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A Material History of Medieval and Early Modern Ciphers
Katherine Ellison and Susan Kim
Book
The first cultural history of early modern cryptography, this collection brings together scholars in...
LeftSideCut (3778 KP) rated 300 (2007) in Movies
Oct 3, 2020
There's a few Zack Snyder films that I genuinely like, and 300 is one of them. It's 100% style over substance, it's overly gratuitous in the sheer amount of slow motion, but it's pretty enjoyable.
Some of the shots are expertly crafted recreations of the graphic novel by Frank Miller and Lynn Varley, and as such, is a damn faithful adaption of a cult classic comic series.
The visual effects are stunning at times, and the sepia tone it's draped in lends a lot to its overall feel (even if it's a subject of criticism from many)
Gerard Butler takes the lead as King Leonidas of Sparta, in what has arguably become his most well known roll in the years following. It's easy to look over his thick Scottish accent (in ancient Greece...) when he's playing the character with such enthusiasm. Most of his lines have become highly quotable, even familiar to those who have never seen the film. 300 would be a much lesser film without his involvement.
Rodrigo Santoro carves a striking figure as primary antagonist Xerxes, his androgynous look and demonic-like voice providing a memorable villain.
The cast is rounded out by the likes of Lena Headey, David Wenham, Dominic West, and an early role for Michael Fassbender, a sturdy ensemble cast.
The set pieces are pretty thrilling, and results in a movie that blurs the fantastical, with a real life historic battle. It's an interesting mix that works well.
300 is a film that throws big sloppy buckets of testosterone at its audience, whilst simultaneously flaunting a silly amount of homoerotic undertones and CGI pectoral muscles, and it's great.
Some of the shots are expertly crafted recreations of the graphic novel by Frank Miller and Lynn Varley, and as such, is a damn faithful adaption of a cult classic comic series.
The visual effects are stunning at times, and the sepia tone it's draped in lends a lot to its overall feel (even if it's a subject of criticism from many)
Gerard Butler takes the lead as King Leonidas of Sparta, in what has arguably become his most well known roll in the years following. It's easy to look over his thick Scottish accent (in ancient Greece...) when he's playing the character with such enthusiasm. Most of his lines have become highly quotable, even familiar to those who have never seen the film. 300 would be a much lesser film without his involvement.
Rodrigo Santoro carves a striking figure as primary antagonist Xerxes, his androgynous look and demonic-like voice providing a memorable villain.
The cast is rounded out by the likes of Lena Headey, David Wenham, Dominic West, and an early role for Michael Fassbender, a sturdy ensemble cast.
The set pieces are pretty thrilling, and results in a movie that blurs the fantastical, with a real life historic battle. It's an interesting mix that works well.
300 is a film that throws big sloppy buckets of testosterone at its audience, whilst simultaneously flaunting a silly amount of homoerotic undertones and CGI pectoral muscles, and it's great.
Heather Cranmer (2721 KP) rated You Are Not Alone in Books
Dec 29, 2019
I've been a fan of Greer Hendricks and Sarah Pekkanen since I read their novel The Wife Between Us as well as their other book An Anonymous Girl. Hendricks and Pekkanen are definitely a force to be reckoned with when it comes to writing. When I was offered a chance to read their new book You Are Not Alone, I didn't even have to think twice about saying yes!
The plot of You Are Not Alone sounded intriguing. Shay Miller is just existing. Through witnessing a tragic event, Shay meets the Moore sisters - Cassandra and Jane who are extremely glamorous. Shay is beyond thrilled to be friends with these two amazing women. However, things aren't always what they seem, and this is what puts Shay's life in immediate danger.
