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Heather Cranmer (2721 KP) rated Thirteen Reasons Why in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a> at the end of November).
I came across this book on Amazon when I was adding books to my wishlist, and I thought it sounded interesting. I also had quite a few credits on Audible to use, so I thought I'd use one to purchase this book. I wasn't disappointed.
The title had me intrigued. It made me want to read the blurb.
I'm not really a big fan of the cover if I'm honest although I don't know what I'd like to see on the cover. Maybe I'd put Clay on the cover as well. I'm not really sure.
I enjoyed the world building. I find it hard to believe that no one would follow the instructions left on the tapes that Hannah made, but I suppose it could happen. The world building fits with what high school was like, at least when I was a teenager.
I found the pacing to be done well. I couldn't wait to find out what was going to happen on the next tape. There were only a few times where the pacing slowed a bit, but it didn't stay slow for very long.
The plot is an interesting one. Hannah make a cassette tape for each of the thirteen people that she felt contributed to her committing suicide. Clay is trying to think of all the times he was around Hannah and wondering why he'd be on the tapes. It was interesting to find out the way certain people contributed to Hannah's depression. I also think the plot sends a great message about how we shouldn't judge anyone because we don't know what that person has gone through or is going through.
I think the characters were written fairly well. At first, I felt a bad for Hannah. However, as time went on, I felt that Hannah became too selfish, not because of her suicide, but just by what she said on the tapes. Clay came across as a nice guy (and Hannah even said he was), but I just would've liked to know more about him.
The dialogue worked for a young adult book. The characters actually sounded their age and not like an adult trying to write YA characters. The dialogue flows freely and smoothly as well. Being that this is a book about a girl's suicide, the dialogue does mention that as well as rape and another sexual situation. There is a few swear words, but the swearing is only mild.
Usually, the narrator's of audiobooks tend to annoy me, but Debra Wiseman and Joel Johnstone did an excellent job. Debra Wiseman really brings the character of Hannah alive, and Joel Johnstone does the same for Clay. I think they both portrayed emotions really well. However, I had imagined Clay to sound a bit different. Johnstone's voice sounded just a tad bit too old for Clay's age in my opinion. Other then that, Wiseman and Johnstone were superb!
Overall, Thirteen Reasons Why is a very different but interesting book. I felt that even though it deals with suicide, it does send out a positive message.
Due to the major theme and some sexual scenes, I'd recommend this book to those aged 16+ who want to read something realistic.
I came across this book on Amazon when I was adding books to my wishlist, and I thought it sounded interesting. I also had quite a few credits on Audible to use, so I thought I'd use one to purchase this book. I wasn't disappointed.
The title had me intrigued. It made me want to read the blurb.
I'm not really a big fan of the cover if I'm honest although I don't know what I'd like to see on the cover. Maybe I'd put Clay on the cover as well. I'm not really sure.
I enjoyed the world building. I find it hard to believe that no one would follow the instructions left on the tapes that Hannah made, but I suppose it could happen. The world building fits with what high school was like, at least when I was a teenager.
I found the pacing to be done well. I couldn't wait to find out what was going to happen on the next tape. There were only a few times where the pacing slowed a bit, but it didn't stay slow for very long.
The plot is an interesting one. Hannah make a cassette tape for each of the thirteen people that she felt contributed to her committing suicide. Clay is trying to think of all the times he was around Hannah and wondering why he'd be on the tapes. It was interesting to find out the way certain people contributed to Hannah's depression. I also think the plot sends a great message about how we shouldn't judge anyone because we don't know what that person has gone through or is going through.
I think the characters were written fairly well. At first, I felt a bad for Hannah. However, as time went on, I felt that Hannah became too selfish, not because of her suicide, but just by what she said on the tapes. Clay came across as a nice guy (and Hannah even said he was), but I just would've liked to know more about him.
The dialogue worked for a young adult book. The characters actually sounded their age and not like an adult trying to write YA characters. The dialogue flows freely and smoothly as well. Being that this is a book about a girl's suicide, the dialogue does mention that as well as rape and another sexual situation. There is a few swear words, but the swearing is only mild.
