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Lyndsey Gollogly (2893 KP) rated Breathless ( Scarlet Suffragette book 2) in Books
Mar 29, 2022
54 of 230
Kindle
Breathless (Scarlet Suffragette book 2)
By Nicola Claire
⭐️⭐️⭐️⭐️
Nicola Claire's captivating new Gothic romance series continues with a dark and sinister London City at the end of the nineteenth century - brightened by a fearless and talented heroine and a loyal and secretive police inspector...
Determined doctor? Interfering busybody? Fearless fighter?
The London of Anna Cassidy's memories is not the London she faces today. Having proved her worth as a physician, Dr Cassidy finds herself pitted against the stolid attitude of a male-dominated society.
But it's not only society she has to contend with.
A criminal mastermind has set themselves up in London, England; chosen the dirty streets of Whitechapel and Lambeth as their stage. Competing against a devious and cunning opponent sets Anna and her closest friends off on a dire adventure, which could culminate in a loss so great Anna may never recover again.
Steadfast police inspector? Loyal guardian? Caring lover?
Anna, however, is not alone. Or, at least, she won't be once Inspector Kelly finds her. Facing the ghosts of his past, Andrew Kelly rushes to face Anna's enemies and protect the woman he loves.
But Anna is not unable to defend herself.
Proving she needs him is a task Inspector Kelly would gladly undertake. But the city of Andrew's birth is more in the grip of evil machinations than it has ever been, bringing to mind memories of a dark London, ripped to within an inch of its life by a devil known to most simply as Jack.
Andrew knows otherwise. For his secrets are unravelling and within their shadowed corners lies a murderer, a poisoner, and a villain so deceitful that nothing is what it appears to be.
A gritty, twisted, and authentic Victorian romantic suspense, sure to rip you apart... just like old Jack.
Read preview >
This was so good I love the era and the references to Jack the Ripper and Sherlock Holmes. It has fabulous characters both good and bad. The story kept you wanting to read more. I’m not one for huge relationship storylines but this I loved. Highly recommended if you like murder mystery set in a gothic Victorian era.
Kindle
Breathless (Scarlet Suffragette book 2)
By Nicola Claire
⭐️⭐️⭐️⭐️
Nicola Claire's captivating new Gothic romance series continues with a dark and sinister London City at the end of the nineteenth century - brightened by a fearless and talented heroine and a loyal and secretive police inspector...
Determined doctor? Interfering busybody? Fearless fighter?
The London of Anna Cassidy's memories is not the London she faces today. Having proved her worth as a physician, Dr Cassidy finds herself pitted against the stolid attitude of a male-dominated society.
But it's not only society she has to contend with.
A criminal mastermind has set themselves up in London, England; chosen the dirty streets of Whitechapel and Lambeth as their stage. Competing against a devious and cunning opponent sets Anna and her closest friends off on a dire adventure, which could culminate in a loss so great Anna may never recover again.
Steadfast police inspector? Loyal guardian? Caring lover?
Anna, however, is not alone. Or, at least, she won't be once Inspector Kelly finds her. Facing the ghosts of his past, Andrew Kelly rushes to face Anna's enemies and protect the woman he loves.
But Anna is not unable to defend herself.
Proving she needs him is a task Inspector Kelly would gladly undertake. But the city of Andrew's birth is more in the grip of evil machinations than it has ever been, bringing to mind memories of a dark London, ripped to within an inch of its life by a devil known to most simply as Jack.
Andrew knows otherwise. For his secrets are unravelling and within their shadowed corners lies a murderer, a poisoner, and a villain so deceitful that nothing is what it appears to be.
A gritty, twisted, and authentic Victorian romantic suspense, sure to rip you apart... just like old Jack.
Read preview >
This was so good I love the era and the references to Jack the Ripper and Sherlock Holmes. It has fabulous characters both good and bad. The story kept you wanting to read more. I’m not one for huge relationship storylines but this I loved. Highly recommended if you like murder mystery set in a gothic Victorian era.
Hazel (2934 KP) rated The Cellar in Books
Nov 20, 2022
This is a dark, disturbing and violent psychological thriller that pulls no punches and is highly descriptive which may be a bit much for some; I admit that I winced and drew breath a few times but kept going as I was gripped and already highly invested in the story.
The characters are excellent and feel real. Marcus Gove is a despicable person; I can't even bring myself to call him a human being he is that bad, he is a sad, twisted and demented individual who has absolutely no moral compass or redeeming qualities whatsoever - an absolutely brilliant character and one you love to hate.
