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Last Descendants (Assassin's Creed: Last Descendants #1)
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Nothing in Owen’s life has been right since his father died in prison, accused of a crime Owen is...
The Boy at the Door
2.0
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Set against a stunning Scandinavian backdrop, a gritty novel of psychological suspense that asks the...
mystery thriller fiction adult Alex Dahl The Boy at the Door
Girl Walks Out of a Bar: A Memoir
10.0
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Lisa Smith was a bright young lawyer at a prestigious law firm in NYC when alcoholism and drug...
Autobiography Addiction Alcoholism Memoirs Nonfiction
Hazel (2934 KP) rated The Twenty (Major Crimes, Book 2) in Books
May 7, 2023
A definite 5 star read for me and one of my books of 2023 so far ... an absolute cracker!!
I read a lot of crime and psychological thrillers and the odd horror book and it takes a lot to get me going but Sam Holland most definitely got me going with The Twenty. Oh my word!! Why? I hear you ask.
Excellent and interesting characters ... check.
Excellent serial killer ... check.
Gripping story line ... check.
Fast pace ... check.
Twists and turns ... check.
Gruesome scenes that give you the chills ... check.
Tension and suspense in spades ... check.
What more is there to be said? Oh yes, this might be book 2 but don't let that put you off, it can easily be read as a standalone but I would strongly suggest you read book 1, The Echo Man, it's also a cracker!!
Highly recommended to those of you who enjoy a dark, gritty and grisly crime thriller ... you won't go far wrong with Sam Holland and I must thank HarperCollins UK, HarperFiction and NetGalley for enabling me to read and share my thoughts of the brilliant The Twenty.
I can't wait to see what comes next.
I read a lot of crime and psychological thrillers and the odd horror book and it takes a lot to get me going but Sam Holland most definitely got me going with The Twenty. Oh my word!! Why? I hear you ask.
Excellent and interesting characters ... check.
Excellent serial killer ... check.
Gripping story line ... check.
Fast pace ... check.
Twists and turns ... check.
Gruesome scenes that give you the chills ... check.
Tension and suspense in spades ... check.
What more is there to be said? Oh yes, this might be book 2 but don't let that put you off, it can easily be read as a standalone but I would strongly suggest you read book 1, The Echo Man, it's also a cracker!!
Highly recommended to those of you who enjoy a dark, gritty and grisly crime thriller ... you won't go far wrong with Sam Holland and I must thank HarperCollins UK, HarperFiction and NetGalley for enabling me to read and share my thoughts of the brilliant The Twenty.
I can't wait to see what comes next.
Dirty Game (Annie Carter #1)
9.0
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Adultery, murder and dangerous love collide in Jessie Keane’s gritty debut thriller set in the...
Deadly Tides (Misty Pines Mystery #2)
Book
A missing surf legend. Waterlogged clues. Can he trust his gut instincts to end the wave of murder? ...
Police Procedural Psychological Suspense Mystery
Merissa (12055 KP) rated Wayward Stripper in Books
Aug 30, 2023
A great story that left me wanting more!
WAYWARD STRIPPER is a short novella about a trans man on the run from his abusive ex, who lands a trial run at an Omega (Ladies) Club. The Head Dancer, Tristan, is on hand to help in any way and the sparks are instantaneous.
I thoroughly enjoyed this story, but I wanted so much more! I would love for this to be a full-length novel, so I can get all the background information I want - the ex-relationship, Jake's escape, and more between Jake and Tristan. As a novella, it is fast-paced, but I would have loved more of the nitty-gritty that gives the story some depth. For me, it was a little too fast, with chunks either missed out or skipped over.
A great story that left me wanting! I would still recommend it though!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 30, 2023
I thoroughly enjoyed this story, but I wanted so much more! I would love for this to be a full-length novel, so I can get all the background information I want - the ex-relationship, Jake's escape, and more between Jake and Tristan. As a novella, it is fast-paced, but I would have loved more of the nitty-gritty that gives the story some depth. For me, it was a little too fast, with chunks either missed out or skipped over.
A great story that left me wanting! I would still recommend it though!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 30, 2023
ClareR (5726 KP) rated To The Dogs in Books
Mar 26, 2024
To The Dogs by Louise Welsh is a gritty Glaswegian thriller that had me hooked from the first page.