Usually, the narrator's of audiobooks tend to annoy me, but Debra Wiseman and Joel Johnstone did an excellent job. Debra Wiseman really brings the character of Hannah alive, and Joel Johnstone does the same for Clay. I think they both portrayed emotions really well. However, I had imagined Clay to sound a bit different. Johnstone's voice sounded just a tad bit too old for Clay's age in my opinion. Other then that, Wiseman and Johnstone were superb!
Overall, Thirteen Reasons Why is a very different but interesting book. I felt that even though it deals with suicide, it does send out a positive message.
Due to the major theme and some sexual scenes, I'd recommend this book to those aged 16+ who want to read something realistic.
BankofMarquis (1832 KP) rated The Sting (1973) in Movies
Mar 29, 2020
On my list of All Time Favorite Films
I'll come right out and say it - the 1973 Academy Award winning film for Best Picture, THE STING, is one of the greatest films of all time. It's well written, well acted, well directed with a memorable musical score and characters, situations, costumes and set design that become richer over time and through repeated viewings.
Set in Chicago in the gangster-ridden, depression era mid-1930's, THE STING tells the tale of two con man who join forces for the ultimate con of a vile N.Y. Gangster who is responsible for killing a friend of theirs.
From everything I have read about it, the script by David S. Ward (who won an Oscar for his work) arrived pretty much finished. He shaped the story of the con men - and the myriad pieces of misdirection - fully before shopping it around to the studios. Universal jumped all over it and tabbed veteran Director George Roy Hill (BUTCH CASSIDY AND THE SUNDANCE KID) to helm the picture. Hill - being no dummy - saw this as a vehicle to re-team Newman and Redford (stars of Butch Cassidy) and the rest...as they say...is history.
Newman and Redford are perfectly cast as veteran grifter Henry Gondorff (Newman) and up and coming grifter Johnny Hooker (Redford). They have an ease of playing off of each other - each one complimenting the other one - both giving in their scenes with the other one which makes the scenes more rich and alive. They are joined by a veritable "who's who" of late '60's/early '70's character actors - Harold Gould, Eileen Brennan, Charles Durning, Ray Walston and Dana Elcar - all of them bring their "A" game and they are fun to watch. Special notice should be made to Robert Earl Jones (father of James Earl Jones) as Luther, the character who's fate propels the plot forward.
But...none of this would work if you didn't have a "bad guy" that was interesting to watch - and to root against - and bad guys don't get much better...and badder...than Robert Shaw's Doyle Lonnegan. Shaw plays Lonnegan as a physically tough boss who doesn't suffer failure, but is smart enough to avoid obvious traps. He is a worthy adversary of Gondorff and Hooker's and it is fun to watch Newman, Redford and Shaw play off each other. One other note - it was with this performance that Universal recommended Shaw to young Director Stephen Spielberg for his "shark flick" JAWS.
Edith Head won her 8th (and last) Oscar for the magnificent period costumes in this film and Marvin Hamlisch won for the Music - a surprising hit on the pop charts of re-channeled Scott Joplin tunes. The set design won an Oscar - as did the Director, George Roy Hill. All in all, the film won 7 out of the 11 Oscars it was nominated for (Redford was nominated for Best Actor, but did not win).
THE STING is a well crafted film. One that tells a timeless story and that stands the test of time as a testament of how great of an achievement in film this is. It is one of my All Time favorites.
Letter Grade: the rare A+
5 stars (out of 5) and you can take that to the Bank(ofMarquis)
Set in Chicago in the gangster-ridden, depression era mid-1930's, THE STING tells the tale of two con man who join forces for the ultimate con of a vile N.Y. Gangster who is responsible for killing a friend of theirs.
From everything I have read about it, the script by David S. Ward (who won an Oscar for his work) arrived pretty much finished. He shaped the story of the con men - and the myriad pieces of misdirection - fully before shopping it around to the studios. Universal jumped all over it and tabbed veteran Director George Roy Hill (BUTCH CASSIDY AND THE SUNDANCE KID) to helm the picture. Hill - being no dummy - saw this as a vehicle to re-team Newman and Redford (stars of Butch Cassidy) and the rest...as they say...is history.