I felt that the world building of You Are Not Alone was done beautifully. The novel takes place in New York, and although I've never been, Hendricks and Pekkanen made me feel like I was instantly transported to that setting every time I started reading. The pacing is a bit up and down throughout the book though. However, this wasn't that fast paced thriller I was expecting it to be. I felt as if there was something missing overall from You Are Not Alone. I felt satiated with Hendricks and Pekkanen's last two novels, but there was something that felt a bit flat in this new novel. I felt as if the big unpredictable plot twist was also missing. Yes, there are a few plot twists throughout You Are Not Alone, but the actual plot twist didn't wow me like in the authors' previous books. Don't get me wrong, You are Not Alone is not a horrible read. In fact, it is quite interesting. I just felt as if Hendricks and Pekkanen rushed through You Are Not Alone. I will say that I admired all the statistics throughout the book. Hendricks and Pekkanen really did their research for this novel, and it shows.
I felt that some of the characters of You Are Not Alone lacked a bit of depth. The main character, Shay, felt a bit too one dimensional at times especially for the majority of the book. However, towards the end, she does become quite the character, and I enjoyed her tenacity to get to the bottom of what was happening. I did enjoy Cassandra and Jane, and I felt like they were fairly fleshed out, but I would have liked a bit more backstory on them such as how they rose to be such prominent adults. I would have liked to know about how they were able to become the perfect manipulators. I enjoyed the character of Daphne, but I would have liked to get to know her more. I would have also liked to read more about Stacey too. Valerie and Amanda were the only ones who felt the realest. They both seemed pretty fleshed out and realistic. I felt like I could relate to Amanda and her thought process.
Trigger warnings for You Are Not Alone include rape and attempted rape (not graphic), alcohol use, manipulation (including gaslighting), some violence, profanity (although not much), murder and attempted murder, and suicide.
Overall, You Are Not Alone is a decent read. Despite its flaws, the book does have some redeeming qualities such as an interesting plot and a fantastic background when it comes to the statistics mentioned in the book. I would still recommend You Are Not Alone by Greer Hendricks and Sarah Pekkanen to those aged 17+ who are fans of psychological thrillers.
--
(A special thank you to St. Martin's Press for providing me with an eBook of You Are Not Alone by Greer Hendricks and Sarah Pekkanen in exchange for an honest and unbiased review.)
The plot of You Are Not Alone sounded intriguing. Shay Miller is just existing. Through witnessing a tragic event, Shay meets the Moore sisters - Cassandra and Jane who are extremely glamorous. Shay is beyond thrilled to be friends with these two amazing women. However, things aren't always what they seem, and this is what puts Shay's life in immediate danger.
I felt that the world building of You Are Not Alone was done beautifully. The novel takes place in New York, and although I've never been, Hendricks and Pekkanen made me feel like I was instantly transported to that setting every time I started reading. The pacing is a bit up and down throughout the book though. However, this wasn't that fast paced thriller I was expecting it to be. I felt as if there was something missing overall from You Are Not Alone. I felt satiated with Hendricks and Pekkanen's last two novels, but there was something that felt a bit flat in this new novel. I felt as if the big unpredictable plot twist was also missing. Yes, there are a few plot twists throughout You Are Not Alone, but the actual plot twist didn't wow me like in the authors' previous books. Don't get me wrong, You are Not Alone is not a horrible read. In fact, it is quite interesting. I just felt as if Hendricks and Pekkanen rushed through You Are Not Alone. I will say that I admired all the statistics throughout the book. Hendricks and Pekkanen really did their research for this novel, and it shows.
I felt that some of the characters of You Are Not Alone lacked a bit of depth. The main character, Shay, felt a bit too one dimensional at times especially for the majority of the book. However, towards the end, she does become quite the character, and I enjoyed her tenacity to get to the bottom of what was happening. I did enjoy Cassandra and Jane, and I felt like they were fairly fleshed out, but I would have liked a bit more backstory on them such as how they rose to be such prominent adults. I would have liked to know about how they were able to become the perfect manipulators. I enjoyed the character of Daphne, but I would have liked to get to know her more. I would have also liked to read more about Stacey too. Valerie and Amanda were the only ones who felt the realest. They both seemed pretty fleshed out and realistic. I felt like I could relate to Amanda and her thought process.