Lucy is a young woman who is generally content apart from being in an unfulfilling relationship and her mum being diagnosed with cancer but things get a whole lot worse when she comes into the crosshairs of Marcus Gove and her world turns into the most horrendous nightmare.
Ray Lewis is the detective tasked with finding Lucy; not so easy when there are few clues and even less evidence and whilst he may be unfit, unhealthy and thought of as a dinosaur, he goes about his business in a methodical way with some much-needed humour.
Told from the points of view of each of the main characters and at a really good pace, this is a book that has you wanting to put down at times due to the graphic nature of what is being written and not put it down due to the gripping nature of the story ... not put it down won out with me.
This is the first book by John Nicholl I have read before and it certainly won't be the last especially if they are as addictive and compelling as this has been and I therefore have no hesitation in recommending it to others who love a gritty and dark thriller who don't mind graphic and disturbing details that have you wincing as you read.
Many thanks to Boldwood Books and NetGalley for enabling me to read and share my thoughts of The Cellar.
The characters are excellent and feel real. Marcus Gove is a despicable person; I can't even bring myself to call him a human being he is that bad, he is a sad, twisted and demented individual who has absolutely no moral compass or redeeming qualities whatsoever - an absolutely brilliant character and one you love to hate.
Lucy is a young woman who is generally content apart from being in an unfulfilling relationship and her mum being diagnosed with cancer but things get a whole lot worse when she comes into the crosshairs of Marcus Gove and her world turns into the most horrendous nightmare.
Ray Lewis is the detective tasked with finding Lucy; not so easy when there are few clues and even less evidence and whilst he may be unfit, unhealthy and thought of as a dinosaur, he goes about his business in a methodical way with some much-needed humour.
Told from the points of view of each of the main characters and at a really good pace, this is a book that has you wanting to put down at times due to the graphic nature of what is being written and not put it down due to the gripping nature of the story ... not put it down won out with me.
This is the first book by John Nicholl I have read before and it certainly won't be the last especially if they are as addictive and compelling as this has been and I therefore have no hesitation in recommending it to others who love a gritty and dark thriller who don't mind graphic and disturbing details that have you wincing as you read.
Many thanks to Boldwood Books and NetGalley for enabling me to read and share my thoughts of The Cellar.
Phillip McSween (751 KP) rated Cinderella Man (2005) in Movies
Jan 15, 2018
Classic
Cinderella Man is one of those films where I ask myself, "Why in the world has it taken me thirteen years to watch this?" It could be the fact that I've never had a strong love for films based on true stories or that I'm all binged out on boxing movies. Whatever the case may be, I'm glad Movies 365 has brought this film into my life and now into my heart.
There's so much to like about the movie, I'm not even sure where to start. Maybe Paul Giamati giving the performance of his life as trainer Joe Gould? Talk about playing a fabulous role. He's brash and straightforward, yet full of heart. He's not a fighter, but will go toe-to-toe with anyone to protect the people he cares about. Outshining him, however, is a stellar lead performance by legend Russell Crowe playing man of the hour James Braddock. Crowe makes you feel this guy, makes you love him. In one of the early scenes where Braddock gives his entire breakfast to his starving daughter before leaving for a strenuous day of work, you quickly realize that this is a guy you want to get behind and root for.
In the same vein, kudos to Ron Howard for using the source material to flesh out the stakes. The story could have just as easily been about a man trying to get back into boxing, but he made it about a man trying to feed his family and survive. It's painful to watch at times, but necessary. If you're not the least bit inspired after viewing this film, I don't know what will do it for you.
Howard also succeeds with excellent pace management. Seamless cuts between fights keep the action fresh and the viewer engaged. You don't get a whole lot of time to catch your breath. The cinematics are shot in a way that's gritty and real, beyond fitting for the Great Depression era when the film takes place.
Other than me almost going hoarse from screaming at the screen so much, I can't find many flaws with the film (hiccups, nothing major). I challenge you not to love this film about an aging boxer that just wants to keep his family alive. I give Cinderella Man a 95.