Newman and Redford are perfectly cast as veteran grifter Henry Gondorff (Newman) and up and coming grifter Johnny Hooker (Redford). They have an ease of playing off of each other - each one complimenting the other one - both giving in their scenes with the other one which makes the scenes more rich and alive. They are joined by a veritable "who's who" of late '60's/early '70's character actors - Harold Gould, Eileen Brennan, Charles Durning, Ray Walston and Dana Elcar - all of them bring their "A" game and they are fun to watch. Special notice should be made to Robert Earl Jones (father of James Earl Jones) as Luther, the character who's fate propels the plot forward.
But...none of this would work if you didn't have a "bad guy" that was interesting to watch - and to root against - and bad guys don't get much better...and badder...than Robert Shaw's Doyle Lonnegan. Shaw plays Lonnegan as a physically tough boss who doesn't suffer failure, but is smart enough to avoid obvious traps. He is a worthy adversary of Gondorff and Hooker's and it is fun to watch Newman, Redford and Shaw play off each other. One other note - it was with this performance that Universal recommended Shaw to young Director Stephen Spielberg for his "shark flick" JAWS.
Edith Head won her 8th (and last) Oscar for the magnificent period costumes in this film and Marvin Hamlisch won for the Music - a surprising hit on the pop charts of re-channeled Scott Joplin tunes. The set design won an Oscar - as did the Director, George Roy Hill. All in all, the film won 7 out of the 11 Oscars it was nominated for (Redford was nominated for Best Actor, but did not win).
THE STING is a well crafted film. One that tells a timeless story and that stands the test of time as a testament of how great of an achievement in film this is. It is one of my All Time favorites.
Letter Grade: the rare A+
5 stars (out of 5) and you can take that to the Bank(ofMarquis)
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Rachel King (13 KP) rated Eat Pray Love: One Woman's Search for Everything in Books
Feb 11, 2019
I started this book with the warning that the author comes off as very selfish. Considering that this is a memoir, I don't really see what the big deal is. The best way for me to review this book is in three parts, since the book is divided that way. The epiphany that Gilbert has about herself at the beginning of the book I felt I could relate to in some ways - I know what it feels like to spend years gearing yourself up to do something at a certain age, only to arrive and realize that you don't want to do it - and be shocked by this realization. The specifics of her realization were quite different from mine, as I have always wanted children and I could not imagine never having any, but what bugged me was that her husband could not grasp this epiphany of hers. Luckily, the book was more about her than about her mysterious ex-husband.
As for her trip to Italy, I loved every page of it. I felt like I was living it through her words and experiences, wishing I was there with her to taste the food and learn the language. Italy has always been a dream of mine, though I intend to visit the sites, too, not just experience the food and language. I found the scene in which she is fasinated by the Italian man cursing at the soccer game to be a great example of her love for Italy and something I would probably do myself. I was only disappointed that this section was not longer and she did not go into greater detail about everything that she ate. I will certainly have to remember to try the pizza in Naples.
I found her trip to India the most difficult to get through, especially when I reached the point in which she decides to not do any traveling around India - a major disappointment for me. Richard from Texas was the highlight of this section for me, since he seemed to be the most down-to-earth of all the interesting people she meets here, and offers her the soundest advice. The focus of this section was on spirituality, but as it is heavily influenced by Eastern religions, I found myself disagreeing with many of her personal beliefs, even though I admired her dedication and determination. Her views of "kundalini shakti" are a perfect example - Christianity teaches that this is a demonic / occult practice, but Gilbert believes that it is the same thing as the Holy Spirit. This section alone is proof enough for me as to why I stay away from philosophical books.
