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Heather Cranmer (2721 KP) rated A Kiss of Madness in Books
Jan 14, 2019
Too much smut (3 more)
Unbelievable plot
Underdeveloped and unlikable characters
Book is confused about the plot
Reads More Like a Rough Draft
I love reading books about mental illness, and even more so if they take place inside an asylum. When I saw A Kiss of Madness by K.B. Everly and Stacy Jones, it seemed like the perfect read for me. Unfortunately, I was left very disappointed.
The synopsis for A Kiss of Madness sounded very interesting. It could have been a very interesting book except there's too much going on in the story. Lydia gets sent to Brocker's Center for the Criminally Insane after having a vision and throwing a chair through a window as well as attacking an innocent bystander. She could have chose jail time or to voluntarily commit herself to Brocker's. She chose the latter. While there, she gets feelings about people and doesn't feel like she belongs. She meets three guys who are patients with their own issues. However, she ends up thinking they're hot, and they also think she's hot. The guys all agree to be her boyfriends and end up following her everywhere. When one of the other female patients goes missing, Lydia tries to uncover what really happened putting herself in grave danger. I was confused if A Kiss of Madness was trying to be more of a romance novel, a mystery/crime novel, or a paranormal novel. I got the insane asylum vibe for a few chapters, but soon this book lost its whole mental illness vibe. I felt like the insane asylum setting was just thrown in there to make this book sound more interesting than it actually was. It soon turned more into an erotic novel which made me like the book even less. There was just too much pointless fairly graphic sex for my liking. I feel like all the fairly graphic sex and sexual references really took away from the story. I also didn't like the ending. It just felt too rushed. Actually, the whole story just felt really rushed. I also didn't understand how one character who had a violent past could have such a great job. I won't go into further details because it's a spoiler.
I started out liking Lydia and was on her side for the first few chapters or so. However, I found myself losing the connection I felt with her the more I read. She just came across as being very irresponsible and immature. I didn't really care for Pierce, Emmett, or Mason/Jason either. None of the characters in A Kiss of Madness were fleshed out enough to be likable or believable.
The pacing starts out great in A Kiss of Madness. However, it soon slows down once the sex scenes come into play. Then it slows down and becomes more of a smut novel instead of a decent read. Luckily this is a short read or I would have given up on it when I got to the sex parts.
Trigger warnings for A Kiss of Madness include violence, murder, mental illness, attempted sexual assault, fairly graphic sex scenes, sexual references, and profanities.
Overall, A Kiss of Madness started out great. However, it soon went downhill close to halfway through the book. I feel like this book feels more like a rough draft on what could be a decent read. It just needs a lot more work to be good. Get rid of a lot of the pointless sex scenes and references, bulk up the story and characters a bit, decide on what angle to go with, and give this book some guts! At this time, I would not recommend A Kiss of Madness by K.B. Everly and Stacy Jones.
The synopsis for A Kiss of Madness sounded very interesting. It could have been a very interesting book except there's too much going on in the story. Lydia gets sent to Brocker's Center for the Criminally Insane after having a vision and throwing a chair through a window as well as attacking an innocent bystander. She could have chose jail time or to voluntarily commit herself to Brocker's. She chose the latter. While there, she gets feelings about people and doesn't feel like she belongs. She meets three guys who are patients with their own issues. However, she ends up thinking they're hot, and they also think she's hot. The guys all agree to be her boyfriends and end up following her everywhere. When one of the other female patients goes missing, Lydia tries to uncover what really happened putting herself in grave danger. I was confused if A Kiss of Madness was trying to be more of a romance novel, a mystery/crime novel, or a paranormal novel. I got the insane asylum vibe for a few chapters, but soon this book lost its whole mental illness vibe. I felt like the insane asylum setting was just thrown in there to make this book sound more interesting than it actually was. It soon turned more into an erotic novel which made me like the book even less. There was just too much pointless fairly graphic sex for my liking. I feel like all the fairly graphic sex and sexual references really took away from the story. I also didn't like the ending. It just felt too rushed. Actually, the whole story just felt really rushed. I also didn't understand how one character who had a violent past could have such a great job. I won't go into further details because it's a spoiler.