Jim (James) Brennan is a criminologist professor, a vice chancellor of the local university. We meet him as he gets off a flight from Beijing in order to go to his local police station where his son is being held. Jim has tried hard to make his life as different as possible from the one he grew up in: his father was a local legend and hard man. Everyone was scared of his violence. It looks as though Jim’s son is determined to take up from where his grandfather left off.
Things go from bad to worse, when someone is determined to undermine everything Jim has tried to do for himself and his family.
I really enjoyed this. There’s never a dull moment (much to Jim’s detriment!), and Jim finds himself in a terribly awkward situation. He has to decide between his family and his reputation - or is there a way that he can protect both?
This is exciting stuff, and had me guessing up to the last page.
Jim (James) Brennan is a criminologist professor, a vice chancellor of the local university. We meet him as he gets off a flight from Beijing in order to go to his local police station where his son is being held. Jim has tried hard to make his life as different as possible from the one he grew up in: his father was a local legend and hard man. Everyone was scared of his violence. It looks as though Jim’s son is determined to take up from where his grandfather left off.
Things go from bad to worse, when someone is determined to undermine everything Jim has tried to do for himself and his family.
I really enjoyed this. There’s never a dull moment (much to Jim’s detriment!), and Jim finds himself in a terribly awkward situation. He has to decide between his family and his reputation - or is there a way that he can protect both?
This is exciting stuff, and had me guessing up to the last page.
BankofMarquis (1832 KP) rated Hotel Artemis (2018) in Movies
Feb 10, 2019
Not as interesting as it wanted to be
On my airplane ride from Mpls to San Diego I was able to catch up with gritty, action-noir thriller BAD TIMES AT THE EL ROYALE and was really surprised by how much I enjoyed it. So, I was excited to see that another gritty,, action-noir film, HOTEL ARTEMIS was showing on the flight back.
Well...HOTEL ARTEMIS is no EL ROYALE and maybe that's not fair to Artemis, for I was constantly comparing the two films, so let me see if I can separate the 2 and hold HOTEL ARTEMIS up to it's own scrutiny.
Telling the tale of a JOHN WICK-type world where - instead of a safehouse Hotel for crooks, the HOTEL ARTEMIS is a safehouse HOSPITAL for crooks where the rules are that the crooks cannot hurt each other on the premises. When a riot breaks out in downtown Los Angeles, the rules go out the window and mayhem - and violence - ensue.
Well...this film is no JOHN WICK either. Oh shoot, I've done it again. I've compared this film to another film.
And that's the problem with HOTEL ARTEMIS, it treads ground that has been trod better - and with more style - before. So this film, no matter how well intention-ed, falls short in originality, style and substance. I was still entertained, but not as entertained as I was by JOHN WICK or EL ROYALE.
Jodie Foster (in her first acting role since 2013's ELYSIUM) stars as the person who runs the Artemis. She has a mysterious background (of course) and runs the Artemis with an emotional-less efficiency. Her performance is quirky and interesting and almost holds the film together - almost. She is joined by Sterling K. Brown, Charlie Day, Brian Tyree Henry and Sofia Boutella as patients in the Hotel - none of which were interesting or unusual. They all were playing variants of the characters they usually play, almost as if Director/Writer Drew Pearce said "Get my a Charlie Day-type and a Sterling K. Brown-type", and the Casting Director thought they "scored" by getting the original person - each of whom looks like they are coasting through this film at about 70% output.
Only Dave Bautista shines as the "Health Care Professional" who works with Foster. He brings an interesting charisma to his character and was almost the high point in the film.
Almost. All of the performances pale in comparison to the Mob Boss who shows up about 2/3 of the way through the film. This character is talked about in reverential and scary terms throughout the film. The build-up was huge for this character and I was prepared for the inevitable let down when the mob boss finally shows up, but when the elevator door opens up and I saw that is was Jeff Goldblum in "full Goldblum" mode, I was thrilled and he did not disappoint. He commanded the screen at a time that the film was getting tiresome and he wound up the characters, the energy of the film and the action to help it ride to its inevitable, bloody conclusion.
Ultimately, Pearce delivered a solid B- film, one that has moments of quirk and interest, but set against a backdrop - and supporting actors - that are subdued and not memorable. This is a cardinal sin for this kind of film, instead of subduing those parts, Pearce needed to enhance those and he just plainly did not.
