.
Undoubtedly, the multitude of graphic sex scenes and shocking imagery will turn many off as some of it is pretty extreme, but I feel suits this film symbiotically and perfectly. In fact, the second half of the film is more style than substance (which you could probably say for a lot of Noe's films), but somehow you don't mind since you are along for the ride and enjoy the spectacle anyways.
After reading about the film after my viewing, I discovered there is a "director's cut" including around 20 minutes of additional scenes bring the running time to over 2 1/2 hours.
It looks like I'll be getting the Blu-Ray and watching again in a few weeks!
Easy To Use! For Adobe Premiere Pro 2017
Photo & Video and Reference
App
Adobe Premiere Pro is a timeline-based video editing software application. It is part of the Adobe...
Timeline Cover Photo Maker Free - Design and create your own custom Facebook profile page covers that reflects your personality!
Photo & Video and Social Networking
App
The App Store's most popular Cover Photo Making App for your Timeline now has a FREE version! ...
Logo maker - Best Logo creator
Business and Utilities
App
Logo Maker is a magic app that resolves all your problems by providing free logo ideas for your...
Tangled FX
Photo & Video and Entertainment
App
FEATURED on the front page of App Store in UK, Australia, France, Netherlands, Ireland, New Zealand...
Bob Mann (459 KP) rated Jackie (2016) in Movies
Sep 29, 2021
Spoiler! Her husband gets shot.
“Jackie” tells the story of the spiralling grief, loss and anger of Jackie Kennedy driven by the assassination of JFK in Dallas in November 1963. Hopping backwards and forwards in flashback, the film centres on the first interview given by Jackie (Natalie Portman, “Black Swan”) to a ‘Time’ journalist (Billy Crudup, “Watchmen”, “Spotlight”).
Through this interview we flashback to see Jackie as the young First Lady engaged in recording a TV special for a tour of the White House: nervous, unsure of herself and with a ‘baby girl’ voice. This contrasts with her demeanour in the interview which – although subject to emotional outburst and grief – is assured, confident and above all extremely assertive. We live the film through Jackie’s eyes as she experiences the arrival in Dallas, the traumatic events of November 22nd in Dealey Plaza, the return home to Washington and the complicated arrangement of the President’s funeral.
This is an acting tour de force for Natalie Portman, who is astonishingly emotional as the grief-stricken ex-first lady. She nails this role utterly and completely. Having already won the Golden Globe for an actress in a dramatic role, you would be a foolish man to bet against her not taking the Oscar. (I know I said just the other week that I though Emma Stone should get it for “La La Land” – as another Golden Globe winner, for the Comedy/Musical category – and a large part of my heart would still really like to see Stone win it…. But excellent as that performance was, this is a far more challenging role.)
In a key supporting role is Peter Sarsgaard (“The Magnificent Seven”) as Bobby Kennedy (although his lookalike is not one of the best: that accolade I would give to Gaspard Koenig, in an un-speaking role, as the young Ted Kennedy).
Also providing interesting support as Jackie’s priest is John Hurt (“Alien”, “Dr Who”) and, as Jackie’s close friend, the artist Bill Walton, is Richard E Grant (“Withnail and I”, who as he grows older is looking more and more like Geoffrey Rush – I was sure it was him!).
Director Pablo Larraín (whose previous work I am not familiar with) automatically assumes that EVERYONE has the background history to understand the narrative without further explanation: perhaps as this happened 54 years ago, this is a bit of a presumption for younger viewers? Naturally for people of my advanced years, these events are as burned into our collective psyches as the images in the Zapruder film.
While the film focuses predominantly, and brilliantly, on Jackie’s mental state, the film does gently question (via an outburst from Bobby) as to what JFK actually achieved in his all too short presidency – ‘Will he be remembered for resolving the Cuban missile crisis: something he originally created?’ rants Bobby. In reality, JFK is remembered in history for this assassination and the lost potential for what he might have done. I would have liked the script to have delved a little bit further into that collective soul-searching.