I started out liking Lydia and was on her side for the first few chapters or so. However, I found myself losing the connection I felt with her the more I read. She just came across as being very irresponsible and immature. I didn't really care for Pierce, Emmett, or Mason/Jason either. None of the characters in A Kiss of Madness were fleshed out enough to be likable or believable.
The pacing starts out great in A Kiss of Madness. However, it soon slows down once the sex scenes come into play. Then it slows down and becomes more of a smut novel instead of a decent read. Luckily this is a short read or I would have given up on it when I got to the sex parts.
Trigger warnings for A Kiss of Madness include violence, murder, mental illness, attempted sexual assault, fairly graphic sex scenes, sexual references, and profanities.
Overall, A Kiss of Madness started out great. However, it soon went downhill close to halfway through the book. I feel like this book feels more like a rough draft on what could be a decent read. It just needs a lot more work to be good. Get rid of a lot of the pointless sex scenes and references, bulk up the story and characters a bit, decide on what angle to go with, and give this book some guts! At this time, I would not recommend A Kiss of Madness by K.B. Everly and Stacy Jones.
Debbiereadsbook (1441 KP) rated Secret Lady (Ladies in Time, #3) in Books
Mar 7, 2019
not sure this is one for me
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Evie is staying with her grandmother, and she hears whispers from the closet in her room. Then, in a blink of an eye, things changed and she was right back in the middle of the American Civil War. Specifically, a week before the whole valley her grandmother's house sits in is razed to the ground. A certain solider steals her heart, but there are things keeping them apart, again, and this time, Jack might not make it.
I read this, I finished this, I'm still not sure it was the book for me though!
It's a good book, don't get me wrong, but I don't know if it was THIS book, or the author's style, or what didn't work for me, I really don't. So forgive me, if this review is short. I struggle the hardest to write these sorts of reviews.
I liked that both Evie and Jack have a voice, and those voices are very distinct. Not just in the difference between the male and the female voice, but in the TIME difference too. Evie is very much the modern woman, and Jack very much a man of the 1860's with all their rules, and words, and ways of talking. Made me chuckle in a couple of places.
It is CLEAN, just some kissing between Jack and Evie. It's also, for being set around that time, relatively free from on-screen violence. It IS there, but nothing graphic or explained in any great detail.
I liked the twist that Jack and Evie had been together before, and this was the house's doing to bring them back together.
I just *insert heavy sigh* found it an okay read, and I can't even voice why. And for that, I'm sorry. Someone will LOVE this book, unfortunately, that someone is not me.
A good 3 stars
**same worded review will appear elsewhere**
Evie is staying with her grandmother, and she hears whispers from the closet in her room. Then, in a blink of an eye, things changed and she was right back in the middle of the American Civil War. Specifically, a week before the whole valley her grandmother's house sits in is razed to the ground. A certain solider steals her heart, but there are things keeping them apart, again, and this time, Jack might not make it.
I read this, I finished this, I'm still not sure it was the book for me though!
It's a good book, don't get me wrong, but I don't know if it was THIS book, or the author's style, or what didn't work for me, I really don't. So forgive me, if this review is short. I struggle the hardest to write these sorts of reviews.
I liked that both Evie and Jack have a voice, and those voices are very distinct. Not just in the difference between the male and the female voice, but in the TIME difference too. Evie is very much the modern woman, and Jack very much a man of the 1860's with all their rules, and words, and ways of talking. Made me chuckle in a couple of places.
It is CLEAN, just some kissing between Jack and Evie. It's also, for being set around that time, relatively free from on-screen violence. It IS there, but nothing graphic or explained in any great detail.
I liked the twist that Jack and Evie had been together before, and this was the house's doing to bring them back together.
I just *insert heavy sigh* found it an okay read, and I can't even voice why. And for that, I'm sorry. Someone will LOVE this book, unfortunately, that someone is not me.
