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Merissa (12061 KP) rated The Heir Apparent (Sanyare Chronicles #2) in Books
Dec 17, 2018
Sanyare: The Heir Apparent is the second book in the Sanyare Chronicles, and follows Rie as she tries to control her magic, and realises that her position of Sanyaro Heir is very different to being a Messenger. Control is hard to attain, although she is working hard, and Greg just doesn't seem to be able to help. Hopefully, a ball will take her mind off things!
Once again, full of action and adventure, this book will delight and enthral as the words jump off the page at you. With a multitude of lovable characters, dangerous situations, baddies to dislike, and heroes to swoon over (including a bad-boy come good), then there is something here for everyone.
Exceptionally well written, with no editing or grammatical errors to disrupt the reading flow, this book continues the story with a smooth pace, whilst leaving you wanting more. An excellent addition to the Chronicles, and I look forward to reading more.
* I received this book from the author in return for a fair and honest review. *
Merissa
Archaeolibrarian - I Dig Good Books!
Once again, full of action and adventure, this book will delight and enthral as the words jump off the page at you. With a multitude of lovable characters, dangerous situations, baddies to dislike, and heroes to swoon over (including a bad-boy come good), then there is something here for everyone.
Exceptionally well written, with no editing or grammatical errors to disrupt the reading flow, this book continues the story with a smooth pace, whilst leaving you wanting more. An excellent addition to the Chronicles, and I look forward to reading more.
* I received this book from the author in return for a fair and honest review. *
Merissa
Archaeolibrarian - I Dig Good Books!
LilyLovesIndie (123 KP) rated Indivisible Line in Books
Nov 5, 2018
Two people, thrown together by coincidence develop a bond that goes much deeper than blood. Sarah and Greg experience loss, injury and much more as they come to realise that, when all is said and done, love is really all they needed from the start.
I thoroughly enjoyed this new offering from Font and found it to be a delightful little romance that was easy to read, yet full of twists and turns as Greg and Sarah tried to work out their feelings for each other. The plot itself does, at first glance, seem somewhat familiar - girl meets boy, two different worlds, and all that usual jazz - but this is Font we're talking about, and you can feel from the first few chapters that there is going to be something more in this story. In true style, Font throws in adversity and drama from the off, never overdoing the 'woe is me' that Sarah could play on, but keeping a perfect balance between angst and romance.
Characterisation is something that I am always on the look out for, and Font, as usual, delivers a super cast who you engage with and find quite easy to relate to. Sarah is as stubborn as a mule, but it works more as an endearing feature than a character flaw. You root for her, you want her life to come good, you want her to find that happiness you know she deserves. Greg is an enigma at first, and he never really sheds that persona until much later in the story, but again, it is an endearing part of his character, rather than a flaw. The supporting ensemble of Lily, Trimble, Matilda and Simon are equally enjoyable to read, helping at key points to be a stable feature for Sarah and Greg during times of need.
If there was one thing I could quibble over it would be, and I'm being super nit-picky here, the pace. Personally, I found the pace to be a little slow in places, but note the 'in places' - at other times, it was splendid and pulled you right into the story so that you had to keep reading. Once you reach 50%, the book is near impossible to put down, but I guess I just wanted that momentum there from a little earlier on rather than taking that extra bit of time. Like I said, nit-picky, but that's me!
Something I felt was done exceedingly well in this book was the emotion, be it Sarah's sadness, confusion, love or Greg's anger, worry or determination - it was all there and it was all believable from start to finish. I got exasperated when both Sarah and Greg were being daft and not noticing the signs, I cried for most of the last 10% (no spoilers in my reviews, but seriously, get yourself some tissues at 89%!) and I gasped in shock as plot twists hit me out of nowhere (you'd think I'd be used to this after reading Font's other works, but she totally got me again). It was written with excellent skill and balance, and I have to give praise where it's due, because Font did a fantastic job of making the emotions pour out of the page and straight into your heart.
And so, the end of another review. To conclude, it was a very enjoyable read and one I'll be recommending to friends and family ahead of that poolside reading time we call summer holidays. Characters, emotion, plot - all the key elements were there and it was, as always, a very well written story from start to finish. Well done Lorenz Font, you've written another super story that will no doubt be one I shall return to read one day in the future.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
I thoroughly enjoyed this new offering from Font and found it to be a delightful little romance that was easy to read, yet full of twists and turns as Greg and Sarah tried to work out their feelings for each other. The plot itself does, at first glance, seem somewhat familiar - girl meets boy, two different worlds, and all that usual jazz - but this is Font we're talking about, and you can feel from the first few chapters that there is going to be something more in this story. In true style, Font throws in adversity and drama from the off, never overdoing the 'woe is me' that Sarah could play on, but keeping a perfect balance between angst and romance.
