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Bob Mann (459 KP) rated The Hitman's Wife's Bodyguard (2021) in Movies
Jun 22, 2021
No tension in the thriller elements (1 more)
Some shoddy special effects.
A movie that’s a pain in the A-double-dollar sign.
Struck-off bodyguard Michael Bryce (Ryan Reynolds) is plagued with nightmares about his failures, brought about by his nemesis Darius Kincaid (Samuel L Jackson) and his potty-mouthed wife Sonia (Salma Hayek). On doctor’s orders, he ‘retires’ from the business. But when Europe’s infrastructure is threatened by Greek megalomaniac Aristotle Papdopolous (Antonio Banderas) he is rudely dragged away from his briefly peaceful life and pitched back into utter mayhem.
Positives:
- As a comedy thriller, it does pass the '6 laughs test' in terms of the 'comedy' element. Some of these are minor chuckles. A few are really good belly laughs.
- Among these are some of the outrageous tirades of Salma Hayek: her accent makes some of the dialogue unintelligible, but given its X-rated nature, that's not necessarily a bad thing! As a mid-50's actress (Oh God - - don't tell her I mentioned her age!), Ms Hayek indeed has an arrestingly attractive form.
- Seeing Antonio Banderas and Morgan Freeman on the screen is never anything other than a positive. (Although Banderas is like Sean Connery in failing to tailor his natural accent to any role he's ever in!)
Negatives:
- A general problem I have with 'comedy thrillers' is that the comedy nearly always negates any of the thrills. Ryan Reynolds is not playing Deadpool in this one, although he might as well be doing so based on the number of times he is hit by cars and other solid objects. The result is that although it has the trappings of a Bond or a Bourne - exotic locations (here, mostly Italian ones) ; exotic woman; car chases; heavily-armed henchmen; huge explosions - it delivers none of the tension or excitement. When matched with some rather dodgy post-shoot special effects, the effect is generally underwhelming.
- If there was an award for the clumsiest movie title of 2021, we may already have a winner.
Summary Thoughts on "The Hitman's Wife's Bodyguard": Sequels are very occasionally better. Often they are much worse. This one, I have to say, delivers very much "more of the same". Given that the writer/director team of Tom O'Connor and Patrick Hughes are in the driving seat, that's not much of a surprise. The shtick is mildly diverting, occasionally downright funny, but quickly outstays its welcome. The 100 minute run time felt, for me, much longer.
Looking back at my 2017 review of the first film, I think I was being over-kind giving it 6/10. I think this is neither better nor worse. So if you want to average the two and give each 5/10, I wouldn't object! But, again, it's one I will struggle to remember much about in a few month's time.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/06/22/the-hitmans-wifes-bodyguard-a-movie-thats-a-pain-in-the-a-double-dollar-sign/. Thanks).
Positives:
- As a comedy thriller, it does pass the '6 laughs test' in terms of the 'comedy' element. Some of these are minor chuckles. A few are really good belly laughs.
- Among these are some of the outrageous tirades of Salma Hayek: her accent makes some of the dialogue unintelligible, but given its X-rated nature, that's not necessarily a bad thing! As a mid-50's actress (Oh God - - don't tell her I mentioned her age!), Ms Hayek indeed has an arrestingly attractive form.
- Seeing Antonio Banderas and Morgan Freeman on the screen is never anything other than a positive. (Although Banderas is like Sean Connery in failing to tailor his natural accent to any role he's ever in!)
Negatives:
- A general problem I have with 'comedy thrillers' is that the comedy nearly always negates any of the thrills. Ryan Reynolds is not playing Deadpool in this one, although he might as well be doing so based on the number of times he is hit by cars and other solid objects. The result is that although it has the trappings of a Bond or a Bourne - exotic locations (here, mostly Italian ones) ; exotic woman; car chases; heavily-armed henchmen; huge explosions - it delivers none of the tension or excitement. When matched with some rather dodgy post-shoot special effects, the effect is generally underwhelming.
- If there was an award for the clumsiest movie title of 2021, we may already have a winner.
Summary Thoughts on "The Hitman's Wife's Bodyguard": Sequels are very occasionally better. Often they are much worse. This one, I have to say, delivers very much "more of the same". Given that the writer/director team of Tom O'Connor and Patrick Hughes are in the driving seat, that's not much of a surprise. The shtick is mildly diverting, occasionally downright funny, but quickly outstays its welcome. The 100 minute run time felt, for me, much longer.
Looking back at my 2017 review of the first film, I think I was being over-kind giving it 6/10. I think this is neither better nor worse. So if you want to average the two and give each 5/10, I wouldn't object! But, again, it's one I will struggle to remember much about in a few month's time.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/06/22/the-hitmans-wifes-bodyguard-a-movie-thats-a-pain-in-the-a-double-dollar-sign/. Thanks).
Purple Phoenix Games (2266 KP) rated Dodekka in Tabletop Games
Mar 3, 2021
I am eagerly growing into a big Andy Hopwood fan. He has designed family favorites like Daring Dustbunnies, Mijnlieff, and Niche. Playing one of his games is like playing an old classic with a new coat of paint and some killer new rims. Dodekka may seem familiar when playing, and I will disclose my comp at the end of this review, but again has a special twist. Obviously my family loves the game, but why?
Dodekka is loosely named after the Greek prefix for 12, Dodeca. Twelve is a big aspect of this game. In it players are attempting to score a large value of cards from one suit while keeping other suits to a minimum, as they are negative points at the end of the game. The player with the most points at the end of the game will be crowned the winner.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup shuffle the main deck of cards and reveal three near the deck. The game may now begin! Note: this may be the easiest setup of any game I have played.
Dodekka is played in turns where each player will take one of a choice of two actions: take a card or add a card. When a player decides to take a card they simply take the card closest to the deck into their hand. Should they wish to add a card the player will simply reveal a card from the deck and add it to the end of the line. Easy, right? Well that’s not much of a game, admittedly. Where’s the catch?
When players add cards to the end of the line they must take care not to increase the total value of the cards within the line past 12. Each suit contains cards numbered zero through four, so adding a card to the line can be quite a gamble if the total value of the cards in the line is already in double digits. Many times players will be forced to take the card closest to the deck out of fear of busting the line total. When a players busts they must take ALL the cards in the line and a new set of three will be revealed to form a new line.
