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An Adventure in Statistics: The Reality Enigma
Book
Shortlisted for the British Book Design and Production Awards 2016 Shortlisted for the Association...
Monacello: The Little Monk: Book 1
Geraldine McCaughrean and Jana Diemberger
Book
A haunting legend from the Undercity of Naples "Goblin" "Gremlin!" "Demon!" Strange little creature....
Bob Mann (459 KP) rated 7500 (2019) in Movies
Jun 28, 2020
A 'small film' that packs a big punch
I'm not sure if there is an "IQ" table of Hollywood stars, but I would reckon if there is then Joseph Gordon-Levitt would rate pretty highly. Whenever I see him interviewed he comes across as a highly articulate and intelligent bloke. And that intelligence filters through into his choices of movie role. If you look back at his filmography on IMDB the first thing you notice is that his output is pretty sparse and selective, and the next is that the projects he's done mostly deliver a pretty strong hit rate: "500 Days of Summer"; "Inception", "Looper", "The Dark Knight Rises"; "Don Jon".... the list is impressive.
Here he stars (and really stars) in a small German film. It only had a $5 million budget and in some ways it shows: the speaking cast totals about a dozen; the single location used is the cockpit (an Airbus A320 simulator somewhere? Or a set? The production design is so good, it's difficult to tell) ; and the "score" is so minimalistic (a solo piano piece over the end titles) that it doesn't even merit an IMDB music credit!
But in many ways this is a case of 'small is beautiful'. For this is an extremely tense and claustrophobic action picture.
The Plot: German Captain Michael Lutzmann (Carlo Kitzlinger) and American Co-pilot Tobias Ellis (Joseph Gordon-Levitt) are about to pilot an Airbus A320 on a routine flight from Berlin to Paris. By coincidence, also on the flight is Tobias's partner and mother of his son, stewardess Gökce (Aylin Tezel). Shortly into the flight, three terrorists - Kenan (Murathan Muslu), Daniel (Paul Wollin) and youngster Vedat (Omid Memar) - take over the aircraft. Tobias issues a "7500" (hijack in progress) code. All that is protecting the injured pilots and the security of the 80 people on the flight is the cockpit door.
The film starts slowly, building atmosphere through the pre-flight chit-chat between the pilots and a leisurely take-off. I loved this development of character by Oscar-nominated shorts director Patrick Vollrath. But when the action starts, it starts with a bang and continues in truly tense and visceral style. There's a sense of creeping dread when you realise the terrorist's use of hostages to get the door open, and of who the hostages might be.
I note that one of the "thanks" for the film was director Paul Greengrass, who of course made the outstanding 9/11-themed "United 93" back in 2006. It would be fascinating to understand whether this was a "thank-you" for the inspiration the classic film gave Vollrath, or if there was some practical consultancy undertaken there.
Star of the show here is Joseph Gordon-Levitt who delivers a peerless performance as the pilot under extreme stress. Veering cyclically through terror, emotional breakdown and calm 'training-kicking-in' modes, it's a performance that is almost Oscar nomination-worthy in my book. He's on screen for virtually every shot of the film, and really earned his fee here. He makes for a very believable pilot.
I've read other comment that says the terrorists are rather 2-dimensional in their attempts to "do a 9/11". And to a degree I agree. A nice angle though is the relationship that develops between Tobias and young Vedat in the second half of the movie. There's a 'Stockholm Syndrome' vibe going on here, but this never quite gets resolved satisfactorily.
As such, unfortunately this 'back 9' never really quite lived up to the promise of the first 45 minutes for me. And as a single-location story that had nowhere else to go, the abrupt ending will not be to the liking of some I'm sure.
Not to be confused with the 2014 horror "Flight 7500", this is for once a B-movie that's real nail-biter. The movie doesn't pull its punches, and although there is little of the more graphic violence actually shown, the mind can fill in the gaps effectively which makes for some upsetting moments. Although it never quite lives up to its early promise at only 93 minutes it is strongly deserving of your attention. The movie is available for viewing via Amazon-Prime.
(For the full graphical review please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/06/28/one-manns-movies-film-review-the-7500-2020/ .)
Here he stars (and really stars) in a small German film. It only had a $5 million budget and in some ways it shows: the speaking cast totals about a dozen; the single location used is the cockpit (an Airbus A320 simulator somewhere? Or a set? The production design is so good, it's difficult to tell) ; and the "score" is so minimalistic (a solo piano piece over the end titles) that it doesn't even merit an IMDB music credit!
But in many ways this is a case of 'small is beautiful'. For this is an extremely tense and claustrophobic action picture.
The Plot: German Captain Michael Lutzmann (Carlo Kitzlinger) and American Co-pilot Tobias Ellis (Joseph Gordon-Levitt) are about to pilot an Airbus A320 on a routine flight from Berlin to Paris. By coincidence, also on the flight is Tobias's partner and mother of his son, stewardess Gökce (Aylin Tezel). Shortly into the flight, three terrorists - Kenan (Murathan Muslu), Daniel (Paul Wollin) and youngster Vedat (Omid Memar) - take over the aircraft. Tobias issues a "7500" (hijack in progress) code. All that is protecting the injured pilots and the security of the 80 people on the flight is the cockpit door.
The film starts slowly, building atmosphere through the pre-flight chit-chat between the pilots and a leisurely take-off. I loved this development of character by Oscar-nominated shorts director Patrick Vollrath. But when the action starts, it starts with a bang and continues in truly tense and visceral style. There's a sense of creeping dread when you realise the terrorist's use of hostages to get the door open, and of who the hostages might be.
I note that one of the "thanks" for the film was director Paul Greengrass, who of course made the outstanding 9/11-themed "United 93" back in 2006. It would be fascinating to understand whether this was a "thank-you" for the inspiration the classic film gave Vollrath, or if there was some practical consultancy undertaken there.
Star of the show here is Joseph Gordon-Levitt who delivers a peerless performance as the pilot under extreme stress. Veering cyclically through terror, emotional breakdown and calm 'training-kicking-in' modes, it's a performance that is almost Oscar nomination-worthy in my book. He's on screen for virtually every shot of the film, and really earned his fee here. He makes for a very believable pilot.
I've read other comment that says the terrorists are rather 2-dimensional in their attempts to "do a 9/11". And to a degree I agree. A nice angle though is the relationship that develops between Tobias and young Vedat in the second half of the movie. There's a 'Stockholm Syndrome' vibe going on here, but this never quite gets resolved satisfactorily.
