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Hazel (1853 KP) rated Thirteen Reasons Why in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Recently filmed as a thirteen-part Netflix drama executively produced by Selena Gomez, <i>Thirteen Reasons Why</i> was the first novel by the award-winning author, Jay Asher. It is the type of book readers will either love or hate, but it should definitely come with a warning. This story is NOT an accurate representation of depression and suicide.
Yes, suicide. A teenaged girl has committed suicide, shocking everyone who knew her. No one could understand why, but thirteen people are going to find out. Clay Jensen is the ninth person to receive a box of thirteen audiotapes from Hannah Baker. However, Hannah died two weeks ago. As she premeditated taking her life, Hannah recorded thirteen stories involving people from her school that caused her to snowball into deep depression and despair. Desperate to find out why his name features in Hannah’s story, Clay begins listening to the tapes in order, putting together the events that led to Hannah’s death.
What follows is a heart-breaking story showing the impact individuals have on other people’s lives, often without realising it. In some cases, the characters only played a minor role in Hannah’s life, whereas others caused significant damage. The saddest thing is, Clay could have helped Hannah, but she had pushed him away.
At times, Hannah seemed like the horrible person, calling all these people out on petty little things, but these things, along with the more horrible ones, all built up to create a life that did not feel worth living. It is eye opening how much a small action, comment or rumour can so drastically alter someone’s future.
Bearing in mind that depression affects everyone differently and has numerous causes, some readers may feel disgusted at Hannah’s extreme action, but this is the fault of the author. Jay Asher fails to completely describe the emotional torment that Hannah felt, and only someone who may have been through a similar situation, or worse, will fully be able to understand the impact everything has had on her mental health.
As Hannah beleaguers her listeners, the thirteen people start to feel like the victims rather than the “attackers”, which is most probably not what the author was intending. Now, these people will have to live their lives believing they caused a girl to commit suicide when really they were only 1/13th of the reason. Although, before criticising this novel, keep in mind it is a work of fiction.
What is most painful about <i>Thirteen Reasons Why</i>, is not Hannah’s plight, but the reaction Clay has to hearing Hannah’s story. Unlike the other people Hannah accuses, Clay is not one of her antagonists; all Hannah wants to do is to say sorry.
It is up to the reader to judge whether <i>Thirteen Reasons Why</i> is worthy of praise or not. Those without an understanding of depression may dislike it on account of misunderstanding Hannah’s reasons, whereas others may feel insulted that she killed herself over things that could have been eased had she told someone. Personally, I understand where Hannah is coming from, and although I would not go to the extremes Hannah did, I do not think she was selfish or stupid or any other insult that may befall her.
The reason I give this book a good rating lies in the quality of writing. Asher seamlessly alternates between two narratives – Hannah’s story and Clay’s reaction and reflection. Although the author may not have clearly expressed Hannah’s emotions, he successful emphasises the grief and despair Clay feels listening to the cassettes. My main concern is that <i>Thirteen Reasons Why</i> will only be short lived. Audiotapes were already obsolete when the book was published, but soon will there be any new readers who know what a tape is?
Recently filmed as a thirteen-part Netflix drama executively produced by Selena Gomez, <i>Thirteen Reasons Why</i> was the first novel by the award-winning author, Jay Asher. It is the type of book readers will either love or hate, but it should definitely come with a warning. This story is NOT an accurate representation of depression and suicide.
Yes, suicide. A teenaged girl has committed suicide, shocking everyone who knew her. No one could understand why, but thirteen people are going to find out. Clay Jensen is the ninth person to receive a box of thirteen audiotapes from Hannah Baker. However, Hannah died two weeks ago. As she premeditated taking her life, Hannah recorded thirteen stories involving people from her school that caused her to snowball into deep depression and despair. Desperate to find out why his name features in Hannah’s story, Clay begins listening to the tapes in order, putting together the events that led to Hannah’s death.
What follows is a heart-breaking story showing the impact individuals have on other people’s lives, often without realising it. In some cases, the characters only played a minor role in Hannah’s life, whereas others caused significant damage. The saddest thing is, Clay could have helped Hannah, but she had pushed him away.
At times, Hannah seemed like the horrible person, calling all these people out on petty little things, but these things, along with the more horrible ones, all built up to create a life that did not feel worth living. It is eye opening how much a small action, comment or rumour can so drastically alter someone’s future.
Bearing in mind that depression affects everyone differently and has numerous causes, some readers may feel disgusted at Hannah’s extreme action, but this is the fault of the author. Jay Asher fails to completely describe the emotional torment that Hannah felt, and only someone who may have been through a similar situation, or worse, will fully be able to understand the impact everything has had on her mental health.
As Hannah beleaguers her listeners, the thirteen people start to feel like the victims rather than the “attackers”, which is most probably not what the author was intending. Now, these people will have to live their lives believing they caused a girl to commit suicide when really they were only 1/13th of the reason. Although, before criticising this novel, keep in mind it is a work of fiction.
What is most painful about <i>Thirteen Reasons Why</i>, is not Hannah’s plight, but the reaction Clay has to hearing Hannah’s story. Unlike the other people Hannah accuses, Clay is not one of her antagonists; all Hannah wants to do is to say sorry.
It is up to the reader to judge whether <i>Thirteen Reasons Why</i> is worthy of praise or not. Those without an understanding of depression may dislike it on account of misunderstanding Hannah’s reasons, whereas others may feel insulted that she killed herself over things that could have been eased had she told someone. Personally, I understand where Hannah is coming from, and although I would not go to the extremes Hannah did, I do not think she was selfish or stupid or any other insult that may befall her.
The reason I give this book a good rating lies in the quality of writing. Asher seamlessly alternates between two narratives – Hannah’s story and Clay’s reaction and reflection. Although the author may not have clearly expressed Hannah’s emotions, he successful emphasises the grief and despair Clay feels listening to the cassettes. My main concern is that <i>Thirteen Reasons Why</i> will only be short lived. Audiotapes were already obsolete when the book was published, but soon will there be any new readers who know what a tape is?
Gareth von Kallenbach (980 KP) rated The Interpreter (2005) in Movies
Aug 14, 2019
In 1945, the leaders of the world formed a charter to create the United Nations in an attempt to prevent conflicts that resulted in the Second World War. Unlike the
League of Nations before it, the U.N. as it is often known has endured over time, and has seen its membership grow over the years.
In the new film The Interpreter, Nicole Kidman stars as Sylvia Broom, an interpreter at the U.N. who spends her days translating various languages into English during various meetings and assemblies.
