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Goddess in the Stacks (553 KP) rated Sky in the Deep in Books
Jul 31, 2018
Sky in the Deep came out in April to a LOT of hype. It's mostly deserved. The plot is a little odd; the two clans come together every five years to fight in a blood feud between their gods. But they only fight every five years in a designated place - if you really hated each other, why wouldn't you try to wipe out the other tribe all the time, instead of letting them rebuild their strength for five years? And then this third, mysterious tribe shows up and is enough for you to set aside all your anger at each other? I don't know. It's a little weird.
That oddness aside, I loved this story! I loved Eelyn's fierceness, and also her willingness to see the Riki as people too. Eventually, of course. In Eelyn we have the definition of a strong female character. (She's not the only one, either!) She is admired for her fierceness and strength, but not seen as any less female. Women are warriors in her culture too.
It's a pretty straightforward book, with a few graphic scenes of violence in the fights. Everything happened pretty much as I expected it to, but I still enjoyed seeing Eelyn grow and change throughout the book. It's also very atmospheric; I could almost hear the snow crunching beneath boots, the rushing roar of the mountain river, the quiet creaking of the frozen lake. Young's writing style pulls you right into the book and doesn't let you go.
Set aside your questions about the plot's logic and just enjoy this book. It's wonderful.
You can find all my reviews at http://goddessinthestacks.wordpress.com
That oddness aside, I loved this story! I loved Eelyn's fierceness, and also her willingness to see the Riki as people too. Eventually, of course. In Eelyn we have the definition of a strong female character. (She's not the only one, either!) She is admired for her fierceness and strength, but not seen as any less female. Women are warriors in her culture too.
It's a pretty straightforward book, with a few graphic scenes of violence in the fights. Everything happened pretty much as I expected it to, but I still enjoyed seeing Eelyn grow and change throughout the book. It's also very atmospheric; I could almost hear the snow crunching beneath boots, the rushing roar of the mountain river, the quiet creaking of the frozen lake. Young's writing style pulls you right into the book and doesn't let you go.
Set aside your questions about the plot's logic and just enjoy this book. It's wonderful.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Debbiereadsbook (1410 KP) rated Mad Hatter Vampire Prince (Token Huntress #0.5) in Books
Sep 28, 2020
dark and deadly
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
I apologise up front, this review will be short.
I *struggled* with this, and I kept hoping, and praying that Sasha would get a say, to offset Kyran but she doesn't and I think had she been given a voice, I would have enjoyed this more.
Kyran is a vampire prince, he knows what he wants, and he takes it. In all things, he gets his way and he wants Sasha. He will kill vampires for her, and let her do the killing too. He will start a war for her, although just WHY he started the war was beyond me.
This book is DEADLY in all things. Its violence is graphic and there is a LOT of it. I think, even though Sasha is almost as deadly as Kyran, had she been given a voice, I would not have had to struggle with Kyran so much. Kyran's mind is warped, and I didn't much like it.
There is NO kind of romance in this! Not complaining about that, I've no idea whether Kyran or even Sasha could love, at all, but this is not a romance, and it needs to be said.
BUT
I did finish it, cos I wanted to see what Sasha was doing in the experiments (although I'm still a little fuzzy on that) and I wanted to see how it all turned out. But it doesn't really round the ending out, it kinda stops. . . just like that.
3 dark, deadly and bloody stars
**same worded review will appear elsewhere**
I apologise up front, this review will be short.
I *struggled* with this, and I kept hoping, and praying that Sasha would get a say, to offset Kyran but she doesn't and I think had she been given a voice, I would have enjoyed this more.
Kyran is a vampire prince, he knows what he wants, and he takes it. In all things, he gets his way and he wants Sasha. He will kill vampires for her, and let her do the killing too. He will start a war for her, although just WHY he started the war was beyond me.
This book is DEADLY in all things. Its violence is graphic and there is a LOT of it. I think, even though Sasha is almost as deadly as Kyran, had she been given a voice, I would not have had to struggle with Kyran so much. Kyran's mind is warped, and I didn't much like it.