Characterisation is something that I am always on the look out for, and Font, as usual, delivers a super cast who you engage with and find quite easy to relate to. Sarah is as stubborn as a mule, but it works more as an endearing feature than a character flaw. You root for her, you want her life to come good, you want her to find that happiness you know she deserves. Greg is an enigma at first, and he never really sheds that persona until much later in the story, but again, it is an endearing part of his character, rather than a flaw. The supporting ensemble of Lily, Trimble, Matilda and Simon are equally enjoyable to read, helping at key points to be a stable feature for Sarah and Greg during times of need.
If there was one thing I could quibble over it would be, and I'm being super nit-picky here, the pace. Personally, I found the pace to be a little slow in places, but note the 'in places' - at other times, it was splendid and pulled you right into the story so that you had to keep reading. Once you reach 50%, the book is near impossible to put down, but I guess I just wanted that momentum there from a little earlier on rather than taking that extra bit of time. Like I said, nit-picky, but that's me!
Something I felt was done exceedingly well in this book was the emotion, be it Sarah's sadness, confusion, love or Greg's anger, worry or determination - it was all there and it was all believable from start to finish. I got exasperated when both Sarah and Greg were being daft and not noticing the signs, I cried for most of the last 10% (no spoilers in my reviews, but seriously, get yourself some tissues at 89%!) and I gasped in shock as plot twists hit me out of nowhere (you'd think I'd be used to this after reading Font's other works, but she totally got me again). It was written with excellent skill and balance, and I have to give praise where it's due, because Font did a fantastic job of making the emotions pour out of the page and straight into your heart.
And so, the end of another review. To conclude, it was a very enjoyable read and one I'll be recommending to friends and family ahead of that poolside reading time we call summer holidays. Characters, emotion, plot - all the key elements were there and it was, as always, a very well written story from start to finish. Well done Lorenz Font, you've written another super story that will no doubt be one I shall return to read one day in the future.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
Kristy H (1252 KP) rated Strike Me Down in Books
Apr 23, 2020
This was certainly an intriguing book with an interesting premise. Nora and her firm are given only a few days to find the money missing from Strike's coffers. Strike is run and controlled solely by Logan and Greg, without outside influence from shareholders. As such, they are self-made. But that's also made them vulnerable to such a theft. I honestly would have liked to see more of the forensic accounting pieces--I'm a big dork. For instance, Nora's company has a computer named Inga who searches emails for clues and patterns. I would have been fine seeing and learning more about Inga at work.
"Five days. Twenty million dollars. The pressure was indisputably on."
The book, however, was focused more on personalities, with much of the story told via Nora and Greg's eyes. This would have been fine, but I never really felt much of a connection with either of these characters. Or Logan Russo, either, despite her portrayal as a dynamic, forceful heroine who has impacted a generation of kickboxers and athletes. Nora makes a series of bad decisions and seems oddly obsessed with Logan for no real reason--a weird focus that is never really explained. She has a past that has led her to her role in forensic accounting, but it never really leads to much in the end. Greg is a focused businessman on the outs with his wife, and I never felt much sympathy with him. And Logan, as mentioned, who is supposed to be the core of this book, just falls flat until nearly the end of the novel.
"For forty years she'd been invisible, a quality she'd not only taken for granted, but turned into her greatest asset. She was the unseen eye, the counter nobody counted, who wove numbers into dark and avaricious stories."
Overall, the book is just weird. I feel bad putting that in a review without much further explanation, but I don't want to put spoilers. It's strange. Yes, it's compelling, in some ways, but I never felt like I needed to get back to reading it. I was interested about what happened to the money, but also had a good inkling early on about what really went down (and was proved right). Maybe if you connect more with the characters, this will be a true page-turner. It's still a tense read and different, for sure. I did enjoy the ending, and I actually felt something for the characters there. Therefore, this one squeaks by at 3 stars.
"Five days. Twenty million dollars. The pressure was indisputably on."
The book, however, was focused more on personalities, with much of the story told via Nora and Greg's eyes. This would have been fine, but I never really felt much of a connection with either of these characters. Or Logan Russo, either, despite her portrayal as a dynamic, forceful heroine who has impacted a generation of kickboxers and athletes. Nora makes a series of bad decisions and seems oddly obsessed with Logan for no real reason--a weird focus that is never really explained. She has a past that has led her to her role in forensic accounting, but it never really leads to much in the end. Greg is a focused businessman on the outs with his wife, and I never felt much sympathy with him. And Logan, as mentioned, who is supposed to be the core of this book, just falls flat until nearly the end of the novel.