However, there is a catch to this catch. A catch-ception! Should the line bust when adding a card, but the newly added card is of the matching value of the card already at the end of the line (for example adding a three when the last card is already a three) then the bust is delayed until another player brings the total value down by taking a card or busts on a failed gamble.
Play continues in this fashion of players collecting cards of certain suits to earn points or pressing their luck by adding cards to the line until the deck runs out of cards. At that point players will add up the values of the suit with the most points in their hand and subtract the NUMBER of non-scoring cards. Using the photo below for example, should the player choose to score blue they would have five points. However, they would need to subtract the number of cards from the non-scoring suit, which also equals five (two purple cards and three green cards). This will be a net zero score. The player with the most points wins!
Components. This game is a bunch of cards. The cards are all great quality and feature minimal art. The numbering text on the cards are ancient Greek-themed and work for me. I actually like that the art gets out of the way of the cards and allows the numbers and suit colors to shine. Although, I try to be conscious of our colorblind friends and Dodekka is also considerate here by the addition of different art for each suit to help these players be successful. I have no qualms with any of the components here.
All in all, this game is quite similar to another favorite of ours: No Thanks! In each, players are trying to keep away from gaining a bunch of cards that will negatively impact their final scores. Also in each is the element of press your luck that I find simply delicious. You try to wait as long as possible sometimes so as not to get stuck with the bad card(s) but sometimes that gamble blows up in your face. I just love it!
What I like better in Dodekka than I do in No Thanks! is that there is so little to setup that this can be taken almost anywhere and played without any real concern for losing or damaging components. Being solely cards and setup just being a deck with three exposed cards is so simple that players I have introduced to Dodekka are floored that they don’t receive any cards or have anything at setup. It is just refreshing to start a game that can be setup in 10 seconds or less, depending on shuffling skills.
I really don’t want to say this because I love No Thanks! but I may have found its replacement. Dodekka is light, fast, and gives the same level of heart-racing excitement when you need to add a card to the line when it is at 11 already and showing a three at the end. Can you risk pulling a 0, 1, or 3 to remain cool, or will a 2 or 4 be your downfall and cause you to take the lot? It’s wonderful! If you are looking for a small card game that is an excellent little filler and has interesting twists on familiar mechanics, I recommend you grab a copy of Dodekka. Purple Phoenix Games gives this one an under-the-radar 10 / 12. Go grab your trusty dodecahedrons (or borrow mine – my Monk doesn’t use it for anything) and get Dodekka to the table!
Dodekka is loosely named after the Greek prefix for 12, Dodeca. Twelve is a big aspect of this game. In it players are attempting to score a large value of cards from one suit while keeping other suits to a minimum, as they are negative points at the end of the game. The player with the most points at the end of the game will be crowned the winner.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup shuffle the main deck of cards and reveal three near the deck. The game may now begin! Note: this may be the easiest setup of any game I have played.
Dodekka is played in turns where each player will take one of a choice of two actions: take a card or add a card. When a player decides to take a card they simply take the card closest to the deck into their hand. Should they wish to add a card the player will simply reveal a card from the deck and add it to the end of the line. Easy, right? Well that’s not much of a game, admittedly. Where’s the catch?
When players add cards to the end of the line they must take care not to increase the total value of the cards within the line past 12. Each suit contains cards numbered zero through four, so adding a card to the line can be quite a gamble if the total value of the cards in the line is already in double digits. Many times players will be forced to take the card closest to the deck out of fear of busting the line total. When a players busts they must take ALL the cards in the line and a new set of three will be revealed to form a new line.
However, there is a catch to this catch. A catch-ception! Should the line bust when adding a card, but the newly added card is of the matching value of the card already at the end of the line (for example adding a three when the last card is already a three) then the bust is delayed until another player brings the total value down by taking a card or busts on a failed gamble.
Play continues in this fashion of players collecting cards of certain suits to earn points or pressing their luck by adding cards to the line until the deck runs out of cards. At that point players will add up the values of the suit with the most points in their hand and subtract the NUMBER of non-scoring cards. Using the photo below for example, should the player choose to score blue they would have five points. However, they would need to subtract the number of cards from the non-scoring suit, which also equals five (two purple cards and three green cards). This will be a net zero score. The player with the most points wins!
Components. This game is a bunch of cards. The cards are all great quality and feature minimal art. The numbering text on the cards are ancient Greek-themed and work for me. I actually like that the art gets out of the way of the cards and allows the numbers and suit colors to shine. Although, I try to be conscious of our colorblind friends and Dodekka is also considerate here by the addition of different art for each suit to help these players be successful. I have no qualms with any of the components here.
All in all, this game is quite similar to another favorite of ours: No Thanks! In each, players are trying to keep away from gaining a bunch of cards that will negatively impact their final scores. Also in each is the element of press your luck that I find simply delicious. You try to wait as long as possible sometimes so as not to get stuck with the bad card(s) but sometimes that gamble blows up in your face. I just love it!
What I like better in Dodekka than I do in No Thanks! is that there is so little to setup that this can be taken almost anywhere and played without any real concern for losing or damaging components. Being solely cards and setup just being a deck with three exposed cards is so simple that players I have introduced to Dodekka are floored that they don’t receive any cards or have anything at setup. It is just refreshing to start a game that can be setup in 10 seconds or less, depending on shuffling skills.
I really don’t want to say this because I love No Thanks! but I may have found its replacement. Dodekka is light, fast, and gives the same level of heart-racing excitement when you need to add a card to the line when it is at 11 already and showing a three at the end. Can you risk pulling a 0, 1, or 3 to remain cool, or will a 2 or 4 be your downfall and cause you to take the lot? It’s wonderful! If you are looking for a small card game that is an excellent little filler and has interesting twists on familiar mechanics, I recommend you grab a copy of Dodekka. Purple Phoenix Games gives this one an under-the-radar 10 / 12. Go grab your trusty dodecahedrons (or borrow mine – my Monk doesn’t use it for anything) and get Dodekka to the table!
Hazel (1853 KP) rated No More Than Mystic in Books
Sep 23, 2017
Russian Revolution
I received this book for free through Goodreads First Reads.
No Less Than Mystic: A Story of Lenin and the Russian Revolution for a 21st Century Left by John Medhurst is an in-depth historical and political insight to the truth about what really happened in Russia before, during and after the Bolshevik insurrection of October 1917. Beginning with the end of the Tsars rule and ending with Stalinism, Medhurst unearths the fact from the fiction, challenging the information the world has been led to believe.
