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Lottie disney bookworm (1056 KP) rated A Curse So Dark and Lonely in Books
Mar 26, 2021
Have you ever finished a book and just felt bereft afterwards? Unable to figure out what on earth you are supposed to do now? That is how I felt earlier today when I finished A Curse So Dark And Lonely.
Brigid Kemmerer's retelling of Beauty and the Beast is the first in the Curse breaker series but it is nothing short of brilliant. It possibly took me 5 whole minutes to buy book 2: A Heart So Fierce and Broken once I had finished.
Now you may have gathered that I have read my fair share of retellings but this one has teeth! Split between Washington DC and the kingdom of Emberfall this is simply 480 ish pages of tension, angst and gritty violence.
Elements of ACSDAL mirror the traditional fairytale : enchantress, tick; cursed Prince, tick; true love is the only way to break the curse, (sickening) tick. However, this enchantress sticks around for a bit of torture, the cursed Prince is more of a beast than you expect and if the girl does not fall in love with the Prince? Then he has to start all over again!
If that hasn't got you heading for your local bookshop then Brigid Kemmerer also throws in a female protagonist with cerebral palsy, an enemies to lovers relationship and torn loyalties wherever you turn.
Kemmerer's characters are incredibly well developed and really seem to stay with the reader. Harper manages to be simultaneously vulnerable and kick ass; Grey is stoic and loyal, barely ever showing glimpses of his true heart or personality; and Rhen is the epitomy of a cursed Prince. You don't want to like Rhen sometimes but slowly you find yourself rooting for him and, maybe even falling a little bit in love with him.
This is a non-stop story with a fast-paced plot that leaves you guessing until the very end... Only to have you reeling at the epilogue. This is no fairytale and love doesn't always save the day!
Now everyone leave me alone... I'm reading book 2!
Brigid Kemmerer's retelling of Beauty and the Beast is the first in the Curse breaker series but it is nothing short of brilliant. It possibly took me 5 whole minutes to buy book 2: A Heart So Fierce and Broken once I had finished.
Now you may have gathered that I have read my fair share of retellings but this one has teeth! Split between Washington DC and the kingdom of Emberfall this is simply 480 ish pages of tension, angst and gritty violence.
Elements of ACSDAL mirror the traditional fairytale : enchantress, tick; cursed Prince, tick; true love is the only way to break the curse, (sickening) tick. However, this enchantress sticks around for a bit of torture, the cursed Prince is more of a beast than you expect and if the girl does not fall in love with the Prince? Then he has to start all over again!
If that hasn't got you heading for your local bookshop then Brigid Kemmerer also throws in a female protagonist with cerebral palsy, an enemies to lovers relationship and torn loyalties wherever you turn.
Kemmerer's characters are incredibly well developed and really seem to stay with the reader. Harper manages to be simultaneously vulnerable and kick ass; Grey is stoic and loyal, barely ever showing glimpses of his true heart or personality; and Rhen is the epitomy of a cursed Prince. You don't want to like Rhen sometimes but slowly you find yourself rooting for him and, maybe even falling a little bit in love with him.
This is a non-stop story with a fast-paced plot that leaves you guessing until the very end... Only to have you reeling at the epilogue. This is no fairytale and love doesn't always save the day!
Now everyone leave me alone... I'm reading book 2!
LeftSideCut (3776 KP) rated Pan's Labyrinth (2006) in Movies
Oct 12, 2020
I honestly can't think of a single thing I don't like about Pan's Labyrinth. From start to finish, it's arguably one of the most captivating pieces of cinema ever put to screen.
Guillermo del Toro once again proves his visionary status, with some superbly well realised creature designs. The dark fantasy element of Pan's Labyrinth is vividly otherworldly, and visually unique. Doug Jones portrays both Fauno and The Pale Man, two creatures that immediately earned a place in iconic movie monsters standing. The Pale Man in particular is utterly terrifying.
Ofelia is the young girl who embarks on this fantasy adventure, and actor Ivana Baquero is a delightful presence throughout the movie.