"For forty years she'd been invisible, a quality she'd not only taken for granted, but turned into her greatest asset. She was the unseen eye, the counter nobody counted, who wove numbers into dark and avaricious stories."
Overall, the book is just weird. I feel bad putting that in a review without much further explanation, but I don't want to put spoilers. It's strange. Yes, it's compelling, in some ways, but I never felt like I needed to get back to reading it. I was interested about what happened to the money, but also had a good inkling early on about what really went down (and was proved right). Maybe if you connect more with the characters, this will be a true page-turner. It's still a tense read and different, for sure. I did enjoy the ending, and I actually felt something for the characters there. Therefore, this one squeaks by at 3 stars.
Kristy H (1252 KP) rated Don't Wake Up: A Shocking and Compelling New Thriller That You Will Not be Able to Put Down! in Books
Apr 4, 2019 (Updated Apr 8, 2019)
Definitely a page-turner
This was one of those books that I won on Librarything and then totally enjoyed being introduced to a new author. It was a little wild and crazy in places, but it kept me engrossed and reading, which I really appreciated. I was amazed that absolutely no one seemed to believe Alex: I understand that she had no real evidence to back up her story, but it seemed tragic to me how quickly her friends and family abandoned her to sadness and despair.
I wasn't sure I would like this book at first, because I'm not a huge fan of the unreliable narrator to begin with, especially the self-pitying alcoholic one, which seemed to fit Alex quite well. But, I won't lie, she definitely grew on me. This was *even with* the fact that something else had happened in Alex's life thirteen months ago--something that her friends and co-workers felt she had conflated with her "pretend attack," and everyone, including Alex, referred to incessantly. But, of course, it took forever for anyone to tell us what had actually happened, which drove me a little insane. There's dragging something out for suspense and then there's annoying your reader to no end!
However, I really enjoyed the fact that we couldn't trust any of our characters--even the policewoman investigating Alex's case, Laura Best, who was only out to further her career, not actually seek justice for Alex. My favorite character was Laura's boss, Greg Turner. He was a great detective, and I could totally root for him in his own series. Not being able to trust anybody else, though, was kind of fun. It kept me constantly guessing. The book was surprisingly compelling: truly a page-turner. There were some great twists and turns in this one. I guessed a couple of pieces, but not all of them. In the end, I stayed up late to finish this book, which is always a sign of a winner for me (my sleep is a precious commodity!).
I was impressed that this was the author's debut. I also enjoyed how it kept me madly flipping the pages, trying to figure out what happened. I see Liz Lawler has another book out now, and I'll definitely be checking that one out at some point.
I wasn't sure I would like this book at first, because I'm not a huge fan of the unreliable narrator to begin with, especially the self-pitying alcoholic one, which seemed to fit Alex quite well. But, I won't lie, she definitely grew on me. This was *even with* the fact that something else had happened in Alex's life thirteen months ago--something that her friends and co-workers felt she had conflated with her "pretend attack," and everyone, including Alex, referred to incessantly. But, of course, it took forever for anyone to tell us what had actually happened, which drove me a little insane. There's dragging something out for suspense and then there's annoying your reader to no end!
However, I really enjoyed the fact that we couldn't trust any of our characters--even the policewoman investigating Alex's case, Laura Best, who was only out to further her career, not actually seek justice for Alex. My favorite character was Laura's boss, Greg Turner. He was a great detective, and I could totally root for him in his own series. Not being able to trust anybody else, though, was kind of fun. It kept me constantly guessing. The book was surprisingly compelling: truly a page-turner. There were some great twists and turns in this one. I guessed a couple of pieces, but not all of them. In the end, I stayed up late to finish this book, which is always a sign of a winner for me (my sleep is a precious commodity!).
I was impressed that this was the author's debut. I also enjoyed how it kept me madly flipping the pages, trying to figure out what happened. I see Liz Lawler has another book out now, and I'll definitely be checking that one out at some point.
Debbiereadsbook (1202 KP) rated Defenders, Sons of Olympia Reverse HaremSeries in Books
Apr 3, 2018 (Updated Apr 3, 2018)
love these!
I was asked to read this book, that I write a review was not required.
However! When a book pulls you in and grabs you so much so you nearly missed your time stamp at work, you really should say a few words, shouldn't you??