Trigger warnings for You Are Not Alone include rape and attempted rape (not graphic), alcohol use, manipulation (including gaslighting), some violence, profanity (although not much), murder and attempted murder, and suicide.
Overall, You Are Not Alone is a decent read. Despite its flaws, the book does have some redeeming qualities such as an interesting plot and a fantastic background when it comes to the statistics mentioned in the book. I would still recommend You Are Not Alone by Greer Hendricks and Sarah Pekkanen to those aged 17+ who are fans of psychological thrillers.
--
(A special thank you to St. Martin's Press for providing me with an eBook of You Are Not Alone by Greer Hendricks and Sarah Pekkanen in exchange for an honest and unbiased review.)
Chris Sawin (602 KP) rated Watchmen (2009) in Movies
Jun 22, 2019
**I've seen Tales of the Black Freighter, but I'm not sure I've ever seen the Ultimate Cut of this.**
A comedian died in New York. Someone threw him out of a window and when he hit the sidewalk his head was driven into his stomach. The only person that seems to care is Rorschach, the one superhero who refuses to take off his mask. The Keene Act was passed in 1977 banning all forms of costumed crimefighting. Rorschach continues to do so as he feels his mask is his true face. His theory is that someone is out to kill costumed heroes and that it's his responsibility to inform his former colleagues. There's Dan Dreiberg/Nite Owl II whom Rorschach used to be partners with before Dan retired, Adrian Veidt/Ozymondias, one of two costumed heroes to make his identity public who's also a self-made millionaire and considered to be the smartest man in the world, Dr. Jon Osterman/Dr. Manhattan, the only one of the group who has genuine super powers thanks to an accident that nearly killed him who is now commissioned by the government, Laurie Jupiter/Silk Spectre II, her mother was in the Minutemen along with The Comedian and wanted her daughter to follow in her footsteps, and finally Edward Blake/The Comedian, another superhero commissioned by the government that knows more than he should while his knowledge takes its toll on him and whoever is around him at the time thanks to his reckless and sadistic behavior. What any of them fail to realize is that there's a conspiracy going on that's bigger than any of them could have ever imagined.
I had watched the motion comic in its entirety earlier in the week to get myself ready for this and it had really gotten me excited for this film. The first time I read Watchmen, I thought it was good but not great. However, I thoroughly enjoyed it the second time through. My biggest question going into the film is how I would feel about the altered ending since I already knew about that going into it. Turns out that the ending in question wasn't so bad, but I wasn't happy with some of the other things that were changed or left out to lead up to said ending.
The film is pretty much right on the money the majority of the time. Zack Snyder continues his trend of pulling panels directly from the source material and making them a cinematic reality. The dialogue is often times word for word from the graphic novel and doesn't feel forced or out of place when something new is used. The cast left nothing to be complained about as they all did a great job. Jackie Earle Haley was a fantastic Rorschach. He sounded just the way I expected Rorschach to sound and just looked like a splitting image of Walter Kovacs. Billy Crudup's emotionless Dr. Manhattan was also pretty much just as I envisioned. Jeffrey Dean Morgan as The Comedian was the one I seemed to be most pleased with. He did a great job making you care about this costumed superhero who did brutally sadistic things to people yet somehow still made you care about his character. Snyder's use of slow motion seems to be used more efficiently this time around. It felt like it was used only when needed rather than just to be eye candy. The effects used with Dr. Manhattan are worth a mention. Even if he's just standing there, you can tell how much time and effort was put into making him look spectacular. Let alone cost quite a bit of money. Rorschach's mask was also an interesting special effect that is sure to catch anyone's eye. The effects are pretty flawless and should please most moviegoers.