As such, unfortunately this 'back 9' never really quite lived up to the promise of the first 45 minutes for me. And as a single-location story that had nowhere else to go, the abrupt ending will not be to the liking of some I'm sure.
Not to be confused with the 2014 horror "Flight 7500", this is for once a B-movie that's real nail-biter. The movie doesn't pull its punches, and although there is little of the more graphic violence actually shown, the mind can fill in the gaps effectively which makes for some upsetting moments. Although it never quite lives up to its early promise at only 93 minutes it is strongly deserving of your attention. The movie is available for viewing via Amazon-Prime.
(For the full graphical review please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/06/28/one-manns-movies-film-review-the-7500-2020/ .)
Heather Cranmer (2721 KP) rated The Invited in Books
Jun 25, 2019
A Decent Ghost Mystery
I had been eyeing The Invited by Jennifer McMahon since it first came out at the end of April. When a book club I'm in decided to make that their June read, I knew this was my opportunity to actually buy it. While it wasn't as great as I had imagined, it wasn't a bad read.
After receiving a big chunk of money from her father, Helen and her husband Nate decide to move to a small town in rural Vermont to build their own house. After buying the land at a very good price, Helen and Nate start building. It isn't long before they learn the legend of Hattie, a witch who was hanged on the bog where their house is being built. People swear the bog is haunted. Helen loves the history behind the bog and seeks out more information about Hattie which will ultimately put her and her husband in danger. Olive, a 14 year old girl, is searching for Hattie's treasure, another legend and wondering if the stories about her mother running off with another man or true. As Olive comes closer to discovering the truth about Hattie's treasure and what happened to her mother, it puts her that much closer to danger.
The plot for The Invited was interesting enough. I enjoyed learning about Hattie as well as her descendants. The book is written mostly from Olive's and Helen's point of view, but there are some characters where we get to see things from their point of view which I found intriguing. There are a few plot twists although I found them all to be easily predictable. Not one of the plot twists surprised me at all unfortunately. Still, I did enjoy reading the climax of the story and afterwards. I also enjoyed that there were no cliffhangers in this book.
I really enjoyed the character of Helen. She felt so realistic and like someone I would want to be friends with. I admired how laid back she was. I was indifferent about Nate. I just couldn't connect with him. I don't think he was written badly, but you could tell he wasn't meant to be a focal point in The Invited. I did like the character of Olive, but I felt like she was a lot younger than 14. I felt like she acted and spoke more like an 11 or 12 year old. I really had a hard time believing she was actually 14. I did admire how courageous she was and how determined on her goal whether it be to find Hattie's treasure or to find out the truth about what happened to her mother. I never really liked the character of Riley. She came across as someone who was trying too hard to be friendly. She felt too syrupy sweet. Hattie made a great ghost! There were times where I didn't trust her motives, and I couldn't figure out if I should be wary of her or if I should trust her.
The pacing for The Invited was slow throughout the majority of the book. The first few chapters were painfully slow. It was as if the author had word vomit and was describing every minute detail about the land and about Helen's inheritance. I felt like all that backstory was unneeded and definitely didn't need two or three chapters dedicated to it. After those chapters, the pacing picks up slightly, so it goes from being painfully slow to just slow. There were so many times I considered giving up on this book, but others in my book club said to keep on reading because it gets better. The pacing finally did pick up around 70 percent through the book. Once the pacing picked up, I couldn't put this book down! I had to know what would happen next even if it was predictable. (I had to make sure I had predicted correctly!)
Trigger warnings for The Invited include violence, death, murder, mentions of suicide, the occult, drug use (marijuana), drinking, some sexual references (not graphic), and profanity.
Overall, The Invited is a decent ghost story although there is more to the story than just that. It also makes for a decent mystery read. While it is mostly slow paced, the action does pick up eventually. I would recommend The Invited by Jennifer McMahon to those aged 16+ who enjoy a decent ghostly mystery.
After receiving a big chunk of money from her father, Helen and her husband Nate decide to move to a small town in rural Vermont to build their own house. After buying the land at a very good price, Helen and Nate start building. It isn't long before they learn the legend of Hattie, a witch who was hanged on the bog where their house is being built. People swear the bog is haunted. Helen loves the history behind the bog and seeks out more information about Hattie which will ultimately put her and her husband in danger. Olive, a 14 year old girl, is searching for Hattie's treasure, another legend and wondering if the stories about her mother running off with another man or true. As Olive comes closer to discovering the truth about Hattie's treasure and what happened to her mother, it puts her that much closer to danger.
The plot for The Invited was interesting enough. I enjoyed learning about Hattie as well as her descendants. The book is written mostly from Olive's and Helen's point of view, but there are some characters where we get to see things from their point of view which I found intriguing. There are a few plot twists although I found them all to be easily predictable. Not one of the plot twists surprised me at all unfortunately. Still, I did enjoy reading the climax of the story and afterwards. I also enjoyed that there were no cliffhangers in this book.
I really enjoyed the character of Helen. She felt so realistic and like someone I would want to be friends with. I admired how laid back she was. I was indifferent about Nate. I just couldn't connect with him. I don't think he was written badly, but you could tell he wasn't meant to be a focal point in The Invited. I did like the character of Olive, but I felt like she was a lot younger than 14. I felt like she acted and spoke more like an 11 or 12 year old. I really had a hard time believing she was actually 14. I did admire how courageous she was and how determined on her goal whether it be to find Hattie's treasure or to find out the truth about what happened to her mother. I never really liked the character of Riley. She came across as someone who was trying too hard to be friendly. She felt too syrupy sweet. Hattie made a great ghost! There were times where I didn't trust her motives, and I couldn't figure out if I should be wary of her or if I should trust her.
The pacing for The Invited was slow throughout the majority of the book. The first few chapters were painfully slow. It was as if the author had word vomit and was describing every minute detail about the land and about Helen's inheritance. I felt like all that backstory was unneeded and definitely didn't need two or three chapters dedicated to it. After those chapters, the pacing picks up slightly, so it goes from being painfully slow to just slow. There were so many times I considered giving up on this book, but others in my book club said to keep on reading because it gets better. The pacing finally did pick up around 70 percent through the book. Once the pacing picked up, I couldn't put this book down! I had to know what would happen next even if it was predictable. (I had to make sure I had predicted correctly!)
Trigger warnings for The Invited include violence, death, murder, mentions of suicide, the occult, drug use (marijuana), drinking, some sexual references (not graphic), and profanity.