Her final trip to Bali, Indonesia was educational in many ways, as I knew nothing about the culture and history there. Her medicine man, Ketut Liyer, was quite an interesting character, and I really felt for the young man she befriended, Yudhi, who was forced unfairly to leave the United States thanks to the Homeland Security Act. I find it interesting that she failed in completing her year of celibacy, but I'm sure those Brazilian men can be quite tempting when they want to be. Those who say that Gilbert appears very selfish in this book seem to ignore that she helped a divorced woman - an unheard-of thing in Bali - with three children, obtained a piece of land for her own home and business before Gilbert had to leave the country.
Overall, this year in the life of Elizabeth Gilbert was certainly a memorable one, and one that many, many other women would happily take her place in. I don't find her any more selfish than anyone else who is trying to find a way out of grief and depression, as well as break destructive cycles in his or her life. She was just blessed enough to be payed for the effort to document the experience.
As for her trip to Italy, I loved every page of it. I felt like I was living it through her words and experiences, wishing I was there with her to taste the food and learn the language. Italy has always been a dream of mine, though I intend to visit the sites, too, not just experience the food and language. I found the scene in which she is fasinated by the Italian man cursing at the soccer game to be a great example of her love for Italy and something I would probably do myself. I was only disappointed that this section was not longer and she did not go into greater detail about everything that she ate. I will certainly have to remember to try the pizza in Naples.
I found her trip to India the most difficult to get through, especially when I reached the point in which she decides to not do any traveling around India - a major disappointment for me. Richard from Texas was the highlight of this section for me, since he seemed to be the most down-to-earth of all the interesting people she meets here, and offers her the soundest advice. The focus of this section was on spirituality, but as it is heavily influenced by Eastern religions, I found myself disagreeing with many of her personal beliefs, even though I admired her dedication and determination. Her views of "kundalini shakti" are a perfect example - Christianity teaches that this is a demonic / occult practice, but Gilbert believes that it is the same thing as the Holy Spirit. This section alone is proof enough for me as to why I stay away from philosophical books.
Her final trip to Bali, Indonesia was educational in many ways, as I knew nothing about the culture and history there. Her medicine man, Ketut Liyer, was quite an interesting character, and I really felt for the young man she befriended, Yudhi, who was forced unfairly to leave the United States thanks to the Homeland Security Act. I find it interesting that she failed in completing her year of celibacy, but I'm sure those Brazilian men can be quite tempting when they want to be. Those who say that Gilbert appears very selfish in this book seem to ignore that she helped a divorced woman - an unheard-of thing in Bali - with three children, obtained a piece of land for her own home and business before Gilbert had to leave the country.
Overall, this year in the life of Elizabeth Gilbert was certainly a memorable one, and one that many, many other women would happily take her place in. I don't find her any more selfish than anyone else who is trying to find a way out of grief and depression, as well as break destructive cycles in his or her life. She was just blessed enough to be payed for the effort to document the experience.
Asiza Tait (139 KP) rated Where'd You Go, Bernadette? in Books
Feb 1, 2018
4.9 Stars out of 5
Bream Reading Club met tonight to review Where’d You Go Bernadette? By Maria Semple.
We all agreed that it is a brilliant book, thought provoking, satirical, profound and very well written. One thing we didn’t like was the cover of the book! It gave the impression that the target audience were those who love ‘chick lit’ or something trivial – something the book very well is not. We all agreed that we would not have picked it up if given the choice. In this case it was me who took a gamble and reserved the book and thankfully I hit upon a gem.
The book touches on many themes, the main one in our view being destruction and reconstitution. The 20 Mile House was the beginning of the destruction, of a house and a life, and it didn’t end until rebuilding truly began at the end of the book.
We saw the dilapidated state of the house at Straight Gate as a mirror for Bernadette herself. The house was barely liveable, certain areas were completely barricaded off because of being so hazardous and Bernadette’s tactics to get by in the house were the same type of skills she was using to get by in life. Ultimately the house would come down, and so does Bernadette, as only in that way can rebuilding begin.
The relationship between Bernadette and her neighbour Audrey is at once comedic and sad and perhaps even stereotypical of the super involved PTA mum not getting on with parents who are not as involved, no matter what their reasons may be. Audrey’s character is obnoxious at best but she does redeem herself and the reading club imagined that Bernadette and Audrey may get along quite well after the change in both their perspectives.