As mentioned in Medhurst lengthy introduction, previous books on the subject are often biased and inaccurate. Swayed by political beliefs, authors and historians often pass judgement by using the information they have chosen to believe, dismissing anything that goes against their viewpoint. In this book, Medhurst filters through these false histories, preferring to cite from publications written at the time rather than those penned by people who did not witness the events between 1903 and 1921.
Medhurst’s narrative is more political than historical, often going off on tangents. In order to for the reader to obtain some sort of connection with the events described, the author contrasts them with more recent occurrences that readers may have observed or at least understand. These include the British miner’s strike, feminist movements, the Greek economy and a variety of other capitalist struggles.
The Russian revolution is a complex affair that cannot easily be condensed. As a result, No More Than Mystic exceeds 600 pages and covers every event, no matter how big or small, that contributed to the rise of USSR. Russia was a dangerous place to live during the 20th century, particularly when Leninism spiralled into Stalinism. However, Leninism was not all the history books make it out to be.
During GCSE History, one teacher led his class to believe that Lenin was good and Stalin was bad, however, the reality was much more complicated than that. Lenin was not the good guy that many painted him to be. Thousands died as a result of his policies from both execution and starvation. Yet, at the same time, Medhurst tries to point out the reasoning behind the ideas of the communist rulers, refusing to give a personal opinion without laying bare both sides of the argument.
Although this book is accurate and educational, it is not the easiest to sit down and read. Extensive chapters full of mind-numbing information detract from the comprehensive insightfulness of the content. Notwithstanding the fact that the inclusion of contrasting capitalist examples helps the reader to establish some form of familiar ground, the sudden changes in topic, location and time period are often confusing and hard to follow.
No Less Than Mystic is for the intellectual person with a great interest in 20th-century Russian history and communist affairs. Without any prior education on the topic, this book will not mean anything. It attempts to challenge the ingrained beliefs people have about what happened during the Bolshevik insurrection. Those who do not know anything will not benefit from the confronting enlightenment.
In all, No Less Than Mystic is a well-researched academic text that brings a fresh history of Lenin and the Russian Revolution. Those who want an unbiased truth need to read this book and be sceptical about any other on the topic. In order to form opinions, one must know the facts.
No Less Than Mystic: A Story of Lenin and the Russian Revolution for a 21st Century Left by John Medhurst is an in-depth historical and political insight to the truth about what really happened in Russia before, during and after the Bolshevik insurrection of October 1917. Beginning with the end of the Tsars rule and ending with Stalinism, Medhurst unearths the fact from the fiction, challenging the information the world has been led to believe.
As mentioned in Medhurst lengthy introduction, previous books on the subject are often biased and inaccurate. Swayed by political beliefs, authors and historians often pass judgement by using the information they have chosen to believe, dismissing anything that goes against their viewpoint. In this book, Medhurst filters through these false histories, preferring to cite from publications written at the time rather than those penned by people who did not witness the events between 1903 and 1921.
Medhurst’s narrative is more political than historical, often going off on tangents. In order to for the reader to obtain some sort of connection with the events described, the author contrasts them with more recent occurrences that readers may have observed or at least understand. These include the British miner’s strike, feminist movements, the Greek economy and a variety of other capitalist struggles.
The Russian revolution is a complex affair that cannot easily be condensed. As a result, No More Than Mystic exceeds 600 pages and covers every event, no matter how big or small, that contributed to the rise of USSR. Russia was a dangerous place to live during the 20th century, particularly when Leninism spiralled into Stalinism. However, Leninism was not all the history books make it out to be.
During GCSE History, one teacher led his class to believe that Lenin was good and Stalin was bad, however, the reality was much more complicated than that. Lenin was not the good guy that many painted him to be. Thousands died as a result of his policies from both execution and starvation. Yet, at the same time, Medhurst tries to point out the reasoning behind the ideas of the communist rulers, refusing to give a personal opinion without laying bare both sides of the argument.
Although this book is accurate and educational, it is not the easiest to sit down and read. Extensive chapters full of mind-numbing information detract from the comprehensive insightfulness of the content. Notwithstanding the fact that the inclusion of contrasting capitalist examples helps the reader to establish some form of familiar ground, the sudden changes in topic, location and time period are often confusing and hard to follow.
No Less Than Mystic is for the intellectual person with a great interest in 20th-century Russian history and communist affairs. Without any prior education on the topic, this book will not mean anything. It attempts to challenge the ingrained beliefs people have about what happened during the Bolshevik insurrection. Those who do not know anything will not benefit from the confronting enlightenment.
In all, No Less Than Mystic is a well-researched academic text that brings a fresh history of Lenin and the Russian Revolution. Those who want an unbiased truth need to read this book and be sceptical about any other on the topic. In order to form opinions, one must know the facts.
Rachel King (13 KP) rated Eternal Rider (Lords of Deliverance, #1, Demonica, #6) in Books
Feb 11, 2019
I loved that this book took a concept that I am very familiar with, the Four Horsemen from Revelation, and turned it on its head. For all of the repetitiveness of fantasy fiction using the same species over and over again - from mermaids to vampires - the horsemen are definitely new vehicles for enticing literature.
The background of the story is that all of the horsemen once lead human lives, but were cursed to become the horsemen after reacting very badly to the news that Lilith is their mother. Another interesting quirk on the common tale is that one of them is actually female, Limos. The four are destined to either fulfill the Biblical prophecy or the demonic equivalent - which none of them want to do. In addition, each of them have a unique method by which they fall into the demonic prophecy's designated role and must fight to keep said method from playing out.
Ares, whom the story says the Greek god of war is named for, is destined to become War should the being bearing his seal, or agimortus, dies. Thanks to Cara, a human, inadvertently crossing paths with a hellhound, she becomes the bearer of the agimortus. Luckily, she has a few tricks of her own to aid her in her new role. I liked Cara and the way she seemed to blossom despite her captivity and impending death, as well as how easily she could stand up to Ares. I would have liked a little more character development, as it did not feel like her character arc was complete.