Overall, The Invited is a decent ghost story although there is more to the story than just that. It also makes for a decent mystery read. While it is mostly slow paced, the action does pick up eventually. I would recommend The Invited by Jennifer McMahon to those aged 16+ who enjoy a decent ghostly mystery.
Mario Duck Hunt | Mario Games
Games
App
*** Reached No. 1 in Sports Games in 1 App Store *** *** Reached No. 1 in Arcade Games in 2 App...
Emma @ The Movies (1786 KP) rated Guns Akimbo (2019) in Movies
May 20, 2020
When I first heard about Guns Akimbo I was very interested in seeing it, when I next heard about it... well, it wasn't exactly a happy internet moment. Despite the actions of one person though you shouldn't write off something that so many people worked on, that meant I was still keen.
Miles likes to think of himself as a bit of an online warrior, really he's just trolling the trolls... and he's just annoyed the wrong people. Skizm are making a name for themselves in real-life gaming experiences, you can watch online as people battle to the death, and Miles' transgression means he's their next competitor.
The idea isn't a new one, there's Gamer and Nerve (I haven't seen the latter but it was mentioned to me), I personally get a few vibes from The Condemned too, but despite all of that it still feels like it has a fun twist to it.
Miles is a "mild mannered" nerd who gets thrown into the violent world of Skizm, well outside his comfort zone he's now tasked with killing their current champion before she kills him. There's shouldn't really be much of a contest because even with guns surgically attached to his hands he's still only a mild threat to Nix. In the real world an ill-matched pairing probably wouldn't work but with the extra story and some added movie magic in the form of dumb luck for Miles and it means we get an underdog battle that everyone enjoys.
The contest runs rampant through the streets and we mainly follow Miles on his journey with the occasional jump to fill in story. It sticks well to video game imagery and principles, I particularly liked the addition of health/1-up sound effects. Overall the filming of it is well presented and engaging with combat scenes changing pace for dramatic effect and cutting between angles to give you something to react to. There are a lot of Dutch angles used, which makes sense considering how much concussion and drugs are flying around. My only quibble with this would probably be that there seems to be every possible camera technique and angle used in the film, that isn't necessarily a bad thing, but at times it feels a bit much.
Daniel Radcliffe is in the main role of Miles, and this is more of a personal drawback for me because I'm never entirely convinced he can act... but he is very amusing in this. In the beginning his inner nerd is on point when faced with Nix for the first time and the pair have a good, if slightly bizarre, rapport. I can deal with the fact that Miles has a lot of dumb luck, but at one point in the film he suddenly develops skills out of nowhere and that one annoyed me even though it made for a great scene.
As I said, the chemistry between Miles and Nix is very entertaining and Samara Weaving is a solid choice in casting. Nix is the baddie that you can't really hate and with her dark humour and the back story they weave in she's probably my favourite character. There were two things that leapt out at me, the Ready Or Note laugh and the Harley Quinn/Birds Of Prey drug snorting... now, BoP and Guns Akimbo must have been filmed at similar times so I can't see how it could have been copied but there's a moment that makes me instantly think of BoP, and with Weaving always momentarily confusing my brain when I see her it threw me for a loop.
There's a really well chosen group of songs throughout and they fit well with the tone of the film and the levels of energy needed... but as with everything in this review there's a little thing to pick at, and again, it's only tiny but it bugged me. One of the songs is used twice... technically nothing wrong with that, but I noticed it and it mildly annoyed me.
We've got two great leads who work well together and lots of hidden pop culture references that really help the film along. There's potential for the ultra violent moments to become a bit too much but with the effects, humour and editing I think it stops it from becoming anything too graphic. Guns Akimbo was pretty entertaining throughout and it's definitely one I can see myself rewatching.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/05/guns-akimbo-movie-review.html
Miles likes to think of himself as a bit of an online warrior, really he's just trolling the trolls... and he's just annoyed the wrong people. Skizm are making a name for themselves in real-life gaming experiences, you can watch online as people battle to the death, and Miles' transgression means he's their next competitor.
The idea isn't a new one, there's Gamer and Nerve (I haven't seen the latter but it was mentioned to me), I personally get a few vibes from The Condemned too, but despite all of that it still feels like it has a fun twist to it.
Miles is a "mild mannered" nerd who gets thrown into the violent world of Skizm, well outside his comfort zone he's now tasked with killing their current champion before she kills him. There's shouldn't really be much of a contest because even with guns surgically attached to his hands he's still only a mild threat to Nix. In the real world an ill-matched pairing probably wouldn't work but with the extra story and some added movie magic in the form of dumb luck for Miles and it means we get an underdog battle that everyone enjoys.
The contest runs rampant through the streets and we mainly follow Miles on his journey with the occasional jump to fill in story. It sticks well to video game imagery and principles, I particularly liked the addition of health/1-up sound effects. Overall the filming of it is well presented and engaging with combat scenes changing pace for dramatic effect and cutting between angles to give you something to react to. There are a lot of Dutch angles used, which makes sense considering how much concussion and drugs are flying around. My only quibble with this would probably be that there seems to be every possible camera technique and angle used in the film, that isn't necessarily a bad thing, but at times it feels a bit much.
Daniel Radcliffe is in the main role of Miles, and this is more of a personal drawback for me because I'm never entirely convinced he can act... but he is very amusing in this. In the beginning his inner nerd is on point when faced with Nix for the first time and the pair have a good, if slightly bizarre, rapport. I can deal with the fact that Miles has a lot of dumb luck, but at one point in the film he suddenly develops skills out of nowhere and that one annoyed me even though it made for a great scene.
As I said, the chemistry between Miles and Nix is very entertaining and Samara Weaving is a solid choice in casting. Nix is the baddie that you can't really hate and with her dark humour and the back story they weave in she's probably my favourite character. There were two things that leapt out at me, the Ready Or Note laugh and the Harley Quinn/Birds Of Prey drug snorting... now, BoP and Guns Akimbo must have been filmed at similar times so I can't see how it could have been copied but there's a moment that makes me instantly think of BoP, and with Weaving always momentarily confusing my brain when I see her it threw me for a loop.
There's a really well chosen group of songs throughout and they fit well with the tone of the film and the levels of energy needed... but as with everything in this review there's a little thing to pick at, and again, it's only tiny but it bugged me. One of the songs is used twice... technically nothing wrong with that, but I noticed it and it mildly annoyed me.