There is NO kind of romance in this! Not complaining about that, I've no idea whether Kyran or even Sasha could love, at all, but this is not a romance, and it needs to be said.
BUT
I did finish it, cos I wanted to see what Sasha was doing in the experiments (although I'm still a little fuzzy on that) and I wanted to see how it all turned out. But it doesn't really round the ending out, it kinda stops. . . just like that.
3 dark, deadly and bloody stars
**same worded review will appear elsewhere**
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Merissa (12674 KP) rated Under Your Care in Books
Mar 19, 2025
UNDER YOUR CARE is the first book in the Twisted Desires series and PLEASE READ THE CONTENT WARNINGS!!! If you do, and you're happy to proceed, then you're in for a great read.
This is a dark romance in so many ways - morally grey and downright black too! Lane is a femme who was s3xually assaulted by his cousin when he was younger. Greyson is his therapist, a dark empath, who is a hobby killer. Yep, you read that right. Well, Greyson decides Lane is his and nothing will move him from that path. Lane is also attracted to Greyson, a shock in itself for understandable reasons, and makes a comment which leads Greyson to move his agenda forward by quite some time.
I love dark romances where it is them against the world, and this one fits that bill. Lane knows Greyson is bad in a lot of ways, but is also 100% correct in thinking Greyson would never hurt him. Not in a bad way, at least. This one is graphic with its violence and filled with dark themes. It is obsessive and possessive, and full of hurt / comfort. It in no way represents a real relationship between a patient and a therapist so suspend your beliefs and enjoy all the kinks.
The next book is about Oliver, a trans man, and Greyson's twin brothers, Hayes and Hudson. I can't wait!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 18, 2025
This is a dark romance in so many ways - morally grey and downright black too! Lane is a femme who was s3xually assaulted by his cousin when he was younger. Greyson is his therapist, a dark empath, who is a hobby killer. Yep, you read that right. Well, Greyson decides Lane is his and nothing will move him from that path. Lane is also attracted to Greyson, a shock in itself for understandable reasons, and makes a comment which leads Greyson to move his agenda forward by quite some time.
I love dark romances where it is them against the world, and this one fits that bill. Lane knows Greyson is bad in a lot of ways, but is also 100% correct in thinking Greyson would never hurt him. Not in a bad way, at least. This one is graphic with its violence and filled with dark themes. It is obsessive and possessive, and full of hurt / comfort. It in no way represents a real relationship between a patient and a therapist so suspend your beliefs and enjoy all the kinks.
The next book is about Oliver, a trans man, and Greyson's twin brothers, Hayes and Hudson. I can't wait!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 18, 2025
Gareth von Kallenbach (980 KP) rated Sin City (2005) in Movies
Aug 14, 2019
In a dazzling blend of muted color, violence, and eroticism Frank Millers graphic novel Sin City has burst upon the screen with a visual style that is as diverse as the star studded cast that drives it.
Set in the fictional Basin City, the film is a series of segments that weave in and around each other to tell various stories and side plots without a clear cut beginning and end as the conclusion of one segment often mirrors portions of the events in another.
While the film does not have a linear plot in the traditional sense, each segment is a snapshot of life in Basin City and how it is viewed by the various people that dwell within. It does not take a genius to see that the city is rife with all manner of unsavory characters from child molesters to cannibals. Basin City is also a place where people are not always the sum of their parts as a violent and disfigured thug named Marv (Mickey Rourke) can show humanity and compassion as he attempts to avenge those who were wronged. It is a place where a person with a dubious past and a new face named Dwight (Clive Owen), is town between the life he left behind and his desire to protect those who are in danger.
The film is chocked full of dialogue that is reminiscent of classic pulp novels and comics of the 40’s and 50’s where characters were often as two dimensional as the pages in which their exploits were chronicled. While this at first seems awkward and hokey it tends to grow on you as it is an accurate reflection of the locales and inhabitants that comprise the city.