Ares is also an interesting character. Even though he is drawn to wars and violence, with his very presence inciting violence and rage among humans, Cara is immune to this ability. Because of how her presence weakens him, Ares shows a vulnerability characteristic of the humanity he left behind thousands of years ago. Around Cara, he is simply a normal guy falling in love, and the way he attempts to "macho-up" to deal with it is positively adorable.
The violence in the book is both believable and quite gritty. Of course, the horsemen's supernatural abilities of strength and healing allow it to be especially intense and dramatic. The sexual scenes in the book are also quite graphic and detailed, without feeling cheesy or awkward.
The laws built into Ione's world of horsemen, angels, and demons is complex without being confusing. The reader is introduced to its structure piece by piece throughout the novel without being bombarded by the details, and all of the pieces fit together nicely. In addition, Ione even includes a glossary at the beginning of the book to help the reader become more accustomed to the world.
The other siblings are all unique and show lots of promise for future books in the series. Thanatos, destined to become Death, has a seductive air of mystery that had me wondering several times throughout the book if something would occur between him and Cara. The sister, Limos, destined to be Famine, also shows many interesting characteristics, such as a certain hidden madness that she struggles to keep leashed, and the chemistry she shares with Arik is palpable. Even though Reseph becomes Pestilence early in the book, I have a feeling he may prove to be the most interesting of the siblings under a theme of redemption. I only have to wait till December for Immortal Rider (Lords of Deliverance), which centers on Limos, to find out what happens next!
The background of the story is that all of the horsemen once lead human lives, but were cursed to become the horsemen after reacting very badly to the news that Lilith is their mother. Another interesting quirk on the common tale is that one of them is actually female, Limos. The four are destined to either fulfill the Biblical prophecy or the demonic equivalent - which none of them want to do. In addition, each of them have a unique method by which they fall into the demonic prophecy's designated role and must fight to keep said method from playing out.
Ares, whom the story says the Greek god of war is named for, is destined to become War should the being bearing his seal, or agimortus, dies. Thanks to Cara, a human, inadvertently crossing paths with a hellhound, she becomes the bearer of the agimortus. Luckily, she has a few tricks of her own to aid her in her new role. I liked Cara and the way she seemed to blossom despite her captivity and impending death, as well as how easily she could stand up to Ares. I would have liked a little more character development, as it did not feel like her character arc was complete.
Ares is also an interesting character. Even though he is drawn to wars and violence, with his very presence inciting violence and rage among humans, Cara is immune to this ability. Because of how her presence weakens him, Ares shows a vulnerability characteristic of the humanity he left behind thousands of years ago. Around Cara, he is simply a normal guy falling in love, and the way he attempts to "macho-up" to deal with it is positively adorable.
The violence in the book is both believable and quite gritty. Of course, the horsemen's supernatural abilities of strength and healing allow it to be especially intense and dramatic. The sexual scenes in the book are also quite graphic and detailed, without feeling cheesy or awkward.
The laws built into Ione's world of horsemen, angels, and demons is complex without being confusing. The reader is introduced to its structure piece by piece throughout the novel without being bombarded by the details, and all of the pieces fit together nicely. In addition, Ione even includes a glossary at the beginning of the book to help the reader become more accustomed to the world.
The other siblings are all unique and show lots of promise for future books in the series. Thanatos, destined to become Death, has a seductive air of mystery that had me wondering several times throughout the book if something would occur between him and Cara. The sister, Limos, destined to be Famine, also shows many interesting characteristics, such as a certain hidden madness that she struggles to keep leashed, and the chemistry she shares with Arik is palpable. Even though Reseph becomes Pestilence early in the book, I have a feeling he may prove to be the most interesting of the siblings under a theme of redemption. I only have to wait till December for Immortal Rider (Lords of Deliverance), which centers on Limos, to find out what happens next!
This was another Greek mythology story that completely captured my heart. I was iffy about this one when I started it because it is written in present tense, first person. I loathe reading first person, and present tense just sounds so awkward that I dont even attempt to read anything written as such. However, from page one, I was hooked.
The story is narrated by one of the 50 mytholgical mermaids, Sirena. She lives with ten of her sisters on an island where they are protected and guided by three guardian birds. The sole purpose of Sirenas and her sisters existence is to somehow make human males fall in love them so that the mermaids can become immortal like their ancestors. They live simple lives, dressing up in starfish and pearls and singing to lure ships towards their island where their ship will wreck on the reef just offshore. What makes Sirena different than her sisters, however, is her conscience. Whereas her sisters are only concerned with becoming immortal, Sirena actually cares about the welfare of the men whose lives they put in danger.
When the story begins, Sirena is preening herself before singing to lure not one, but three ships to her sisters island. The men on the ships fall under their spell and two of the three ships crash upon the reef. Most of the men die because they do not know how to swim. While the ones who know how to swim make it safely to shore, the mermaids try to save as many of the others as they can. Only eleven men initially survive. They eventually die because of lack of resources on the island, but not before they beat one of Sirenas sisters, Cecilia, to death for trying to save a drowning sailor.
Shortly after, Sirena runs away to the island of Lemnos to escape the life she has been subjected to. There, she tries to help heal Philoctetes who has been bitten by a serpent sent by Hera. From there, their relationship blossoms and they come to love each other despite their differences, including Sirenas newly acquired immortality. Eventually however, Odysseus comes to obtain Hercules bow and arrows from Philoctetes so that the Greeks can win the Trojan War. The book ends with Philoctetes leaving with Odysseus, leaving Sirena on the deserted island of Lemnos.
This book completely crushed my heart. All in all, the book was actually pretty graphic for what I thought was an independent reader novel. Whenever Cecilia is killed by the sailors, Napoli gruesomely describes the mermaids smashed in face. Sirena makes multiple references to their beautiful breasts. While Napoli had enough decently to leave out any sex scenes, it is blatantly alluded to.
The majority of the novel is Sirena and Philoctetes bonding and building their relationship. Napoli takes us through the two learning about each other, bantering playfully, and falling in love. Only to rip them apart. It was so anticlimactic and soul-crushing, I almost started crashing.
All in all, it was a great novel. Despite being written in first person, it was expertly written. I love the simplicity of Sirenas thinking. It is clear that she lacks any education beyond her island world. Reading about Sirena and Philoctetes developing relationship was enchanting.
Definitely worth the heart break at the end.