There's so much to like about the movie, I'm not even sure where to start. Maybe Paul Giamati giving the performance of his life as trainer Joe Gould? Talk about playing a fabulous role. He's brash and straightforward, yet full of heart. He's not a fighter, but will go toe-to-toe with anyone to protect the people he cares about. Outshining him, however, is a stellar lead performance by legend Russell Crowe playing man of the hour James Braddock. Crowe makes you feel this guy, makes you love him. In one of the early scenes where Braddock gives his entire breakfast to his starving daughter before leaving for a strenuous day of work, you quickly realize that this is a guy you want to get behind and root for.
In the same vein, kudos to Ron Howard for using the source material to flesh out the stakes. The story could have just as easily been about a man trying to get back into boxing, but he made it about a man trying to feed his family and survive. It's painful to watch at times, but necessary. If you're not the least bit inspired after viewing this film, I don't know what will do it for you.
Howard also succeeds with excellent pace management. Seamless cuts between fights keep the action fresh and the viewer engaged. You don't get a whole lot of time to catch your breath. The cinematics are shot in a way that's gritty and real, beyond fitting for the Great Depression era when the film takes place.
Other than me almost going hoarse from screaming at the screen so much, I can't find many flaws with the film (hiccups, nothing major). I challenge you not to love this film about an aging boxer that just wants to keep his family alive. I give Cinderella Man a 95.
RəX Regent (349 KP) rated Night of the Living Dead (1968) in Movies
Feb 19, 2019
Iconic, influential and ground-breaking. All words to describe George A. Romero’s inaugural zombie horror, but what sets this apart from its contemporaries and the endless variations in the genre in which this Indie movie helped spawn?
Well to begin with, this is far from a simple zombie thriller. The real villains here are the collection of damaged human characters who all find themselves trapped together in an old farmhouse, barricaded within its fragile wooden walls, fighting not only the onslaught of zombie without, but the angst and fear from within.
At times they work together but unlike most films like this, the group rarely work at all, with conflicted views on how to survive, blinding them to the fact that if they only worked together they may just do so.
Instead, they all end up dead, with our leading man, a strong, smart black character, which at the time was a bold choice, being murdered by the redneck police posse, who mistake him for a zombie. But the metaphor, though hard to ignore, of a black man being gunned down without the white men bothering to ensure that he was zombie, may just be a coincidence, but the irony that he, Ben (Duane Jones) manages to survive until the end only be to gunned down in the final moments, is a tragedy that sums up this film’s tone.
With a killer child, a nude female zombie, a dysfunctional couple and the first named victim displaying a complacent contempt for God and the church, this group are real, though the acting standards are variable, the writing and direction are constantly very good, with a sense or gritty realism permeating throughout. Maintained by good pacing and gruesome cannibalistic action, this raised the bar of the genre, both now and then.
Even the zombies get a reasonable, yet none definitive explanation, as told through the radio and TV news. Radiation bringing the dead back to life, well, it may be the trope of 1960’s sci fi but it was well explained and the news reports were well composed, feeling more realistic than most movie news broadcasts.
Romero may have gone on to milk this franchise for all it is worth in the decades since but this opening low budget gem is a real piece of work; A complex moral drama set on one chaotic night in which the dead become living again.
Well to begin with, this is far from a simple zombie thriller. The real villains here are the collection of damaged human characters who all find themselves trapped together in an old farmhouse, barricaded within its fragile wooden walls, fighting not only the onslaught of zombie without, but the angst and fear from within.
At times they work together but unlike most films like this, the group rarely work at all, with conflicted views on how to survive, blinding them to the fact that if they only worked together they may just do so.
Instead, they all end up dead, with our leading man, a strong, smart black character, which at the time was a bold choice, being murdered by the redneck police posse, who mistake him for a zombie. But the metaphor, though hard to ignore, of a black man being gunned down without the white men bothering to ensure that he was zombie, may just be a coincidence, but the irony that he, Ben (Duane Jones) manages to survive until the end only be to gunned down in the final moments, is a tragedy that sums up this film’s tone.
With a killer child, a nude female zombie, a dysfunctional couple and the first named victim displaying a complacent contempt for God and the church, this group are real, though the acting standards are variable, the writing and direction are constantly very good, with a sense or gritty realism permeating throughout. Maintained by good pacing and gruesome cannibalistic action, this raised the bar of the genre, both now and then.
Even the zombies get a reasonable, yet none definitive explanation, as told through the radio and TV news. Radiation bringing the dead back to life, well, it may be the trope of 1960’s sci fi but it was well explained and the news reports were well composed, feeling more realistic than most movie news broadcasts.