We've got two great leads who work well together and lots of hidden pop culture references that really help the film along. There's potential for the ultra violent moments to become a bit too much but with the effects, humour and editing I think it stops it from becoming anything too graphic. Guns Akimbo was pretty entertaining throughout and it's definitely one I can see myself rewatching.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/05/guns-akimbo-movie-review.html
BankofMarquis (1832 KP) rated Extraction (2020) in Movies
May 6, 2020
Fun, by-the-book, action flick
I'm pretty sure that no matter what, I was going to enjoy the Chris Hemsworth action flick EXTRACTION whether it was good or not. It is, after all, a NEW movie, albeit one that was made "Direct to Netflix", so those can be of lesser quality.
I'm happy to report that in the case of EXTRACTION, that is not the case. This is a good (if by the books) popcorn action flick with a charismatic lead keeping you company throughout.
In EXTRACTION, Chris Hemsworth stars as an Australian Mercenary (who knew there was such a thing), hired to extract the kidnapped son of a drug lord from the hands of his fiercest rival.
This is a pretty "by-the-numbers" action film:
1). The mercenary has "baggage" - will the events (and the subject he is to extract) help him come to terms with his pent-up emotions in order to move past his traumatic "baggage"?
2). Will there be some sort of "double-cross" that screws up the extraction causing our hero to go "on the run" with his "Extraction"?
3). Will there be a buddy that our hero trusts who will, ultimately, double-cross him?
What do you think?
The fun of this film was not the plot machinations (they are pretty basic), but the execution of these machinations - and this execution is pretty fun/enjoyable.
Start with Chris Hemsworth as our mercenary - with the great action flick name of Tyler Rake. Hemsworth knows exactly what kind of film he is in - and he brings the goods. If he chose to, I think Hemsworth could be an action hero staple like Jason Statham or Dwayne "The Rock" Johnson - but I think Hemsworth is not really interested in that. But here, he is steely eyed and calm taking hits and doling out punishment to hoards of "red shirt" bad guys in his way. He has the action hero chops. He also has the acting chops to make the overwrought "emotional" scenes palatable. He makes weak writing enjoyable.
Joining him is Rudhraksh Jaiswal as "the extraction" - and his interactions with Hemsworth are fun. Randeep Hodha and Golshifteh Farahani do a nice job in the roles that they play in the action and the always watchable David Harbour eats a ton of scenery in his limited time on the screen. All are fun to watch.
But it is the telling of the story by first time Director Sam Hargrave that was a (pleasant) surprise for me. After doubling Chris Evans in the first CAPTAIN AMERICA film, Hargrave became the "go to" guy for Marvel action choreography, so (I'm sure) he got to know Hemsworth there. He brings a fast-paced style to this film that works. He doesn't stop to examine much at all (which helps the plot holes in the script) and his action work with his stunt actors is top-notch. If you watch nothing else in this film, check out the chase scene at about the 1/3 mark of the film. Hemsworth and "the extraction" are being chased - and it is filmed in the "shaky cam/cinema veritae/ make it look like one long tracking shot" style that I often criticize in my reviews - but here it worked and worked well. I'll be keeping my eye on what Hargrave does next (word is it that there will be an Extraction 2).
All of this is brought together by Producers Joe and Anthony Russo - the Directors of many Marvel films (including INFINITY WAR and ENDGAME). Not only did they Produce this film, but they wrote the story from where this film came from. It's obvious that they turned the majority of the screenplay writing to others (most notably Ande Parks) and this film is based on a graphic novel...so it plays like an over-the-top comic book action flick (think John Wick-lite) where the dialogue is sparse and cliche-ridden. This part of the film was far less interesting than the action parts.
But, the action is fast, fun and furious and Hemsworth is worth watching for the 1 hour 56 minute running time.
All-in-all, a good time was had while watching the first "new" film in over 6 weeks.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
I'm happy to report that in the case of EXTRACTION, that is not the case. This is a good (if by the books) popcorn action flick with a charismatic lead keeping you company throughout.
In EXTRACTION, Chris Hemsworth stars as an Australian Mercenary (who knew there was such a thing), hired to extract the kidnapped son of a drug lord from the hands of his fiercest rival.
This is a pretty "by-the-numbers" action film:
1). The mercenary has "baggage" - will the events (and the subject he is to extract) help him come to terms with his pent-up emotions in order to move past his traumatic "baggage"?
2). Will there be some sort of "double-cross" that screws up the extraction causing our hero to go "on the run" with his "Extraction"?
3). Will there be a buddy that our hero trusts who will, ultimately, double-cross him?
What do you think?
The fun of this film was not the plot machinations (they are pretty basic), but the execution of these machinations - and this execution is pretty fun/enjoyable.
Start with Chris Hemsworth as our mercenary - with the great action flick name of Tyler Rake. Hemsworth knows exactly what kind of film he is in - and he brings the goods. If he chose to, I think Hemsworth could be an action hero staple like Jason Statham or Dwayne "The Rock" Johnson - but I think Hemsworth is not really interested in that. But here, he is steely eyed and calm taking hits and doling out punishment to hoards of "red shirt" bad guys in his way. He has the action hero chops. He also has the acting chops to make the overwrought "emotional" scenes palatable. He makes weak writing enjoyable.
Joining him is Rudhraksh Jaiswal as "the extraction" - and his interactions with Hemsworth are fun. Randeep Hodha and Golshifteh Farahani do a nice job in the roles that they play in the action and the always watchable David Harbour eats a ton of scenery in his limited time on the screen. All are fun to watch.
But it is the telling of the story by first time Director Sam Hargrave that was a (pleasant) surprise for me. After doubling Chris Evans in the first CAPTAIN AMERICA film, Hargrave became the "go to" guy for Marvel action choreography, so (I'm sure) he got to know Hemsworth there. He brings a fast-paced style to this film that works. He doesn't stop to examine much at all (which helps the plot holes in the script) and his action work with his stunt actors is top-notch. If you watch nothing else in this film, check out the chase scene at about the 1/3 mark of the film. Hemsworth and "the extraction" are being chased - and it is filmed in the "shaky cam/cinema veritae/ make it look like one long tracking shot" style that I often criticize in my reviews - but here it worked and worked well. I'll be keeping my eye on what Hargrave does next (word is it that there will be an Extraction 2).
All of this is brought together by Producers Joe and Anthony Russo - the Directors of many Marvel films (including INFINITY WAR and ENDGAME). Not only did they Produce this film, but they wrote the story from where this film came from. It's obvious that they turned the majority of the screenplay writing to others (most notably Ande Parks) and this film is based on a graphic novel...so it plays like an over-the-top comic book action flick (think John Wick-lite) where the dialogue is sparse and cliche-ridden. This part of the film was far less interesting than the action parts.