The story is narrated by one of the 50 mytholgical mermaids, Sirena. She lives with ten of her sisters on an island where they are protected and guided by three guardian birds. The sole purpose of Sirenas and her sisters existence is to somehow make human males fall in love them so that the mermaids can become immortal like their ancestors. They live simple lives, dressing up in starfish and pearls and singing to lure ships towards their island where their ship will wreck on the reef just offshore. What makes Sirena different than her sisters, however, is her conscience. Whereas her sisters are only concerned with becoming immortal, Sirena actually cares about the welfare of the men whose lives they put in danger.
When the story begins, Sirena is preening herself before singing to lure not one, but three ships to her sisters island. The men on the ships fall under their spell and two of the three ships crash upon the reef. Most of the men die because they do not know how to swim. While the ones who know how to swim make it safely to shore, the mermaids try to save as many of the others as they can. Only eleven men initially survive. They eventually die because of lack of resources on the island, but not before they beat one of Sirenas sisters, Cecilia, to death for trying to save a drowning sailor.
Shortly after, Sirena runs away to the island of Lemnos to escape the life she has been subjected to. There, she tries to help heal Philoctetes who has been bitten by a serpent sent by Hera. From there, their relationship blossoms and they come to love each other despite their differences, including Sirenas newly acquired immortality. Eventually however, Odysseus comes to obtain Hercules bow and arrows from Philoctetes so that the Greeks can win the Trojan War. The book ends with Philoctetes leaving with Odysseus, leaving Sirena on the deserted island of Lemnos.
This book completely crushed my heart. All in all, the book was actually pretty graphic for what I thought was an independent reader novel. Whenever Cecilia is killed by the sailors, Napoli gruesomely describes the mermaids smashed in face. Sirena makes multiple references to their beautiful breasts. While Napoli had enough decently to leave out any sex scenes, it is blatantly alluded to.
The majority of the novel is Sirena and Philoctetes bonding and building their relationship. Napoli takes us through the two learning about each other, bantering playfully, and falling in love. Only to rip them apart. It was so anticlimactic and soul-crushing, I almost started crashing.
All in all, it was a great novel. Despite being written in first person, it was expertly written. I love the simplicity of Sirenas thinking. It is clear that she lacks any education beyond her island world. Reading about Sirena and Philoctetes developing relationship was enchanting.
Definitely worth the heart break at the end.
Hazel (1853 KP) rated No More Than Mystic in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.
No Less Than Mystic: A Story of Lenin and the Russian Revolution for a 21st Century Left</i> by John Medhurst is an in-depth historical and political insight to the truth about what really happened in Russia before, during and after the Bolshevik insurrection of October 1917. Beginning with the end of the Tsars rule and ending with Stalinism, Medhurst unearths the fact from the fiction, challenging the information the world has been led to believe.
As mentioned in Medhurst lengthy introduction, previous books on the subject are often biased and inaccurate. Swayed by political beliefs, authors and historians often pass judgement by using the information they have chosen to believe, dismissing anything that goes against their viewpoint. In this book, Medhurst filters through these false histories, preferring to cite from publications written at the time rather than those penned by people who did not witness the events between 1903 and 1921.
Medhurst’s narrative is more political than historical, often going off on tangents. In order to for the reader to obtain some sort of connection with the events described, the author contrasts them with more recent occurrences that readers may have observed or at least understand. These include the British miner’s strike, feminist movements, the Greek economy and a variety of other capitalist struggles.
The Russian revolution is a complex affair that cannot easily be condensed. As a result, <i>No More Than Mystic</i> exceeds 600 pages and covers every event, no matter how big or small, that contributed to the rise of USSR. Russia was a dangerous place to live during the 20th century, particularly when Leninism spiralled into Stalinism. However, Leninism was not all the history books make it out to be.
During GCSE History, one teacher led his class to believe that Lenin was good and Stalin was bad, however, the reality was much more complicated than that. Lenin was not the good guy that many painted him to be. Thousands died as a result of his policies from both execution and starvation. Yet, at the same time, Medhurst tries to point out the reasoning behind the ideas of the communist rulers, refusing to give a personal opinion without laying bare both sides of the argument.
Although this book is accurate and educational, it is not the easiest to sit down and read. Extensive chapters full of mind-numbing information detract from the comprehensive insightfulness of the content. Notwithstanding the fact that the inclusion of contrasting capitalist examples helps the reader to establish some form of familiar ground, the sudden changes in topic, location and time period are often confusing and hard to follow.
<i>No Less Than Mystic </i>is for the intellectual person with a great interest in 20th-century Russian history and communist affairs. Without any prior education on the topic, this book will not mean anything. It attempts to challenge the ingrained beliefs people have about what happened during the Bolshevik insurrection. Those who do not know anything will not benefit from the confronting enlightenment.
In all, <i>No Less Than Mystic</i> is a well-researched academic text that brings a fresh history of Lenin and the Russian Revolution. Those who want an unbiased truth need to read this book and be sceptical about any other on the topic. In order to form opinions, one must know the facts.
No Less Than Mystic: A Story of Lenin and the Russian Revolution for a 21st Century Left</i> by John Medhurst is an in-depth historical and political insight to the truth about what really happened in Russia before, during and after the Bolshevik insurrection of October 1917. Beginning with the end of the Tsars rule and ending with Stalinism, Medhurst unearths the fact from the fiction, challenging the information the world has been led to believe.
As mentioned in Medhurst lengthy introduction, previous books on the subject are often biased and inaccurate. Swayed by political beliefs, authors and historians often pass judgement by using the information they have chosen to believe, dismissing anything that goes against their viewpoint. In this book, Medhurst filters through these false histories, preferring to cite from publications written at the time rather than those penned by people who did not witness the events between 1903 and 1921.
Medhurst’s narrative is more political than historical, often going off on tangents. In order to for the reader to obtain some sort of connection with the events described, the author contrasts them with more recent occurrences that readers may have observed or at least understand. These include the British miner’s strike, feminist movements, the Greek economy and a variety of other capitalist struggles.
The Russian revolution is a complex affair that cannot easily be condensed. As a result, <i>No More Than Mystic</i> exceeds 600 pages and covers every event, no matter how big or small, that contributed to the rise of USSR. Russia was a dangerous place to live during the 20th century, particularly when Leninism spiralled into Stalinism. However, Leninism was not all the history books make it out to be.
