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As with most comics/graphic novels-into-movies I've read, I'll admit that I saw the movie (quite a few years back) before reading this.
Essentially a comic-book-brought-to-screen, the movie iteself was incredibly violent (but enjoyable), with ridiculous amoutns of blood and body parts splattered across the screen, and with more nudity than I was expecting alongside the whole sub-plot of King Leonidas wife getting the Spartans to march.
An entire sub-plot that is not in the source material at all.
I also have to say that the violence in this - while still there - is actually toned down quite a bit from what I was expecting, with several of the panels virtually lifted from the pages and put on to the screen.
The story, for anyone who doesn't already know, is centred around King Leonidas' view of Thermopylae - or 'The Hot Gates' - , a narrow pass defended by the 300 Spartans of the title (plus miscellaneous other Greeks, although you'd be forgive for thinking they weren't there the way this, and the legend, is told!) to the death, and which was immortalised by the poet Simodides as follows on an epigram placed on theri burial mound:
"Go tell the Spartans, you who passeth by,
That here, obedient to their laws, we lie."
(see: http://www.poetryatlas.com/poetry/poem/1458/go-tell-the-spartans.html)
Essentially a comic-book-brought-to-screen, the movie iteself was incredibly violent (but enjoyable), with ridiculous amoutns of blood and body parts splattered across the screen, and with more nudity than I was expecting alongside the whole sub-plot of King Leonidas wife getting the Spartans to march.
An entire sub-plot that is not in the source material at all.
I also have to say that the violence in this - while still there - is actually toned down quite a bit from what I was expecting, with several of the panels virtually lifted from the pages and put on to the screen.
The story, for anyone who doesn't already know, is centred around King Leonidas' view of Thermopylae - or 'The Hot Gates' - , a narrow pass defended by the 300 Spartans of the title (plus miscellaneous other Greeks, although you'd be forgive for thinking they weren't there the way this, and the legend, is told!) to the death, and which was immortalised by the poet Simodides as follows on an epigram placed on theri burial mound:
"Go tell the Spartans, you who passeth by,
That here, obedient to their laws, we lie."
(see: http://www.poetryatlas.com/poetry/poem/1458/go-tell-the-spartans.html)
Captive in the Dark (The Dark Duet, #1)
7.6
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Caleb is a man with a singular interest in revenge. Kidnapped as a young boy and sold into slavery...
Jesters_folly (230 KP) rated Saw (2004) in Movies
Jun 13, 2020
Contains spoilers, click to show
Doctor Lawrence Gordon and Adam Faulkner-Stanheight both wake up chained to opposite sides of a dingy room with only a handful of clues the two men must find their way out and save the doctors family.
Most of the film focus not on the two trapped men’s escape attempt but on the past couple of days and on the ‘Jigsaw’ killers previous traps which show the events that led to, not only Adam & Lawrence’s imprisonment but also to how Jigsaw is tracked down by the now disgraced Detective Trapp.
The previous trap rooms all seem a lot simpler than the one set up for Adam and Lawrence and this does seem to be the first one that involves people outside the room.
Saw contains a lot of threat, a bit of gore and bodies that died violent deaths but the graphic scenes are no worst than films like ‘Seven’ and, like Seven, Saw doesn’t focus that much on the actual killer but on his actions and the effects they are having on his victims and it only hints at how long Jigsaw has been active for. The one thing I will say about the violence is that it does show consequences, the doctor is shown to suffer after cutting off his foot and, most of the time, shooting and stabbing does lead to injuries.
Most of the film focus not on the two trapped men’s escape attempt but on the past couple of days and on the ‘Jigsaw’ killers previous traps which show the events that led to, not only Adam & Lawrence’s imprisonment but also to how Jigsaw is tracked down by the now disgraced Detective Trapp.
The previous trap rooms all seem a lot simpler than the one set up for Adam and Lawrence and this does seem to be the first one that involves people outside the room.
Saw contains a lot of threat, a bit of gore and bodies that died violent deaths but the graphic scenes are no worst than films like ‘Seven’ and, like Seven, Saw doesn’t focus that much on the actual killer but on his actions and the effects they are having on his victims and it only hints at how long Jigsaw has been active for. The one thing I will say about the violence is that it does show consequences, the doctor is shown to suffer after cutting off his foot and, most of the time, shooting and stabbing does lead to injuries.