This is book 2 in the Sons of Olympia trilogy, but you don't NEED to have read book one, Ravens, first. You SHOULD, because I said so, but not necessary. Both stand alones, but Brenna does pop in this one, on her own journey.
Lauren finds herself tied to a tree, in the middle of the woods, by the local high school bullies. That they aren't in high school anymore doesn't matter to them. Faced with spending her last days as such, Lauren doesn't expect to be rescued, not least by THREE guys who seem to know her! She doesn't feel afraid in their company, these men who tell her they know her SOUL from years gone by. Jasper, Zander and Greg are Spartan, of the 3oo warriors of legend. And since time began, they have loved Lauren, or a version of her, until one day she did not come home. And now, they really don't want to let her go.
Different from book one, in that, once Lauren is told who the guys are, and what they mean to her, and what she means to them, she does NOT run. She seeks them out, each time going to the woods by herself and her newly arrived puppy. She looks for their gifts each day, knowing that accepting them brings her closer to the men who are creeping their way into her heart. She faces a big decision, when her aunt and uncle tell her their news, but really, it's not a difficult decision, not when she knows who she wants.
I gave Ravens 5 stars cos it was hot hot HOT. While this one is also a 5 star read, I did find it not as explicit as book one. Sexy, yes, hot, yes, but quite as much as book one. Not a bad thing, not at all, just needed to mention it! I'm still harbouring some jealousy that these ladies can find THREE guys when I can't even bag one!
The Ravens are mentioned, when Lauren goes to talk to Jade about local legends, and the Brenna is having problems with them, but they play no part here. Also not a bad thing! The Ravens are also different in that they shift, the Spartans here do not.
Again I read this straight through without stopping and it didn't seem as long as Ravens, and when checking there is some hundred page difference.
I am assuming that book three, Architects, will be Jade's story. I hope so. I hope I get to read it, to see if she embraces those legends her grandma used to tell her.
Thank you, Ms Perry, for my copy.
5 full and shiny stars
**same worded review will appear elsewhere**
However! When a book pulls you in and grabs you so much so you nearly missed your time stamp at work, you really should say a few words, shouldn't you??
This is book 2 in the Sons of Olympia trilogy, but you don't NEED to have read book one, Ravens, first. You SHOULD, because I said so, but not necessary. Both stand alones, but Brenna does pop in this one, on her own journey.
Lauren finds herself tied to a tree, in the middle of the woods, by the local high school bullies. That they aren't in high school anymore doesn't matter to them. Faced with spending her last days as such, Lauren doesn't expect to be rescued, not least by THREE guys who seem to know her! She doesn't feel afraid in their company, these men who tell her they know her SOUL from years gone by. Jasper, Zander and Greg are Spartan, of the 3oo warriors of legend. And since time began, they have loved Lauren, or a version of her, until one day she did not come home. And now, they really don't want to let her go.
Different from book one, in that, once Lauren is told who the guys are, and what they mean to her, and what she means to them, she does NOT run. She seeks them out, each time going to the woods by herself and her newly arrived puppy. She looks for their gifts each day, knowing that accepting them brings her closer to the men who are creeping their way into her heart. She faces a big decision, when her aunt and uncle tell her their news, but really, it's not a difficult decision, not when she knows who she wants.
I gave Ravens 5 stars cos it was hot hot HOT. While this one is also a 5 star read, I did find it not as explicit as book one. Sexy, yes, hot, yes, but quite as much as book one. Not a bad thing, not at all, just needed to mention it! I'm still harbouring some jealousy that these ladies can find THREE guys when I can't even bag one!
The Ravens are mentioned, when Lauren goes to talk to Jade about local legends, and the Brenna is having problems with them, but they play no part here. Also not a bad thing! The Ravens are also different in that they shift, the Spartans here do not.
Again I read this straight through without stopping and it didn't seem as long as Ravens, and when checking there is some hundred page difference.
I am assuming that book three, Architects, will be Jade's story. I hope so. I hope I get to read it, to see if she embraces those legends her grandma used to tell her.
Thank you, Ms Perry, for my copy.
5 full and shiny stars
**same worded review will appear elsewhere**
Ivana A. | Diary of Difference (1171 KP) rated Wonder Woman: Her Greatest Battles in Books
Aug 21, 2018
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<img src="https://gipostcards.files.wordpress.com/2018/08/book-review-1.png"/>;
This is my first graphic novel, and I did enjoy the art in it! This book contains the greatest battles of Wonder Woman. It is a compilation of seven comic book scenes, all sharing a different battle of Wonder Woman, and a different kind of art.. But even though I enjoyed the art, as a first one, this didn’t make me happy.