If you want to see a good, stylized, gritty action film, with interesting locales and supporting players, check out JOHN WICK or BAD TIMES AT THE EL ROYALE. If you've seen these, HOTEL ARTEMIS is fine, but the other two do it better.
Letter Grade: B-
6 (out of 10) stars and you can take that to the Bank(ofMarquis)
Well...HOTEL ARTEMIS is no EL ROYALE and maybe that's not fair to Artemis, for I was constantly comparing the two films, so let me see if I can separate the 2 and hold HOTEL ARTEMIS up to it's own scrutiny.
Telling the tale of a JOHN WICK-type world where - instead of a safehouse Hotel for crooks, the HOTEL ARTEMIS is a safehouse HOSPITAL for crooks where the rules are that the crooks cannot hurt each other on the premises. When a riot breaks out in downtown Los Angeles, the rules go out the window and mayhem - and violence - ensue.
Well...this film is no JOHN WICK either. Oh shoot, I've done it again. I've compared this film to another film.
And that's the problem with HOTEL ARTEMIS, it treads ground that has been trod better - and with more style - before. So this film, no matter how well intention-ed, falls short in originality, style and substance. I was still entertained, but not as entertained as I was by JOHN WICK or EL ROYALE.
Jodie Foster (in her first acting role since 2013's ELYSIUM) stars as the person who runs the Artemis. She has a mysterious background (of course) and runs the Artemis with an emotional-less efficiency. Her performance is quirky and interesting and almost holds the film together - almost. She is joined by Sterling K. Brown, Charlie Day, Brian Tyree Henry and Sofia Boutella as patients in the Hotel - none of which were interesting or unusual. They all were playing variants of the characters they usually play, almost as if Director/Writer Drew Pearce said "Get my a Charlie Day-type and a Sterling K. Brown-type", and the Casting Director thought they "scored" by getting the original person - each of whom looks like they are coasting through this film at about 70% output.
Only Dave Bautista shines as the "Health Care Professional" who works with Foster. He brings an interesting charisma to his character and was almost the high point in the film.
Almost. All of the performances pale in comparison to the Mob Boss who shows up about 2/3 of the way through the film. This character is talked about in reverential and scary terms throughout the film. The build-up was huge for this character and I was prepared for the inevitable let down when the mob boss finally shows up, but when the elevator door opens up and I saw that is was Jeff Goldblum in "full Goldblum" mode, I was thrilled and he did not disappoint. He commanded the screen at a time that the film was getting tiresome and he wound up the characters, the energy of the film and the action to help it ride to its inevitable, bloody conclusion.
Ultimately, Pearce delivered a solid B- film, one that has moments of quirk and interest, but set against a backdrop - and supporting actors - that are subdued and not memorable. This is a cardinal sin for this kind of film, instead of subduing those parts, Pearce needed to enhance those and he just plainly did not.
If you want to see a good, stylized, gritty action film, with interesting locales and supporting players, check out JOHN WICK or BAD TIMES AT THE EL ROYALE. If you've seen these, HOTEL ARTEMIS is fine, but the other two do it better.
Letter Grade: B-
6 (out of 10) stars and you can take that to the Bank(ofMarquis)
Lucy Buglass (45 KP) rated Ekaj (2015) in Movies
Jun 20, 2019
A gritty, raw portrait of a teenage runaway
When I was first introduced to Ekaj, I genuinely thought it was a documentary. The realisation that it was in fact a work of fiction took me by surprise, and this is a testament to the directing style of Cati Gonzalez. She has gone to great lengths to make this film feel as real as possible. None of the actors in the film are well-known or established, making them seem like ordinary people you might pass on the street. This sense of realism draws you closer to the characters we meet throughout, and I really loved this stylistic choice.
This gritty, imperfect camerawork and editing matches well with the harsh realities of life for Ekaj and his friend Mecca, both of which are young, gay Puerto Ricans trying to navigate the intimidating streets of New York City. This film doesn’t sugar coat it, as we are greeted with things such as drug abuse, AIDS, violence and sexual assault. We are forced to live this reality alongside Ekaj and Mecca, in all its harrowing honesty. It’s worlds away from my own, yet I felt close to the subject matter throughout. Ekaj and Mecca are complete opposites, with Mecca’s life experience and protective nature conflicting with Ekaj and his naivety. Following these two characters throughout was thoroughly entertaining, despite the difficult environment they both live in.