This is a very sombre movie in tone, from the bleak opening, with a soundtrack of sonorous strings, to the bleak weather-swept scenes at Arlington cemetery. The cinematography (by Stéphane Fontaine, “Rust and Bone”) cleverly contrasts between the vibrant hues of Jackie’s “Camelot” to the washed-out blueish tones of the post-assassination events. If you don’t feel depressed going into this film, you probably will be coming out! But the journey is a satisfying one nonetheless, and the script by Noah Oppenheim – in a SIGNIFICANT departure from his previous teen-flick screenplays for “Allegiant” and “The Maze Runner” – is both tight and thought-provoking.
Overall, a recommended watch which comes with a prediction: “And the Oscar goes to… Natalie Portman”.
Finally, note that for those of a squeamish disposition, there is a very graphic depiction of the assassination from Jackie’s point-of-view…. but this is not until nearly the end of the film, so you are reasonably safe until then!
Also as a final general whinge, could directors PLEASE place an embargo on the logos of more than two production companies coming up at the start of a film? This has about six of them and is farcical, aping the (very amusing) parody in “Family Guy” (as shown here).
Through this interview we flashback to see Jackie as the young First Lady engaged in recording a TV special for a tour of the White House: nervous, unsure of herself and with a ‘baby girl’ voice. This contrasts with her demeanour in the interview which – although subject to emotional outburst and grief – is assured, confident and above all extremely assertive. We live the film through Jackie’s eyes as she experiences the arrival in Dallas, the traumatic events of November 22nd in Dealey Plaza, the return home to Washington and the complicated arrangement of the President’s funeral.
This is an acting tour de force for Natalie Portman, who is astonishingly emotional as the grief-stricken ex-first lady. She nails this role utterly and completely. Having already won the Golden Globe for an actress in a dramatic role, you would be a foolish man to bet against her not taking the Oscar. (I know I said just the other week that I though Emma Stone should get it for “La La Land” – as another Golden Globe winner, for the Comedy/Musical category – and a large part of my heart would still really like to see Stone win it…. But excellent as that performance was, this is a far more challenging role.)
In a key supporting role is Peter Sarsgaard (“The Magnificent Seven”) as Bobby Kennedy (although his lookalike is not one of the best: that accolade I would give to Gaspard Koenig, in an un-speaking role, as the young Ted Kennedy).
Also providing interesting support as Jackie’s priest is John Hurt (“Alien”, “Dr Who”) and, as Jackie’s close friend, the artist Bill Walton, is Richard E Grant (“Withnail and I”, who as he grows older is looking more and more like Geoffrey Rush – I was sure it was him!).
Director Pablo Larraín (whose previous work I am not familiar with) automatically assumes that EVERYONE has the background history to understand the narrative without further explanation: perhaps as this happened 54 years ago, this is a bit of a presumption for younger viewers? Naturally for people of my advanced years, these events are as burned into our collective psyches as the images in the Zapruder film.
While the film focuses predominantly, and brilliantly, on Jackie’s mental state, the film does gently question (via an outburst from Bobby) as to what JFK actually achieved in his all too short presidency – ‘Will he be remembered for resolving the Cuban missile crisis: something he originally created?’ rants Bobby. In reality, JFK is remembered in history for this assassination and the lost potential for what he might have done. I would have liked the script to have delved a little bit further into that collective soul-searching.
This is a very sombre movie in tone, from the bleak opening, with a soundtrack of sonorous strings, to the bleak weather-swept scenes at Arlington cemetery. The cinematography (by Stéphane Fontaine, “Rust and Bone”) cleverly contrasts between the vibrant hues of Jackie’s “Camelot” to the washed-out blueish tones of the post-assassination events. If you don’t feel depressed going into this film, you probably will be coming out! But the journey is a satisfying one nonetheless, and the script by Noah Oppenheim – in a SIGNIFICANT departure from his previous teen-flick screenplays for “Allegiant” and “The Maze Runner” – is both tight and thought-provoking.
Overall, a recommended watch which comes with a prediction: “And the Oscar goes to… Natalie Portman”.