Bloodlaced (Youkai Bloodlines #1)
10.0
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Kanjin hardly view their servants as human. Even less so when they are different. Asagi is...
Dark Historical Fantasy Paranormal Romance LGBTQIA
Sim 299 (I Am Sleepless #1)
9.0
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The planet Ethos is at war with a savage enemy known as the Splicers. Their only successful defense...
Young Adult Science Fiction Dystopian Mystery
Awix (3310 KP) rated Logan (2017) in Movies
Feb 10, 2018 (Updated Feb 10, 2018)
Cover Granny's eyes and ears
The question we must ask ourselves here is: does adding graphic gory violence and F-bombs by the cartload really transform a reasonably formulaic X-men franchise movie into something qualitatively different? Because it seems to me that if you were to make a PG-rated edit of Logan it would not feel that much different from many of the other films in the series. Well, perhaps I exaggerate just a bit, because the film does have a downbeat mood quite unusual for this genre, and the focus on the fragility of its characters does give the actors a lot to work with (though Hugh Jackman is, quite predictably, acted off the screen by Patrick Stewart).
Plot as follows: the year is 2030, or thereabouts, and all is not well for mutantkind, inasmuch as they seem to have died out. A knocking-on-a-bit Wolverine is working as a limo driver and trying to keep a low profile while caring for a frail Charles Xavier, but the appearance of a young mutant girl forces the duo to reassess their priorities.
Maybe the problem is that the first trailer for this film - the one with the Johnny Cash soundtrack - promised something genuinely powerful and melancholic. The song isn't in the movie and neither, really, is the power and melancholy. The movie seems to be trying to tell the story of a conflicted man steeped in violence who tries to find redemption at the end of his life, but Jackman's Wolverine has always been so much of a teddy bear - his 'darkness' and 'edginess' have always felt like corporate branding - that this doesn't really work.
Still, the film is well-assembled and its vision of a dystopian near-future America is both engaging and consisting. The film's willingness to simply not worry about franchise continuity is also kind of refreshing. With the future of the X-franchise apparently somewhat up in the air, this is at the very least a superior entry to mark the departure of at least one of its mainstays.
Plot as follows: the year is 2030, or thereabouts, and all is not well for mutantkind, inasmuch as they seem to have died out. A knocking-on-a-bit Wolverine is working as a limo driver and trying to keep a low profile while caring for a frail Charles Xavier, but the appearance of a young mutant girl forces the duo to reassess their priorities.
Maybe the problem is that the first trailer for this film - the one with the Johnny Cash soundtrack - promised something genuinely powerful and melancholic. The song isn't in the movie and neither, really, is the power and melancholy. The movie seems to be trying to tell the story of a conflicted man steeped in violence who tries to find redemption at the end of his life, but Jackman's Wolverine has always been so much of a teddy bear - his 'darkness' and 'edginess' have always felt like corporate branding - that this doesn't really work.
Still, the film is well-assembled and its vision of a dystopian near-future America is both engaging and consisting. The film's willingness to simply not worry about franchise continuity is also kind of refreshing. With the future of the X-franchise apparently somewhat up in the air, this is at the very least a superior entry to mark the departure of at least one of its mainstays.
Phil Leader (619 KP) rated Prince of Thorns in Books
Nov 25, 2019
There are heroes who will stop at nothing. There are anti-heroes. Then there is Jorg.
As wider events across the kingdoms unfold, Jorg must face up to his past in order to survive the present, and make a future for himself and his band of Brothers.
In any other series of books, Jorg would be the villain of the piece. A prince of one of the hundred kingdoms, he is the leader of a violent gang despite being only a teenager. He demonstrates a complete lack of compassion and pursues his goals with a single minded ruthlessness that is unusual even by the standard of 'grimdark' fantasy fiction. But in Lawrence's very capable hands the reader will be rooting for him, despite his highly questionable motives, morals and actions.