As the titular character, Jake Mestre really stood out to me. He does a fantastic job at portraying someone young, clueless and confused about their own identity. He experiments with new looks, new scents, and what he feels most comfortable in. He is a character that many can identify with when it comes to sexuality and gender identity, even if they do not share the same life experiences. In addition, the presence of Ekaj’s homophobic and aggressive father is an upsetting reminder of the rejection many individuals face from their own family members. I’m glad Ekaj never avoided these issues or tried to pretend they didn’t exist, instead, they were placed in clear view for the discomfort of the audience. It’s important we shed light on these societal problems, and cinema as a great way to do this.
The intrusive nature of the camera paired with natural, overlapping dialogue is striking, and at times I felt as though I shouldn’t be watching what I was. I felt like a genuine spectator, desperately trying to get a closer look at the lives of these individuals, even when they were talking about some deep and intense topics. The fly-on-the-wall style of filmmaking is what really stood out to me with Ekaj, and something I seriously enjoyed throughout. To me, this is what sets the film apart from others within the genre.
All in all, Ekaj is a well-rounded indie film that gives us a heartfelt and eye opening look at the dark side of New York City, whilst simultaneously creating a compelling and strong relationship between two young men. The way humour and sentimentalities still existed in such an awful world gave me a glimmer of hope, and some light relief throughout. Fundamentally, this is down to great writing and acting, which I’m full of praise for when it comes to this film.
I would certainly recommend Ekaj to a variety of audiences, whether or not you feel you can identify with any of the characters or subject matters. It sheds light on the darker side to human existence, which is important for us all to witness.
https://lucygoestohollywood.com/2018/11/04/ekaj-a-gritty-raw-portrait-of-a-teenage-runaway/
This gritty, imperfect camerawork and editing matches well with the harsh realities of life for Ekaj and his friend Mecca, both of which are young, gay Puerto Ricans trying to navigate the intimidating streets of New York City. This film doesn’t sugar coat it, as we are greeted with things such as drug abuse, AIDS, violence and sexual assault. We are forced to live this reality alongside Ekaj and Mecca, in all its harrowing honesty. It’s worlds away from my own, yet I felt close to the subject matter throughout. Ekaj and Mecca are complete opposites, with Mecca’s life experience and protective nature conflicting with Ekaj and his naivety. Following these two characters throughout was thoroughly entertaining, despite the difficult environment they both live in.
As the titular character, Jake Mestre really stood out to me. He does a fantastic job at portraying someone young, clueless and confused about their own identity. He experiments with new looks, new scents, and what he feels most comfortable in. He is a character that many can identify with when it comes to sexuality and gender identity, even if they do not share the same life experiences. In addition, the presence of Ekaj’s homophobic and aggressive father is an upsetting reminder of the rejection many individuals face from their own family members. I’m glad Ekaj never avoided these issues or tried to pretend they didn’t exist, instead, they were placed in clear view for the discomfort of the audience. It’s important we shed light on these societal problems, and cinema as a great way to do this.
The intrusive nature of the camera paired with natural, overlapping dialogue is striking, and at times I felt as though I shouldn’t be watching what I was. I felt like a genuine spectator, desperately trying to get a closer look at the lives of these individuals, even when they were talking about some deep and intense topics. The fly-on-the-wall style of filmmaking is what really stood out to me with Ekaj, and something I seriously enjoyed throughout. To me, this is what sets the film apart from others within the genre.
All in all, Ekaj is a well-rounded indie film that gives us a heartfelt and eye opening look at the dark side of New York City, whilst simultaneously creating a compelling and strong relationship between two young men. The way humour and sentimentalities still existed in such an awful world gave me a glimmer of hope, and some light relief throughout. Fundamentally, this is down to great writing and acting, which I’m full of praise for when it comes to this film.
I would certainly recommend Ekaj to a variety of audiences, whether or not you feel you can identify with any of the characters or subject matters. It sheds light on the darker side to human existence, which is important for us all to witness.
https://lucygoestohollywood.com/2018/11/04/ekaj-a-gritty-raw-portrait-of-a-teenage-runaway/