Romero may have gone on to milk this franchise for all it is worth in the decades since but this opening low budget gem is a real piece of work; A complex moral drama set on one chaotic night in which the dead become living again.
Phillip McSween (751 KP) rated Wonder Woman (2017) in Movies
Apr 1, 2019
Solid Bounceback for the DCEU
After the safety of her homeland Themyscira is threatened, Diana (Gal Gadot), strongest of the Amazon warriors, hurls herself into the middle of World War I to find the source of the threat.
Acting: 10
Beginning; 2
The movie starts off a bit slow, but does pick up rather quickly after the first ten minutes. I wasn’t in love in how they tried to establish the land of the Amazonians. Felt too factual and not very story driven. I know it’s one of those things that has to be done, but I’ve seen it done way better a number of times before so I can’t excuse it.
Characters: 10
Cinematography/Visuals: 10
The beautiful shots of Themyscira and the Amazonian training rituals borders on poetic at times, something you might read about in a famous ballad. Director Patty Jenkins does an amazing job of capturing the sanctity of this place, a place you don’t want to see get violated. Themyscira is pictured perfectly, it’s not just a Hawaii with women warriors. You can feel the change when Diana hits the real world and things become darker.
I thought it might be hard to capture Wonder Woman’s true strength on the big screen, but it is done almost effortlessly here with gritty scenes and slow-motion shots on impact blows. While I thought BVS overdid things with its slow-motion efforts, Jenkins has a way of capturing the perfect mood when she slows the camera down rather than it being just a mere effect. She really captures the heart of the story in every shot.
Conflict: 10
Genre: 9
Memorability: 10
Pace: 10
Plot: 8
Story was great except…Did we really need that one scene between Diana and Steve (Chris Pine)? I thought, not only did it betray the overall message of the film, but it felt forced and unnecessary. I would much rather have watched Wonder Woman just kick ass and take names and remain true to who her character was.
Resolution: 10
Overall: 89
After a couple crappy movies, DC finally began to right the ship with Wonder Woman. I am hoping the future will bring more movies like this and less movies like Suicide Squad. Not only is it a great film for women superheroes, but it’s just a great film period.
Acting: 10
Beginning; 2
The movie starts off a bit slow, but does pick up rather quickly after the first ten minutes. I wasn’t in love in how they tried to establish the land of the Amazonians. Felt too factual and not very story driven. I know it’s one of those things that has to be done, but I’ve seen it done way better a number of times before so I can’t excuse it.
Characters: 10
Cinematography/Visuals: 10
The beautiful shots of Themyscira and the Amazonian training rituals borders on poetic at times, something you might read about in a famous ballad. Director Patty Jenkins does an amazing job of capturing the sanctity of this place, a place you don’t want to see get violated. Themyscira is pictured perfectly, it’s not just a Hawaii with women warriors. You can feel the change when Diana hits the real world and things become darker.
I thought it might be hard to capture Wonder Woman’s true strength on the big screen, but it is done almost effortlessly here with gritty scenes and slow-motion shots on impact blows. While I thought BVS overdid things with its slow-motion efforts, Jenkins has a way of capturing the perfect mood when she slows the camera down rather than it being just a mere effect. She really captures the heart of the story in every shot.
Conflict: 10
Genre: 9
Memorability: 10
Pace: 10
Plot: 8
Story was great except…Did we really need that one scene between Diana and Steve (Chris Pine)? I thought, not only did it betray the overall message of the film, but it felt forced and unnecessary. I would much rather have watched Wonder Woman just kick ass and take names and remain true to who her character was.
Resolution: 10
Overall: 89
After a couple crappy movies, DC finally began to right the ship with Wonder Woman. I am hoping the future will bring more movies like this and less movies like Suicide Squad. Not only is it a great film for women superheroes, but it’s just a great film period.
Zuky the BookBum (15 KP) rated Dead Mountain: The Untold True Story of the Dyatlov Pas in Books
Mar 15, 2018
Id been wanting to read this nonfiction for ages but never really felt in the mood for it. Just before Christmas I picked it up, and it did take me a couple of weeks to read, but it was worth it! An emotional and insightful look at the mysterious Dyatlov Pass Incident.
Ive always been interested in mysterious happenings, at the ripe old age of 10 I was receiving books about poltergeists, spontaneous combustion, missing people cases and so on, so when I first heard about the Dyatlov Pass Incident, of course my interest was piqued! Then, when I found out there was actually a novel solving the case, I was even more interested in it.