But, the action is fast, fun and furious and Hemsworth is worth watching for the 1 hour 56 minute running time.
All-in-all, a good time was had while watching the first "new" film in over 6 weeks.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Purple Phoenix Games (2266 KP) rated Victim: The Cursed Forest in Tabletop Games
Sep 24, 2021
I mean, who WOULDN’T be frightened out of their undies when one of their traveling mates just suddenly becomes… something else… and chases them through a very odd forest? But yet, here is where we now play. In a vast forest with danger around every curve, and a horrific presence taunting the party with the imminent possession of their very bodies. A far cry from prancing about a candied forest in an attempt to reach the summit: Candy Castle. Board games have definitely evolved, and boy am I glad for that!
Victim: The Cursed Forest (which I shall from here call simply “Victim”) is a horror survival game where players assume the roles of survivors of a plane crash. Each survivor, which in the game are actually called Victims, must race against time and nightmare fiends in order to reach the safety bunker until saviors come rescue them. However, early in the game one of their own is possessed by the lurking horror and then turns on the party to pick them off one by one. It’s up to the victims to race to the bunker and input the correct code to open its hatch to relative safety!
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup, basically shuffle each deck separately, and place the Bunker map tile in the bottom six of the stack, then split that into two stacks. Place out all the chits however makes sense for your table (organized for me, thank you), and each player chooses one of the characters to play and collects all their goodies. The Start Tile is laid down, the player minis are placed upon it and the chase is on!
Each turn the players will have several choices of actions to complete, with two actions available to be taken on their turn. Primarily, players will be Running around the map to different tiles and exploring their special characteristics. Some tiles allow players to search them for Item cards, some allow players to Decode as an action, and some also require players to pass certain tests of abilities. These tests correspond to each player’s abilities of Agility, Intelligence, Vitality, and Luck. The ability scores are different for each character and can be improved or worsened throughout the game. Character boards also will show each character’s special skills that can be used on a turn.
Once all players have completed their two actions in turn order, the last player will flip an Event card that may be active for the entirety of the next round. Sometimes these Events affect only characters on certain tile types, or even adjust ability scores and Items held. However, at the end of the second or third round of play (depending on the number of players), the ominous Curse Phase is completed.
The Curse Phase is a special one-time insert that has all players make a test against one of the four abilities. The lowest score for the test then becomes the host for the Evil that will ravage the party and wreak hell on the other players. The player no longer controls their chosen character, but immediately becomes the Evil that was drawn and now plays the game against the other players. The Evil takes their turn at the end of the round, just before the Event card is drawn.
Once the Evil enters play in earnest, the game quickly shifts from a nice exploration and map building game to a race against time to earn bunker password tokens from the Decoding tiles and avoid all attacks from the now raging Evil chasing the players. I will not describe the entirety of battle and Evil special abilities, but battle is a very simple Attack roll vs. Defense roll for one wound. When a player sustains two wounds, they are considered to have a Critical Injury and may only Crawl to another player in hopes of receiving healing or to arrive on a tile with healing properties upon it. However, a character that has been Critically Injured is ripe for the Evil’s Death Skill. The Death Skill is how the Evil is able to remove characters (and thusly players) from the game and decrease the odds of the Victims’ victory.
Play continues in this fashion of players taking their turns, then the Evil takes their turn, then the Event card is drawn as the last part of each round, until either the players collect the correct tokens to solve the hatch passcode and earn safety, or the Evil takes out the required number of characters for their victory. All this can be accomplished in a mere 45-90 minutes. Absolutely.
Components. Never having heard of Hexa House prior to arranging for this review, I had no idea what to expect in terms of components. However, this game comes in a very large box, the insert is kind of perfect (which is saying a lot, especially since it is a vacuum form), and everything inside the box is really great! I’m not really a miniatures kinda guy, but I can appreciate them. Standees are just as good to me, but I think these minis are above-average from my experience. The cards, the art style, the custom dice, everything just hits really well.
So you probably noticed my weird ratings graphic up top. Well, I will admit that my graphic design skills are, well, amateur at best. So I just created a 5 point 5 because I really feel this one is just amazing. Now, some people may have some small issues with the rule book, but please read it with a grain of salt: I believe they originate in Thai or Laotian languages and are translated to English. I didn’t have problems reading it at all, but had a couple questions. I tried playing several different ways when I had these questions, and usually just one option was really viable anyway.
That said, everything else about this game is truly wonderful. I sincerely enjoy that sudden shift near the beginning of the game where one player becomes the big baddie and comes for the rest of the players. Depending on placement and buddy systems that formed in the first part of the game, the Evil player will have either a feast setup before themselves, or have to do a bit of work to track down the characters to orchestrate their attack. I know I didn’t go into a whole lot of detail on what the Evil player can do on their turns, but it boils down to basically Hunt (run), Attack, and trap.
This base game ships with six Victims and six Evils. I have yet to see all the Evils in my plays, as the mechanic for determining which Evil surfaces is dependent on a draw of a card from a shuffled deck. That said, even when an Evil enters the game that I have played before, the players were different, and the map was different, and the placement of characters was different, so it did not feel “samey” to me at all.
I will admit that the most frustrating aspect of the game is the bunker hatch passcode. Okay, so once the Bunker tile is placed, a new component enters play: the Bunker board. A hole in the middle of the board is to house a Gate Token. This Gate Token is simply a target number that the players need to achieve using the different Number and Symbol Tokens won from successful Decode actions. The Number Tokens are simply 1-6, and the Symbol Tokens are plus/minus/multiply/divide. Therefore, in order to meet the Gate Token showing 35 players would need to gather 6 x 5 + 3 + 2. That is seven different successes at the Decoder tiles, and best case scenario has players pulling those exactly and no others. When you are playing a game that is a race against time (or death, in this instance), these little setbacks can cost the entire game – that is, if players simply cannot pass the test needed for a success at the Decoder tile. Frustrating, yes, but also a very cool addition to this style of game.
Victim has completely surprised me, and I am so thankful I had the opportunity to add this to my collection. My strong recommendation is that if you see one of these in the wild – GRAB IT. There are hours and hours of gameplay in this box, and I haven’t even touched the expansion for it yet (expect another review of that in the near future as well). Purple Phoenix Games officially gives this one a 5.5 / 6 (we NEVER do half points), but I feel like with even more plays, and with the expansion to be added soon, this may give my Top 10 list a shakeup still this year. If you are a fan of games like Betrayal at House on the Hill and Posthuman, then you need to check this one out for sure. Oh, did I mention that there is a LOT of dice rolling here too? Guess I just left that until the end for my dice-chucking lovers.