During GCSE History, one teacher led his class to believe that Lenin was good and Stalin was bad, however, the reality was much more complicated than that. Lenin was not the good guy that many painted him to be. Thousands died as a result of his policies from both execution and starvation. Yet, at the same time, Medhurst tries to point out the reasoning behind the ideas of the communist rulers, refusing to give a personal opinion without laying bare both sides of the argument.
Although this book is accurate and educational, it is not the easiest to sit down and read. Extensive chapters full of mind-numbing information detract from the comprehensive insightfulness of the content. Notwithstanding the fact that the inclusion of contrasting capitalist examples helps the reader to establish some form of familiar ground, the sudden changes in topic, location and time period are often confusing and hard to follow.
<i>No Less Than Mystic </i>is for the intellectual person with a great interest in 20th-century Russian history and communist affairs. Without any prior education on the topic, this book will not mean anything. It attempts to challenge the ingrained beliefs people have about what happened during the Bolshevik insurrection. Those who do not know anything will not benefit from the confronting enlightenment.
In all, <i>No Less Than Mystic</i> is a well-researched academic text that brings a fresh history of Lenin and the Russian Revolution. Those who want an unbiased truth need to read this book and be sceptical about any other on the topic. In order to form opinions, one must know the facts.
Ivana A. | Diary of Difference (1171 KP) rated The Song of Achilles in Books
Jul 19, 2018
I thought I would enjoy it more
Review can also be found on my blog - www.diaryofdifference.com
The Song Of Achilles became a part of my TBR list right after I finished reading Circe. I loved Circe and it is one of my favorite books of 2018. I also enjoyed The Song of Achilles, but not nearly as much.
For the ones out there who love greek mythology, this is a book that covers Achilles’s life told from Patroclus’s point of view. It is more or less accurate, and covers a lot of details from the early lives of these two princes. This is a story about one great friendship that turns into something more, a lot of challenges, a lot of doubts, and a lot of choices to be made during a time of war.
The story is very fast paced, and I was skipping through the pages as fast as Achilles was killing Trojan warriors. From their childhood, to their growing up, to their adventures and the war, this book will never keep you calm, because every chapter something unexpected happens. Well, sometimes not too much, as I know the story, but even still, I was surprised a lot.
A thing that bothered me a lot throughout the whole book was the inaccuracy at some points, and hiding information.
Now, we all know that Achilles was immortal. And we all know the story that his mother Thetis, a goddess of water dipped his body into the water in the river Styx. However, she was holding him by the heel, so his heel was the only place where he was vulnerable. This will be the reason of his death, when Apollo would direct Paris’s spear into Achilles’ heel.
Now - if this is such a common fact, and everybody who heard about Achilles knows it - why wouldn’t the author include it in the book. It wasn’t mentioned once.. Not once… I found this really upsetting.
Moving forward to the characters, we have Patroclus presented as the weaker one, the coward, the person that is mocked by everyone, not loved even by his parents and unworthy. ( Another point that bothered me is that this is not entirely true - according to Homer, Patroclus was apparently wiser than Achilles)
On the other hand, we have the opposite - a wise, brave, strong and handsome man, loved by everyone, immortal and a son of a goddess. We have a perfect example for a leader.
While fate connect these two to meet from their very early years, they also build a love relationship which they try to hide it at first. This relationship will cause them hatred from Thetis (Achilles’ mom) and will prompt them to make choices that might not be necessarily good ones. Now, Homer never mentioned a pederasty in his works between these two, but Miller does. And I am not sure how I feel about it. Not about the fact that they are gay, but the fact that this is Achilles.
All in all, I enjoyed this book. It is a great retelling of the story and a great time capture of the past. It wasn’t anything special, and I didn’t feel heartbroken in the end, but it was definitely worth reading it. I give it three stars - ★★★.
3 likes
The Song Of Achilles became a part of my TBR list right after I finished reading Circe. I loved Circe and it is one of my favorite books of 2018. I also enjoyed The Song of Achilles, but not nearly as much.
For the ones out there who love greek mythology, this is a book that covers Achilles’s life told from Patroclus’s point of view. It is more or less accurate, and covers a lot of details from the early lives of these two princes. This is a story about one great friendship that turns into something more, a lot of challenges, a lot of doubts, and a lot of choices to be made during a time of war.
The story is very fast paced, and I was skipping through the pages as fast as Achilles was killing Trojan warriors. From their childhood, to their growing up, to their adventures and the war, this book will never keep you calm, because every chapter something unexpected happens. Well, sometimes not too much, as I know the story, but even still, I was surprised a lot.
A thing that bothered me a lot throughout the whole book was the inaccuracy at some points, and hiding information.
Now, we all know that Achilles was immortal. And we all know the story that his mother Thetis, a goddess of water dipped his body into the water in the river Styx. However, she was holding him by the heel, so his heel was the only place where he was vulnerable. This will be the reason of his death, when Apollo would direct Paris’s spear into Achilles’ heel.
Now - if this is such a common fact, and everybody who heard about Achilles knows it - why wouldn’t the author include it in the book. It wasn’t mentioned once.. Not once… I found this really upsetting.
Moving forward to the characters, we have Patroclus presented as the weaker one, the coward, the person that is mocked by everyone, not loved even by his parents and unworthy. ( Another point that bothered me is that this is not entirely true - according to Homer, Patroclus was apparently wiser than Achilles)
On the other hand, we have the opposite - a wise, brave, strong and handsome man, loved by everyone, immortal and a son of a goddess. We have a perfect example for a leader.
While fate connect these two to meet from their very early years, they also build a love relationship which they try to hide it at first. This relationship will cause them hatred from Thetis (Achilles’ mom) and will prompt them to make choices that might not be necessarily good ones. Now, Homer never mentioned a pederasty in his works between these two, but Miller does. And I am not sure how I feel about it. Not about the fact that they are gay, but the fact that this is Achilles.
All in all, I enjoyed this book. It is a great retelling of the story and a great time capture of the past. It wasn’t anything special, and I didn’t feel heartbroken in the end, but it was definitely worth reading it. I give it three stars - ★★★.
3 likes
Ivana A. | Diary of Difference (1171 KP) rated The Song of Achilles in Books
Aug 21, 2018
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<img src="https://gipostcards.files.wordpress.com/2018/07/book-review1.png"/>;
The Song Of Achilles became a part of my TBR list right after I finished reading Circe. I loved Circe and it is one of my favorite books of 2018. I also enjoyed The Song of Achilles, but not nearly as much.