I havent read any other novels on the case, but I can imagine most of them get straight to the nitty-gritty of what they think happened to the unfortunate hikers, Eichar, however, builds his conclusions very slowly. At times, I felt a little bit annoyed about this I really would just love to know what the hell you think happened! but on the other hand I loved the way he made the hikers more than just an unfortunate accident. He breathes life back into them. Eichar takes diary entries, photographs, and interviews to build an intricate and honest look into each of the hikers days that lead up to their deaths.
As for Eichars theories on what really happened to the Dyatlov hikers, I dont want to give too much away, but its a sad story, rather than a spooky serial-killer-ghost one. While I love mysteries of the unknown, when it comes to something as tragic as this incident, its nice to have an answer to what happened? I think Eichars theories seem legitimate and well researched, so when the book claims to have the true story I can believe it.
I dont want to say too much about this novel because its the sort of book that needs to be read to be appreciated, hence my almost mini review, but I think this was a very good and well written nonfiction novel. At times I found some of the goings-on a little tedious, but overall it was an interesting read.
Ive always been interested in mysterious happenings, at the ripe old age of 10 I was receiving books about poltergeists, spontaneous combustion, missing people cases and so on, so when I first heard about the Dyatlov Pass Incident, of course my interest was piqued! Then, when I found out there was actually a novel solving the case, I was even more interested in it.
I havent read any other novels on the case, but I can imagine most of them get straight to the nitty-gritty of what they think happened to the unfortunate hikers, Eichar, however, builds his conclusions very slowly. At times, I felt a little bit annoyed about this I really would just love to know what the hell you think happened! but on the other hand I loved the way he made the hikers more than just an unfortunate accident. He breathes life back into them. Eichar takes diary entries, photographs, and interviews to build an intricate and honest look into each of the hikers days that lead up to their deaths.
As for Eichars theories on what really happened to the Dyatlov hikers, I dont want to give too much away, but its a sad story, rather than a spooky serial-killer-ghost one. While I love mysteries of the unknown, when it comes to something as tragic as this incident, its nice to have an answer to what happened? I think Eichars theories seem legitimate and well researched, so when the book claims to have the true story I can believe it.
I dont want to say too much about this novel because its the sort of book that needs to be read to be appreciated, hence my almost mini review, but I think this was a very good and well written nonfiction novel. At times I found some of the goings-on a little tedious, but overall it was an interesting read.
Sensitivemuse (246 KP) rated Silent City in Books
Jun 27, 2018
Great mood and setting
What I liked about this one is the setting and the overall mood of the book. It’s gritty, very noir, and it suits the plot. It shows the other side of Miami besides the beaches and the bustling city we are all familiar with. It’s great writing and really sets the tone throughout the story.
The plot was interesting if a little far fetched. So someone comes up to you and asks you to help find their daughter. Okay. Any other person would go straight to the police right? Although I suppose this is to show Pete’s ‘investigative’ reporter spidey senses and it piques his interest as he delves further into a downward spiral. So maybe that’s what got him going further. Now I understand (without providing any spoilers here) it gets a little more personal later but I expected maybe a little more from it. Perhaps because I’m used to other books where there’s more twists and turns, some more shocking moments, etc. This one just gets down to business and it’s pretty much cut and dry - which is fine for those that enjoy this type of story. However, there is plenty of action which does make the plot move forward.
Pete does take quite a beating in the book but I just could not really like him. He’s gone through a lot, true, but he’s just been on the pity party train and it got old and aggravating. However when he reached the point of no return and when there’s nothing to lose, something sparked in him and he managed to climb out of it (for a bit) but then you have to wonder if he’s going to go back into that void again. Meh.
The supporting characters weren’t that great or likable either. I’d suppose the only one that had something was Mike. Emily wasn’t that great and I found her an annoying pest. And Kathy. She was a piece of work and not that likable either.
I might keep going further into this series. Not sure yet. I did like reading this but at the same time I wanted more out of it. It was enough to get my attention but I really did like the mood and theme of the book. Perhaps I’ll give the second one a try and see how it goes.
