Essentially a comic-book-brought-to-screen, the movie iteself was incredibly violent (but enjoyable), with ridiculous amoutns of blood and body parts splattered across the screen, and with more nudity than I was expecting alongside the whole sub-plot of King Leonidas wife getting the Spartans to march.
An entire sub-plot that is not in the source material at all.
I also have to say that the violence in this - while still there - is actually toned down quite a bit from what I was expecting, with several of the panels virtually lifted from the pages and put on to the screen.
The story, for anyone who doesn't already know, is centred around King Leonidas' view of Thermopylae - or 'The Hot Gates' - , a narrow pass defended by the 300 Spartans of the title (plus miscellaneous other Greeks, although you'd be forgive for thinking they weren't there the way this, and the legend, is told!) to the death, and which was immortalised by the poet Simodides as follows on an epigram placed on theri burial mound:
"Go tell the Spartans, you who passeth by,
That here, obedient to their laws, we lie."
(see: http://www.poetryatlas.com/poetry/poem/1458/go-tell-the-spartans.html)
This, I believe, was the first of his solo novels that I read.
Circa 2006, not all that long before the movie on which it is based came out.
It was also a, how do we put this?, 'normal' prose novel: not a graphic novel; nor even an illustrated novel (as this is). Indeed, I didn't even know at first that the prose version which I read had previously been issued as an illustrated novel, until I saw it mentioned 'based on the work by Neil Gaiman and Charles Vess' at the end of the movie.
It then took me approximately a good decade or so before I finally got round to actually reading that version of the work, when I came across it on sale via Comixology. And, I have to say, the illustrations do add a certain Je Ne Sais Quoi to the work: a work which, while the main beats may be familiar to the reader from the movie version, is also very much its own thing and which includes elements not in said movie (Tristran’s wider family, for one, or even the much sadder ending in this)
Hazel (2934 KP) rated Cold Granite (Logan McRae #1) in Books
Dec 5, 2019
Now, I must warn you that this book deals with the disturbing and upsetting subject of child murders with the additional sub-plot of the murder of a gangster and there are graphic descriptions of the crime scenes so if you are of a nervous disposition or easily offended, I would probably steer clear of this particular one.
The characters are strong, well developed, interesting and believable with authentic dialogue throughout and despite the dark subject matter, there are many moments of humour which made me chuckle on several occasions which helped to lighten things a little. The setting of Aberdeen in the winter is perfect and creates further atmosphere. The pace is non-stop with twists, turns and red-herrings throughout which certainly kept me on my toes and guessing until near the end.
Don't let this series pass you by ... highly recommended.
I have to thank HarperCollins UK via NetGalley for my copy in return for an honest review.
Sketchbook: Composition Studies for Film
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Villainous Vee (53 KP) rated Sweetpea in Books
Feb 10, 2019
Except for the most part Rhiannon has lived anything but a normal life... A childhood trauma that she survived turned her into a local and national celebrity over night and she is a murderer... And she wants to kill again and again.
The book follows Rhiannon through a few months of her life in a diary format. In this diary she spills her darkest secrets and every day life, moans about her boyfriend, her neighbour, her friends and her colleagues.
Not for the faint hearted as the book can get very graphic and there is a lot of sexual content but this is all balanced out by the humour contained within. If you like crime novels, girly books or thriller I would recommend checking this out. It has earned its place in my permanent collection.
Booksnthreads (19 KP) rated Salt to the Sea in Books
Jun 4, 2018
The story is told from the perspectives of four different characters, and I loved how Sepetys begins the narrative by telling of the same opening event from each character’s view point. After that, things unfold a little slowly, but it is completely worth it as you approach the climax…by that time, I was completely invested in each of the characters and was absolutely riveted to what was happening to them.
I’m also terribly impressed that Sepetys tackles telling a story from the “wrong” side (Germans during WWII), painting the characters not as the accepted “evil” caricatures but as real human beings caught up in a horrific war. In doing so, she sheds light on a human tragedy that so few of us know anything about (myself included) because it happened to the Germans as they were losing the war.
I will warn potential readers that the end of this novel does get rather graphic and emotionally wrenching, as you would expect in a novel about war and death. Although writing for a young adult audience, Sepetys does not gloss over the terror, panic, and trauma of the events.
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