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40x40

Stephen Merchant recommended After Hours (1985) in Movies (curated)

 
After Hours (1985)
After Hours (1985)
1985 | Comedy, Mystery
8.0 (4 Ratings)
Movie Favorite Watch

"What else would I include on a list of top five? That is so tricky because that list varies on a week-to-week basis. Another movie I’m really a fan of — and again, I think it mixes all kinds of flavors — is Martin Scorsese’s After Hours. That’s a really eccentric little film. He made it, if you recall, he was trying to make The Last Temptation of Christ and that fell apart, so he went back to basics and wanted to make this sort of short film that he could shoot very quickly in just a couple of months on a small budget. It’s a very, sort of, eccentric film about Griffin Dunne trying to get home from a date that’s gone wrong. It’s like a black comedy equivalent of Taxi Driver; it uses New York as one of the characters, to some degree — this kind of weird, almost Hansel and Gretel forest kind of place, where you can’t escape and there’s strange oddities around every corner. It’s shot through with this brilliantly black sense of humor. Lots of really quotable moments. The playing, as well, from particularly Griffin Dunne, who I think is such an underrated performer, a really great performance of a man just trying to contain his ever increasing panic and rage. Yeah, that’s a film I’ve watched endlessly."

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Kirk Bage (1775 KP) rated After Hours (1985) in Movies

Mar 5, 2020  
After Hours (1985)
After Hours (1985)
1985 | Comedy, Mystery
9
8.0 (4 Ratings)
Movie Rating Watch
Scorsese's direction (2 more)
The quirky cameos
Griffin Dunne
Bad 80s music (0 more)
This is one of my absolute all time guilty secret films. Except guilty secret is wrong, because it is too good to be guilty. Perhaps it's better to say one of the most under-rated and under-seen films of the 80s. Forgotten by many and unknown by many more. When listing the best of Scorsese it is easy to overlook this lighter work, dismissing it as a diversion from his main oeuvre, but that is a shame...

Set over the course of one crazy night on New York, where everything goes wrong and spirals into one weird encounter after another, it is an allegory for lost direction and anxiety in a confusing time; chasing the rat race, money, dreams and love, only to fall down a never-ending rabbit hole. Watching the cameo appearances come and go is like doing an 80s B-movie checklist. Griffin Dunne himself has drifted into obscurity now - not that he was ever huge - and this remains the one thing he will perhaps always be known for.

I wonder if it would make any sense at all to anyone who can't remember the 80s first hand? For me it screams nostalgia for that time: the epitome of music, fashion and movie style back then. I recommend it in an unlikely double bill with Desperately Seeking Susan. Trust me.