The plot was interesting if a little far fetched. So someone comes up to you and asks you to help find their daughter. Okay. Any other person would go straight to the police right? Although I suppose this is to show Pete’s ‘investigative’ reporter spidey senses and it piques his interest as he delves further into a downward spiral. So maybe that’s what got him going further. Now I understand (without providing any spoilers here) it gets a little more personal later but I expected maybe a little more from it. Perhaps because I’m used to other books where there’s more twists and turns, some more shocking moments, etc. This one just gets down to business and it’s pretty much cut and dry - which is fine for those that enjoy this type of story. However, there is plenty of action which does make the plot move forward.
Pete does take quite a beating in the book but I just could not really like him. He’s gone through a lot, true, but he’s just been on the pity party train and it got old and aggravating. However when he reached the point of no return and when there’s nothing to lose, something sparked in him and he managed to climb out of it (for a bit) but then you have to wonder if he’s going to go back into that void again. Meh.
The supporting characters weren’t that great or likable either. I’d suppose the only one that had something was Mike. Emily wasn’t that great and I found her an annoying pest. And Kathy. She was a piece of work and not that likable either.
I might keep going further into this series. Not sure yet. I did like reading this but at the same time I wanted more out of it. It was enough to get my attention but I really did like the mood and theme of the book. Perhaps I’ll give the second one a try and see how it goes.
Hazel (2934 KP) rated The Man on the Roof in Books
Jul 1, 2018
Hmmmm ... if I could only use one word to describe this book, it would be ... frustrating! Now don't get me wrong, it's not a bad book, it's just infuriatingly annoying. Let me try and explain.
The story is basically about the murder of a young lad found suspended from a banner in a cul-de-sac of houses where we find the main suspects who, we learn, all have secrets that they don't want to come out. In comes the police to investigate the crime and the various suspects that live in the cul-de-sac. Sounds ok so far however, therein lies the problem. There are so many suspects, none of which are particularly likeable, it was difficult to keep track of who was who and who was married to who and as the secrets were revealed, whose secret was it! In addition, each of the chapters is written in different styles from different people and you don't always know who the people are ... I ended up being very confused. There's lots of description and whilst some of it is good, e.g. people's gestures and behaviour, a lot of it is unnecessary and this makes it a very long book ... well it seemed long to me.
There are some inconsistencies as well which I found annoying. For example, the names of the police officers change ... one minute they were Detective Cady Lambert and Detective Braidey Fitzsimmons and then they were Cady and Braidey and then they were Lambert and Fitzsimmons ... this may seem trivial but when you have so many characters, it's hard to keep track so changing their names throughout causes you to lose the thread of who is who.
Now don't get me wrong, as I said this isn't a bad book, it actually has the bones of being an excellent dark and gritty thriller but there's just too much going on that affects the flow of reading for me and I just think it needs tidying up.
I am grateful to the author for sending me a copy of his book after finding my blog. I really appreciate the time and effort he has made in writing a complex story and putting it out there for people like me, who couldn't write a decent letter, to criticise and pick apart ... that is brave and I salute you Mr Stephenson and encourage you to keep going.
The story is basically about the murder of a young lad found suspended from a banner in a cul-de-sac of houses where we find the main suspects who, we learn, all have secrets that they don't want to come out. In comes the police to investigate the crime and the various suspects that live in the cul-de-sac. Sounds ok so far however, therein lies the problem. There are so many suspects, none of which are particularly likeable, it was difficult to keep track of who was who and who was married to who and as the secrets were revealed, whose secret was it! In addition, each of the chapters is written in different styles from different people and you don't always know who the people are ... I ended up being very confused. There's lots of description and whilst some of it is good, e.g. people's gestures and behaviour, a lot of it is unnecessary and this makes it a very long book ... well it seemed long to me.
There are some inconsistencies as well which I found annoying. For example, the names of the police officers change ... one minute they were Detective Cady Lambert and Detective Braidey Fitzsimmons and then they were Cady and Braidey and then they were Lambert and Fitzsimmons ... this may seem trivial but when you have so many characters, it's hard to keep track so changing their names throughout causes you to lose the thread of who is who.
Now don't get me wrong, as I said this isn't a bad book, it actually has the bones of being an excellent dark and gritty thriller but there's just too much going on that affects the flow of reading for me and I just think it needs tidying up.
I am grateful to the author for sending me a copy of his book after finding my blog. I really appreciate the time and effort he has made in writing a complex story and putting it out there for people like me, who couldn't write a decent letter, to criticise and pick apart ... that is brave and I salute you Mr Stephenson and encourage you to keep going.