A good 3 stars
**same worded review will appear elsewhere**
Louise (64 KP) rated Rat Queens, Vol. 1: Sass & Sorcery in Books
Jul 2, 2018
Meet the Rat Queens! Betty, Dee, Hannah and Violet. The depiction of sass!
Due to their unruly behaviour of drunkenness and bar brawls, the mayor of Palisade has assigned the rat queens to the task of clearing out some Goblins in a cave, however if they fail they will have to leave the town.
I really loved this comic for so many reasons, first and foremost I loved the humour from all of the characters. I literally laughed out loud and that doesn’t happen often when reading a book. It was fun and very easy to read. The pace is constantly fast so you will speed through this book or you can take your time to appreciate the amazing artwork (I loved the artwork). The only thing that let it down was there wasn’t much of a plot, mostly battle scenes and not enough character development, however I chose to ignore this due to it being so friggin good!
First off this is a feminist graphic novel and appears that is becoming somewhat of a trend which is great to see. The main characters are all so different, they are all shapes and sizes, and not perfect with perfect tits and asses. The women are drawn to be attractive but each in their own way. They also got the LGTBQ theme going on in the story – Betty the Smidgen is a lesbian but done in a casual way. There is also different races in the book and interracial relationships. It’s so refreshing to see all, races, genders, sexualities in books now and done so with perfection.
This book is not for children or the easily offended so if you don’t like violence, bad language, gore and sexual discussions then it’s really really not for you as this is what most of the book is about.
I would definitely recommend this book to anyone that likes magic, battles, Orc’s, assassin’s, goblins, gore and more… This is a bind up of the first 5 comics in the series.
Due to their unruly behaviour of drunkenness and bar brawls, the mayor of Palisade has assigned the rat queens to the task of clearing out some Goblins in a cave, however if they fail they will have to leave the town.
I really loved this comic for so many reasons, first and foremost I loved the humour from all of the characters. I literally laughed out loud and that doesn’t happen often when reading a book. It was fun and very easy to read. The pace is constantly fast so you will speed through this book or you can take your time to appreciate the amazing artwork (I loved the artwork). The only thing that let it down was there wasn’t much of a plot, mostly battle scenes and not enough character development, however I chose to ignore this due to it being so friggin good!
First off this is a feminist graphic novel and appears that is becoming somewhat of a trend which is great to see. The main characters are all so different, they are all shapes and sizes, and not perfect with perfect tits and asses. The women are drawn to be attractive but each in their own way. They also got the LGTBQ theme going on in the story – Betty the Smidgen is a lesbian but done in a casual way. There is also different races in the book and interracial relationships. It’s so refreshing to see all, races, genders, sexualities in books now and done so with perfection.
This book is not for children or the easily offended so if you don’t like violence, bad language, gore and sexual discussions then it’s really really not for you as this is what most of the book is about.
I would definitely recommend this book to anyone that likes magic, battles, Orc’s, assassin’s, goblins, gore and more… This is a bind up of the first 5 comics in the series.
Gareth von Kallenbach (980 KP) rated Inglourious Basterds (2009) in Movies
Aug 9, 2019
Should we be allowed to laugh at brutality? Is there room for comedy in a film about the Second World War? These are just some of the questions Quentin Tarantino’s latest film “Inglorious Bastards” is sure to bring to mind.
“Inglorious Bastards” is composed of two intertwined stories broken into chapters combining fictitious and factual historic events. The two stories, the tragic tale of orphaned Jewish girl Shosanna (Mélanie Laurent) and that of an oddly funny group of American soldiers, called “the Bastards”, create introspections into the meaning of glory, destruction, and propaganda.
Familiar faces are scattered throughout the film from creator of “the Office” B.J. Norvak to “Austin Powers“ star Mike Myers. The standout performance of Lieutenant Aldo Raine, played by the always-evolving Brad Pitt, is both comical and clever and the role of Nazi Colonel Hans Landa, Christoph Waltz, is so evil that, within the scope of the film, he some how manages to overshadow Hitler.
While the film is visually graphic, it is the ideas of violence rather than explicit visuals that litter the film. These violent scenes, from scalping to strangulation, are more dramatic than visually accurate.