Victim: The Cursed Forest (which I shall from here call simply “Victim”) is a horror survival game where players assume the roles of survivors of a plane crash. Each survivor, which in the game are actually called Victims, must race against time and nightmare fiends in order to reach the safety bunker until saviors come rescue them. However, early in the game one of their own is possessed by the lurking horror and then turns on the party to pick them off one by one. It’s up to the victims to race to the bunker and input the correct code to open its hatch to relative safety!
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup, basically shuffle each deck separately, and place the Bunker map tile in the bottom six of the stack, then split that into two stacks. Place out all the chits however makes sense for your table (organized for me, thank you), and each player chooses one of the characters to play and collects all their goodies. The Start Tile is laid down, the player minis are placed upon it and the chase is on!
Each turn the players will have several choices of actions to complete, with two actions available to be taken on their turn. Primarily, players will be Running around the map to different tiles and exploring their special characteristics. Some tiles allow players to search them for Item cards, some allow players to Decode as an action, and some also require players to pass certain tests of abilities. These tests correspond to each player’s abilities of Agility, Intelligence, Vitality, and Luck. The ability scores are different for each character and can be improved or worsened throughout the game. Character boards also will show each character’s special skills that can be used on a turn.
Once all players have completed their two actions in turn order, the last player will flip an Event card that may be active for the entirety of the next round. Sometimes these Events affect only characters on certain tile types, or even adjust ability scores and Items held. However, at the end of the second or third round of play (depending on the number of players), the ominous Curse Phase is completed.
The Curse Phase is a special one-time insert that has all players make a test against one of the four abilities. The lowest score for the test then becomes the host for the Evil that will ravage the party and wreak hell on the other players. The player no longer controls their chosen character, but immediately becomes the Evil that was drawn and now plays the game against the other players. The Evil takes their turn at the end of the round, just before the Event card is drawn.
Once the Evil enters play in earnest, the game quickly shifts from a nice exploration and map building game to a race against time to earn bunker password tokens from the Decoding tiles and avoid all attacks from the now raging Evil chasing the players. I will not describe the entirety of battle and Evil special abilities, but battle is a very simple Attack roll vs. Defense roll for one wound. When a player sustains two wounds, they are considered to have a Critical Injury and may only Crawl to another player in hopes of receiving healing or to arrive on a tile with healing properties upon it. However, a character that has been Critically Injured is ripe for the Evil’s Death Skill. The Death Skill is how the Evil is able to remove characters (and thusly players) from the game and decrease the odds of the Victims’ victory.
Play continues in this fashion of players taking their turns, then the Evil takes their turn, then the Event card is drawn as the last part of each round, until either the players collect the correct tokens to solve the hatch passcode and earn safety, or the Evil takes out the required number of characters for their victory. All this can be accomplished in a mere 45-90 minutes. Absolutely.
Components. Never having heard of Hexa House prior to arranging for this review, I had no idea what to expect in terms of components. However, this game comes in a very large box, the insert is kind of perfect (which is saying a lot, especially since it is a vacuum form), and everything inside the box is really great! I’m not really a miniatures kinda guy, but I can appreciate them. Standees are just as good to me, but I think these minis are above-average from my experience. The cards, the art style, the custom dice, everything just hits really well.
So you probably noticed my weird ratings graphic up top. Well, I will admit that my graphic design skills are, well, amateur at best. So I just created a 5 point 5 because I really feel this one is just amazing. Now, some people may have some small issues with the rule book, but please read it with a grain of salt: I believe they originate in Thai or Laotian languages and are translated to English. I didn’t have problems reading it at all, but had a couple questions. I tried playing several different ways when I had these questions, and usually just one option was really viable anyway.
That said, everything else about this game is truly wonderful. I sincerely enjoy that sudden shift near the beginning of the game where one player becomes the big baddie and comes for the rest of the players. Depending on placement and buddy systems that formed in the first part of the game, the Evil player will have either a feast setup before themselves, or have to do a bit of work to track down the characters to orchestrate their attack. I know I didn’t go into a whole lot of detail on what the Evil player can do on their turns, but it boils down to basically Hunt (run), Attack, and trap.
This base game ships with six Victims and six Evils. I have yet to see all the Evils in my plays, as the mechanic for determining which Evil surfaces is dependent on a draw of a card from a shuffled deck. That said, even when an Evil enters the game that I have played before, the players were different, and the map was different, and the placement of characters was different, so it did not feel “samey” to me at all.
I will admit that the most frustrating aspect of the game is the bunker hatch passcode. Okay, so once the Bunker tile is placed, a new component enters play: the Bunker board. A hole in the middle of the board is to house a Gate Token. This Gate Token is simply a target number that the players need to achieve using the different Number and Symbol Tokens won from successful Decode actions. The Number Tokens are simply 1-6, and the Symbol Tokens are plus/minus/multiply/divide. Therefore, in order to meet the Gate Token showing 35 players would need to gather 6 x 5 + 3 + 2. That is seven different successes at the Decoder tiles, and best case scenario has players pulling those exactly and no others. When you are playing a game that is a race against time (or death, in this instance), these little setbacks can cost the entire game – that is, if players simply cannot pass the test needed for a success at the Decoder tile. Frustrating, yes, but also a very cool addition to this style of game.
Victim has completely surprised me, and I am so thankful I had the opportunity to add this to my collection. My strong recommendation is that if you see one of these in the wild – GRAB IT. There are hours and hours of gameplay in this box, and I haven’t even touched the expansion for it yet (expect another review of that in the near future as well). Purple Phoenix Games officially gives this one a 5.5 / 6 (we NEVER do half points), but I feel like with even more plays, and with the expansion to be added soon, this may give my Top 10 list a shakeup still this year. If you are a fan of games like Betrayal at House on the Hill and Posthuman, then you need to check this one out for sure. Oh, did I mention that there is a LOT of dice rolling here too? Guess I just left that until the end for my dice-chucking lovers.
RəX Regent (349 KP) rated Saving Private Ryan (1998) in Movies
Feb 25, 2019 (Updated Feb 25, 2019)
Groundbreaker mired in slop
Contains spoilers, click to show
Regarded as one of the best war films ever made, it certainly qualifies. The opening twenty minutes are still as breathtaking, shocking and disturbing realistic as they were back in 1998. It is hard to imagine that it has now been over twelve years since Saving Private Ryan broke the mold of World War II film making.