There was a lot of material left out of the film or changed that I wasn't particularly happy with. I don't want to seem too nitpicky, so I'll only touch base on a few of them. I view most of the stuff that was left out as character development that was important to the overall story. Most of the material in question concerns Rorschach; he visited Adrian Veidt to warn him of his mask killer theory not Dan, his response to The Keene Act, Walter Kovac's landlady, anything concerning his apartment, and his drop box, where he hides his mask during the day, everything about his psychiatrist's relationship bending and breaking during the course of the Rorschach case, how and where he got the mask, how he disposed of the man who kidnapped that little girl, and it just keeps going. Most of that was left out of the theatrical version of the film. Around the halfway point to the end of the film, I felt like it just strayed further and further away from the source material. In the novel, Dr. Manhattan is the only superhero with superpowers. The film kind of leaves that up in the air since other characters are seen punching stone off of walls and jumping to inhuman heights into the air. It was just kind of a, "Wait...what?" kind of moment for me. I realize it was probably just the wirework used that I'm questioning, but it didn't sit well with me.
I'm hoping the final cut of the film that's rumored to be three hours to three and a half hours long puts some of these important bits (including Hollis' death and The Black Freighter storyline among other things) back into the story. It wasn't that I didn't enjoy it, but it wound up just not meeting my expectations. My recommendation is don't read the graphic novel before viewing the film. The film is worthwhile for Zack Snyder enthusiasts, comic book fans, and pretty much anyone looking for a good action film. I would recommend it to just about anyone, but I think that ultimate version of the DVD is going to be what fans will really be excited over and for good reason. As a film, it's incredibly entertaining. In comparison to the graphic novel, it comes up a bit short. For now, I just see it as a good film that could have been a lot better.
A comedian died in New York. Someone threw him out of a window and when he hit the sidewalk his head was driven into his stomach. The only person that seems to care is Rorschach, the one superhero who refuses to take off his mask. The Keene Act was passed in 1977 banning all forms of costumed crimefighting. Rorschach continues to do so as he feels his mask is his true face. His theory is that someone is out to kill costumed heroes and that it's his responsibility to inform his former colleagues. There's Dan Dreiberg/Nite Owl II whom Rorschach used to be partners with before Dan retired, Adrian Veidt/Ozymondias, one of two costumed heroes to make his identity public who's also a self-made millionaire and considered to be the smartest man in the world, Dr. Jon Osterman/Dr. Manhattan, the only one of the group who has genuine super powers thanks to an accident that nearly killed him who is now commissioned by the government, Laurie Jupiter/Silk Spectre II, her mother was in the Minutemen along with The Comedian and wanted her daughter to follow in her footsteps, and finally Edward Blake/The Comedian, another superhero commissioned by the government that knows more than he should while his knowledge takes its toll on him and whoever is around him at the time thanks to his reckless and sadistic behavior. What any of them fail to realize is that there's a conspiracy going on that's bigger than any of them could have ever imagined.
I had watched the motion comic in its entirety earlier in the week to get myself ready for this and it had really gotten me excited for this film. The first time I read Watchmen, I thought it was good but not great. However, I thoroughly enjoyed it the second time through. My biggest question going into the film is how I would feel about the altered ending since I already knew about that going into it. Turns out that the ending in question wasn't so bad, but I wasn't happy with some of the other things that were changed or left out to lead up to said ending.
The film is pretty much right on the money the majority of the time. Zack Snyder continues his trend of pulling panels directly from the source material and making them a cinematic reality. The dialogue is often times word for word from the graphic novel and doesn't feel forced or out of place when something new is used. The cast left nothing to be complained about as they all did a great job. Jackie Earle Haley was a fantastic Rorschach. He sounded just the way I expected Rorschach to sound and just looked like a splitting image of Walter Kovacs. Billy Crudup's emotionless Dr. Manhattan was also pretty much just as I envisioned. Jeffrey Dean Morgan as The Comedian was the one I seemed to be most pleased with. He did a great job making you care about this costumed superhero who did brutally sadistic things to people yet somehow still made you care about his character. Snyder's use of slow motion seems to be used more efficiently this time around. It felt like it was used only when needed rather than just to be eye candy. The effects used with Dr. Manhattan are worth a mention. Even if he's just standing there, you can tell how much time and effort was put into making him look spectacular. Let alone cost quite a bit of money. Rorschach's mask was also an interesting special effect that is sure to catch anyone's eye. The effects are pretty flawless and should please most moviegoers.