Coming to the relationship between Bernadette and Elgie (her husband) is a show of how a marriage falls apart when partners do not communicate with each other. Bernadette leans on ‘Manjula’ the virtual assistant to get normal life done and keeps it from Elgie as she knows he will only get mad about it. We found her behaviour to be reasonable considering what she had been through and was still going through. She clearly had depression, anxiety and was hiding away from life in general, especially being in trailer a great deal of the time. The only one who really understood her was Bee her daughter.
A moment in the book that irritated us badly was Elgie giving in and sleeping with this assistant. Yes, he was vulnerable and she was hero worshipping him and almost stalking him, but that is still a poor excuse and we labelled him weak willed. We also thought that perhaps in a small way he was getting back at Bernadette over her lying to him about ‘Manjula’ and exposing their identities and finances to a stranger, who in reality was not a virtual assistant but Russian criminals were posing as such.
The most steadfast relationship is between Bernadette and Bee. No matter what happens Bee with her astonishing level of maturity sees things for what they are and she is committed to Bernadette’s cause. She appears to be in denial about her mother’s disappearance but in reality she is the one who knows more than the adults.
The trip to Antarctica is where much of the hurt and miscommunication is finally resolved. Bee asks her father what the difference is between Manjula and Samantha 2 (his huge Microsoft project) which helps him to see that Bernadette’s transgression isn’t as unforgiveable as he thinks. During the trip Bee and her father’s relationships is mended, and Elgie himself finally sees hope in finding Bernadette and gives himself completely to it. Bee’s belief is completely vindicated. The happy ending is especially poignant because in Bee’s searching for her mother, Bernadette has had the time to find herself.
Bream Reading Club met tonight to review Where’d You Go Bernadette? By Maria Semple.
We all agreed that it is a brilliant book, thought provoking, satirical, profound and very well written. One thing we didn’t like was the cover of the book! It gave the impression that the target audience were those who love ‘chick lit’ or something trivial – something the book very well is not. We all agreed that we would not have picked it up if given the choice. In this case it was me who took a gamble and reserved the book and thankfully I hit upon a gem.
The book touches on many themes, the main one in our view being destruction and reconstitution. The 20 Mile House was the beginning of the destruction, of a house and a life, and it didn’t end until rebuilding truly began at the end of the book.
We saw the dilapidated state of the house at Straight Gate as a mirror for Bernadette herself. The house was barely liveable, certain areas were completely barricaded off because of being so hazardous and Bernadette’s tactics to get by in the house were the same type of skills she was using to get by in life. Ultimately the house would come down, and so does Bernadette, as only in that way can rebuilding begin.
The relationship between Bernadette and her neighbour Audrey is at once comedic and sad and perhaps even stereotypical of the super involved PTA mum not getting on with parents who are not as involved, no matter what their reasons may be. Audrey’s character is obnoxious at best but she does redeem herself and the reading club imagined that Bernadette and Audrey may get along quite well after the change in both their perspectives.
Coming to the relationship between Bernadette and Elgie (her husband) is a show of how a marriage falls apart when partners do not communicate with each other. Bernadette leans on ‘Manjula’ the virtual assistant to get normal life done and keeps it from Elgie as she knows he will only get mad about it. We found her behaviour to be reasonable considering what she had been through and was still going through. She clearly had depression, anxiety and was hiding away from life in general, especially being in trailer a great deal of the time. The only one who really understood her was Bee her daughter.
A moment in the book that irritated us badly was Elgie giving in and sleeping with this assistant. Yes, he was vulnerable and she was hero worshipping him and almost stalking him, but that is still a poor excuse and we labelled him weak willed. We also thought that perhaps in a small way he was getting back at Bernadette over her lying to him about ‘Manjula’ and exposing their identities and finances to a stranger, who in reality was not a virtual assistant but Russian criminals were posing as such.
The most steadfast relationship is between Bernadette and Bee. No matter what happens Bee with her astonishing level of maturity sees things for what they are and she is committed to Bernadette’s cause. She appears to be in denial about her mother’s disappearance but in reality she is the one who knows more than the adults.