The narrative follows two lines, the 'present' and the events of four years previously when Jorg first took up his life of robbery and violence, with other flashbacks into his deeper past, exploring just why he is the way he is.
The characterisation is superb, and the description of the fantasy world Jorg inhabits is spellbinding. As the odds he faces mount, Jorg simply becomes more cunning, more devious and more deadly. If he can't win within the rules that the world has set, he simply changes the rules to suit himself. There is also a terrific streak of black humour that runs throughout the book, which somewhat lifts the tone.
This does show a little as a first novel. The writing is maybe not as fluent as the subsequent works and sometimes the story wanders a little before getting back on track but, just like Jorg, it does what it sets out to do.
If you like your fantasy full of happy elves and heroes prepared to risk all for a noble cause this probably isn't the book for you. If you want to read about someone who will stop at nothing when he is pushed to the limit then this may well be what you are looking for.
Rating: Plenty of graphic violence and sexual references throughout
As wider events across the kingdoms unfold, Jorg must face up to his past in order to survive the present, and make a future for himself and his band of Brothers.
In any other series of books, Jorg would be the villain of the piece. A prince of one of the hundred kingdoms, he is the leader of a violent gang despite being only a teenager. He demonstrates a complete lack of compassion and pursues his goals with a single minded ruthlessness that is unusual even by the standard of 'grimdark' fantasy fiction. But in Lawrence's very capable hands the reader will be rooting for him, despite his highly questionable motives, morals and actions.
The narrative follows two lines, the 'present' and the events of four years previously when Jorg first took up his life of robbery and violence, with other flashbacks into his deeper past, exploring just why he is the way he is.
The characterisation is superb, and the description of the fantasy world Jorg inhabits is spellbinding. As the odds he faces mount, Jorg simply becomes more cunning, more devious and more deadly. If he can't win within the rules that the world has set, he simply changes the rules to suit himself. There is also a terrific streak of black humour that runs throughout the book, which somewhat lifts the tone.
This does show a little as a first novel. The writing is maybe not as fluent as the subsequent works and sometimes the story wanders a little before getting back on track but, just like Jorg, it does what it sets out to do.
If you like your fantasy full of happy elves and heroes prepared to risk all for a noble cause this probably isn't the book for you. If you want to read about someone who will stop at nothing when he is pushed to the limit then this may well be what you are looking for.
Rating: Plenty of graphic violence and sexual references throughout
Debbiereadsbook (1202 KP) rated Wicked Soul (Ancient Blood #1) in Books
Feb 15, 2018
did not like Liv!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
I have *issues* with this book.
Aside from the fact its single person point of view and blah blah blah of course I wanted to hear from Warin, Olivia has to be the single most annoying main character I have ever come across and I cannot,for the life of me figure out why I kept reading!!
She whines and moans and has the mental age of a teenager, I wasn't actually sure how old she was supposed to be til she and Warin are talking about how old he is.
Clearly, the British vampire Night Lord who's name escapes me already, is playing on a much bigger playground than just Chicago. And Warin's brother, Aleric, is part of that playground judging by the epilogue, but I can't see what game he is playing.
The book is reasonably well written, with some sexy scenes and some violence, but nothing too explicit or graphic. I saw no spelling or editing errors.
Will I read book two? Depends on who has the majority voice in that one. If it's Aleric? Possibly.
I just did not like Olivia!
But I did finish it, so for that reason...
3 stars
Sorry this is short, but I find the 3 star ones for meh books the hardest to write.
**same worded review will appear elsewhere**
I have *issues* with this book.
Aside from the fact its single person point of view and blah blah blah of course I wanted to hear from Warin, Olivia has to be the single most annoying main character I have ever come across and I cannot,for the life of me figure out why I kept reading!!
She whines and moans and has the mental age of a teenager, I wasn't actually sure how old she was supposed to be til she and Warin are talking about how old he is.
Clearly, the British vampire Night Lord who's name escapes me already, is playing on a much bigger playground than just Chicago. And Warin's brother, Aleric, is part of that playground judging by the epilogue, but I can't see what game he is playing.
The book is reasonably well written, with some sexy scenes and some violence, but nothing too explicit or graphic. I saw no spelling or editing errors.