One evening Sylvia returns to the U.N. after hours to retrieve a bag that she had left in a sound booth. Unexpectedly, Sylvia hears a whispered conversation over the speakers in an African dialect know only to a few people, herself being one of them.
Despite some reservations Sylvia does not report her discovery until the following morning, when some odd circumstances come into play. Chief amongst them is the discovery that the person referred to in the conversation as “The Teacher” is very likely a controversial African leader who is on his way to address the U.N. in an effort to avoid being placed on trial by the World Court for atrocities.
Assigned to investigate the case is Tobin Keller (Sean Penn), an F.B.I. agent who has recently lost his wife and despite his grief, is throwing himself into his work. Tobin is skeptical over Sylvia’s report as he finds it odd that she just happened to overhear a conversation in a language that only a handful of people in the country, she included could understand. Tobin’s instincts tell him that this is simply a ploy to cancel the pending visit allowing political rivals to claim power in the absence of the African leader.
Under the thought that it is better to be safe than sorry, Tobin begins to investigate the case, and soon has far more questions than answers. It becomes clear that Sylvia is hiding something, and may indeed have a connection to the plot.
When Sylvia reports a break in and a masked figure on her balcony, Tobin and his team set up surveillance of Sylvia in an effort to get to the bottom of the plot With time definitely not on their side, more questions than answers keep emerging especially when prime suspects begin to vanish, and later turn up dead, or become victims in a horrific act of terrorism leaving Tobin to put the pieces together and protect the African leader at all costs.
While the film has a good premise and cast, it is sunk by a very dull and plodding plot, that drags on for over two hours and fails to pay off. The film could easily have had thirty minutes trimmed from its running time and not lost much of the story. While this may be a matter of stylistic preference what cannot be overlooked are the films glaring lack of tension or suspense and the sad lack of chemistry between Kidman and Penn. While theirs is not a romantic relationship, Penn seems as if he is being restrained as his part does not allow his talents to show.
The same goes for Kidman, who seems to be having trouble with her accents, as she flips between American, and African tinted accents throughout the film and seems at times to be simply going through the motions.
What is most puzzling to me is how a gifted director like Sydney Pollack allows the film to go on and on without any suspense or real dynamic to the story. It just keeps plodding along and never seems to go anywhere. It does not build up to the finale, it just happens and with some uninspired twists. It was very obvious to me from the start of the film who was behind the plot. There are some red herrings in the film but they seem tacked on rather than natural elements to the plot.
League of Nations before it, the U.N. as it is often known has endured over time, and has seen its membership grow over the years.
In the new film The Interpreter, Nicole Kidman stars as Sylvia Broom, an interpreter at the U.N. who spends her days translating various languages into English during various meetings and assemblies.
One evening Sylvia returns to the U.N. after hours to retrieve a bag that she had left in a sound booth. Unexpectedly, Sylvia hears a whispered conversation over the speakers in an African dialect know only to a few people, herself being one of them.
Despite some reservations Sylvia does not report her discovery until the following morning, when some odd circumstances come into play. Chief amongst them is the discovery that the person referred to in the conversation as “The Teacher” is very likely a controversial African leader who is on his way to address the U.N. in an effort to avoid being placed on trial by the World Court for atrocities.
Assigned to investigate the case is Tobin Keller (Sean Penn), an F.B.I. agent who has recently lost his wife and despite his grief, is throwing himself into his work. Tobin is skeptical over Sylvia’s report as he finds it odd that she just happened to overhear a conversation in a language that only a handful of people in the country, she included could understand. Tobin’s instincts tell him that this is simply a ploy to cancel the pending visit allowing political rivals to claim power in the absence of the African leader.
Under the thought that it is better to be safe than sorry, Tobin begins to investigate the case, and soon has far more questions than answers. It becomes clear that Sylvia is hiding something, and may indeed have a connection to the plot.
When Sylvia reports a break in and a masked figure on her balcony, Tobin and his team set up surveillance of Sylvia in an effort to get to the bottom of the plot With time definitely not on their side, more questions than answers keep emerging especially when prime suspects begin to vanish, and later turn up dead, or become victims in a horrific act of terrorism leaving Tobin to put the pieces together and protect the African leader at all costs.
While the film has a good premise and cast, it is sunk by a very dull and plodding plot, that drags on for over two hours and fails to pay off. The film could easily have had thirty minutes trimmed from its running time and not lost much of the story. While this may be a matter of stylistic preference what cannot be overlooked are the films glaring lack of tension or suspense and the sad lack of chemistry between Kidman and Penn. While theirs is not a romantic relationship, Penn seems as if he is being restrained as his part does not allow his talents to show.
The same goes for Kidman, who seems to be having trouble with her accents, as she flips between American, and African tinted accents throughout the film and seems at times to be simply going through the motions.
What is most puzzling to me is how a gifted director like Sydney Pollack allows the film to go on and on without any suspense or real dynamic to the story. It just keeps plodding along and never seems to go anywhere. It does not build up to the finale, it just happens and with some uninspired twists. It was very obvious to me from the start of the film who was behind the plot. There are some red herrings in the film but they seem tacked on rather than natural elements to the plot.
Gareth von Kallenbach (980 KP) rated Curvature (2018) in Movies
Jul 8, 2019
If there’s any particular genre i’m particularly keen too, it’s science fiction. Books, movies, television, comics, you name it. I’ve been watching the old school versions of ‘The Twilight Zone’ and ‘The Outer Limits’ since I was like 5 years old (that could explain quite a few things actually). As far as movies? That’s going to lead only to the past, the future, other dimensions, etc. If you had to nail it down even further within the genre of science fiction, I’d have to go right to anything revolving around time travel. That’s where today’s film for your consideration comes in. This one in particular doesn’t seem to be getting the credit it deserves and although it’s a bit rough around the edges, I think it also deserves a shot.
‘Curvature’ is a 2017 science fiction/thriller film (released on February 23rd of this year) written by Brian DeLeeuw and directed by Diego Hallivis. The film stars Lyndsy Fonseca, Noah Bean, Glenn Morshower, Zach Avery, Alex Lanipekun, and Linda Hamilton (yes … THEE Linda Hamilton as in ‘Sarah Conner’).
Helen (Fonseca) is grieving the lose of her husband Wells (Bean) in the aftermath of his suicide. Not long after, Wells’s colleague Tomas (Morshower) seeks her out and asks for her blessing to continue the research project that he and Wells were involved in. Being an engineer and a scientist herself, she agrees and not long after returns to work trying to confront the grief as best she can with the guidance and help of her mentor Florence (Hamilton). Without warning, Helen succumbs to a blackout and awakens several days later. Upon awakening at home, she learns that several days have passed and receives a phone call …. from HERSELF. Helen warns herself to get out of the house as soon as possible as a man in a black BMW is coming to the house to kill her. In the confusion that follows, she manages to barely escape and seek out her friend Alex. What follows is a story of deceit, betrayal, and a conspiracy that goes beyond what Helen could imagine where she can’t trust anyone … not even her future self.