There was a lot of material left out of the film or changed that I wasn't particularly happy with. I don't want to seem too nitpicky, so I'll only touch base on a few of them. I view most of the stuff that was left out as character development that was important to the overall story. Most of the material in question concerns Rorschach; he visited Adrian Veidt to warn him of his mask killer theory not Dan, his response to The Keene Act, Walter Kovac's landlady, anything concerning his apartment, and his drop box, where he hides his mask during the day, everything about his psychiatrist's relationship bending and breaking during the course of the Rorschach case, how and where he got the mask, how he disposed of the man who kidnapped that little girl, and it just keeps going. Most of that was left out of the theatrical version of the film. Around the halfway point to the end of the film, I felt like it just strayed further and further away from the source material. In the novel, Dr. Manhattan is the only superhero with superpowers. The film kind of leaves that up in the air since other characters are seen punching stone off of walls and jumping to inhuman heights into the air. It was just kind of a, "Wait...what?" kind of moment for me. I realize it was probably just the wirework used that I'm questioning, but it didn't sit well with me.
I'm hoping the final cut of the film that's rumored to be three hours to three and a half hours long puts some of these important bits (including Hollis' death and The Black Freighter storyline among other things) back into the story. It wasn't that I didn't enjoy it, but it wound up just not meeting my expectations. My recommendation is don't read the graphic novel before viewing the film. The film is worthwhile for Zack Snyder enthusiasts, comic book fans, and pretty much anyone looking for a good action film. I would recommend it to just about anyone, but I think that ultimate version of the DVD is going to be what fans will really be excited over and for good reason. As a film, it's incredibly entertaining. In comparison to the graphic novel, it comes up a bit short. For now, I just see it as a good film that could have been a lot better.
Haley Mathiot (9 KP) rated The Prophet in Books
Apr 27, 2018
It's been a long time since I've been so excited about a book. The Prophet was thrilling in every sense of the word, and combined everything good about a novel: excitement, tension, good writing, complex plot, and twists. I'm not going to tell you a lot about the plot, because I don't want to give anything away: I didn't know a lot going in, and I'm glad, because I may not have picked it up. In fact I almost stopped listening after the first chapter because it felt a little distant… but I'm so glad now that I stuck with it. By the third track I was hooked, and it was all I could think about for days! This is an audiobook I will definitely recommend to people, and absolutely re-listen to.
I loved the ending. I loved the tension. I loved how it all transpired. Even though the ending wasn't perfect, it was right, and it made me do a little happy dance at the end. On top of that, the reader was great. Listening to The Prophet was an all around excellent experience.
Here's the one thing I think might deter people from really getting into The Prophet: There's a lot of football talk. I am not a football fan. Not at all. I don't care for it, I don't understand it, it doesn't matter to me. Suffice to say by the end of the book, not only did I understand a little more (though not all) of what was being said about the games, but I was excited by it. It wasn't written so you had NO clue what was going on, just not a HUGE clue what was going on.
Rating: 5
Content/Recommendation: Some language, violence, graphic imagery. Sexual reference but no erotic scenes. Ages 18+
I loved the ending. I loved the tension. I loved how it all transpired. Even though the ending wasn't perfect, it was right, and it made me do a little happy dance at the end. On top of that, the reader was great. Listening to The Prophet was an all around excellent experience.
Here's the one thing I think might deter people from really getting into The Prophet: There's a lot of football talk. I am not a football fan. Not at all. I don't care for it, I don't understand it, it doesn't matter to me. Suffice to say by the end of the book, not only did I understand a little more (though not all) of what was being said about the games, but I was excited by it. It wasn't written so you had NO clue what was going on, just not a HUGE clue what was going on.