The film did drag in parts such, as the dark Cinderella-like bar scene, and there was definitely room for further character development for “the Bastards”, yet the sly structure of the film shatters these minor faults but keeping viewers completely invested in the plotline.
“Inglorious Bastards” mixes classic film elements with techniques hauntingly David Lynch in style. From elements of television westerns to the hauntingly familiar sound of David Bowie, Tarintino has created a new way of looking at the past, all while using a time generally perceived as too awful to mention as a background for laughter.
Twisted, tortured, glorious and not “Inglorious Bastards” delivers as a film bound to become classic Tarantino. Fans will be elated and those who oppose the film’s adult themes will not walk away without at least thinking about the meaning of this one-of-kind feature.
“Inglorious Bastards” is composed of two intertwined stories broken into chapters combining fictitious and factual historic events. The two stories, the tragic tale of orphaned Jewish girl Shosanna (Mélanie Laurent) and that of an oddly funny group of American soldiers, called “the Bastards”, create introspections into the meaning of glory, destruction, and propaganda.
Familiar faces are scattered throughout the film from creator of “the Office” B.J. Norvak to “Austin Powers“ star Mike Myers. The standout performance of Lieutenant Aldo Raine, played by the always-evolving Brad Pitt, is both comical and clever and the role of Nazi Colonel Hans Landa, Christoph Waltz, is so evil that, within the scope of the film, he some how manages to overshadow Hitler.
While the film is visually graphic, it is the ideas of violence rather than explicit visuals that litter the film. These violent scenes, from scalping to strangulation, are more dramatic than visually accurate.
The film did drag in parts such, as the dark Cinderella-like bar scene, and there was definitely room for further character development for “the Bastards”, yet the sly structure of the film shatters these minor faults but keeping viewers completely invested in the plotline.
“Inglorious Bastards” mixes classic film elements with techniques hauntingly David Lynch in style. From elements of television westerns to the hauntingly familiar sound of David Bowie, Tarintino has created a new way of looking at the past, all while using a time generally perceived as too awful to mention as a background for laughter.
Twisted, tortured, glorious and not “Inglorious Bastards” delivers as a film bound to become classic Tarantino. Fans will be elated and those who oppose the film’s adult themes will not walk away without at least thinking about the meaning of this one-of-kind feature.
JT (287 KP) rated Anna (2019) in Movies
Mar 10, 2020
Tell me if you’ve heard this one before? A young woman is pulled from a life of drugs and abuse and given a fresh start as a deadly assassin. Once on the inside, she uses her skill set and good looks to complete various assignments while falling for her handler. She then decides that her new life is not for her after all and wants out.
Writer/director Luc Besson has pretty much rehashed the script for Nikita (aka La Femme Nikita). That film had a remake too, Point of No Return, which starred Bridget Fonda and Gabriel Byrne. This latest offering doesn’t do anything new whatsoever. There are several well choreographed and extremely violent fight scenes as well as a car chase which seems to be a staple part of any Luc Besson film.
It’s not the most intelligently written action thriller. And there are plot holes all over the place.
The sexual exploitation is not as fierce as Red Sparrow. Anna uses an array of colourful wigs and lingerie to entrap her victims before ultimately putting a bullet in them. This only seeks to justify her sex appeal. The supporting cast is OK but nothing special. Helen Mirren is probably the stand out of the bunch, although her character has a striking resemblance to Edna from The Incredibles – or maybe that’s just me?
When Cillian Murphy‘s CIA agent gets involved it becomes hard to know who is double crossing who, and the extra plot strand threatens to confuse things. What results is a kind of Cold War love triangle which gravitates towards an interesting finale only ruined by predictability.
It’s not the most intelligently written action thriller. But it is fun and film fans should appreciate Besson’s high energy and European flair. I prefer him as a writer than director. Anna doesn’t shy away from bringing graphic violence in a Wick-esque style which is often lost with Hollywood blockbusters, so that gets a big tick. But it’s hard not to look past a regurgitated storyline.