Obviously, i’m biased her being partial to the genre. That being said .. this movie is was, is, and will be excellent. 4 out of 5 stars. What impressed me about the film was how well the writing went with the talent of all the actors involved. My only real complaint, is that I wish they had incorporated more dialogue into the 90 minute movie. It’s almost like they sacrificed time between characters for the special effects which I will say, were absolutely awesome for an independent film. The film fell somewhere between a movie and a television episode as far as the experience. I would’ve preferred it to be one or the other and not in between if that makes any sense. However, I was still blown away by the film and will gladly watch it again and add it to my library at the first opportunity. Not to give too much of the film away, one thing I found unique about this particular time-travel film is how the writer came up with the concept that the nature of the ‘experiment’ allowed for someone to only go back so far into the past between a few hours and a few days limiting how far back you could alter history so-to-speak. The intent wasn’t necessarily to save because too much time had passed … but to ‘stop’. As for the ‘star power of the film’, I saw it as a tip of the hat to other films in the time travel genre. This film definitely deserves a place in the science fiction/time travel library. Take my suggestion and give it a look.
‘Curvature’ is a 2017 science fiction/thriller film (released on February 23rd of this year) written by Brian DeLeeuw and directed by Diego Hallivis. The film stars Lyndsy Fonseca, Noah Bean, Glenn Morshower, Zach Avery, Alex Lanipekun, and Linda Hamilton (yes … THEE Linda Hamilton as in ‘Sarah Conner’).
Helen (Fonseca) is grieving the lose of her husband Wells (Bean) in the aftermath of his suicide. Not long after, Wells’s colleague Tomas (Morshower) seeks her out and asks for her blessing to continue the research project that he and Wells were involved in. Being an engineer and a scientist herself, she agrees and not long after returns to work trying to confront the grief as best she can with the guidance and help of her mentor Florence (Hamilton). Without warning, Helen succumbs to a blackout and awakens several days later. Upon awakening at home, she learns that several days have passed and receives a phone call …. from HERSELF. Helen warns herself to get out of the house as soon as possible as a man in a black BMW is coming to the house to kill her. In the confusion that follows, she manages to barely escape and seek out her friend Alex. What follows is a story of deceit, betrayal, and a conspiracy that goes beyond what Helen could imagine where she can’t trust anyone … not even her future self.
Obviously, i’m biased her being partial to the genre. That being said .. this movie is was, is, and will be excellent. 4 out of 5 stars. What impressed me about the film was how well the writing went with the talent of all the actors involved. My only real complaint, is that I wish they had incorporated more dialogue into the 90 minute movie. It’s almost like they sacrificed time between characters for the special effects which I will say, were absolutely awesome for an independent film. The film fell somewhere between a movie and a television episode as far as the experience. I would’ve preferred it to be one or the other and not in between if that makes any sense. However, I was still blown away by the film and will gladly watch it again and add it to my library at the first opportunity. Not to give too much of the film away, one thing I found unique about this particular time-travel film is how the writer came up with the concept that the nature of the ‘experiment’ allowed for someone to only go back so far into the past between a few hours and a few days limiting how far back you could alter history so-to-speak. The intent wasn’t necessarily to save because too much time had passed … but to ‘stop’. As for the ‘star power of the film’, I saw it as a tip of the hat to other films in the time travel genre. This film definitely deserves a place in the science fiction/time travel library. Take my suggestion and give it a look.
Darren (1599 KP) rated S. Darko: A Donnie Darko Tale (2009) in Movies
Nov 25, 2019
Verdict: Pointless Sequel
Story: S. Darko starts seven years after the events of Donnie Darko, Samantha (Chase) his little sister has grown up to become a lost soul in the world, drifting with Corey (Evigan), still struggling with the grief of what happened to her brother’s unsolved death. The two women find themselves in a small country town while their car is getting fix.
As the two spend the time in the town, they learn about the secrets, including the estranged war veteran known as Iraq Jack (Lafferty) who is considered a danger in the local area, though he starts getting visits from Samantha talking about the end, will the rest of the town’s secrets get revealed.
Thoughts on S. Darko
Characters – Samantha is the younger sister of Donnie Darko, she has seen her family destroyed by what happened to him, seeing her left alone in the world, drifting with her friend, she has always been spaced out, but now she starts to experience the same visions that Donnie once did, sleepwalking and visiting people with warnings of an impending doom coming to this town. This is a strange twist for the character that starts of shier and more innocent, but soon is trying to find the truth about her own visions. Corey is the confident of the two friends, she likes to party and flirt, which has seen her getting tired of Samantha’s awkwardness. Iraq Jack is a war veteran that has been branded a creep in the town, the police are just waiting to blame him for any crime to get rid of him, but he has a story to tell, one that Samantha can connect too. Randy is the local bad boy that befriends the two girls, he has lost his brother and this has turned him to drink for comfort, while he battles his own demons once the girls arrive in the town.
Performances – Daveigh Chase is the only actors to return to the franchise, she doesn’t give us a bad performance, she does look like the innocent lost soul she is meant to be playing. Briana Evigan as the confident flirty best friend is strong through the film, while the rest of the cast really do what they can with the material, this isn’t one that the actors should be criticised for.
Story – The story here follows the sister of Donnie Darko as she discovers that she has her own journey with the time travelling universe saving rabbit figure that is desperately trying to put the warning out there to this small town. Well that is about as much as I could figure out, much like Donnie Darko, we do get a town filled with secrets that the time travelling is meant to expose or save, but we just try to get an overly diluted version of the genius of the original story. The idea that somebody in this town has their own bunny mask confuses more than anything and by the end you will be left wondering what the point in the story here was, the sequel ideas never seem to understand the uniqueness of the original, losing the direction it is trying to show.
Mystery/Sci-Fi – The mystery in this film comes what is going on, though it doesn’t even feel solved by the conclusion of the film, while the sci-fi side of the film follows the idea of time travel.
Settings – The film is set in a small town which does have a few secrets that people want to keep secret, but are about to be exposed.
Special Effects – The effects are fine they have the keep the goo water trail that we had in the first film.
Scene of the Movie – Umm, pass.
That Moment That Annoyed Me – So many plot holes.
Final Thoughts – This is a sequel that just seems to become pointless, he doesn’t dig any deeper and only confuses the timeline with plot holes everywhere.