While most of the film is shot in a black and white style, there are flashes of color that make a gripping contrast to the usually blank characters. Examples of which are seen in many of the films violent action sequences where blood and other gore are used for artistic effect. In one example, graphic shooting segments are left in a muted black and white allowing us to see the gore in a muted sense. The impact of the scene is not lost but it is rendered in an artistic and unique manner that is amazing to see. While you should be horrified at what you see, you find yourself captivated by the clever color and camera work that is used to render the scene. At other times, the crimson color of blood is used to emphasize a scene and illustrate and illuminate a character.
If this sounds confusing, it is due to the fact that to many “Sin City”, is a film that is a unique looking film, that has a pacing and style all its own, and does not play by the traditional rules for a film. While films such as “Heavy Metal” and “Sky Captain and the World of Tomorrow” have brought graphic novels and visually unique pulp stories to the screen, it is the constant adherence to the source material, and directors Robert Rodriguez, Frank Miller, and Quentin Tarantinos ability to blend their unique styles seamlessly that makes this film interesting.
The action of the film is very well choreographed and despite being very, very graphic in places, it nonetheless entertains and rarely seems gratuitous. The film also has a surprising amount of comedy as there were several moments that caused the audience at my press screening to erupt.
While it does not offer much in the way of plot or acting, the performances are appropriate to the characters and settings .The all-star cast does a great job in conveying the motivations of their characters as the audience is given just what the need to know about a character to make the segments work.
While the film may not appeal to a mass audience due to the unique look and structure of the film, fans of Tarantino and Rodriguez are likely to embrace this film which should likely result in further adventures in Basin City sometime in the near future.
Set in the fictional Basin City, the film is a series of segments that weave in and around each other to tell various stories and side plots without a clear cut beginning and end as the conclusion of one segment often mirrors portions of the events in another.
While the film does not have a linear plot in the traditional sense, each segment is a snapshot of life in Basin City and how it is viewed by the various people that dwell within. It does not take a genius to see that the city is rife with all manner of unsavory characters from child molesters to cannibals. Basin City is also a place where people are not always the sum of their parts as a violent and disfigured thug named Marv (Mickey Rourke) can show humanity and compassion as he attempts to avenge those who were wronged. It is a place where a person with a dubious past and a new face named Dwight (Clive Owen), is town between the life he left behind and his desire to protect those who are in danger.
The film is chocked full of dialogue that is reminiscent of classic pulp novels and comics of the 40’s and 50’s where characters were often as two dimensional as the pages in which their exploits were chronicled. While this at first seems awkward and hokey it tends to grow on you as it is an accurate reflection of the locales and inhabitants that comprise the city.
While most of the film is shot in a black and white style, there are flashes of color that make a gripping contrast to the usually blank characters. Examples of which are seen in many of the films violent action sequences where blood and other gore are used for artistic effect. In one example, graphic shooting segments are left in a muted black and white allowing us to see the gore in a muted sense. The impact of the scene is not lost but it is rendered in an artistic and unique manner that is amazing to see. While you should be horrified at what you see, you find yourself captivated by the clever color and camera work that is used to render the scene. At other times, the crimson color of blood is used to emphasize a scene and illustrate and illuminate a character.
If this sounds confusing, it is due to the fact that to many “Sin City”, is a film that is a unique looking film, that has a pacing and style all its own, and does not play by the traditional rules for a film. While films such as “Heavy Metal” and “Sky Captain and the World of Tomorrow” have brought graphic novels and visually unique pulp stories to the screen, it is the constant adherence to the source material, and directors Robert Rodriguez, Frank Miller, and Quentin Tarantinos ability to blend their unique styles seamlessly that makes this film interesting.
The action of the film is very well choreographed and despite being very, very graphic in places, it nonetheless entertains and rarely seems gratuitous. The film also has a surprising amount of comedy as there were several moments that caused the audience at my press screening to erupt.
While it does not offer much in the way of plot or acting, the performances are appropriate to the characters and settings .The all-star cast does a great job in conveying the motivations of their characters as the audience is given just what the need to know about a character to make the segments work.