Writer/director Luc Besson has pretty much rehashed the script for Nikita (aka La Femme Nikita). That film had a remake too, Point of No Return, which starred Bridget Fonda and Gabriel Byrne. This latest offering doesn’t do anything new whatsoever. There are several well choreographed and extremely violent fight scenes as well as a car chase which seems to be a staple part of any Luc Besson film.
It’s not the most intelligently written action thriller. And there are plot holes all over the place.
The sexual exploitation is not as fierce as Red Sparrow. Anna uses an array of colourful wigs and lingerie to entrap her victims before ultimately putting a bullet in them. This only seeks to justify her sex appeal. The supporting cast is OK but nothing special. Helen Mirren is probably the stand out of the bunch, although her character has a striking resemblance to Edna from The Incredibles – or maybe that’s just me?
When Cillian Murphy‘s CIA agent gets involved it becomes hard to know who is double crossing who, and the extra plot strand threatens to confuse things. What results is a kind of Cold War love triangle which gravitates towards an interesting finale only ruined by predictability.
It’s not the most intelligently written action thriller. But it is fun and film fans should appreciate Besson’s high energy and European flair. I prefer him as a writer than director. Anna doesn’t shy away from bringing graphic violence in a Wick-esque style which is often lost with Hollywood blockbusters, so that gets a big tick. But it’s hard not to look past a regurgitated storyline.
JT (287 KP) rated Starred Up (2014) in Movies
Mar 16, 2020
Violent and to the point (1 more)
Great acting
Prison Isn't Suppoed To Be A Holiday Camp
Prison dramas don’t get much grittier than this. Not since Scum has there been one with as much brutal tour de force. Eric (Jack O’Connell) is ‘starred up’. A term used to describe violent young offenders moved straight into an adult prison. Once he gets inside he comes face to face with the only person that might be able to control him, his father Neville (Ben Mendelsohn).
It’s a major part of their relationship as Nev’s parental tactics involve the cruel to be kind method. It’s the only way that Eric is going to survive and the only way he will walk out in one piece. Eric finds some solace in Oliver (Rupert Friend) whose anger management sessions are a place to unleash a tirade of resentment. It places him within a group where any other individual might find themselves out of their depth – Eric takes it full on.
The film is written by Jonathan Asser, a former prison psychotherapist who worked in HMP Wandsworth. So he more than anyone can inject the film with a massive sense of realism. The prison violence can be hard to watch but you don’t find yourself turning away from the screen.
It’s not shrouded in Hollywood gloss and is shot with graphic precision. Mendelsohn’s performance is excellent playing the psycho and his delivery is spot on. Friend is also a joy to watch and a real talent. The Homeland star-making imprints into the acting elite.
However, this is very much O’Connell’s film and it’s not hard to see why he is fast becoming a standout actor. Grabbing this role in a vice-like grip he battles with his personality, the adoration from his father and a corrupt system who want him eradicated. It doesn’t paint the prison system in a particularly good light but then prison isn’t supposed to be a holiday camp.
It’s a major part of their relationship as Nev’s parental tactics involve the cruel to be kind method. It’s the only way that Eric is going to survive and the only way he will walk out in one piece. Eric finds some solace in Oliver (Rupert Friend) whose anger management sessions are a place to unleash a tirade of resentment. It places him within a group where any other individual might find themselves out of their depth – Eric takes it full on.
The film is written by Jonathan Asser, a former prison psychotherapist who worked in HMP Wandsworth. So he more than anyone can inject the film with a massive sense of realism. The prison violence can be hard to watch but you don’t find yourself turning away from the screen.
It’s not shrouded in Hollywood gloss and is shot with graphic precision. Mendelsohn’s performance is excellent playing the psycho and his delivery is spot on. Friend is also a joy to watch and a real talent. The Homeland star-making imprints into the acting elite.
However, this is very much O’Connell’s film and it’s not hard to see why he is fast becoming a standout actor. Grabbing this role in a vice-like grip he battles with his personality, the adoration from his father and a corrupt system who want him eradicated. It doesn’t paint the prison system in a particularly good light but then prison isn’t supposed to be a holiday camp.