Overall: Hopeless Sequel.
Story: S. Darko starts seven years after the events of Donnie Darko, Samantha (Chase) his little sister has grown up to become a lost soul in the world, drifting with Corey (Evigan), still struggling with the grief of what happened to her brother’s unsolved death. The two women find themselves in a small country town while their car is getting fix.
As the two spend the time in the town, they learn about the secrets, including the estranged war veteran known as Iraq Jack (Lafferty) who is considered a danger in the local area, though he starts getting visits from Samantha talking about the end, will the rest of the town’s secrets get revealed.
Thoughts on S. Darko
Characters – Samantha is the younger sister of Donnie Darko, she has seen her family destroyed by what happened to him, seeing her left alone in the world, drifting with her friend, she has always been spaced out, but now she starts to experience the same visions that Donnie once did, sleepwalking and visiting people with warnings of an impending doom coming to this town. This is a strange twist for the character that starts of shier and more innocent, but soon is trying to find the truth about her own visions. Corey is the confident of the two friends, she likes to party and flirt, which has seen her getting tired of Samantha’s awkwardness. Iraq Jack is a war veteran that has been branded a creep in the town, the police are just waiting to blame him for any crime to get rid of him, but he has a story to tell, one that Samantha can connect too. Randy is the local bad boy that befriends the two girls, he has lost his brother and this has turned him to drink for comfort, while he battles his own demons once the girls arrive in the town.
Performances – Daveigh Chase is the only actors to return to the franchise, she doesn’t give us a bad performance, she does look like the innocent lost soul she is meant to be playing. Briana Evigan as the confident flirty best friend is strong through the film, while the rest of the cast really do what they can with the material, this isn’t one that the actors should be criticised for.
Story – The story here follows the sister of Donnie Darko as she discovers that she has her own journey with the time travelling universe saving rabbit figure that is desperately trying to put the warning out there to this small town. Well that is about as much as I could figure out, much like Donnie Darko, we do get a town filled with secrets that the time travelling is meant to expose or save, but we just try to get an overly diluted version of the genius of the original story. The idea that somebody in this town has their own bunny mask confuses more than anything and by the end you will be left wondering what the point in the story here was, the sequel ideas never seem to understand the uniqueness of the original, losing the direction it is trying to show.
Mystery/Sci-Fi – The mystery in this film comes what is going on, though it doesn’t even feel solved by the conclusion of the film, while the sci-fi side of the film follows the idea of time travel.
Settings – The film is set in a small town which does have a few secrets that people want to keep secret, but are about to be exposed.
Special Effects – The effects are fine they have the keep the goo water trail that we had in the first film.
Scene of the Movie – Umm, pass.
That Moment That Annoyed Me – So many plot holes.
Final Thoughts – This is a sequel that just seems to become pointless, he doesn’t dig any deeper and only confuses the timeline with plot holes everywhere.
Overall: Hopeless Sequel.
Kirk Bage (1775 KP) rated Black Mirror - Season 2 in TV
Mar 3, 2020
Be Right Back - 8
Hayley Atwell, best known as Captain America’s squeeze in the MCU, Carries the emotional weight of this episode in beguiling style. Not for the last time Black Mirror enters the territory of death, grief, loneliness and questions of a tech-aided afterlife. If it were possible to bring a loved one back in physical form, even though we knew it wasn’t really them, would we be tempted to do it? Entirely believable as a concept, considering the amount of data we are storing about ourselves on social media and in other digital ways. Although any kind of clone as good as Domhnall Gleason is a bit far fetched for now. What works here is realising that no matter how good a facsimile is, it is the myriad of tiny details that make a person that we miss the most, even the imperfections. Genuinely moving in its best moments, and a strong start to season 2 in 2013.
White Bear - 7.5
White Bear, the first of the “blind” episodes, where we as viewer are thrown into a situation with no explanation or context, was the first Black Mirror episode I ever watched. I remember being blown away by the dark concept, compelling nature of the minimal narrative, the cunning twist, and the boldness of the statement seemingly being made. So many themes are going on at the same time here: true crime as voyeuristic entertainment; the moral idea of an eye for an eye, brainwashing, and whether torture under any circumstance can be justified, for starters. Looking back, it isn’t the most rounded tale in the canon, or the best acted, but it is certainly very memorable. It also saw the birth of the White Bear symbol, which pops up in other episodes regularly, if paying attention. What is its meaning? The jury is still out!
The Waldo Moment - 6
The political apathy of a nation, and hatred of the personality flaws of our politicians could lead to a figurehead without real policies being elected and revered – it isn’t a very strange idea in 2020 at all. Many younger voters have been incited to demand change, without any idea of what that change should entail. So, in concept, this episode is right on the money. Trouble is it isn’t well written enough to sustain the drama or intrigue in the way the best of the canon do. The shock value is low, and therefore the reaction is “meh, fair enough”. For me, the first real blip in quality control for the series.
White Christmas - 8.5
This was the transition episode that saw Black Mirror make the big money move from Channel 4 to Netflix. Although now bundled into series two, it was a 21 month wait after The Waldo Moment before over 2 million of us settled down to this Christmas gift in 2014. It comes over as an anthology within an anthology, with John Hamm and Rafe Spall telling tales in front of the fire whilst on a “job” together in the cold wilderness of an unknown location. It is laden with ideas of technology back-firing, and is very satisfying in how quickly it moves through the plot points. The chemistry of the two lead men is great; the arrogance of one and the nervousness of the other allowing for some beautiful twists and turns. Essentially, the whole thing is either a re-working of ideas already used, or a precursor to future ideas that will be more fleshed out. Not that it really matters. This is the highest rated individual episode on IMDb, and the reason for that has to be its accessibility. The balance between being creeped out and entertained is just about perfect.
Hayley Atwell, best known as Captain America’s squeeze in the MCU, Carries the emotional weight of this episode in beguiling style. Not for the last time Black Mirror enters the territory of death, grief, loneliness and questions of a tech-aided afterlife. If it were possible to bring a loved one back in physical form, even though we knew it wasn’t really them, would we be tempted to do it? Entirely believable as a concept, considering the amount of data we are storing about ourselves on social media and in other digital ways. Although any kind of clone as good as Domhnall Gleason is a bit far fetched for now. What works here is realising that no matter how good a facsimile is, it is the myriad of tiny details that make a person that we miss the most, even the imperfections. Genuinely moving in its best moments, and a strong start to season 2 in 2013.