Rating: 5
Content/Recommendation: Some language, violence, graphic imagery. Sexual reference but no erotic scenes. Ages 18+
Billie Wichkan (118 KP) rated Duncan in Books
May 22, 2019
A cunning pederastic serial killer nicknamed Santa is making his way up the East Coast from New Orleans to Boston, leaving a trail of young bodies in his wake. Santa covers his tracks along the way by working as an itinerant bass player in a series of jazz combos. At the same time, the Driscoll family Mark, Julie and their nine-year-old son Nate who live in an upstate suburb of Syracuse, New York, struggle to come to grips with Moms quadriplegia following a horrific auto accident. The suspense builds to a fever pitch as these two plot strands approach each other for the inevitable confrontation. All this tension is heightened by the mystery of Duncan, Nates stuffed-toy gorilla, who is not only the boys beloved companion but becomes a kind of family totem, and, later on in the story, so much more.
Trigger warning for pedophilia, disability, murder, and so forth
This is a novel not only for readers addicted to thrill rides and maddening suspense, but also those who are curious about the abnormal psychology of the pedophiliac killer. The book gives food for thought as well as a kind of perverse satisfaction for the imagination and senses. It is a thinking readers thriller.
There are some graphic scenes that would make any normal human uncomfortable to say the least.
I loved how Mr. McCort portrays the heart-warming relationship dynamics within the Driscoll family. Oh I did love Duncan too!
The book also delivers on its' promise to the insight of the killers mind as well (the diabolical Santa).
Disturbing but excellent read.
Recommend reading.
I received a free copy of this book via Booksprout and am voluntarily leaving a review.
Trigger warning for pedophilia, disability, murder, and so forth
This is a novel not only for readers addicted to thrill rides and maddening suspense, but also those who are curious about the abnormal psychology of the pedophiliac killer. The book gives food for thought as well as a kind of perverse satisfaction for the imagination and senses. It is a thinking readers thriller.
There are some graphic scenes that would make any normal human uncomfortable to say the least.
I loved how Mr. McCort portrays the heart-warming relationship dynamics within the Driscoll family. Oh I did love Duncan too!
The book also delivers on its' promise to the insight of the killers mind as well (the diabolical Santa).
Disturbing but excellent read.
Recommend reading.
I received a free copy of this book via Booksprout and am voluntarily leaving a review.
David McK (3248 KP) rated The Lone Warrior (Jack Lark, #4) in Books
Jan 30, 2019
Fourth entry in [a: Paul Fraser Collard|7024929|Paul Fraser Collard|https://d.gr-assets.com/authors/1368086413p2/7024929.jpg]'s 'Jack Lark' series (that started with [b: The Scarlet Thief|18752323|The Scarlet Thief (Jack Lark, #1)|Paul Fraser Collard|https://d.gr-assets.com/books/1383577532s/18752323.jpg|24752025]), this sees Jack Lark caught up in the Indian Mutiny (or First War of Independence, depending upon your point of view!) of 1857, and is my pick for the best of the series so far.
The novel starts out pretty much as it means to go on, with Jack rescuing someone from her indentured lifestyle, then agreeing to accompany her home to Delhi, arriving just in time to get caught up in the mutiny.
Despite holding a British passport myself (well, Northern Irish ...) this is actually a subject that I don't think we were ever taught anything about while I was at school. Sure, I'd heard of it, but only through word-of-mouth, and only ever forming a general impression of it rather than having any real knowledge of the cause, or the effects. As such, and (I.M.O.) like all the best kinds of historical fiction, I actually learned something while simultaneously being entertained (by the general story, NOT by the rather graphic depictions of some of the more harrowing events).
Talking of that story, I also feel that the book could (almost) be split into at least three distinct sections: Jacks journey to Delhi, his involvement in the siege of the British magazine while within it, and the final - and longest - part his involvement in the siege and (partial) recapture of the city.
