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Jennifer's Body (2009)
Jennifer's Body (2009)
2009 | Comedy, Horror, Mystery
7
6.4 (17 Ratings)
Movie Rating
Not bad
This is an older one I'd never seen. Thre cinematography was decent and the story played out really well. The acting was good. It had more than a fe faces I'd recognized from old tv shows and movies. It had a decent twist on your typical demonic possession movie. Nothing too terribly graphic-a couple of "almost" sex scenes but they kept it clean. A little bit more on the violence side but it had a very "90s" feel about it(imo)-showing you just enough blood and guts to keep you interested but not overdoing it. Overall this was an entertaining film from before Megan Fox haf a bunch of work done(when she was better looking). Worth a watch!
  
The Queen of Swords
The Queen of Swords
R.S. Belcher | 2017 | Paranormal, Science Fiction/Fantasy
9
9.0 (1 Ratings)
Book Rating
Maude and the Daughters of Lilith (1 more)
Characters
graphic violence (0 more)
This book is full of strong women and great supporting characters. I hope this isn't the last book of the series but if it is I'm ok with it.
This follows most of the format of the previous two book in that it is multiple points of view. There is information about the Daughters of Lilith and a bit of time travel back and forth between Maude and Anne Bonny the Pirate Queen. It also goes out side of Golgotha and into the wide world, Maude's daughter, Constance, is taken from Golgotha by her grandfather and then kidnapped.
Maude is a mom who won't let anything or anyone get in the way of her finding her daughter and woe to any who get in her way
  
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William H. Macy recommended Chinatown (1974) in Movies (curated)

 
Chinatown (1974)
Chinatown (1974)
1974 | Classics, Drama, Mystery

"Chinatown, I just find to be so wonderfully stylish, so well thought-out. Great acting. For some reason, the scene in that that I found so wonderful is when Nicholson gets his nose sliced open, and then there’s a band-aid on it, and then later, he’s in the bathroom with Faye Dunaway, and she dresses the thing, and she takes the band-aid off. They were very honest and graphic about this, his nose and the stitches. And then there’s romance right after that. There’s a sex scene. I think it’s when they finally do it. I found that to be genius. I don’t know why that scene always has struck me as the most wonderful juxtaposition of beautiful and ugly. I think it speaks volumes about how to deal with violence truthfully."

Source
  
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Awix (3310 KP) rated Game Night (2018) in Movies

Mar 5, 2018 (Updated Mar 22, 2019)  
Game Night (2018)
Game Night (2018)
2018 | Comedy, Mystery
Knowingly absurd black comedy thriller is powered along by engaging performances and some good gags. A group of affluent friends think they're participating in a kind of murder mystery role-playing game; in fact the situation is in deadly earnest.

The script goes into overdrive to sustain this fairly preposterous premise for 100 minutes - it just about manages it but the first half inevitably feels a bit less forced than the conclusion. Still very funny indeed in places; there's a bit of tonal uncertainty - the thriller element is quite dark, with some graphic violence - but not enough to make the film uncomfortable to watch. Bateman and McAdams are particularly good, but lots of good turns here, both comic and straight. I laughed a lot, which is pretty unusual when it comes to me and modern comedies.
  
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Awix (3310 KP) rated You Were Never Really Here (2018) in Movies

Mar 16, 2018 (Updated Mar 17, 2018)  
You Were Never Really Here (2018)
You Were Never Really Here (2018)
2018 | Drama, Mystery, Thriller
On paper Lynne Ramsay's art-house thriller looks like it's channelling Taxi Driver plus any Luc Besson thriller you care to mention: brutal mercenary (Phoenix) takes on a mission to free a senator's daughter, but the job goes bad, to say the least.

However, it's not just the story, but how you tell it - the plot itself is cut down to the bone, and the film is built around the way the director presents a succession of tiny details, a broodingly intense performance from Phoenix, and a driving score from Jonny Greenwood. Pretty heavy stuff throughout, with some graphic violence and a relentlessly bleak vision of the world, but not the kind of film you can really look away from once it has you in its grasp. Not sure it really qualifies as entertainment, but an impressive work of art.
  
The Limehouse Golem (2016)
The Limehouse Golem (2016)
2016 | Horror, International, Mystery
Fantastic Victorian thriller
If you go in wanting to be blindsided about who did it then you're going to be disappointed, it's pretty obvious straight away who the Limehouse Golem is. Other than that this is a gripping film exploring the dregs of society in Victorian London as two cases come together for Scotland Yard's John Kildare (Bill Nighy) and George Flood (Daniel Mays). The story is constantly bubbling beneath the surface and as it rushes towards its conclusion the violence and gore gets more and more graphic, a lot of it doesn't add anything to the story but the dramatics of it does put the state of mind of the murderer into context.

Olivia Cooke, who plays Lizzie Cree a woman on trial for the murder of her husband, is fantastic in the role and has really put on display how good an actress she is.
  
The Perfection (2019)
The Perfection (2019)
2019 | Drama, Horror, Thriller
Allison Williams commands every scene, (1 more)
Well-paced.
Gore and vomit may turn off some. (0 more)
Allison Williams is captivating and propels this film.
Watched this trailer a few times, and just from that, I wasn't sure if I wanted to see this movie. But I decided to take a leap of faith and watch it. Firstly, Allison Williams is incredible. Visually captivating, she commands every scene she's in and pulls you into each one. Beautifully paced, the film grabs you early on and doesn't let you go. The sexual encounter/musical performance scene early on is truly art and beautifully done. Everything is graphic and visceral, not allowing you the opportunity to alleviate the pressure of the gore and violence, nor the underlying messages of the film. Filled with enough twists to keep you guessing until the bloody end, I think this was one of Netflix's best efforts to date.