Of course, a bigger chunk of the runtime is taken up by what's happening in the real world. Set in Spain, in the early years of the Francoist period, it's a gritty narrative that touches upon war and dictatorship.
The dictator in this case is Captain Vidal, Ofelia's new stepfather and soon to be biological father of her unborn brother. His contempt towards Ofelia is unpleasant, and he has little regard for anyone's life but his own and his unborn son (nothing like a case of family lineage and mantle carrying to get the misogynistic juices flowing eh?).
He's played with despicabe glee by Sergi López, an actor who I believe was more known in Spain for his comedic work prior to this, so hats off to him. Vidal is one of the most easy-to-hate characters I've ever seen!
The collision of these two opposing world's and cinema styles is fantastic, and is paced perfectly, the fantasy sequences being a brilliant burst of magic, within a compelling and tense war story, all complimented by a beautiful music score.
Pan's Labyrinth is full of wonder and emotion, both fantastical and harrowing. It's a straight up masterpiece that easily makes my top 20 films of all time, maybe even top 10!
Guillermo del Toro once again proves his visionary status, with some superbly well realised creature designs. The dark fantasy element of Pan's Labyrinth is vividly otherworldly, and visually unique. Doug Jones portrays both Fauno and The Pale Man, two creatures that immediately earned a place in iconic movie monsters standing. The Pale Man in particular is utterly terrifying.
Ofelia is the young girl who embarks on this fantasy adventure, and actor Ivana Baquero is a delightful presence throughout the movie.
Of course, a bigger chunk of the runtime is taken up by what's happening in the real world. Set in Spain, in the early years of the Francoist period, it's a gritty narrative that touches upon war and dictatorship.
The dictator in this case is Captain Vidal, Ofelia's new stepfather and soon to be biological father of her unborn brother. His contempt towards Ofelia is unpleasant, and he has little regard for anyone's life but his own and his unborn son (nothing like a case of family lineage and mantle carrying to get the misogynistic juices flowing eh?).
He's played with despicabe glee by Sergi López, an actor who I believe was more known in Spain for his comedic work prior to this, so hats off to him. Vidal is one of the most easy-to-hate characters I've ever seen!
The collision of these two opposing world's and cinema styles is fantastic, and is paced perfectly, the fantasy sequences being a brilliant burst of magic, within a compelling and tense war story, all complimented by a beautiful music score.
Pan's Labyrinth is full of wonder and emotion, both fantastical and harrowing. It's a straight up masterpiece that easily makes my top 20 films of all time, maybe even top 10!
Sarah (7800 KP) rated Ad Astra (2019) in Movies
Oct 9, 2019
An atmospheric slow-burner
I usually can't stand films that are slow burners as I just don't have the interest or the patience, but there's something about Ad Astra that really appealed to me.
For starters, it's one of the most realistic sci-fi films I've seen in a long time. It's a straight forward simple plot with no over elaborate schemes or plans, with a stark and immensely realistic view of what space travel would be like. No shiny spaceships or dodgy aliens to be seen. It's dark and gritty, and the ideas in here are so believable - right down to the commercialised Moon base. You spend the entire film expecting something to happen like it does in every other sci-fi, but it never does. Indeed there's a scene halfway through where the crew attend a ship broadcasting a distress call, and what happens is so unlike what you'd expect that it's both genius and downright hilarious. Whilst being a bit slow going in parts, this film doesn't waste any time with useless preamble - you're thrown into the main plot right from the opening scene and it gets straight down to business. It's just a shame that later on it gets a bit bogged down.
The cinematography is mostly fantastic. The music and effects are spot on, although I did think some of the way this was shot made it look a little dated and cheap, and there's rather too many close up shots of Brad Pitt's face. Pitt is very good in this, a step up from the very disappointing Once Upon a Time in Hollywood but I did find his voiceover cheesy and grating at times. Still despite it's negatives, this is a very atmospheric and often tense sci-fi, which is strange considering not very much happens. The ending is perhaps a letdown or anticlimax and if they had made this slightly less of a slow-burner, it would be a perfect example and how best to do a proper sci-fi.