The stories are put in this compilation chronologically by when they were made, starting from a scene that was made in 1987, until the last one, which was made in 2013. I will give a brief comment on all of them - in order:
<b>‘’Power Play’’ from Wonder Woman #6 (1987)
<i>Plot & Pencils: George Perez, Script: Len Wein, Inks: Bruce Patterson, Colors: Tatjana Wood, Letters: John Costanza, Cover: George Perez</i></b>
The first story is a scene where Diana is fighting the god of war - Ares. As a first one, it is not the best descriptive piece of information - so for a person that haven’t heard about Wonder Woman before, this one won’t be of any use. I also didn’t quite enjoy the art in this one.
<b><i>‘’And for the first time in his immortal existence, the war-god weeps… for, without those alive to worship him, Ares’ power swiftly wanes…’’</i></b>
<b>‘’In The Forest Of The Night’’ from Wonder Woman #119 (1997)
<i>Story & Art: John Byrne; Colors: Patricia Mulvihill; Cover: Jose Luis Garcia-Lopez</i></b>
In this scene, Diana is on a mission to save officer Michael P. Schorr of the G.C.P.D. from the cheetah that used to be Barbara Minerva. Diana manages to convince Barbara to win the battle with herself and become human again. Even though I didn’t quite enjoy the art - I did enjoy the story itself. It was a great lesson of fighting for who you are within, and winning battles with yourself and not surrendering to anything that might be in your way. We also get to have a little sneak-peak of how Wonder Woman started existing in the first place.
<b><i>‘’Yes, Mike, it is not widely known, but I was not born as mortals are, my mother sculpted a baby from the clay of Themyscira and the Gods themselves breathed life into that clay. ‘’</i></b>
<img src="https://gipostcards.files.wordpress.com/2018/08/book-cover-4.png"/>;
<b>‘’Stoned: Conclusion’’ from Wonder Woman #210 (2005)
<i>Script: Greg Rucka; Pencils: Drew Johnson; Inks: Ray Snyder; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
This one is a gladiator battle between Wonder Woman and Medusa. I really enjoyed this one, the art was amazing and we even get a few scenes with Circe-witch on it. I love how Wonder Woman is presented to be smart and the sacrifice that she made was very brave. Such a powerful story! Amazing!
<b>‘’Sacrifice: Part four’’ from Wonder Woman #219 (2005)
<i>Scripts: Greg Rucka; Pencils:Rags Morales, David Lopez, Tom Derenick, Georges Jeanty & Karl Kerschl; Inks: Mark Propst, BIT, Dexter Vines, Bob Petrecca & Nelson; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
Superman has been brainwashed and wants to kill Diana. Not much happens apart from Wonder Woman and Superman fighting. I didn’t like this one, only because of one quote that says:
<b><i>‘’You’ll forgive me for saying it, princess, but you look good on your knees…’’</i></b>
<b>‘’A Murder Of Crows: Part Two - Throwdown’’ from Wonder Woman #41 (2010)
<i>Script: Gail Simone; Pencils: Chris Batista & Fernando Dagnino; Inks: Doug Hazlewood & Raul Fernandez; Colors: Brad Anderson; Letters: Travis Lanham; Cover: Aaron Lopresti</i></b>
Even though the beginning features Achilles and Patroclus, after a page or two we don’t see them anymore, and I am standing like… what’s the point in mentioning them in the first place then? This piece of art contains a battle between Power Girl and Wonder Woman, and how Power Girl can never be like Wonder Woman, unless, of course, she has no other choice.
I liked this one, maybe the most, even though the art was just average.
<b>‘’Justice League: Part Three’’ from Justice League #3 (2011)
<i>Script: Geoff Johns; Pencils: Jim Lee; Inks: Scott Williams; Colors: Alex Sinclair, HI-FI & Gabe Ettaeb; Letters: Pat Brosseau; Cover: Jim Lee, Scott Williams & Alex Sinclair</i></b>
This piece of art was different than anything else in this book. We see a lot of famous heroes fight, like Superman, Batman, Green Lantern, Aquaman, and of course, Wonder Woman. The art is really colourful, which I enjoyed, but the story was confusing. See, it started from the middle of a comic book, and then ended unfinished. It only covered the part where Wonder Woman appears, but it confused me and I didn’t enjoy the story as much. Again, I didn’t like the way how they express themselves to a woman. They see Wonder Woman and they call dibs on her. Really?