While the film may not appeal to a mass audience due to the unique look and structure of the film, fans of Tarantino and Rodriguez are likely to embrace this film which should likely result in further adventures in Basin City sometime in the near future.
Darren (1599 KP) rated Rabid (2019) in Movies
Oct 14, 2019
Characters – Rose is the quiet assistant to a fashion designer, she has her own ideas that she does want to see made, the girls come to her to get small adjustments, but the designer treats her like a carpet. She isn’t seen in the same light as the models and often keeps to herself. She gets involved in an accident which first sees her horribly disfigured and secondly lose her job, desperate to fix this, she turns to an experimental procedure which fixes everything, giving her a new lease for life and a taste for blood. Brad is one of the co-workers that does try to help Rose come out of her shell by inviting her to the party before the accident. Chelsea is the foster sister to Rose that has been working with her too, she is the one that opens up her home after the accident, helping her get back on her feet, supporting her through the treatment, not looking away like most the others in her life would.
Performances – Laura Vandervoort does give us a strong performance throughout, being able to balance the losing her mind and determined personality. Hanneke Talbot is strong too and the supportive friend, that does get to show the pushy personality her character has around Rose. Benjamin Hollingsworth does show us a strong friend or potential love interest in the film, while big names like Stephen McHattie and C.M. Punk make entertaining supporting appearance.
Story – The story here follows a young lady that sees her life turned upside down after an accident leaves her disfigured, only for an experiment procedure bringing out a new version of herself and an unwanted side effect along the way. This is a remake and one story that can remain similar is places, while bringing the social side of the film to new heights, the fashion world does make a wonderful backdrop for the story because it reflects the world that image needs to be fix with surgery. There are certain ways the story does feel weaker, that is mostly seeing how everything is spreading, which is important, but it doesn’t follow Rose, which is the important side of the story.
Horror/Sci-Fi – The horror side of the film comes from the real world situation that Rose goes through, with the accident before hitting the graphic violence of what is happening to Rose, which is also the sci-fi side of the film, the changes Rose goes through.
Settings – The film uses the fashion world as the main settings backdrop, it shows us just how important image is to Rose and the people close to her.
Special Effects – The complete highlight of this film comes from the practical effects, which look as graphic as they can, the injury suffered by Rose is one of the worst wounds you will see in this year’s horror films. We should give a shout out to the team (According to IMDB) Graham Chivers, Jeff Derushie, Anahita Loghmanifar, Emily O’Quinn and Omar Roessler
Scene of the Movie – The first reveal from the injury.
That Moment That Annoyed Me – We do move away from Rose, as the bigger problems spread around the city, we could have been given more fear from not seeing this, only hearing about it.
Final Thoughts – This is a practical effects masterclass in horror, it will use some of the best you will see this year even if the story is a modernised look at a cult classic.
Overall: Bloody graphic horror.
Performances – Laura Vandervoort does give us a strong performance throughout, being able to balance the losing her mind and determined personality. Hanneke Talbot is strong too and the supportive friend, that does get to show the pushy personality her character has around Rose. Benjamin Hollingsworth does show us a strong friend or potential love interest in the film, while big names like Stephen McHattie and C.M. Punk make entertaining supporting appearance.
Story – The story here follows a young lady that sees her life turned upside down after an accident leaves her disfigured, only for an experiment procedure bringing out a new version of herself and an unwanted side effect along the way. This is a remake and one story that can remain similar is places, while bringing the social side of the film to new heights, the fashion world does make a wonderful backdrop for the story because it reflects the world that image needs to be fix with surgery. There are certain ways the story does feel weaker, that is mostly seeing how everything is spreading, which is important, but it doesn’t follow Rose, which is the important side of the story.
Horror/Sci-Fi – The horror side of the film comes from the real world situation that Rose goes through, with the accident before hitting the graphic violence of what is happening to Rose, which is also the sci-fi side of the film, the changes Rose goes through.