Finally, note that for those of a squeamish disposition, there is a very graphic depiction of the assassination from Jackie’s point-of-view…. but this is not until nearly the end of the film, so you are reasonably safe until then!
Also as a final general whinge, could directors PLEASE place an embargo on the logos of more than two production companies coming up at the start of a film? This has about six of them and is farcical, aping the (very amusing) parody in “Family Guy” (as shown here).
TheDefunctDiva (304 KP) rated Alice in Wonderland (2010) in Movies
Sep 26, 2017
A is for Artful
Contains spoilers, click to show
As with another of Tim Burton’s films, Sleepy Hollow, Alice in Wonderland strays significantly from the original material. And, in a vein similar to Sleepy Hollow, decapitation is a much-discussed topic.
Alice is introduced to the audience as a child who has strange dreams. In the subsequent scenes, an older Alice is seen in a carriage with her mother. She is unwittingly on her way to her engagement party, and she is fully expected to accept the offer of marriage from someone who seems quite ill-suited for her. “Your life will be perfect. It’s already been decided,” says her sister Margaret.
Elements of the engagement party offer foreshadowing for the alternate reality Alice soon finds herself in. Instead of accepting her suitor’s proposal, Alice runs away and follows a rabbit wearing a waistcoat into an exceptionally large rabbit hole. There, she is found falling with a variety of household objects, including one particularly friendly piano.
Once in Wonderland, Alice’s world has literally turned upside-down. She falls from her perch on the ceiling to the floor. Alice solves a puzzle of many locked doors, using the expected growing and shrinking mechanisms, and then she emerges into a strange topiary. There she is greeted by the rabbit and other residents of Wonderland, who argue whether this Alice is “the right Alice.”
Many of the traditional characters are found in this Wonderland, but most of the ominous poetry associated with those characters has been omitted. Tweedledum and Tweedledee are introduced, but they don’t seem to serve much purpose. I missed the recitation of “the Walrus and the Carpenter” very much.
Alice insists that the world around her must be a dream, as she is led through oversized mushrooms to a blue caterpillar, voiced by the talented Alan Rickman. Once again, Alice’s destiny is written: the caterpillar reveals a scroll which shows an image of Alice slaying the dreaded Jabberwocky. Indeed, it is her role to become the champion of Wonderland, to rise up and defeat the Red Queen who keeps this horrible beast as a weapon.
Later, we come across a dysfunctional tea party held under the shadow of a dilapidated windmill. Johnny Depp appears as the wild and wide-eyed Mad Hatter. Alice, it seems, is late to her tea just as she was to her engagement party. We learn that there is a whole network of characters, including the White Queen (Anne Hathaway), who wish to bring down the tyrannical Red Queen.
The struggle between the Red and White Queens eventually comes to a head, and Alice bravely accepts her fate to fight the Jabberwocky. And the Jabberwocky is indeed a terrifying entity, as it seems to be part dinosaur and part dragon.
The visual effects in this film were striking. Burton paints a beautiful landscape full of dark, rich colors. Several moments in the film are surreal and disturbing, such as when Alice crosses a moat full of dismembered heads to gain access to the Red Queen’s castle. However, some of the characters, such as the Cheshire cat, had a more cartoonish quality about them that I found off-putting.
The acting and voice-overs in the film were also impressive. Actress Mia Wasikowska was enchanting as Alice. She reflected the vulnerability and the more intrepid characteristics of the young girl quite well. Depp was delightfully creepy as the Mad Hatter. Crispin Glover was effective as the Knave of Hearts, the Red Queen’s lead henchman. And Stephen Fry was a marvelous voice choice for the strange and eerie Cheshire Cat.
The Red Queen is quite the character in this film. Helena Bonham Carter perfectly captures the Queen’s cruelty and absurdity. She delivers the “off with his head” line repeatedly and with gusto. The Queen’s cranium was so large that I was surprised she didn’t fall forward from the weight of it. And I haven’t seen that much blue eyeshadow since the 80s.