<b>‘’Goddown’’ from Wonder Woman #23 (2013)
<i>Script: Brian Azzarello; Art: Cliff Chiang; Colors: Matthew Wilson; Letters: Jared K. Fletcher; Cover: Cliff Chiang </i></b>
A very confusing chapter, and I didn’t enjoy it at all. It was about Hera and her children, and Wonder Woman protecting them. Even though this is the newest made, it didn’t seem like it, and the art seemed old-style.
Overall, I didn’t enjoy it as much, and it wouldn’t be something I’d choose in the future. I’d rather go with a proper beginning-to-end story rather than a compilation next time.
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<img src="https://gipostcards.files.wordpress.com/2018/08/book-review-1.png"/>;
This is my first graphic novel, and I did enjoy the art in it! This book contains the greatest battles of Wonder Woman. It is a compilation of seven comic book scenes, all sharing a different battle of Wonder Woman, and a different kind of art.. But even though I enjoyed the art, as a first one, this didn’t make me happy.
The stories are put in this compilation chronologically by when they were made, starting from a scene that was made in 1987, until the last one, which was made in 2013. I will give a brief comment on all of them - in order:
<b>‘’Power Play’’ from Wonder Woman #6 (1987)
<i>Plot & Pencils: George Perez, Script: Len Wein, Inks: Bruce Patterson, Colors: Tatjana Wood, Letters: John Costanza, Cover: George Perez</i></b>
The first story is a scene where Diana is fighting the god of war - Ares. As a first one, it is not the best descriptive piece of information - so for a person that haven’t heard about Wonder Woman before, this one won’t be of any use. I also didn’t quite enjoy the art in this one.
<b><i>‘’And for the first time in his immortal existence, the war-god weeps… for, without those alive to worship him, Ares’ power swiftly wanes…’’</i></b>
<b>‘’In The Forest Of The Night’’ from Wonder Woman #119 (1997)
<i>Story & Art: John Byrne; Colors: Patricia Mulvihill; Cover: Jose Luis Garcia-Lopez</i></b>
In this scene, Diana is on a mission to save officer Michael P. Schorr of the G.C.P.D. from the cheetah that used to be Barbara Minerva. Diana manages to convince Barbara to win the battle with herself and become human again. Even though I didn’t quite enjoy the art - I did enjoy the story itself. It was a great lesson of fighting for who you are within, and winning battles with yourself and not surrendering to anything that might be in your way. We also get to have a little sneak-peak of how Wonder Woman started existing in the first place.
<b><i>‘’Yes, Mike, it is not widely known, but I was not born as mortals are, my mother sculpted a baby from the clay of Themyscira and the Gods themselves breathed life into that clay. ‘’</i></b>
<img src="https://gipostcards.files.wordpress.com/2018/08/book-cover-4.png"/>;
<b>‘’Stoned: Conclusion’’ from Wonder Woman #210 (2005)
<i>Script: Greg Rucka; Pencils: Drew Johnson; Inks: Ray Snyder; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
This one is a gladiator battle between Wonder Woman and Medusa. I really enjoyed this one, the art was amazing and we even get a few scenes with Circe-witch on it. I love how Wonder Woman is presented to be smart and the sacrifice that she made was very brave. Such a powerful story! Amazing!
<b>‘’Sacrifice: Part four’’ from Wonder Woman #219 (2005)
<i>Scripts: Greg Rucka; Pencils:Rags Morales, David Lopez, Tom Derenick, Georges Jeanty & Karl Kerschl; Inks: Mark Propst, BIT, Dexter Vines, Bob Petrecca & Nelson; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
Superman has been brainwashed and wants to kill Diana. Not much happens apart from Wonder Woman and Superman fighting. I didn’t like this one, only because of one quote that says:
<b><i>‘’You’ll forgive me for saying it, princess, but you look good on your knees…’’</i></b>
<b>‘’A Murder Of Crows: Part Two - Throwdown’’ from Wonder Woman #41 (2010)
<i>Script: Gail Simone; Pencils: Chris Batista & Fernando Dagnino; Inks: Doug Hazlewood & Raul Fernandez; Colors: Brad Anderson; Letters: Travis Lanham; Cover: Aaron Lopresti</i></b>
Even though the beginning features Achilles and Patroclus, after a page or two we don’t see them anymore, and I am standing like… what’s the point in mentioning them in the first place then? This piece of art contains a battle between Power Girl and Wonder Woman, and how Power Girl can never be like Wonder Woman, unless, of course, she has no other choice.
I liked this one, maybe the most, even though the art was just average.
