"I had a similar experience with the Garcia Marquez novel A Hundred Years of Solitude. In miraculous Macondo, the ordinary and supernatural are entwined; incest and intermarriage give many generations of the Buendia family a classically Greek and predestined future."

"Definitely one of the greatest Greek films ever made. I could have never imagined something so modern, absurd, anarchistic set in a bucolic environment and made in Greece during the '60s. I'm always taken by surprise when I re-watch it."

"With drifter Marlon Brando’s memorable snakeskin jacket standing in for Eurydice’s lethal serpent, and the actor’s guitar for Orpheus’s lyre, Tennessee Williams’s retelling of the Greek myth drips with sweat and sex. I think of Marlon’s jacket whenever I see python on the runway, which is frequently."

"“War Music,” a collection of Logue’s poetic "account" of the “Iliad,” has some real goosebump moments. Logue didn't know Greek and unlike Homer, he's not really interested in people or feelings; but he is brilliant at evoking colors, movement, and the awe-inspiring apparition of the divine."

"The Odyssey” was first book I read with my Grampie at four-years-old and was my introduction to the mesmerizing tales of Roman and Greek Mythology. Not only is this book a classic, with plenty of recognizable tales, but truly a whimsical experience of triumph, love, and hardship."

"A Senegalese woman moves to Antibes to work for a white family. I’ll give you one guess as to how that goes. Her life in France is totally oppressive and not at all romantic. At just under an hour the film plays out like a Greek tragedy. Lyrical and elegant and pointed."

"There are many compilations of Greek Rembetiko music, but I chose this one because it has some classics on it that I’ve been aware of for a long time. In the early 20th-century, after the First World War after Kemal Atatürk came to power in Turkey, there was an exchange – to put it politely – an exchange of population between Greece and Turkey and was extremely unpleasant at the time for both countries. At that time, a lot of Greeks who had lived in what’s now Turkey for a really long time, moved over and came to Piraeus as refuges and brought this music with them which was a mixture of Greek central European and Asian or western Asian sort of music and it evolved into this form of street music played by these guys called Mangas – the wide boy, gangsters, hoodlums of Piraeus in the 20s. It’s funny in Greece still today; some people don’t like to be reminded of that side of Greek history. It’s seen as anti-bourgeois – it’s the only way I can put it. The songs were about whores, smoking dope, stabbing your mates or being done over or sticking up for your mates – these classic themes – but because they were sung not only in Greek but in an impenetrable dialect that most modern Greeks would find hard to get their head around, though it didn’t really get that far past Greece itself. The history is fascinating but the music is like nothing else that I know. Also, even though I grew up in Scotland, I still feel this strong connection to the Greek side of my background, and when I listen to this music I feel I can connect with this history that I know preceded me and I don’t have a direct contact with myself, it’s a way I can understand a little bit of where I came from."