Winner of five Academy Awards, including Best Director for Spielberg, Best Cinematography, and Sound, which was astonishing, even by today's standards, it failed to win Best Picture, losing out to Shakespeare In Love. Shakespeare In Love! Don't get me wrong, it's a good film, but easily forgettable compared to Ryan, only proving yet again that if you touch upon the British monarchy you get Oscars.
The film is a fictional account of four brothers, all serving in the U.S. Army, three of which were killed in action on or around the D-Day landings. The fourth, James Ryan played by Matt Damon is somewhere in Europe, and Tom Hanks with his platoon are sent to bring him home, to spare his mother anymore heartache.
Tom Hanks, who was also snubbed at the 1998 Oscars for his perfect performance as Captain Miller, the everyman who was losing himself in the horrors of war, underplayed his role perfectly. He is believable on every level, emotionally, physically and has a sense of subtly with makes him of Hollywood's greats.
The action is visceral, gritty and horrifying. But never played for crass effect. Scenes of soldiers intestines spilling out, limbs flying a sunder and brutal killing left, right and centre are recreated for one purpose. To truly demonstrate the horrors of war, and to change our perceptions of the global conflict which had almost become a joke, a setting for gung- ho action films, where the Yanks reign supreme and single-handedly win the war.
This shows troops crying, hurting and making decisions which should not be made under any moral circumstances, but you understand why, whether you agree or not. There is no doubt that Spielberg is not innocent of making an American film, but it is about as even-handed as you might expect, with the exception of Tora! Tora! Tora! or The Longest Day.
So, the action is first-rate, graphic and perfectly toned to recreate to horror of the last century's greatest and most of destructive conflicts. But that's only half the story.
The other half is the talking, reminiscing and the almost sepia tone is more than a little cloying. The U.S. General's monologues, which seem to consist almost entirely of Lincoln quotations are overly sentimental, erring on the side of sloppy patriotism rather than Jingoism, which is hardly a bad thing but it isn't good either.
The civilian scenes, such as Mrs Ryan, washing a plate as she sees the car drive down to road to inform her of her sons deaths are so sentimental that they jar against the realism of the war scenes. It's not so much contrast as it is as extreme as black and white.
The action is obviously interspersed, as all war films are, with rest stops and moments of talking, pondering etc., but the scenes drag on too long and disrupt the tone of the film. On the other hand, the direction is brilliant when explaining the situations during and around the action, but Spielberg seemed to think that we needed these sloppy and often boring moments, such as The Church, and the outside the cafe in Ramelle, to express the emotional torment of the characters, but I think that these scenes are so boring and pointless that I' can hardly remember them, as my attention drifts off during them! But I do have an understanding of the soldiers, and this was achieved, quite adorably without these scenes.
Overall, this is a film of two halves if ever there was one. The battle scenes and the journey through war-torn France are brilliant, gritty and educational, but the scenes of American sentimentality are in danger of derailing the whole film. Many feel that is the best war film of all time. I do not agree, favouring Black Hawk Down over this, but I would be remiss if I didn't acknowledge that Blank Hawk Down owes a debt to Saving Private Ryan, by opening the door to the gritty war dramas of the naughties and to the style itself.
This film is on of the most important contributions to cinema ever, and has done so much to finally show to true nature of WWII and war in general. But even though I would rate this 10/10 if it was just for the war scenes, the slop just gets in the way and devalues what should have been perfection.
Winner of five Academy Awards, including Best Director for Spielberg, Best Cinematography, and Sound, which was astonishing, even by today's standards, it failed to win Best Picture, losing out to Shakespeare In Love. Shakespeare In Love! Don't get me wrong, it's a good film, but easily forgettable compared to Ryan, only proving yet again that if you touch upon the British monarchy you get Oscars.
The film is a fictional account of four brothers, all serving in the U.S. Army, three of which were killed in action on or around the D-Day landings. The fourth, James Ryan played by Matt Damon is somewhere in Europe, and Tom Hanks with his platoon are sent to bring him home, to spare his mother anymore heartache.
Tom Hanks, who was also snubbed at the 1998 Oscars for his perfect performance as Captain Miller, the everyman who was losing himself in the horrors of war, underplayed his role perfectly. He is believable on every level, emotionally, physically and has a sense of subtly with makes him of Hollywood's greats.
The action is visceral, gritty and horrifying. But never played for crass effect. Scenes of soldiers intestines spilling out, limbs flying a sunder and brutal killing left, right and centre are recreated for one purpose. To truly demonstrate the horrors of war, and to change our perceptions of the global conflict which had almost become a joke, a setting for gung- ho action films, where the Yanks reign supreme and single-handedly win the war.
This shows troops crying, hurting and making decisions which should not be made under any moral circumstances, but you understand why, whether you agree or not. There is no doubt that Spielberg is not innocent of making an American film, but it is about as even-handed as you might expect, with the exception of Tora! Tora! Tora! or The Longest Day.
So, the action is first-rate, graphic and perfectly toned to recreate to horror of the last century's greatest and most of destructive conflicts. But that's only half the story.
The other half is the talking, reminiscing and the almost sepia tone is more than a little cloying. The U.S. General's monologues, which seem to consist almost entirely of Lincoln quotations are overly sentimental, erring on the side of sloppy patriotism rather than Jingoism, which is hardly a bad thing but it isn't good either.
The civilian scenes, such as Mrs Ryan, washing a plate as she sees the car drive down to road to inform her of her sons deaths are so sentimental that they jar against the realism of the war scenes. It's not so much contrast as it is as extreme as black and white.
The action is obviously interspersed, as all war films are, with rest stops and moments of talking, pondering etc., but the scenes drag on too long and disrupt the tone of the film. On the other hand, the direction is brilliant when explaining the situations during and around the action, but Spielberg seemed to think that we needed these sloppy and often boring moments, such as The Church, and the outside the cafe in Ramelle, to express the emotional torment of the characters, but I think that these scenes are so boring and pointless that I' can hardly remember them, as my attention drifts off during them! But I do have an understanding of the soldiers, and this was achieved, quite adorably without these scenes.
Overall, this is a film of two halves if ever there was one. The battle scenes and the journey through war-torn France are brilliant, gritty and educational, but the scenes of American sentimentality are in danger of derailing the whole film. Many feel that is the best war film of all time. I do not agree, favouring Black Hawk Down over this, but I would be remiss if I didn't acknowledge that Blank Hawk Down owes a debt to Saving Private Ryan, by opening the door to the gritty war dramas of the naughties and to the style itself.