Like the best of the Sharpe books (a hackneyed comparison, I know, but apt), I also read through this one in only a matter of days - always the sign of a good book!
The novel starts out pretty much as it means to go on, with Jack rescuing someone from her indentured lifestyle, then agreeing to accompany her home to Delhi, arriving just in time to get caught up in the mutiny.
Despite holding a British passport myself (well, Northern Irish ...) this is actually a subject that I don't think we were ever taught anything about while I was at school. Sure, I'd heard of it, but only through word-of-mouth, and only ever forming a general impression of it rather than having any real knowledge of the cause, or the effects. As such, and (I.M.O.) like all the best kinds of historical fiction, I actually learned something while simultaneously being entertained (by the general story, NOT by the rather graphic depictions of some of the more harrowing events).
Talking of that story, I also feel that the book could (almost) be split into at least three distinct sections: Jacks journey to Delhi, his involvement in the siege of the British magazine while within it, and the final - and longest - part his involvement in the siege and (partial) recapture of the city.
Like the best of the Sharpe books (a hackneyed comparison, I know, but apt), I also read through this one in only a matter of days - always the sign of a good book!
Gareth von Kallenbach (971 KP) rated Surrogates (2009) in Movies
Aug 9, 2019
Imagine if “IRobot”, “Die Hard”, and Joss Whedon’s television show “Dollhouse” had a child, the result would be akin to “Surrogates”. In the not to distant future technology is developed which gives us the ability to control customizable robots, called surrogates, with our minds. As a result, people rarely leave the house and interact directly with each other as surrogates. This robot filled thriller tells the story of FBI agent, Tom Greer (Bruce Willis), sent to investigate sudden deaths occurring when people are operating their surrogates.
In addition to Willis’s captivating acting, the film shines in part due to well-executed details, from the surrogate’s not quite human enough demeanor, to the underlying bias against people who don’t use the technology. “Surrogates” is a film that will make you reconsider the issue of advancing technology from both sides.
The least impressive aspect of this scifi/thriller based on a popular graphic novel is the fundamentally preposterous premise. One of the film’s main assumptions is that the use of surrogates has eliminated violence and racism. Believing that people, who are in essence operating a real world version of Second Life, would spend no time committing crimes, seems more than a little irrational.
Still, the film is engaging and much more thought provoking than I had expected. “Surrogates” fulfills both sci-fi and Bruce Willis fan requirements and is a visually enticing film. You will see a variety of locations common to a robot filled world, from a surrogate beauty salon complete with drills to the inner sanctum of the robot production line.
Touching on human, technological, and futuristic themes “Surrogates” is a fun film filled with visual effects and a truly engaging plot that is if you can overcome the plot holes that fracture the initial premise.
In addition to Willis’s captivating acting, the film shines in part due to well-executed details, from the surrogate’s not quite human enough demeanor, to the underlying bias against people who don’t use the technology. “Surrogates” is a film that will make you reconsider the issue of advancing technology from both sides.
The least impressive aspect of this scifi/thriller based on a popular graphic novel is the fundamentally preposterous premise. One of the film’s main assumptions is that the use of surrogates has eliminated violence and racism. Believing that people, who are in essence operating a real world version of Second Life, would spend no time committing crimes, seems more than a little irrational.
Still, the film is engaging and much more thought provoking than I had expected. “Surrogates” fulfills both sci-fi and Bruce Willis fan requirements and is a visually enticing film. You will see a variety of locations common to a robot filled world, from a surrogate beauty salon complete with drills to the inner sanctum of the robot production line.
Touching on human, technological, and futuristic themes “Surrogates” is a fun film filled with visual effects and a truly engaging plot that is if you can overcome the plot holes that fracture the initial premise.
Niko and the Sword of Light
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"Scott's collection of illustrated letters from the hand of Richard Doyle, the fascinating but...