White Bear - 7.5
White Bear, the first of the “blind” episodes, where we as viewer are thrown into a situation with no explanation or context, was the first Black Mirror episode I ever watched. I remember being blown away by the dark concept, compelling nature of the minimal narrative, the cunning twist, and the boldness of the statement seemingly being made. So many themes are going on at the same time here: true crime as voyeuristic entertainment; the moral idea of an eye for an eye, brainwashing, and whether torture under any circumstance can be justified, for starters. Looking back, it isn’t the most rounded tale in the canon, or the best acted, but it is certainly very memorable. It also saw the birth of the White Bear symbol, which pops up in other episodes regularly, if paying attention. What is its meaning? The jury is still out!
The Waldo Moment - 6
The political apathy of a nation, and hatred of the personality flaws of our politicians could lead to a figurehead without real policies being elected and revered – it isn’t a very strange idea in 2020 at all. Many younger voters have been incited to demand change, without any idea of what that change should entail. So, in concept, this episode is right on the money. Trouble is it isn’t well written enough to sustain the drama or intrigue in the way the best of the canon do. The shock value is low, and therefore the reaction is “meh, fair enough”. For me, the first real blip in quality control for the series.
White Christmas - 8.5
This was the transition episode that saw Black Mirror make the big money move from Channel 4 to Netflix. Although now bundled into series two, it was a 21 month wait after The Waldo Moment before over 2 million of us settled down to this Christmas gift in 2014. It comes over as an anthology within an anthology, with John Hamm and Rafe Spall telling tales in front of the fire whilst on a “job” together in the cold wilderness of an unknown location. It is laden with ideas of technology back-firing, and is very satisfying in how quickly it moves through the plot points. The chemistry of the two lead men is great; the arrogance of one and the nervousness of the other allowing for some beautiful twists and turns. Essentially, the whole thing is either a re-working of ideas already used, or a precursor to future ideas that will be more fleshed out. Not that it really matters. This is the highest rated individual episode on IMDb, and the reason for that has to be its accessibility. The balance between being creeped out and entertained is just about perfect.
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Just broke up? Haven’t seen your ex for a while but your heart is still broken with no one there...
Bob Mann (459 KP) rated The Girl on the Train (2016) in Movies
Sep 29, 2021
You won’t uncork a bottle of Malbec again without thinking of this film…
“The Girl on a Train” is the film adaptation of the best-seller by Paula Hawkins, transported from the London suburbs to New York’s Hastings-on-Hudson.
It’s actually rather a sordid story encompassing as it does alcoholism, murder, marital strife, deceit, sexual frustration, an historical tragedy and lashings and lashings of violence. Emily Blunt (“Sicario”, “Edge of Tomorrow”) plays Rachel, a divorcee with an alcohol problem who escapes into an obsessive fantasy each day as she passes her former neighbourhood on her commute into the city. Ex-husband Tom (Justin Theroux, “Zoolander 2”) lives in her old house with his second wife Anna (Rebecca “MI:5” Ferguson) and new baby Evie. But her real fantasy rests with cheerleader-style young neighbour Megan (Haley Bennett) who is actually locked in a frustratingly child-free marriage (frustrating for him at least) with the controlling and unpredictable Scott (Luke Evans, “The Hobbit”). A sixth party in this complex network is Megan’s psychiatrist Dr Kamal Abdic (Édgar Ramírez, “Joy”).
In pure Hitchcockian style Megan witnesses mere glimpses of events from her twice-daily train and from these pieces together stories that suitably feed her psychosis. When ‘shit gets real’ and a key character goes missing, Megan surfaces her suspicions and obsessions to the police investigation (led by Detective Riley, the ever-excellent Allison Janney from “The West Wing”) and promptly makes herself suspect number one.
Readers of the book will already be aware of the twists and turns of the story, so will watch the film from a different perspective than I did. (Despite my best intentions I never managed to read the book first).
First up, you would have to say that Emily Blunt’s performance is outstanding in an extremely challenging acting role. Every nuance of shame, confusion, grief, fear, doubt and anger is beautifully enacted: it would not be a surprise to see her gain her first Oscar nomination for this. All the other lead roles are also delivered with great professionalism, with Haley Bennett (a busy month for her, with “The Magnificent Seven” also out) being impressive and Rebecca Ferguson, one of my favourite current actresses, delivering another measured and delicate performance.
Girl on a Train, The
Rebecca Ferguson as Anna – “there were three of us in this marriage so it was a bit crowded”
The supporting roles are also effective, with Darren Goldstein as the somewhat creepy “man in the suit” and “Friends” star Lisa Kudrow popping up in an effective and pivotal role. The Screen Guild Awards have an excellent category for an Ensemble Cast in a Motion Picture, and it feels appropriate to nominate this cast for that award.
So it’s a blockbuster book with a rollercoaster story and a stellar cast, so what could go wrong? Well, something for sure. This is a case in point where I suspect it is easier to slowly peel back Rachel’s lost memory with pages and imagination than it is with dodgy fuzzy images on a big screen. Although the film comes in at only 112 minutes, the pacing in places is too slow (the screenplay by Erin Cressida Wilson takes its time) and director Tate Taylor (“The Help”) is no Hitchcock, or indeed a David Fincher (since the film has strong similarities to last year’s “Gone Girl”: when the action does happen it lacks style, with the violence being on the brutal side and leaving little to the imagination.
It’s by no means a bad film, and worth seeing for the acting performances alone. But it’s not a film I think that will trouble my top 10 for the year.
It’s actually rather a sordid story encompassing as it does alcoholism, murder, marital strife, deceit, sexual frustration, an historical tragedy and lashings and lashings of violence. Emily Blunt (“Sicario”, “Edge of Tomorrow”) plays Rachel, a divorcee with an alcohol problem who escapes into an obsessive fantasy each day as she passes her former neighbourhood on her commute into the city. Ex-husband Tom (Justin Theroux, “Zoolander 2”) lives in her old house with his second wife Anna (Rebecca “MI:5” Ferguson) and new baby Evie. But her real fantasy rests with cheerleader-style young neighbour Megan (Haley Bennett) who is actually locked in a frustratingly child-free marriage (frustrating for him at least) with the controlling and unpredictable Scott (Luke Evans, “The Hobbit”). A sixth party in this complex network is Megan’s psychiatrist Dr Kamal Abdic (Édgar Ramírez, “Joy”).
In pure Hitchcockian style Megan witnesses mere glimpses of events from her twice-daily train and from these pieces together stories that suitably feed her psychosis. When ‘shit gets real’ and a key character goes missing, Megan surfaces her suspicions and obsessions to the police investigation (led by Detective Riley, the ever-excellent Allison Janney from “The West Wing”) and promptly makes herself suspect number one.
Readers of the book will already be aware of the twists and turns of the story, so will watch the film from a different perspective than I did. (Despite my best intentions I never managed to read the book first).