For the ones out there who love greek mythology, this is a book that covers Achilles’s life told from Patroclus’s point of view. It is more or less accurate, and covers a lot of details from the early lives of these two princes. This is a story about one great friendship that turns into something more, a lot of challenges, a lot of doubts, and a lot of choices to be made during a time of war.
The story is very fast paced, and I was skipping through the pages as fast as Achilles was killing Trojan warriors. From their childhood, to their growing up, to their adventures and the war, this book will never keep you calm, because every chapter something unexpected happens. Well, sometimes not too much, as I know the story, but even still, I was surprised a lot.
<img src="https://gipostcards.files.wordpress.com/2018/07/book-cover.png"/>;
<b><i>A thing that bothered me a lot throughout the whole book was the inaccuracy at some points, and hiding information. </i></B>
Now, we all know that Achilles was immortal. And we all know the story that his mother Thetis, a goddess of water dipped his body into the water in the river Styx. However, she was holding him by the heel, so his heel was the only place where he was vulnerable. This will be the reason of his death, when Apollo would direct Paris’s spear into Achilles’ heel.
Now - if this is such a common fact, and everybody who heard about Achilles knows it - why wouldn’t the author include it in the book. <b>It wasn’t mentioned once.. Not once… I found this really upsetting. </b>
Moving forward to the characters, we have Patroclus presented as the weaker one, the coward, the person that is mocked by everyone, not loved even by his parents and unworthy. ( Another point that bothered me is that this is not entirely true - according to Homer, Patroclus was apparently wiser than Achilles)
On the other hand, we have the opposite - a wise, brave, strong and handsome man, loved by everyone, immortal and a son of a goddess. We have a perfect example for a leader.
While fate connect these two to meet from their very early years, they also build a love relationship which they try to hide it at first. This relationship will cause them hatred from Thetis (Achilles’ mom) and will prompt them to make choices that might not be necessarily good ones. Now, Homer never mentioned a pederasty in his works between these two, but Miller does. And I am not sure how I feel about it. Not about the fact that they are gay, but the fact that this is Achilles.
All in all, I enjoyed this book. It is a great retelling of the story and a great time capture of the past. It wasn’t anything special, and I didn’t feel heartbroken in the end, but it was definitely worth reading it. I give it three stars - ★★★.
<img src="https://gipostcards.files.wordpress.com/2018/07/book-review1.png"/>;
The Song Of Achilles became a part of my TBR list right after I finished reading Circe. I loved Circe and it is one of my favorite books of 2018. I also enjoyed The Song of Achilles, but not nearly as much.
For the ones out there who love greek mythology, this is a book that covers Achilles’s life told from Patroclus’s point of view. It is more or less accurate, and covers a lot of details from the early lives of these two princes. This is a story about one great friendship that turns into something more, a lot of challenges, a lot of doubts, and a lot of choices to be made during a time of war.
The story is very fast paced, and I was skipping through the pages as fast as Achilles was killing Trojan warriors. From their childhood, to their growing up, to their adventures and the war, this book will never keep you calm, because every chapter something unexpected happens. Well, sometimes not too much, as I know the story, but even still, I was surprised a lot.
<img src="https://gipostcards.files.wordpress.com/2018/07/book-cover.png"/>;
<b><i>A thing that bothered me a lot throughout the whole book was the inaccuracy at some points, and hiding information. </i></B>
Now, we all know that Achilles was immortal. And we all know the story that his mother Thetis, a goddess of water dipped his body into the water in the river Styx. However, she was holding him by the heel, so his heel was the only place where he was vulnerable. This will be the reason of his death, when Apollo would direct Paris’s spear into Achilles’ heel.
Now - if this is such a common fact, and everybody who heard about Achilles knows it - why wouldn’t the author include it in the book. <b>It wasn’t mentioned once.. Not once… I found this really upsetting. </b>
Moving forward to the characters, we have Patroclus presented as the weaker one, the coward, the person that is mocked by everyone, not loved even by his parents and unworthy. ( Another point that bothered me is that this is not entirely true - according to Homer, Patroclus was apparently wiser than Achilles)
On the other hand, we have the opposite - a wise, brave, strong and handsome man, loved by everyone, immortal and a son of a goddess. We have a perfect example for a leader.
While fate connect these two to meet from their very early years, they also build a love relationship which they try to hide it at first. This relationship will cause them hatred from Thetis (Achilles’ mom) and will prompt them to make choices that might not be necessarily good ones. Now, Homer never mentioned a pederasty in his works between these two, but Miller does. And I am not sure how I feel about it. Not about the fact that they are gay, but the fact that this is Achilles.
All in all, I enjoyed this book. It is a great retelling of the story and a great time capture of the past. It wasn’t anything special, and I didn’t feel heartbroken in the end, but it was definitely worth reading it. I give it three stars - ★★★.
Sophia (Bookwyrming Thoughts) (530 KP) rated Dreamstrider in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Every time the concept body invasion appears in a book, I regard it with absolute awe and creepiness (an odd combination, methinks).
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/11/supernatural_dudeyes.gif"; width="320" height="179" border="0" /></div>
Have I mentioned I feel really disturbed over the idea of someone a dreamstrider having the ability to take control of your body and access to your thoughts while unconscious, even for a short period of time?
The concept, however, is uber-cool. Smith brings us to a fantasy world where using dreams in the form of espionage is completely acceptable as a dreamstrider, Livia works for the ministry, and she inhabits another persons body while they are asleep.
If I placed Livia in a character category, she would be right next to Alina Starkov from Leigh Bardugos <i>Grisha</i> trilogy. Over the course of the book, shes on the downside; on the plus side, it fits so well with Livias character and past. Livia lived her entire life as a tunneler, trying to survive day by day until she meets Professor Hesse, where she is introduced to her potential as a dreamstrider and the good she can do for the empire for her citizenship and freedom.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/11/freedom.gif"; width="320" height="128" border="0" /></div>
Unlike Alina Starkov (Alina is too mopey over Mal, okay?), Livias mope is more realistic. She has big dreams and strives to achieve them, crushes over her best friend (its harder for males to be one of my best friends that circle is <em>elite</em>), secretly sweet, and insecure/cautious about many things.