The trip to Antarctica is where much of the hurt and miscommunication is finally resolved. Bee asks her father what the difference is between Manjula and Samantha 2 (his huge Microsoft project) which helps him to see that Bernadette’s transgression isn’t as unforgiveable as he thinks. During the trip Bee and her father’s relationships is mended, and Elgie himself finally sees hope in finding Bernadette and gives himself completely to it. Bee’s belief is completely vindicated. The happy ending is especially poignant because in Bee’s searching for her mother, Bernadette has had the time to find herself.
Lucy Buglass (45 KP) rated Rocketman (2019) in Movies
Jun 20, 2019
A dazzling, brutally honest biopic
Biopics are always challenging. Trying to condense the life of a public figure into a couple of hours is never easy, which is why it can go wrong. It must be even more intimidating when your subject is still alive, and in this case, Elton John is very much alive and kicking at the age of 72.
Rocketman was a project that was closely followed by a number of fans and media outlets, all of them keen to see how they brought his story to life on-screen. With Dexter Fletcher at the helm and a star-studded cast, the film certainly had potential. And boy did it deliver.
Something that took me by surprise was the fact the film was more of a musical, rather than a straight-up biopic. I must admit I’m not the biggest fan of musicals most of the time, but I was instantly charmed by the musical numbers in Rocketman. It felt appropriate to present someone so passionate about music in this way. The film is choreographed to perfection, with the key moments in Elton’s life brought to life through song and dance.
In the leading role, Taron Egerton absolutely shone as Elton. The fact he actually sang so many of his iconic songs, and did them well, is something that should be celebrated for years to come. But even beyond the music, the way he showcased Elton’s pain throughout his years brought me to tears several times, and I’d be as bold to say his performance was award worthy. I couldn’t take my eyes off him.
It was also refreshing to see the brutal honesty in the film. Elton John himself said he ‘hadn’t lived a PG-13 life’, so the inclusion of sex, drugs and depression was absolutely necessary. Elton suffered from a lot of addictions, which are unapologetically presented on screen. There were so many tragedies I was not aware of, and it was so awful to see how he’d been treated by those close to him.
His parents in particular, Sheila (Bryce Dallas Howard) and Stanley (Steven Mackintosh), weren’t accepting of him and created a toxic home environment for Elton. I wasn’t aware of these strained relationships so it was interesting to observe, and the performances felt incredibly raw and devastating.
Naturally, the film also explored Elton’s first relationship with music manager John Reid (Richard Madden). This was heartbreaking to witness, as there was a lot of abuse and manipulation from Reid throughout their relationship. I thought Madden was exceptional in this role; villainous yet charismatic, and he delivered some truly cutting lines that, again, made me cry.
The one constant good relationship in Elton’s life was, and still is, Bernie Taupin (Jamie Bell). The two worked closely over the years to write the lyrics we know and love, and have endured lots together. As a key figure in his life, it was essential he was played well, and I couldn’t be happier with Bell’s performance. The energy between him and Egerton was a powerful thing.
These great performances are set against a beautiful backdrop of glitz and glamour, with some seriously impressive live shows where Egerton gets the opportunity to really shine. The gorgeous set design, costume design and cinematography only broke my heart further, when it became apparent a lot of it was a lie, and deep down Elton was battling with many demons. Fame does not always equal happiness, and this film is the epitome of that message.
Whilst it’s not an easy film to watch at times, it’s a beautiful celebration of Elton’s life that I can’t wait to experience again. He has came such a long way, and the film does everything in its power to show both the lows and highs, and remind fans where he came from. My advice would be to bring tissues, you’re going to need them.
https://lucygoestohollywood.com/2019/05/27/rocketman-dazzling-brutally-honest-biopic/
Rocketman was a project that was closely followed by a number of fans and media outlets, all of them keen to see how they brought his story to life on-screen. With Dexter Fletcher at the helm and a star-studded cast, the film certainly had potential. And boy did it deliver.