<b>‘’Justice League: Part Three’’ from Justice League #3 (2011)
<i>Script: Geoff Johns; Pencils: Jim Lee; Inks: Scott Williams; Colors: Alex Sinclair, HI-FI & Gabe Ettaeb; Letters: Pat Brosseau; Cover: Jim Lee, Scott Williams & Alex Sinclair</i></b>
This piece of art was different than anything else in this book. We see a lot of famous heroes fight, like Superman, Batman, Green Lantern, Aquaman, and of course, Wonder Woman. The art is really colourful, which I enjoyed, but the story was confusing. See, it started from the middle of a comic book, and then ended unfinished. It only covered the part where Wonder Woman appears, but it confused me and I didn’t enjoy the story as much. Again, I didn’t like the way how they express themselves to a woman. They see Wonder Woman and they call dibs on her. Really?
<b>‘’Goddown’’ from Wonder Woman #23 (2013)
<i>Script: Brian Azzarello; Art: Cliff Chiang; Colors: Matthew Wilson; Letters: Jared K. Fletcher; Cover: Cliff Chiang </i></b>
A very confusing chapter, and I didn’t enjoy it at all. It was about Hera and her children, and Wonder Woman protecting them. Even though this is the newest made, it didn’t seem like it, and the art seemed old-style.
Overall, I didn’t enjoy it as much, and it wouldn’t be something I’d choose in the future. I’d rather go with a proper beginning-to-end story rather than a compilation next time.
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Alice (12 KP) rated War Dogs: Ares Rising in Books
Jul 3, 2018
<i>I received a copy of this book from the publisher in exchange for an honest review</i>
War Dogs was so far out of my comfort zone I expected to not enjoy it. I’m pleased to say that I did enjoy this, not only was this a new style of writing for me, it was also a new author. At first I was a little sceptic of a book set on Mars (I haven’t read The Martian yet so the topic of being stuck on Mars is new!) this book was set in the perspective of Master Sergeant Michael Venn (Vinnie), a veteran Marine trained in off-world combat.
The book opens with Vinnie being back on Earth after a shit-storm of a Mars mission throws everything for a loop:
<blockquote>I’m trying to go home. As the poet said, if you don’t know where you are, you don’t know who you are. Home is where you go to get all that sorted out.</blockquote>
The chapters flick between Earth now and Mars then which is, in reality probably only about 2 weeks or so. Michael Venn has been on multiple tours of the Red Planet in his six years as a Skyrine and this is likely to be his last. There’s a good setting of Seattle in the beginning of the book where he’s just got out of the military base he touched down in a little while ago, it’s told from first person perspective and lots of memories are forth coming to the reader.
The basis of the Skyrine and their missions to Mars is from the Gurus – an alien race who made their presence known thirteen years ago when they touched down in the desert and spoke with some camel herders, it then progresses to the Gurus sneaking into the telecoms and satlinks, making a lot of money and then being “spotted” by some really clever computer folks. The Gurus then provide us humans with lots of technological advances for seemingly nothing, at least until they break the news that they have their own enemies – the Antagonists or Antags – and it’s now up the humans to go to war with the Antags.
After this little bit of background the story flicks to Mars with what has got to be one of my favourite lines in this book:
<blockquote>Physics is what kills you, but biology is what wants you dead.</blockquote>
Another favourite is:
<blockquote>…and share a silent fear that here, buckaroos, there are far too many cowboys and not nearly enough Indians.</blockquote>
The story then continues with Michael Venn’s tale of how their mission went tits up and describes various settings on Mars where they are thrown in the deep end and are at risk of dying. I didn’t quite understand why the book was called War Dogs until page 75 when it was explained to a point:
<blockquote>We’re all War Dogs, adopted by a very tall, strong ranch wife.</blockquote>
The descriptions of the characters and the settings in this book are wonderfully done and you actually feel like you’re there on Mars suffering along with Venn, Tak, Kazak and the rest of the Skyrines (a Skyrine is a Marine who is ‘sky-bound’ to Mars) while they wait out the possibility of death before Teal the ranch wife from the above quote comes to their rescue and then while they discover that their mission was compromised from the very beginning long before they actually launched.
Throughout the book there is a character called Alice who comes to Seattle on behalf of Joe (another Skyrine) who is there to help Michael come to terms with being back on Earth after the blow out of Mars. She’s a sort of psychotherapist I suppose who is there to listen to Michael’s story of what happened on Mars (which is basically how the book is written, the storytelling of what happened on Mars but through visions or flashbacks) and she eventually takes him to see Joe only they get caught by the military police. Michael ends up being taken “prisoner” as a fugitive.