Settings – The film uses the fashion world as the main settings backdrop, it shows us just how important image is to Rose and the people close to her.
Special Effects – The complete highlight of this film comes from the practical effects, which look as graphic as they can, the injury suffered by Rose is one of the worst wounds you will see in this year’s horror films. We should give a shout out to the team (According to IMDB) Graham Chivers, Jeff Derushie, Anahita Loghmanifar, Emily O’Quinn and Omar Roessler
Scene of the Movie – The first reveal from the injury.
That Moment That Annoyed Me – We do move away from Rose, as the bigger problems spread around the city, we could have been given more fear from not seeing this, only hearing about it.
Final Thoughts – This is a practical effects masterclass in horror, it will use some of the best you will see this year even if the story is a modernised look at a cult classic.
Overall: Bloody graphic horror.
Rachel King (13 KP) rated Eternal Rider (Lords of Deliverance, #1, Demonica, #6) in Books
Feb 11, 2019
I loved that this book took a concept that I am very familiar with, the Four Horsemen from Revelation, and turned it on its head. For all of the repetitiveness of fantasy fiction using the same species over and over again - from mermaids to vampires - the horsemen are definitely new vehicles for enticing literature.
The background of the story is that all of the horsemen once lead human lives, but were cursed to become the horsemen after reacting very badly to the news that Lilith is their mother. Another interesting quirk on the common tale is that one of them is actually female, Limos. The four are destined to either fulfill the Biblical prophecy or the demonic equivalent - which none of them want to do. In addition, each of them have a unique method by which they fall into the demonic prophecy's designated role and must fight to keep said method from playing out.
Ares, whom the story says the Greek god of war is named for, is destined to become War should the being bearing his seal, or agimortus, dies. Thanks to Cara, a human, inadvertently crossing paths with a hellhound, she becomes the bearer of the agimortus. Luckily, she has a few tricks of her own to aid her in her new role. I liked Cara and the way she seemed to blossom despite her captivity and impending death, as well as how easily she could stand up to Ares. I would have liked a little more character development, as it did not feel like her character arc was complete.
Ares is also an interesting character. Even though he is drawn to wars and violence, with his very presence inciting violence and rage among humans, Cara is immune to this ability. Because of how her presence weakens him, Ares shows a vulnerability characteristic of the humanity he left behind thousands of years ago. Around Cara, he is simply a normal guy falling in love, and the way he attempts to "macho-up" to deal with it is positively adorable.
The violence in the book is both believable and quite gritty. Of course, the horsemen's supernatural abilities of strength and healing allow it to be especially intense and dramatic. The sexual scenes in the book are also quite graphic and detailed, without feeling cheesy or awkward.
The laws built into Ione's world of horsemen, angels, and demons is complex without being confusing. The reader is introduced to its structure piece by piece throughout the novel without being bombarded by the details, and all of the pieces fit together nicely. In addition, Ione even includes a glossary at the beginning of the book to help the reader become more accustomed to the world.
The other siblings are all unique and show lots of promise for future books in the series. Thanatos, destined to become Death, has a seductive air of mystery that had me wondering several times throughout the book if something would occur between him and Cara. The sister, Limos, destined to be Famine, also shows many interesting characteristics, such as a certain hidden madness that she struggles to keep leashed, and the chemistry she shares with Arik is palpable. Even though Reseph becomes Pestilence early in the book, I have a feeling he may prove to be the most interesting of the siblings under a theme of redemption. I only have to wait till December for Immortal Rider (Lords of Deliverance), which centers on Limos, to find out what happens next!
The background of the story is that all of the horsemen once lead human lives, but were cursed to become the horsemen after reacting very badly to the news that Lilith is their mother. Another interesting quirk on the common tale is that one of them is actually female, Limos. The four are destined to either fulfill the Biblical prophecy or the demonic equivalent - which none of them want to do. In addition, each of them have a unique method by which they fall into the demonic prophecy's designated role and must fight to keep said method from playing out.