Something that took me by surprise was the fact the film was more of a musical, rather than a straight-up biopic. I must admit I’m not the biggest fan of musicals most of the time, but I was instantly charmed by the musical numbers in Rocketman. It felt appropriate to present someone so passionate about music in this way. The film is choreographed to perfection, with the key moments in Elton’s life brought to life through song and dance.
In the leading role, Taron Egerton absolutely shone as Elton. The fact he actually sang so many of his iconic songs, and did them well, is something that should be celebrated for years to come. But even beyond the music, the way he showcased Elton’s pain throughout his years brought me to tears several times, and I’d be as bold to say his performance was award worthy. I couldn’t take my eyes off him.
It was also refreshing to see the brutal honesty in the film. Elton John himself said he ‘hadn’t lived a PG-13 life’, so the inclusion of sex, drugs and depression was absolutely necessary. Elton suffered from a lot of addictions, which are unapologetically presented on screen. There were so many tragedies I was not aware of, and it was so awful to see how he’d been treated by those close to him.
His parents in particular, Sheila (Bryce Dallas Howard) and Stanley (Steven Mackintosh), weren’t accepting of him and created a toxic home environment for Elton. I wasn’t aware of these strained relationships so it was interesting to observe, and the performances felt incredibly raw and devastating.
Naturally, the film also explored Elton’s first relationship with music manager John Reid (Richard Madden). This was heartbreaking to witness, as there was a lot of abuse and manipulation from Reid throughout their relationship. I thought Madden was exceptional in this role; villainous yet charismatic, and he delivered some truly cutting lines that, again, made me cry.
The one constant good relationship in Elton’s life was, and still is, Bernie Taupin (Jamie Bell). The two worked closely over the years to write the lyrics we know and love, and have endured lots together. As a key figure in his life, it was essential he was played well, and I couldn’t be happier with Bell’s performance. The energy between him and Egerton was a powerful thing.
These great performances are set against a beautiful backdrop of glitz and glamour, with some seriously impressive live shows where Egerton gets the opportunity to really shine. The gorgeous set design, costume design and cinematography only broke my heart further, when it became apparent a lot of it was a lie, and deep down Elton was battling with many demons. Fame does not always equal happiness, and this film is the epitome of that message.
Whilst it’s not an easy film to watch at times, it’s a beautiful celebration of Elton’s life that I can’t wait to experience again. He has came such a long way, and the film does everything in its power to show both the lows and highs, and remind fans where he came from. My advice would be to bring tissues, you’re going to need them.
https://lucygoestohollywood.com/2019/05/27/rocketman-dazzling-brutally-honest-biopic/
Colorfy: Coloring Book
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No.1 Coloring Book for Adults with 25,000,000 users! Colorfy is the original and best coloring book...
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Mindwave's potent binaural tones have been imitated since it's first week in the app store, but the...
Sophie Wink (11 KP) rated It's Kind of a Funny Story in Books
Jun 20, 2019
"Insightful and utterly authentic... This is an important book." - The New York Times Book Review
I do very much agree with this comment as it is insightful reading about a mind that is depressed as it can be very hard to compute if you are not depressed yourself, even though this is just one story of an individual with depression it does give you a really good indication of what it's like. And from what I've just read, it sounds horrendous and I would never wish it on anybody.
I really like how the story is set out as even though it only takes place over a few days, the flashbacks convey the depth of the story and really show the development of the main character Craig. I love the way the novel helps the reader understand the mental illness with the little man in his stomach, the soldier in his head, over-sweating, his tentacles, and anchors, it is a clear projection of what it is like. Overall the portrayal of this increasingly common illness is beautifully done.
The character Craig is very likable, even the title immediately portrays the kind of guy that he is; funny and good yet complex. Correct me if I am wrong but he is kind of a walking contradiction as while he can be quite melodramatic he also plays things down, he can be very funny but inside his mind is cluttered with sadness. While he sometimes seems angry he can never actually convey that through his actions. The depth of this character is very thorough, it works really well as even though this character is so complex Vizzini portrays him in such an understandable way. The majority of the characters have two common traits; they're likable yet deeply troubled. I enjoyed reading about everyone in the hospital as there was something about the way they're described and portrayed that makes them, somehow familiar and very much likable. I think the development of the main character is truly fantastic and it made me smile, that's all I can really say without giving too much of the story away.