This book was – though short – incredibly well written and I definitely want to read the next one which is lucky as I have that as well. This one book has made me want to read more of Greg Bear’s work and I’m on the hunt for the next series to read. As mentioned before the characters were brilliant although there is lots of unique jargon that both does and doesn’t make sense (SNKRAZ for one), the Muskie lingo (Teal’s people) is a little hard going to understand.
The chapter switches between past and present, with the past represented as memories or hallucinations/visions; ultimately War Dogs is a humorous but dramatic tale of Mars from the POV of a Marine that can’t swear. Michael Venn is a great main character with plenty of well presented secondary characters and a good ecclectic mix of plots.
I will leave you with a parting quote:
<blockquote>Ant farm stories are just like life. We have no idea why we’re here, what we’re doing alive, or even where we are, but here we are, doing our best to make do.</blockquote>
War Dogs was so far out of my comfort zone I expected to not enjoy it. I’m pleased to say that I did enjoy this, not only was this a new style of writing for me, it was also a new author. At first I was a little sceptic of a book set on Mars (I haven’t read The Martian yet so the topic of being stuck on Mars is new!) this book was set in the perspective of Master Sergeant Michael Venn (Vinnie), a veteran Marine trained in off-world combat.
The book opens with Vinnie being back on Earth after a shit-storm of a Mars mission throws everything for a loop:
<blockquote>I’m trying to go home. As the poet said, if you don’t know where you are, you don’t know who you are. Home is where you go to get all that sorted out.</blockquote>
The chapters flick between Earth now and Mars then which is, in reality probably only about 2 weeks or so. Michael Venn has been on multiple tours of the Red Planet in his six years as a Skyrine and this is likely to be his last. There’s a good setting of Seattle in the beginning of the book where he’s just got out of the military base he touched down in a little while ago, it’s told from first person perspective and lots of memories are forth coming to the reader.
The basis of the Skyrine and their missions to Mars is from the Gurus – an alien race who made their presence known thirteen years ago when they touched down in the desert and spoke with some camel herders, it then progresses to the Gurus sneaking into the telecoms and satlinks, making a lot of money and then being “spotted” by some really clever computer folks. The Gurus then provide us humans with lots of technological advances for seemingly nothing, at least until they break the news that they have their own enemies – the Antagonists or Antags – and it’s now up the humans to go to war with the Antags.
After this little bit of background the story flicks to Mars with what has got to be one of my favourite lines in this book:
<blockquote>Physics is what kills you, but biology is what wants you dead.</blockquote>
Another favourite is:
<blockquote>…and share a silent fear that here, buckaroos, there are far too many cowboys and not nearly enough Indians.</blockquote>
The story then continues with Michael Venn’s tale of how their mission went tits up and describes various settings on Mars where they are thrown in the deep end and are at risk of dying. I didn’t quite understand why the book was called War Dogs until page 75 when it was explained to a point:
<blockquote>We’re all War Dogs, adopted by a very tall, strong ranch wife.</blockquote>
The descriptions of the characters and the settings in this book are wonderfully done and you actually feel like you’re there on Mars suffering along with Venn, Tak, Kazak and the rest of the Skyrines (a Skyrine is a Marine who is ‘sky-bound’ to Mars) while they wait out the possibility of death before Teal the ranch wife from the above quote comes to their rescue and then while they discover that their mission was compromised from the very beginning long before they actually launched.
Throughout the book there is a character called Alice who comes to Seattle on behalf of Joe (another Skyrine) who is there to help Michael come to terms with being back on Earth after the blow out of Mars. She’s a sort of psychotherapist I suppose who is there to listen to Michael’s story of what happened on Mars (which is basically how the book is written, the storytelling of what happened on Mars but through visions or flashbacks) and she eventually takes him to see Joe only they get caught by the military police. Michael ends up being taken “prisoner” as a fugitive.
This book was – though short – incredibly well written and I definitely want to read the next one which is lucky as I have that as well. This one book has made me want to read more of Greg Bear’s work and I’m on the hunt for the next series to read. As mentioned before the characters were brilliant although there is lots of unique jargon that both does and doesn’t make sense (SNKRAZ for one), the Muskie lingo (Teal’s people) is a little hard going to understand.
The chapter switches between past and present, with the past represented as memories or hallucinations/visions; ultimately War Dogs is a humorous but dramatic tale of Mars from the POV of a Marine that can’t swear. Michael Venn is a great main character with plenty of well presented secondary characters and a good ecclectic mix of plots.
I will leave you with a parting quote:
<blockquote>Ant farm stories are just like life. We have no idea why we’re here, what we’re doing alive, or even where we are, but here we are, doing our best to make do.</blockquote>