Ares, whom the story says the Greek god of war is named for, is destined to become War should the being bearing his seal, or agimortus, dies. Thanks to Cara, a human, inadvertently crossing paths with a hellhound, she becomes the bearer of the agimortus. Luckily, she has a few tricks of her own to aid her in her new role. I liked Cara and the way she seemed to blossom despite her captivity and impending death, as well as how easily she could stand up to Ares. I would have liked a little more character development, as it did not feel like her character arc was complete.
Ares is also an interesting character. Even though he is drawn to wars and violence, with his very presence inciting violence and rage among humans, Cara is immune to this ability. Because of how her presence weakens him, Ares shows a vulnerability characteristic of the humanity he left behind thousands of years ago. Around Cara, he is simply a normal guy falling in love, and the way he attempts to "macho-up" to deal with it is positively adorable.
The violence in the book is both believable and quite gritty. Of course, the horsemen's supernatural abilities of strength and healing allow it to be especially intense and dramatic. The sexual scenes in the book are also quite graphic and detailed, without feeling cheesy or awkward.
The laws built into Ione's world of horsemen, angels, and demons is complex without being confusing. The reader is introduced to its structure piece by piece throughout the novel without being bombarded by the details, and all of the pieces fit together nicely. In addition, Ione even includes a glossary at the beginning of the book to help the reader become more accustomed to the world.
The other siblings are all unique and show lots of promise for future books in the series. Thanatos, destined to become Death, has a seductive air of mystery that had me wondering several times throughout the book if something would occur between him and Cara. The sister, Limos, destined to be Famine, also shows many interesting characteristics, such as a certain hidden madness that she struggles to keep leashed, and the chemistry she shares with Arik is palpable. Even though Reseph becomes Pestilence early in the book, I have a feeling he may prove to be the most interesting of the siblings under a theme of redemption. I only have to wait till December for Immortal Rider (Lords of Deliverance), which centers on Limos, to find out what happens next!
Haley Mathiot (9 KP) rated The Prophet in Books
Apr 27, 2018
It's been a long time since I've been so excited about a book. The Prophet was thrilling in every sense of the word, and combined everything good about a novel: excitement, tension, good writing, complex plot, and twists. I'm not going to tell you a lot about the plot, because I don't want to give anything away: I didn't know a lot going in, and I'm glad, because I may not have picked it up. In fact I almost stopped listening after the first chapter because it felt a little distant… but I'm so glad now that I stuck with it. By the third track I was hooked, and it was all I could think about for days! This is an audiobook I will definitely recommend to people, and absolutely re-listen to.
I loved the ending. I loved the tension. I loved how it all transpired. Even though the ending wasn't perfect, it was right, and it made me do a little happy dance at the end. On top of that, the reader was great. Listening to The Prophet was an all around excellent experience.
Here's the one thing I think might deter people from really getting into The Prophet: There's a lot of football talk. I am not a football fan. Not at all. I don't care for it, I don't understand it, it doesn't matter to me. Suffice to say by the end of the book, not only did I understand a little more (though not all) of what was being said about the games, but I was excited by it. It wasn't written so you had NO clue what was going on, just not a HUGE clue what was going on.
Rating: 5
Content/Recommendation: Some language, violence, graphic imagery. Sexual reference but no erotic scenes. Ages 18+
I loved the ending. I loved the tension. I loved how it all transpired. Even though the ending wasn't perfect, it was right, and it made me do a little happy dance at the end. On top of that, the reader was great. Listening to The Prophet was an all around excellent experience.
Here's the one thing I think might deter people from really getting into The Prophet: There's a lot of football talk. I am not a football fan. Not at all. I don't care for it, I don't understand it, it doesn't matter to me. Suffice to say by the end of the book, not only did I understand a little more (though not all) of what was being said about the games, but I was excited by it. It wasn't written so you had NO clue what was going on, just not a HUGE clue what was going on.
Rating: 5
Content/Recommendation: Some language, violence, graphic imagery. Sexual reference but no erotic scenes. Ages 18+