The Blu-ray version of this film enhanced the quality of the computer graphic imagery quite well. The special features consisted of interviews of the cast regarding the characters. These interviews contained behind-the-scenes looks at some of the makeup and green screen work done on this film. Though these interviews were enlightening, I would have loved to see more about the production process, since the sets and some characters were entirely computer-generated.
All things considered, Burton’s Alice in Wonderland is a delightful departure from reality. Fans of Burton’s other films are sure to love it.
Alice is introduced to the audience as a child who has strange dreams. In the subsequent scenes, an older Alice is seen in a carriage with her mother. She is unwittingly on her way to her engagement party, and she is fully expected to accept the offer of marriage from someone who seems quite ill-suited for her. “Your life will be perfect. It’s already been decided,” says her sister Margaret.
Elements of the engagement party offer foreshadowing for the alternate reality Alice soon finds herself in. Instead of accepting her suitor’s proposal, Alice runs away and follows a rabbit wearing a waistcoat into an exceptionally large rabbit hole. There, she is found falling with a variety of household objects, including one particularly friendly piano.
Once in Wonderland, Alice’s world has literally turned upside-down. She falls from her perch on the ceiling to the floor. Alice solves a puzzle of many locked doors, using the expected growing and shrinking mechanisms, and then she emerges into a strange topiary. There she is greeted by the rabbit and other residents of Wonderland, who argue whether this Alice is “the right Alice.”
Many of the traditional characters are found in this Wonderland, but most of the ominous poetry associated with those characters has been omitted. Tweedledum and Tweedledee are introduced, but they don’t seem to serve much purpose. I missed the recitation of “the Walrus and the Carpenter” very much.
Alice insists that the world around her must be a dream, as she is led through oversized mushrooms to a blue caterpillar, voiced by the talented Alan Rickman. Once again, Alice’s destiny is written: the caterpillar reveals a scroll which shows an image of Alice slaying the dreaded Jabberwocky. Indeed, it is her role to become the champion of Wonderland, to rise up and defeat the Red Queen who keeps this horrible beast as a weapon.
Later, we come across a dysfunctional tea party held under the shadow of a dilapidated windmill. Johnny Depp appears as the wild and wide-eyed Mad Hatter. Alice, it seems, is late to her tea just as she was to her engagement party. We learn that there is a whole network of characters, including the White Queen (Anne Hathaway), who wish to bring down the tyrannical Red Queen.
The struggle between the Red and White Queens eventually comes to a head, and Alice bravely accepts her fate to fight the Jabberwocky. And the Jabberwocky is indeed a terrifying entity, as it seems to be part dinosaur and part dragon.
The visual effects in this film were striking. Burton paints a beautiful landscape full of dark, rich colors. Several moments in the film are surreal and disturbing, such as when Alice crosses a moat full of dismembered heads to gain access to the Red Queen’s castle. However, some of the characters, such as the Cheshire cat, had a more cartoonish quality about them that I found off-putting.
The acting and voice-overs in the film were also impressive. Actress Mia Wasikowska was enchanting as Alice. She reflected the vulnerability and the more intrepid characteristics of the young girl quite well. Depp was delightfully creepy as the Mad Hatter. Crispin Glover was effective as the Knave of Hearts, the Red Queen’s lead henchman. And Stephen Fry was a marvelous voice choice for the strange and eerie Cheshire Cat.
The Red Queen is quite the character in this film. Helena Bonham Carter perfectly captures the Queen’s cruelty and absurdity. She delivers the “off with his head” line repeatedly and with gusto. The Queen’s cranium was so large that I was surprised she didn’t fall forward from the weight of it. And I haven’t seen that much blue eyeshadow since the 80s.
The Blu-ray version of this film enhanced the quality of the computer graphic imagery quite well. The special features consisted of interviews of the cast regarding the characters. These interviews contained behind-the-scenes looks at some of the makeup and green screen work done on this film. Though these interviews were enlightening, I would have loved to see more about the production process, since the sets and some characters were entirely computer-generated.
All things considered, Burton’s Alice in Wonderland is a delightful departure from reality. Fans of Burton’s other films are sure to love it.