This film is on of the most important contributions to cinema ever, and has done so much to finally show to true nature of WWII and war in general. But even though I would rate this 10/10 if it was just for the war scenes, the slop just gets in the way and devalues what should have been perfection.
Gareth von Kallenbach (980 KP) rated the PC version of Wolfenstein: The New Order in Video Games
Jun 19, 2019
Although I’m undoubtedly dating myself by admitting this, I can finally remember playing Castle Wolfenstein and Return to Castle Wolfenstein in the 80s on an Apple IIe computer. Highly innovative for its time the game helped spawn the rise of the first-person shooter when it reemerged in the 90s and has had successful returns approximately every few years since. Machine Games working with the Id Tech 5 engine via Bethesda/Zenimax has given gamers a very graphically impressive new entry into the series called Wolfenstein: The New Order.
Once again playing as BJ Blazkowicz, players will take on the darkest forces that the Nazi’s can unleash and in a very interesting new twist, the game starts in World War II and then ventures to 1960 where BJ is recovering from an injury and awakens from a coma to a world where the Nazis have unleashed atomic weapons on the United States and have won the war.
BJ must gather up his strength and locate the few remaining resistance fighters left alive to mount a counter attack to save the day. While this sounds simple enough, it is anything but as the legions of adversaries in your way are daunting and challenging.
Not only are there the standard Nazi goons, but there are mechanized units that are clad in armor and do huge amounts of damage with their weapons as well as plenty of nasty characters along the way for you to deal with.
Thankfully to go with your hate of the Nazis you have an impressive arsenal including knives, pistols, shotguns, machine guns, energy weapons, Tesla grenades, and a sniper rifle, many of which can be dual wielded to get that extra ounce of carnage.
There are also gun emplacements which can be manned to mow down the hordes or can be detached to serve as a heavy hitter even though your mobility is greatly reduced.
The game is very hardcore in its content as sex, language, and graphic violence are the norm but when you consider locales ranging from concentration camps to battlefield strongholds are the norm, this is not a tea and cookies type of game.
There is plenty to like about the game from the great looking graphics to the characters and storyline and I really enjoyed the moon level of the game complete with my space suit and walk in reduced gravity with muffled sound.
That being said, there are a few things that became frustrating to me from time to time. First off, the game does have a few timed jumps and puzzles including one early in the game. Playing on a PC, it was a pain to set the keys the way that was best to do said jumps yet maintain the settings I wanted for the rest of the game.
If I wanted timed jumps to and from platforms, I would fire up the Wii U and load up something in the Donkey Kong or Mario line, as in a game of this type, want the action to flow without having to make a leap in order to advance the story.
I could also see the influence of Call of Duty on games of this type as there were the levels of wave after wave coming at you as well as the stealth missions and checkpoint save system. All of which have become all too standard in this era of consoles. I miss the day when I could save my progress at any point in a game.
This would have been nice as the game does have some very tough challenges but thankfully players can adjust their skill level as they go so if they become overly frustrated they can lower the difficulty and play on.
The game has a great energy weapon with a dual use cutting tool which allowed me to cut through vents and chains, and the use of metal scraps to increase your armor was a nice throwback to the earlier games in the series.
I really admired how the designers took the best parts of the series yet improved the graphics and told a story that was darker and more engaging than ever before.
The game does not have a multiplay feature which is a disappointment as I had hoped to get online with the amazing maps and weapons of the game, but who knows what the future will hold.
With over 20 hours of gameplay, there is much that I liked about the game and upon completion I was able to overlook many of the frustrations I had in game.
The ending is open to interpretations so who knows what the future of the series will be, but I think that we have not seen the last of the series, and I look forward to more in a few years.
http://sknr.net/2014/06/23/wolfenstein-new-order/
Once again playing as BJ Blazkowicz, players will take on the darkest forces that the Nazi’s can unleash and in a very interesting new twist, the game starts in World War II and then ventures to 1960 where BJ is recovering from an injury and awakens from a coma to a world where the Nazis have unleashed atomic weapons on the United States and have won the war.
BJ must gather up his strength and locate the few remaining resistance fighters left alive to mount a counter attack to save the day. While this sounds simple enough, it is anything but as the legions of adversaries in your way are daunting and challenging.
Not only are there the standard Nazi goons, but there are mechanized units that are clad in armor and do huge amounts of damage with their weapons as well as plenty of nasty characters along the way for you to deal with.
Thankfully to go with your hate of the Nazis you have an impressive arsenal including knives, pistols, shotguns, machine guns, energy weapons, Tesla grenades, and a sniper rifle, many of which can be dual wielded to get that extra ounce of carnage.
There are also gun emplacements which can be manned to mow down the hordes or can be detached to serve as a heavy hitter even though your mobility is greatly reduced.
The game is very hardcore in its content as sex, language, and graphic violence are the norm but when you consider locales ranging from concentration camps to battlefield strongholds are the norm, this is not a tea and cookies type of game.
There is plenty to like about the game from the great looking graphics to the characters and storyline and I really enjoyed the moon level of the game complete with my space suit and walk in reduced gravity with muffled sound.
That being said, there are a few things that became frustrating to me from time to time. First off, the game does have a few timed jumps and puzzles including one early in the game. Playing on a PC, it was a pain to set the keys the way that was best to do said jumps yet maintain the settings I wanted for the rest of the game.
If I wanted timed jumps to and from platforms, I would fire up the Wii U and load up something in the Donkey Kong or Mario line, as in a game of this type, want the action to flow without having to make a leap in order to advance the story.
I could also see the influence of Call of Duty on games of this type as there were the levels of wave after wave coming at you as well as the stealth missions and checkpoint save system. All of which have become all too standard in this era of consoles. I miss the day when I could save my progress at any point in a game.
This would have been nice as the game does have some very tough challenges but thankfully players can adjust their skill level as they go so if they become overly frustrated they can lower the difficulty and play on.
The game has a great energy weapon with a dual use cutting tool which allowed me to cut through vents and chains, and the use of metal scraps to increase your armor was a nice throwback to the earlier games in the series.
I really admired how the designers took the best parts of the series yet improved the graphics and told a story that was darker and more engaging than ever before.
The game does not have a multiplay feature which is a disappointment as I had hoped to get online with the amazing maps and weapons of the game, but who knows what the future will hold.
With over 20 hours of gameplay, there is much that I liked about the game and upon completion I was able to overlook many of the frustrations I had in game.
The ending is open to interpretations so who knows what the future of the series will be, but I think that we have not seen the last of the series, and I look forward to more in a few years.
http://sknr.net/2014/06/23/wolfenstein-new-order/