First up, you would have to say that Emily Blunt’s performance is outstanding in an extremely challenging acting role. Every nuance of shame, confusion, grief, fear, doubt and anger is beautifully enacted: it would not be a surprise to see her gain her first Oscar nomination for this. All the other lead roles are also delivered with great professionalism, with Haley Bennett (a busy month for her, with “The Magnificent Seven” also out) being impressive and Rebecca Ferguson, one of my favourite current actresses, delivering another measured and delicate performance.
Girl on a Train, The
Rebecca Ferguson as Anna – “there were three of us in this marriage so it was a bit crowded”
The supporting roles are also effective, with Darren Goldstein as the somewhat creepy “man in the suit” and “Friends” star Lisa Kudrow popping up in an effective and pivotal role. The Screen Guild Awards have an excellent category for an Ensemble Cast in a Motion Picture, and it feels appropriate to nominate this cast for that award.
So it’s a blockbuster book with a rollercoaster story and a stellar cast, so what could go wrong? Well, something for sure. This is a case in point where I suspect it is easier to slowly peel back Rachel’s lost memory with pages and imagination than it is with dodgy fuzzy images on a big screen. Although the film comes in at only 112 minutes, the pacing in places is too slow (the screenplay by Erin Cressida Wilson takes its time) and director Tate Taylor (“The Help”) is no Hitchcock, or indeed a David Fincher (since the film has strong similarities to last year’s “Gone Girl”: when the action does happen it lacks style, with the violence being on the brutal side and leaving little to the imagination.
It’s by no means a bad film, and worth seeing for the acting performances alone. But it’s not a film I think that will trouble my top 10 for the year.
Hazel (1853 KP) rated Nineteen Minutes in Books
May 25, 2017
Fantastic Author
Your son says the bullying was unbearable. But his revenge was murder. What would you do?
Nineteen Minutes is perhaps Jodi Picoult’s most controversial novel, as well as one of the longest. Lots of things can happen in nineteen minutes including a school shooting resulting in the deaths of ten people. This is what happens at the beginning of this book, leaving hundreds of teachers and students emotionally scarred for the remainder of their lives. Picoult explores the reactions of a community who’s ideas of safety have been shattered, the grief of the victims and their families and, perhaps most importantly, the heartache of the parents of the shooter.
Seventeen-year-old Peter Houghton has had enough of the bullying that he has endured throughout his entire school life. He has no friends, is constantly miserable, possibly suicidal, and so, on a typical morning in March 2007 he decides permanently fix the situation, unthinking of the consequences. But why did he go to such extremes? What circumstances in his life led to firing a gun as the only solution?
As the evidence is gathered in the lead up to the court trial, many key characters question their own involvement in Peter’s life. Firstly there is Josie Cormier, a straight-A student who swapped her childhood friendship with Peter for popularity and her boyfriend Matt, a particularly aggressive bully. Secondly there is Alex Cormier, Josie’s mother, who destroyed her friendship with Peter’s mother after finding their five-year-old children playing with guns in the Houghton’s basement.
If Peter’s father had never owned a selection of hunting rifles, would Peter ever have thought of guns as a way out of his predicament? On the other hand, Lacy Houghton blames herself for not noticing how badly her son was suffering, not just at school, but at home as well, where he had to live up to the memory of his saint-like older brother who died in a car crash the previous year.
Naturally a tragic event such as this changes people, however not always in a negative way. Relationships begin to blossom as characters realize how close they were to losing the ones they love. Alex takes a step back from her demanding job to comfort Josie in the aftermath, thus feeling closer to her than she ever has done before. Alex, a single mother, also opens herself up to a romantic relationship, something she has had no time to seriously consider up until now.
All the while, Defense Attorney Jordan McAfee, who some readers may remember from Salem Falls, fights a losing battle to get Peter acquitted, by arguing and prying into Peter’s emotions to discover his reason for committing murder.
What I like about Picoult’s novels is that there is a lot more to it than a simple storyline. While the story plays out and plot twists happen, the reader is learning something new. In Nineteen Minutes Picoult provides insight into midwifery, psychology and economics – things that are not synonymous with the shootings.
Readers will constantly question whose side of the story they are on. Hundreds of people grow up being bullied and will understand how Peter was feeling; yet they would not pick up a gun. Likewise, by putting themselves in the shoes of the victims readers will think about how they would feel in the same situation. However would anyone be willing to admit that they made someone else’s life a living hell? There is no simple conclusion to Nineteen Minutes; someone will always lose. Nevertheless, Picoult’s fantastic writing skills provide an enthralling story of love and loss.
I cannot recommend this book to readers in general due to the nature of the themes found in the story. Gun crime and school shootings are sadly still an occurrence in the present time, particularly in America, therefore there are thousands of people who have been affected by such an event, whether directly or indirectly as part of a local community. Some readers may find Nineteen Minutes challenging and upsetting, which is why I am not going to encourage everyone to read this book. However, Picoult has excelled herself with this novel and it would be a shame for people not to read it. Fans will not be disappointed with her writing and will love all her characters, possibly even Peter!
Nineteen Minutes is perhaps Jodi Picoult’s most controversial novel, as well as one of the longest. Lots of things can happen in nineteen minutes including a school shooting resulting in the deaths of ten people. This is what happens at the beginning of this book, leaving hundreds of teachers and students emotionally scarred for the remainder of their lives. Picoult explores the reactions of a community who’s ideas of safety have been shattered, the grief of the victims and their families and, perhaps most importantly, the heartache of the parents of the shooter.
Seventeen-year-old Peter Houghton has had enough of the bullying that he has endured throughout his entire school life. He has no friends, is constantly miserable, possibly suicidal, and so, on a typical morning in March 2007 he decides permanently fix the situation, unthinking of the consequences. But why did he go to such extremes? What circumstances in his life led to firing a gun as the only solution?
As the evidence is gathered in the lead up to the court trial, many key characters question their own involvement in Peter’s life. Firstly there is Josie Cormier, a straight-A student who swapped her childhood friendship with Peter for popularity and her boyfriend Matt, a particularly aggressive bully. Secondly there is Alex Cormier, Josie’s mother, who destroyed her friendship with Peter’s mother after finding their five-year-old children playing with guns in the Houghton’s basement.
If Peter’s father had never owned a selection of hunting rifles, would Peter ever have thought of guns as a way out of his predicament? On the other hand, Lacy Houghton blames herself for not noticing how badly her son was suffering, not just at school, but at home as well, where he had to live up to the memory of his saint-like older brother who died in a car crash the previous year.