For starters, it's one of the most realistic sci-fi films I've seen in a long time. It's a straight forward simple plot with no over elaborate schemes or plans, with a stark and immensely realistic view of what space travel would be like. No shiny spaceships or dodgy aliens to be seen. It's dark and gritty, and the ideas in here are so believable - right down to the commercialised Moon base. You spend the entire film expecting something to happen like it does in every other sci-fi, but it never does. Indeed there's a scene halfway through where the crew attend a ship broadcasting a distress call, and what happens is so unlike what you'd expect that it's both genius and downright hilarious. Whilst being a bit slow going in parts, this film doesn't waste any time with useless preamble - you're thrown into the main plot right from the opening scene and it gets straight down to business. It's just a shame that later on it gets a bit bogged down.
The cinematography is mostly fantastic. The music and effects are spot on, although I did think some of the way this was shot made it look a little dated and cheap, and there's rather too many close up shots of Brad Pitt's face. Pitt is very good in this, a step up from the very disappointing Once Upon a Time in Hollywood but I did find his voiceover cheesy and grating at times. Still despite it's negatives, this is a very atmospheric and often tense sci-fi, which is strange considering not very much happens. The ending is perhaps a letdown or anticlimax and if they had made this slightly less of a slow-burner, it would be a perfect example and how best to do a proper sci-fi.
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Sheridan (209 KP) rated All I See Is You (2017) in Movies
Feb 3, 2019
Decent acting (1 more)
Beautiful visuals
Confusing storyline (3 more)
Doesn't deliver
A lot is implied
Weird sexual parts that make no sense
A Poor Attempt at a Romantic Thriller
Contains spoilers, click to show
I'd never heard of this until it popped up on my Stan account. The summary sounded like it was going to be a gritty romantic thriller - boy was I wrong! While the acting was decent and the 'blind' effects were gorgeous, the storyline left something to be desired. Their marriage was clearly a disaster, the husband is needy and posessive and her complete personality change when she was able to see with one eye was jarring to say the least. The doctor was able to restore her sight in her right eye, but not once did they touch on how difficult it is to just see with one eye. Your balance is off, your perception is off - it's a complete disaster until you become used to it, yet they gave her the ease and impression that she could see with both eyes again. A lot is heavily implied (him messing with her eyedrops to cause blindness again, him staging a break in to get rid of her dog Ginger, her cheating on him with Daniel, her lying about being able to see etc.), there is never a confrontation between the pair about any of it. At the end you get the impression he's dead and she has the baby, but none of it is actually confirmed. It's just an utter mess. Nothing comes together and the story falls flat. There's also a lot of very unsettling sexual overtones from the get go which are never explained or understood. It feels like these were added as part of the story that was never revealed - maybe left on the editing floor - so they don't make much sense. The movie could have easily happened without them so why have them there when they didn't serve an actual purpose? Overall, it was a confusing, slightly disturbing mess that just - didn't work. It had a lot of potential but just didn't deliver. I wouldn't bother with it if you're looking for something good to watch, it just isn't there with this one.
Lee Richmond (19 KP) rated Eaten Alive (1977) in Movies
Mar 2, 2019 (Updated Mar 2, 2019)
He's out there and he's got murder on his mind!
When a films opening line, said with a southern drawl, is "My name is Buck and I'm rarin to fuck", you know you're in for a treat. The actor responsible for it's delivery is a pre Freddy Krueger, Robert Englund who's main aim is to screw women in a very uncomfortable place, and I don't mean in the back of a VW. This opening line obviously made an impression on Quentin Tarantino as he later stole it for the equally unpleasant coma rapist, Buck in Kill Bill Vol 1. Either that or he had overheard Harvey Weinstien whisper it to a pot plant.
Director Tobe Hooper once again sticks it to the southern redneck after having painted them as cannibal, inbred, power tool enthusiasts in his previous film, The Texas Chain Saw Massacre.
The basic premise of this movie is a guy who runs a B&B and isn't too fond of the local brothel and consequently likes to feed it's clients to his pet Crocodile. Yep you heard me. Crocodile, not alligator... Crocodile. And that really is it in a nutshell.