Will I read book two? Depends on who has the majority voice in that one. If it's Aleric? Possibly.
I just did not like Olivia!
But I did finish it, so for that reason...
3 stars
Sorry this is short, but I find the 3 star ones for meh books the hardest to write.
**same worded review will appear elsewhere**
Hazel (2934 KP) rated The Thursday Murder Club in Books
Sep 10, 2020
Well, that was a nice surprise! I usually stay clear of celebrity writers as, in my experience, they tend to be over rated and over hyped but I have to say that this book by Richard Osman was pretty good and had me engaged from start to finish.
The plot is multi-faceted with several murders both recent and historic but rather than this causing confusion, it all seems to flow smoothly and logically despite its complexity although you do have to keep your wits about you to keep up at times. The writing style is easy to read and flows well and although the main subject matter is murder, there are snippets of humour and more tender moments too.
The setting of a rather upscale retirement village is unique as are the main characters who are engaging, appealing and, at times, amusing. I really would like to get to know Elizabeth better - she is a very intriguing character and there are teasing morsels of her previous working life which are very interesting and I want to know more.
This book is what I would call a cosy-read that could be enjoyed by anyone and I would recommend it to those who enjoy a classic murder-mystery without the violence and graphic detail.
Thank you to Penguin General UK and NetGalley for my copy in return for an unbiased and unedited review.
The plot is multi-faceted with several murders both recent and historic but rather than this causing confusion, it all seems to flow smoothly and logically despite its complexity although you do have to keep your wits about you to keep up at times. The writing style is easy to read and flows well and although the main subject matter is murder, there are snippets of humour and more tender moments too.
The setting of a rather upscale retirement village is unique as are the main characters who are engaging, appealing and, at times, amusing. I really would like to get to know Elizabeth better - she is a very intriguing character and there are teasing morsels of her previous working life which are very interesting and I want to know more.
This book is what I would call a cosy-read that could be enjoyed by anyone and I would recommend it to those who enjoy a classic murder-mystery without the violence and graphic detail.
Thank you to Penguin General UK and NetGalley for my copy in return for an unbiased and unedited review.
LeftSideCut (3778 KP) rated Aliens vs. Predator: Requiem (AVP 2) (2007) in Movies
Jun 28, 2019
A shameless money grab
After the thoroughly underwhelming AVP, we are presented with Requiem, a film that's entices you with it's R rating (after the first films odd PG-13 rating), and it's clear to see why a lot of the advertising was centred around the R rating - because Requiem has little else to offer.
Both of these franchises are beloved, but unfortunately, the bad films have really started to outweigh the good - and Requiem is a film made purely to make money. There's no diving into the lore behind any of the past films, and instead the story is set in a small Colorado town, full of actors that I kind of recognise from various TV shows - which is fitting, because the film plays out like an episode of Dawson's Creek, just with lots of Aliens running around.
The staple violence of both series is present once again, however, it feels like the constant Gore is being thrown at you to distract you from the threadbare plot.
The (singular) Predator looks pretty good, however the Aliens are mostly shrouded in shadow, I don't recall seeing a full body shot of a Xenomorph at any point, and the Predator-Alien hybrid, again, is never really shown properly, and what we do see looks silly.
It's a pretty shoddy movie all in all, and this particular mash up is probably best left to books and graphic novels.
Both of these franchises are beloved, but unfortunately, the bad films have really started to outweigh the good - and Requiem is a film made purely to make money. There's no diving into the lore behind any of the past films, and instead the story is set in a small Colorado town, full of actors that I kind of recognise from various TV shows - which is fitting, because the film plays out like an episode of Dawson's Creek, just with lots of Aliens running around.
The staple violence of both series is present once again, however, it feels like the constant Gore is being thrown at you to distract you from the threadbare plot.
The (singular) Predator looks pretty good, however the Aliens are mostly shrouded in shadow, I don't recall seeing a full body shot of a Xenomorph at any point, and the Predator-Alien hybrid, again, is never really shown properly, and what we do see looks silly.
It's a pretty shoddy movie all in all, and this particular mash up is probably best left to books and graphic novels.