Naturally a tragic event such as this changes people, however not always in a negative way. Relationships begin to blossom as characters realize how close they were to losing the ones they love. Alex takes a step back from her demanding job to comfort Josie in the aftermath, thus feeling closer to her than she ever has done before. Alex, a single mother, also opens herself up to a romantic relationship, something she has had no time to seriously consider up until now.
All the while, Defense Attorney Jordan McAfee, who some readers may remember from Salem Falls, fights a losing battle to get Peter acquitted, by arguing and prying into Peter’s emotions to discover his reason for committing murder.
What I like about Picoult’s novels is that there is a lot more to it than a simple storyline. While the story plays out and plot twists happen, the reader is learning something new. In Nineteen Minutes Picoult provides insight into midwifery, psychology and economics – things that are not synonymous with the shootings.
Readers will constantly question whose side of the story they are on. Hundreds of people grow up being bullied and will understand how Peter was feeling; yet they would not pick up a gun. Likewise, by putting themselves in the shoes of the victims readers will think about how they would feel in the same situation. However would anyone be willing to admit that they made someone else’s life a living hell? There is no simple conclusion to Nineteen Minutes; someone will always lose. Nevertheless, Picoult’s fantastic writing skills provide an enthralling story of love and loss.
I cannot recommend this book to readers in general due to the nature of the themes found in the story. Gun crime and school shootings are sadly still an occurrence in the present time, particularly in America, therefore there are thousands of people who have been affected by such an event, whether directly or indirectly as part of a local community. Some readers may find Nineteen Minutes challenging and upsetting, which is why I am not going to encourage everyone to read this book. However, Picoult has excelled herself with this novel and it would be a shame for people not to read it. Fans will not be disappointed with her writing and will love all her characters, possibly even Peter!
Jamie (131 KP) rated The Darkest Lies in Books
Jul 26, 2017
Believable plot regarding child abduction (1 more)
The mystery is compelling
Frustrating protagonist, (2 more)
Extremely predictable
Good case for why civilians shouldn’t go rogue and get in the way of police work
A frustrating abduction mystery
You know that age in every teenager’s life where they start to become a little bit rebellious? Telling little white lies, sneaking out, hanging out with crowds they know the family wouldn’t approve of? It can be a scary time for parents, who knows who’s out there? The Darkest Lies is every parent’s worst nightmare and follows a mother who finds her world shattered when her daughter goes missing.
I’m going to come right out and say that this book was frustrating for me. The synopsis really caught my eye and the idea for the plot is intriguing. Unfortunately, issues with the protagonist as well as a shaky and highly predictable plot made for a mediocre experience.
The narration in this book was a little bit weird and I had a hard time getting used to it. It is primarily told using first person point of view though switches regularly to second person as Melanie speaks directly to Beth in her inner monologue. It was just uncomfortable to read.
What’s so bad about first person point of view? See the issue for me with first person narration is that it’s easy to end up alienating readers if it’s difficult to relate to the narrator, and boy did I dislike Melanie. To be blunt, she was really annoying. She was self-centered, mean-spirited, often blinded by her own hubris, and near the end has a bit of a messiah complex going which I found completely ridiculous. She was constantly complaining about the police’s incompetence, throwing herself in the way of the investigation despite being asked multiple times to back off before she could destroy their leads. “I couldn’t go home. I was too furious, too desperate to prove I was right and the police were wrong.”
I get it, she’s consumed with guilt and grief over what happened to her daughter, over not being able to protect her. Desperate people tend to lash out and do stupid things, but I just couldn’t believe anyone would be so foolish. Melanie’s antics do lead up to something important in the plot, but honestly she didn’t need any help making a fool of herself. Before all the crazy came out she was constantly breaking down every female character she encountered, often focusing in on their looks and finding ways to insult them. Neighbors, police officers working on the case, teenagers, it didn’t matter. There are numerous examples of Melanie exhibiting this jealous personality throughout the course of the book.
She spends more time going on drunken rampages pointing fingers at everyone in town, harassing the police, treating her husband like garbage while emotionally cheating with a friend, and avoiding actually seeing and being there for her daughter. While her awful actions over the course of the book is an important aspect of the plot, I just couldn’t justify it because she never learns and remains stubborn even after being told off multiple times. Add on top how stereotypically reckless she acts at the end instead of seeking help from the police because of course she doesn’t need them and I just couldn’t dig the story.
I liked the central idea around the dangers of teens sneaking out and trusting strangers, but the story meandered so much it kind of gets lost in Melanie’s mental collapse and crazed search for the culprit. The plot attempts to use some misdirection to keep the reader guessing but the construction was just sloppy, and the actual culprit isn’t even the character that Melanie cares about the most. Every “bad” character is so blatantly obvious that the advertised twist is really easy to see. I kept on reading because I wanted to know the how and the why. I think there was potential here, and if the author wanted to stick to the narrative that Mel is actually really nice and is just being manipulated then why does she remain every bit as petty and controlling? She is still unable to see past her own emotions and unable to learn from her mistakes. I wished that this could’ve ended with more character growth for the main character.
I’m going to come right out and say that this book was frustrating for me. The synopsis really caught my eye and the idea for the plot is intriguing. Unfortunately, issues with the protagonist as well as a shaky and highly predictable plot made for a mediocre experience.
The narration in this book was a little bit weird and I had a hard time getting used to it. It is primarily told using first person point of view though switches regularly to second person as Melanie speaks directly to Beth in her inner monologue. It was just uncomfortable to read.
What’s so bad about first person point of view? See the issue for me with first person narration is that it’s easy to end up alienating readers if it’s difficult to relate to the narrator, and boy did I dislike Melanie. To be blunt, she was really annoying. She was self-centered, mean-spirited, often blinded by her own hubris, and near the end has a bit of a messiah complex going which I found completely ridiculous. She was constantly complaining about the police’s incompetence, throwing herself in the way of the investigation despite being asked multiple times to back off before she could destroy their leads. “I couldn’t go home. I was too furious, too desperate to prove I was right and the police were wrong.”
I get it, she’s consumed with guilt and grief over what happened to her daughter, over not being able to protect her. Desperate people tend to lash out and do stupid things, but I just couldn’t believe anyone would be so foolish. Melanie’s antics do lead up to something important in the plot, but honestly she didn’t need any help making a fool of herself. Before all the crazy came out she was constantly breaking down every female character she encountered, often focusing in on their looks and finding ways to insult them. Neighbors, police officers working on the case, teenagers, it didn’t matter. There are numerous examples of Melanie exhibiting this jealous personality throughout the course of the book.