One thing I really did love within the book was the connection between school and stress with these illnesses as far too often it takes up a good portion of why the individual has a mental illness. From personal experience I know that it is beyond difficult to balance everything between, socialising, family time, the school itself, homework, revision, exams, hobbies, extracurricular activities and jobs and then within that you have to eat, drink and sleep. I definitely connected with the story and Craig himself considering this theme. Another aspect of the story I really love is him finding his love for art. That really made me smile, as it was sometimes my anchor too.
As for the movie... It was terrible. I feel bad for saying it but it really was awful. A lot of the acting in it was really bad, a lot of the plot taken from the story was wrong and mixed up which to an extent I understand as obviously you cannot have every detail of the book in the film but it was too muddled. I think the only character that I thought was portrayed quite well in the movie was Bobby, played by Zach Galifianakis as I connected with him and really felt sympathy and joy for him, there is also a lot of humour associated with him too that I liked and really did laugh out loud at. I thought that the guy who played Craig was really bad, I felt nothing for the character in the movie compared to the book, the acting overall was bad and his chemistry with the other actors wasn't all that great either. I apologise for the bad review of the movie but I have to be honest, as an aspiring actor myself I would want to know if I had done well or not.
Overall the novel is incredibly insightful and beautifully written.
I do very much agree with this comment as it is insightful reading about a mind that is depressed as it can be very hard to compute if you are not depressed yourself, even though this is just one story of an individual with depression it does give you a really good indication of what it's like. And from what I've just read, it sounds horrendous and I would never wish it on anybody.
I really like how the story is set out as even though it only takes place over a few days, the flashbacks convey the depth of the story and really show the development of the main character Craig. I love the way the novel helps the reader understand the mental illness with the little man in his stomach, the soldier in his head, over-sweating, his tentacles, and anchors, it is a clear projection of what it is like. Overall the portrayal of this increasingly common illness is beautifully done.
The character Craig is very likable, even the title immediately portrays the kind of guy that he is; funny and good yet complex. Correct me if I am wrong but he is kind of a walking contradiction as while he can be quite melodramatic he also plays things down, he can be very funny but inside his mind is cluttered with sadness. While he sometimes seems angry he can never actually convey that through his actions. The depth of this character is very thorough, it works really well as even though this character is so complex Vizzini portrays him in such an understandable way. The majority of the characters have two common traits; they're likable yet deeply troubled. I enjoyed reading about everyone in the hospital as there was something about the way they're described and portrayed that makes them, somehow familiar and very much likable. I think the development of the main character is truly fantastic and it made me smile, that's all I can really say without giving too much of the story away.
One thing I really did love within the book was the connection between school and stress with these illnesses as far too often it takes up a good portion of why the individual has a mental illness. From personal experience I know that it is beyond difficult to balance everything between, socialising, family time, the school itself, homework, revision, exams, hobbies, extracurricular activities and jobs and then within that you have to eat, drink and sleep. I definitely connected with the story and Craig himself considering this theme. Another aspect of the story I really love is him finding his love for art. That really made me smile, as it was sometimes my anchor too.
As for the movie... It was terrible. I feel bad for saying it but it really was awful. A lot of the acting in it was really bad, a lot of the plot taken from the story was wrong and mixed up which to an extent I understand as obviously you cannot have every detail of the book in the film but it was too muddled. I think the only character that I thought was portrayed quite well in the movie was Bobby, played by Zach Galifianakis as I connected with him and really felt sympathy and joy for him, there is also a lot of humour associated with him too that I liked and really did laugh out loud at. I thought that the guy who played Craig was really bad, I felt nothing for the character in the movie compared to the book, the acting overall was bad and his chemistry with the other actors wasn't all that great either. I apologise for the bad review of the movie but I have to be honest, as an aspiring actor myself I would want to know if I had done well or not.
Overall the novel is incredibly insightful and beautifully written.