Unlike Texas Chain Saw which, while not especially gory but very gritty and full of moments of tension, (see the drawn out dinner table, hammer scene), this is more straight up gore flick and lacks almost everything that made Hoopers earlier film top of most people's 10 best horror movie list.
I'm not saying that this film isn't worth your time. It does have a silly charm all of its own and while pretty whacky I do tend to enjoy it. Robert Englund appears to be having fun building on that nasty streak that he will later put to such good use in A Nightmare on Elm Street. The film also stars Texas Chain Saw final girl Marilyn Burns.
Don't watch this expecting great things because this isn't Texas Chain Saw. It isn't even Texas Chain Saw 2, (that film had Leatherface and Dennis Hopper square off in a Chainsaw sword fight so I won't hear a bad word against it).
Not brilliant but certainly not bad so give it a watch.
Director Tobe Hooper once again sticks it to the southern redneck after having painted them as cannibal, inbred, power tool enthusiasts in his previous film, The Texas Chain Saw Massacre.
The basic premise of this movie is a guy who runs a B&B and isn't too fond of the local brothel and consequently likes to feed it's clients to his pet Crocodile. Yep you heard me. Crocodile, not alligator... Crocodile. And that really is it in a nutshell.
Unlike Texas Chain Saw which, while not especially gory but very gritty and full of moments of tension, (see the drawn out dinner table, hammer scene), this is more straight up gore flick and lacks almost everything that made Hoopers earlier film top of most people's 10 best horror movie list.
I'm not saying that this film isn't worth your time. It does have a silly charm all of its own and while pretty whacky I do tend to enjoy it. Robert Englund appears to be having fun building on that nasty streak that he will later put to such good use in A Nightmare on Elm Street. The film also stars Texas Chain Saw final girl Marilyn Burns.
Don't watch this expecting great things because this isn't Texas Chain Saw. It isn't even Texas Chain Saw 2, (that film had Leatherface and Dennis Hopper square off in a Chainsaw sword fight so I won't hear a bad word against it).
Not brilliant but certainly not bad so give it a watch.
Neon's Nerd Nexus (360 KP) rated Hellboy (2019) in Movies
May 13, 2019
More like Hellno
#hellboy is an #abomination, a brain dead overlong shit show of bad decisions & sheer laziness. I can honestly say i was so pumped for this film but it was such a monstrosoty that i considered walking out after just 30mins. Lets kick this off so i can at least pretend i havent wasted my night with this dross. To sum the film up its a cross between #eastenders & #kingsman (no not the good kingsman either that dire sequel #kingsmanthegoldencircle) & as you can imagine it doesnt work at all. Its not gritty, its not #funny, its not #stylish & its not well made, in fact its also not even half as good as it seems to think it is either coming across so #happy & smug with itself its practically flipping you the middle finger the entire run time. Tacky is a great word i would use to describe this movie, tacky & childish with #humour that wouldn't go a miss in a kids tv program (eg burp jokes, dribble jokes & #jokes about kissing old ladies). Acting is poor everyone just looks & talks half arsed like they can't be bothered, delivering emotionless lines without conviction making dialog a bland back & forth chore. I hope you like bickering too because theres a #hell of alot of pointless bickering scenes that just feel unnecessary. Not one character is developed or likeable not even hellboy himself with the #villain #millajovovich feeling like a bad guy in a stage play just minus the hissing. Cgi is so woefully bad is downright embarrassing sticking out like a saw thumb ruining the forgettable action scenes. Camera work is choppy & the film is badly edited with disorienting quick cuts. Sets & #creatures are bland/unimaginative & prosthetics feel cheaply made (even hellboys face feels off round the eyes). Plot was so paint by numbers i lost interest midway & put my head in my hands when the terrible climax hit (Talk about build up with no pay off). Hellboy ultimatly prooves filling a film with #violence, swearing, popular #music & #popculture references doesnt make your film cool if everything else around it lacks. Lazy forgettable boring poorly made shite. Avoid. #odeon #odeonlimitless #superhero #ronperlman #strangerthings #dc #guillermodeltoro #demons #horror #gore #comic