Gareth von Kallenbach (980 KP) rated Lawless (2012) in Movies
Aug 7, 2019
Prohibition means profit to the bootlegging Bondurant brothers, until a new deputy appears wanting a cut of the action. When the family, led by oldest brother Forrest (Tom Hardy), refuses, it ignites a pattern of violent lawless retribution between the corrupt local authorities and the moonshine-selling brothers.
While adapted from the pages of a successful book, the plot of “Lawless” portrays a familiar story. A young romance slated against the challenges of a family who is literally and metaphorically, sticking to their guns. The brilliance of the film exists in the vivid set work, understated characterization, and graphic portrayals of unbridled yet historically accurate punishments.
There are bullet holes everywhere in this wild land of violence. The depictions of torture, while not the most graphically intensive in cinema, are characterized by psychological malice. The result is a film that manages to entirely pull the viewer into a different, much less civilized, time.
Led and narrated by seasoned actor, Shia LaBeouf, as the youngest brother, Jack Bondurant, the role is hardly a challenge. Yet his performances only stands out when supported by other cast members, such as the gangster Floyd Banner, played by Gary Oldman. And while LaBeouf’s performance is not a great as it could be, it shines next to his lackluster costar, Mia Wasikowska as Bertha Minnix the forbidden preacher’s daughter and object of young Jack’s eye.
The best performance in the film is not the lead, but that of his brother Forrest who dispenses well-timed wisdom or humor even in direst situations. Further helping in the films success are the supporting characters; the third Bondurant brother, Howard (Jason Clarke), mechanically gifted family friend, Cricket Pate (Dane DeHaan), and city wise beauty Maggie Beauford (Jessica Chastain).
While not as impressive as expected, the slow but steady story and complex visceral nature of “Lawless”, make it a film that is worth the price of a ticket, for anyone who can make it through the squeamish bits.
While adapted from the pages of a successful book, the plot of “Lawless” portrays a familiar story. A young romance slated against the challenges of a family who is literally and metaphorically, sticking to their guns. The brilliance of the film exists in the vivid set work, understated characterization, and graphic portrayals of unbridled yet historically accurate punishments.
There are bullet holes everywhere in this wild land of violence. The depictions of torture, while not the most graphically intensive in cinema, are characterized by psychological malice. The result is a film that manages to entirely pull the viewer into a different, much less civilized, time.
Led and narrated by seasoned actor, Shia LaBeouf, as the youngest brother, Jack Bondurant, the role is hardly a challenge. Yet his performances only stands out when supported by other cast members, such as the gangster Floyd Banner, played by Gary Oldman. And while LaBeouf’s performance is not a great as it could be, it shines next to his lackluster costar, Mia Wasikowska as Bertha Minnix the forbidden preacher’s daughter and object of young Jack’s eye.
The best performance in the film is not the lead, but that of his brother Forrest who dispenses well-timed wisdom or humor even in direst situations. Further helping in the films success are the supporting characters; the third Bondurant brother, Howard (Jason Clarke), mechanically gifted family friend, Cricket Pate (Dane DeHaan), and city wise beauty Maggie Beauford (Jessica Chastain).
While not as impressive as expected, the slow but steady story and complex visceral nature of “Lawless”, make it a film that is worth the price of a ticket, for anyone who can make it through the squeamish bits.
Leanne Crabtree (480 KP) rated Murder of Crows (The Others, #2) in Books
Jul 16, 2020
It's been a handful of months since I read the first book in this series and I had to go and read my review of it so I could remember enough to get really into this.
This picks up not long after the first one. Meg is still working in the liaison office, accepting parcels for the Others in the courtyard and getting over the events of her almost dying. As a cassandra sangue - a blood prophet, she still has the urge to cut when pins and needles sensations take over her body and in doing so she sees black feathers in snow - Crow feathers. It foretells a coming war between humans and the Others and by reading some of their history, I am definitely on the Others side in this.
There's also a few scenes involving Meg's old handler. It seems he still wants her back and the Others are determined to track him down as his crimes and those like him escalate to almost unforgivable proportions.