But enough about Livia and how shes secretly awesome even though she will never <i>ever</i> admit it. I didnt feel very into <em>Dreamstrider</em> the passphrases in the Land of the Iron Winds are written in a very rhythmic style, but I didnt care too much aside from the fact it sounds poetic. But poetry and I dont get along, and this is why I will never read Ellen Hopkins. I have nothing against the author, though.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/11/I-Know-Nothing-Apparently-On-Game-Of-Thrones.gif"; width="320" height="179" border="0" /></div>
Ellen Hopkins aside, dreaming is a big deal it plays a part in almost everything in the Barstadt Empire, but it felt more like a cultural thing (like Greek myths are to Greeks). Im taking it all in, but the whole dreaming thing? Its just there, and the only big deal seemed to be using dreaming in detective work and finding out information. The whole point of the book is really just Livia becoming more confident in not just herself, but her abilities. By the end of the book, I felt satisfied, but I just wanted more from the book.
<a href="https://bookwyrmingthoughts.com/arc-review-dreamstrider-by-lindsay-smi/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Every time the concept body invasion appears in a book, I regard it with absolute awe and creepiness (an odd combination, methinks).
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/11/supernatural_dudeyes.gif"; width="320" height="179" border="0" /></div>
Have I mentioned I feel really disturbed over the idea of someone a dreamstrider having the ability to take control of your body and access to your thoughts while unconscious, even for a short period of time?
The concept, however, is uber-cool. Smith brings us to a fantasy world where using dreams in the form of espionage is completely acceptable as a dreamstrider, Livia works for the ministry, and she inhabits another persons body while they are asleep.
If I placed Livia in a character category, she would be right next to Alina Starkov from Leigh Bardugos <i>Grisha</i> trilogy. Over the course of the book, shes on the downside; on the plus side, it fits so well with Livias character and past. Livia lived her entire life as a tunneler, trying to survive day by day until she meets Professor Hesse, where she is introduced to her potential as a dreamstrider and the good she can do for the empire for her citizenship and freedom.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/11/freedom.gif"; width="320" height="128" border="0" /></div>
Unlike Alina Starkov (Alina is too mopey over Mal, okay?), Livias mope is more realistic. She has big dreams and strives to achieve them, crushes over her best friend (its harder for males to be one of my best friends that circle is <em>elite</em>), secretly sweet, and insecure/cautious about many things.
But enough about Livia and how shes secretly awesome even though she will never <i>ever</i> admit it. I didnt feel very into <em>Dreamstrider</em> the passphrases in the Land of the Iron Winds are written in a very rhythmic style, but I didnt care too much aside from the fact it sounds poetic. But poetry and I dont get along, and this is why I will never read Ellen Hopkins. I have nothing against the author, though.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/11/I-Know-Nothing-Apparently-On-Game-Of-Thrones.gif"; width="320" height="179" border="0" /></div>
Ellen Hopkins aside, dreaming is a big deal it plays a part in almost everything in the Barstadt Empire, but it felt more like a cultural thing (like Greek myths are to Greeks). Im taking it all in, but the whole dreaming thing? Its just there, and the only big deal seemed to be using dreaming in detective work and finding out information. The whole point of the book is really just Livia becoming more confident in not just herself, but her abilities. By the end of the book, I felt satisfied, but I just wanted more from the book.
<a href="https://bookwyrmingthoughts.com/arc-review-dreamstrider-by-lindsay-smi/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Neon's Nerd Nexus (360 KP) rated The Lighthouse (2019) in Movies
Mar 2, 2020
Spill yer beans
The Lighthouse is cinematic perfection that will leave anyone that lets it engulf thier mind and senses broken, disturbed, traumatised and violated. An experience like no other I can not stress enough that everyone must whitness this utter masterpiece. Primarily a character study about two lighthouse keepers descent into madness however the way the film depicts this reaches far deeper than I ever even imagined it would. (Possible spoilers ahead) Theres an unquestionable comparison to Greek mythology here and as the film plays out Willem Dafoe character draws several comparisons to King Trident, Zeus and Minos but ultimatly ends up becoming one of his own 'God of the lighthouse' keeping his prized possession locked away at the top of his tower. Robert Pattison also compares to the Titan Prometheus trying to steel this possesion/fire from this so called god. He can also be compared to Icarus trapped in a tower by a mean man with no means of escape and Odysseus constantly distracted/infatuated with the Sirens surrounding the lighthouse. I found these comparisions integrated into the story beautifully and theres constant fable/mythological imagry to reinforce these comparisons too which is hauntingly striking and terrifyingly prominent. Atmosphere is pin sharp here and as these two men begin to break you feel everything that starts to grate on them bombarding your senses as a viewr too. Everything is communicated flawlessly to really draw the viewer in as if we too are stuck with these to men feeling evrything build up, irritate, torment and add to the degradation of the mind until it hits its breaking point. Floors creaking & bowing, metal bending and screeching, wind howling, waves crashing, rain beating down, shutters rattling and birds squawking its intense and realistic sound design thats for sure. Mix this with a constant sence of dread from the narrow corridors, looming shadows, low lighting, claustrophobic living quaters, fog, harsh weather, mud, anoying seagulls, restricted views, countless foul smells, hard back breaking work, sexual frustrations, loneliness and alcohol its enough to make anyone go insane and as the film plays out cabin fever really intensifies (especially for us with the film being shot in black and white and with a smaller aspect ratio). This is some of the best acting ive seen for sure both Dafoe and Pattison portray these characters so well that you would be convinced you were watching historic archive footage of two people cooped up. Both are devious liars, have vicious tempers and nasty streaks as well as mysterious pasts and both are also constantly in a fight for dominance of the lighthouse and the secrets it holds. In this day and age The lighthouse is such a true gem to behold and is so unique and engrossing you would swear it transported you back in time while watching it. I also did not expect this film to take the turn it does half way through either almost becoming a distressing horror movie and as intense as a tesuo film and as my friend and me left the screening we found ourselves deeply disturbed/traumatised with our hearts pounding from what we had just been exposed to. Disgustingly intense, depressingly dripping in sadness, brutaly violent and deeply unsettling the lighthouse is one hell of a movie and may just be one of the best movies I have ever seen, it really is without a doubt a cinema experience I will certainly never forget. Comparable to the witch, the turin horse and apocalypse now the lighthouse deserves all the praise its been getting and more. Stunning.