She spends more time going on drunken rampages pointing fingers at everyone in town, harassing the police, treating her husband like garbage while emotionally cheating with a friend, and avoiding actually seeing and being there for her daughter. While her awful actions over the course of the book is an important aspect of the plot, I just couldn’t justify it because she never learns and remains stubborn even after being told off multiple times. Add on top how stereotypically reckless she acts at the end instead of seeking help from the police because of course she doesn’t need them and I just couldn’t dig the story.
I liked the central idea around the dangers of teens sneaking out and trusting strangers, but the story meandered so much it kind of gets lost in Melanie’s mental collapse and crazed search for the culprit. The plot attempts to use some misdirection to keep the reader guessing but the construction was just sloppy, and the actual culprit isn’t even the character that Melanie cares about the most. Every “bad” character is so blatantly obvious that the advertised twist is really easy to see. I kept on reading because I wanted to know the how and the why. I think there was potential here, and if the author wanted to stick to the narrative that Mel is actually really nice and is just being manipulated then why does she remain every bit as petty and controlling? She is still unable to see past her own emotions and unable to learn from her mistakes. I wished that this could’ve ended with more character growth for the main character.
Sensitivemuse (246 KP) rated New Girl in Books
May 3, 2018
Like a reality show you can't turn away from
Contains spoilers, click to show
This is one of the few times where I enjoyed the book however the characters were so unlikable I was amazed that I stuck through and finished the novel. It was well written enough that I was super curious as to what happened to Becca and whether she was really around or if she had a horrible outcome. The mystery element was well done to keep you guessing. The point of views changes between Becca and Callie’s. There’s a good easy flow between the two perspectives so it makes the reading easy to follow and quick.
That being said, the characters were just awful in a sense not that they were unreadable (almost) but they were just horrible awful people. Even our main character wasn’t that likable. However I digress. Let’s break them down:
Becca; Oh darling. You horrible awful attention seeking harpy. Not only do you have issues of your own but because you aren’t happy you feel the need to destroy others and to make sure you drag them down into the mud and follow you through your misery. I had no sympathies. Even when it was revealed what happened. Except for ...well you know.
Max: Another horrible creature and he’s pretty much meant for Becca anyway as they’re both rather terrible people. The “I like you but I don’t want to be together” spiel is ugh. On top of that after you say that you go and do the pursuing. You’re the emotional manipulative type just like Becca and it’s hard to figure out which one is worse. You emotionally play with the main character and give her the yo-yo treatment then get mad when she’s talking with your best friend..oh wait sorry let’s re-write that: “Best Friend”. Dude, you’re like a horrible Tinder date gone wrong.
Dana: You’re a psychotic twit and holy mother mary do you have issues. I get what happened and you stood there and was an observer but you lashing out and being Queen Horrible to Callie (main character) was inexcusable. This behavior can’t even be blamed on grief, you’re just pure malice. Your obsession with Becca is creepy it makes you look like the type of fangirl nobody ever wants.
Madison and Julia: You have no spines and you follow Becca like she’s a Goddess. Stop being sheep and your condescension towards Callie was uncalled for. You each deserve a swift kick for treating her like that.
Johnny: You broke the Bro-Code. You should be banned for life.
Callie: Where do I start with you? You started off as a great main character and a lot of sympathies to you because you started off on the wrong foot and in a precarious situation. However then you did this yo-yo game with Max saying “Yeah I like you but I never said I was going to be with you” sure, that was a savage burn on your part but you keep *whining* about how you like Max so much and he’s not returning the favor because of Becca but he keeps coming back to you like you’re the side piece and you don’t seem to mind that treatment. You try to stick up for yourself with Dana (which was admirable) but then you shrink back into your turtle shell and you just *walk* into these situations even though YOU KNOW it’s going to turn out with potentially bad consequences. You’re like the friend that complains about how horrible your significant other is treating you but you’re still with that person but you don’t listen to advice. You have got to be one of the most frustrating characters I have ever read so far.
Well now! That sums up my opinions of the characters. I say go for reading this one. It’s almost like you’re watching reality TV and it’s such a guilty pleasure but you can’t help but not look away. Maybe because the characters were just so hateful you had to keep on reading. You just wanted to know what was going to happen next.
That being said, the characters were just awful in a sense not that they were unreadable (almost) but they were just horrible awful people. Even our main character wasn’t that likable. However I digress. Let’s break them down:
Becca; Oh darling. You horrible awful attention seeking harpy. Not only do you have issues of your own but because you aren’t happy you feel the need to destroy others and to make sure you drag them down into the mud and follow you through your misery. I had no sympathies. Even when it was revealed what happened. Except for ...well you know.
Max: Another horrible creature and he’s pretty much meant for Becca anyway as they’re both rather terrible people. The “I like you but I don’t want to be together” spiel is ugh. On top of that after you say that you go and do the pursuing. You’re the emotional manipulative type just like Becca and it’s hard to figure out which one is worse. You emotionally play with the main character and give her the yo-yo treatment then get mad when she’s talking with your best friend..oh wait sorry let’s re-write that: “Best Friend”. Dude, you’re like a horrible Tinder date gone wrong.
Dana: You’re a psychotic twit and holy mother mary do you have issues. I get what happened and you stood there and was an observer but you lashing out and being Queen Horrible to Callie (main character) was inexcusable. This behavior can’t even be blamed on grief, you’re just pure malice. Your obsession with Becca is creepy it makes you look like the type of fangirl nobody ever wants.
Madison and Julia: You have no spines and you follow Becca like she’s a Goddess. Stop being sheep and your condescension towards Callie was uncalled for. You each deserve a swift kick for treating her like that.
Johnny: You broke the Bro-Code. You should be banned for life.
Callie: Where do I start with you? You started off as a great main character and a lot of sympathies to you because you started off on the wrong foot and in a precarious situation. However then you did this yo-yo game with Max saying “Yeah I like you but I never said I was going to be with you” sure, that was a savage burn on your part but you keep *whining* about how you like Max so much and he’s not returning the favor because of Becca but he keeps coming back to you like you’re the side piece and you don’t seem to mind that treatment. You try to stick up for yourself with Dana (which was admirable) but then you shrink back into your turtle shell and you just *walk* into these situations even though YOU KNOW it’s going to turn out with potentially bad consequences. You’re like the friend that complains about how horrible your significant other is treating you but you’re still with that person but you don’t listen to advice. You have got to be one of the most frustrating characters I have ever read so far.
Well now! That sums up my opinions of the characters. I say go for reading this one. It’s almost like you’re watching reality TV and it’s such a guilty pleasure but you can’t help but not look away. Maybe because the characters were just so hateful you had to keep on reading. You just wanted to know what was going to happen next.