The author doesn't mind writing some gory scenes and towards the end of this book, it was a little graphic in the violence.
One thing I was hoping for - a romance between Meg and Simon - seems to be brewing. It's a little awkward because Meg's never had a relationship before and isn't sure how to interact with him and Simon has never really done anything with a human before so they both try and stay as friends, though feelings are clearly starting to emerge.
There's something with this series. It hasn't completely grabbed my attention - I sometimes skip paragraphs! - but I want to read it and when I am reading it, I find it hard to put down. I want these characters to defeat every obstacle, I want them to be on top, to win.
I will be continuing the series at some point.
This picks up not long after the first one. Meg is still working in the liaison office, accepting parcels for the Others in the courtyard and getting over the events of her almost dying. As a cassandra sangue - a blood prophet, she still has the urge to cut when pins and needles sensations take over her body and in doing so she sees black feathers in snow - Crow feathers. It foretells a coming war between humans and the Others and by reading some of their history, I am definitely on the Others side in this.
There's also a few scenes involving Meg's old handler. It seems he still wants her back and the Others are determined to track him down as his crimes and those like him escalate to almost unforgivable proportions.
The author doesn't mind writing some gory scenes and towards the end of this book, it was a little graphic in the violence.
One thing I was hoping for - a romance between Meg and Simon - seems to be brewing. It's a little awkward because Meg's never had a relationship before and isn't sure how to interact with him and Simon has never really done anything with a human before so they both try and stay as friends, though feelings are clearly starting to emerge.
There's something with this series. It hasn't completely grabbed my attention - I sometimes skip paragraphs! - but I want to read it and when I am reading it, I find it hard to put down. I want these characters to defeat every obstacle, I want them to be on top, to win.
I will be continuing the series at some point.
Matthew Krueger (10051 KP) rated Videodrome (1983) in Movies
Sep 8, 2020
First It Controls Your Mind Than It Destorys Your Body
Holy shit this movie is good. The effects, the psychological espect, the sci-fi, the horror, the suspense, the mystery and James Woods.
The Plot: As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend (Deborah Harry) auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
Distributed by Universal Pictures, Videodrome was the first film by Cronenberg to gain backing from any major Hollywood studio. With the highest budget of any of his films to date, the film was a box-office bomb, recouping only $2.1 million from a $5.9 million budget.
Now considered a cult classic, the film has been cited as one of Cronenberg's best, and a key example of the body horror and science fiction horror genres.
The basis for the film came from David Cronenberg's childhood. Cronenberg used to pick up television signals from Buffalo, New York, late at night after Canadian stations had gone off the air, and worry he might see something disturbing not meant for public consumption.
After the box office success of Scanners, Cronenberg turned down the chance of directing Return of the Jedi, having had no desire to direct material produced by other filmmakers.
When it came to casting the character of Max Renn, Cronenberg chose James Woods, who was a fan of Rabid and Scanners and met with the actor in Beverly Hills to offer him the part, and liked the fact that Woods was very articulate in terms of delivery.
Its a excellent movie and a must see, same with david cronenberg's early horror films.
The Plot: As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend (Deborah Harry) auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
Distributed by Universal Pictures, Videodrome was the first film by Cronenberg to gain backing from any major Hollywood studio. With the highest budget of any of his films to date, the film was a box-office bomb, recouping only $2.1 million from a $5.9 million budget.
Now considered a cult classic, the film has been cited as one of Cronenberg's best, and a key example of the body horror and science fiction horror genres.
The basis for the film came from David Cronenberg's childhood. Cronenberg used to pick up television signals from Buffalo, New York, late at night after Canadian stations had gone off the air, and worry he might see something disturbing not meant for public consumption.
After the box office success of Scanners, Cronenberg turned down the chance of directing Return of the Jedi, having had no desire to direct material produced by other filmmakers.
When it came to casting the character of Max Renn, Cronenberg chose James Woods, who was a fan of Rabid and Scanners and met with the actor in Beverly Hills to offer him the part, and liked the fact that Woods was very articulate in terms of delivery.
Its a excellent movie and a must see, same with david cronenberg's early horror films.