Louise (64 KP) rated Now I Rise (The Conqueror's Saga #2) in Books
Jul 2, 2018
*I received a copy of this book from Netgalley and the publishers in exchange for an honest review*
Kiersten White has beaten the second book lull. With a lot of series I have read you find that the second book is sometimes a ‘filler’ or it just not as good as it’s predecessor – This is not the case for ‘Now I Rise’, this book was darker, brutal and action packed.
I am not going to go into too much detail with this book as I don’t want to give any spoilers away. Lada is off to Wallachia with her men, she is has having a pretty hard time of convincing people to back her as being prince and then she has to contend with assassins trying to kill her. Lada’s loyal army will do anything for her, they fight for her and then follow her when she starts taking revenge on anyone that gets in her way of the throne.
Radu is still as loyal as ever to Mehmed and fantasizes that one day he will look at him the way he did Lada. He will do anything for Mehmed even if that means becoming a pawn and risking his and Nazira’s lives.
There were some great characters in this book, Nazira (Radu’s wife) she was smart, funny, had a political head on her but foremost she really truly cared for Radu. She had this warmth about her that was very much-needed as a lot of the book is dark and gritty.
Hunyadi, we hear of him a little in ‘And I Darken’ but we really get to see him in this book and though he is depicted as some awful killer that murdered Vlad Dracul and his son, we find there is more to this man and reasoning behind his motives.
This installment is much darker, bloodier and Lada is even more badass than before. I preferred this book so much more than the first one. The first book was obviously setting the scene and giving us the back story to each of their lives and this one was jammed packed with action. There is such great character development, I can’t wait to see where the story goes next.
I rated this 4 out of 5 stars
Kiersten White has beaten the second book lull. With a lot of series I have read you find that the second book is sometimes a ‘filler’ or it just not as good as it’s predecessor – This is not the case for ‘Now I Rise’, this book was darker, brutal and action packed.
I am not going to go into too much detail with this book as I don’t want to give any spoilers away. Lada is off to Wallachia with her men, she is has having a pretty hard time of convincing people to back her as being prince and then she has to contend with assassins trying to kill her. Lada’s loyal army will do anything for her, they fight for her and then follow her when she starts taking revenge on anyone that gets in her way of the throne.
Radu is still as loyal as ever to Mehmed and fantasizes that one day he will look at him the way he did Lada. He will do anything for Mehmed even if that means becoming a pawn and risking his and Nazira’s lives.
There were some great characters in this book, Nazira (Radu’s wife) she was smart, funny, had a political head on her but foremost she really truly cared for Radu. She had this warmth about her that was very much-needed as a lot of the book is dark and gritty.
Hunyadi, we hear of him a little in ‘And I Darken’ but we really get to see him in this book and though he is depicted as some awful killer that murdered Vlad Dracul and his son, we find there is more to this man and reasoning behind his motives.
This installment is much darker, bloodier and Lada is even more badass than before. I preferred this book so much more than the first one. The first book was obviously setting the scene and giving us the back story to each of their lives and this one was jammed packed with action. There is such great character development, I can’t wait to see where the story goes next.
I rated this 4 out of 5 stars
Ross (3284 KP) rated Priest of Bones in Books
Oct 3, 2018
Fantastic low fantasy gangster heist book
*** Disclosure: I received a free advance copy of this book in return for an honest review ***
The main character of this book believes in having "the right person doing the right job". In that case, my job will be reading this book, because I absolutely adored every single word of it.
Tomas Piety is returning to his hometown of Ellinburg (the city sometimes referred to as Old Reekie due to its tanneries - a nice little parallel to Edinburgh's "Auld Reekie") having been conscripted to fight for his country at war. Piety was previously the proud owner of a number of brothels, taverns and gambling/drugs dens and the purveyor of the finest protection racket in town. He returns with his regiment of fellow conscripts ("war is over, sling your hook") promising jobs and wealth for good honest work, only to find that his empire is not what it once was. Therein lies the plot of the book - Tomas and The Pious Men battling to take back control of the streets and properties he once oversaw.
The action is grim and nasty, and as well described as any book I can think of.
The dialogue is funny and gritty, and rivals Joe Abercrombie.
The main character has had a troubled past and has buried his own secrets.
The scope of the book is fairly small and benefits from that, not getting away from itself. There is more than enough going on to keep the action coming and the intrigue simmering along.
There is a lot of nasty, not niceness throughout this book, a feature of a lot of modern fantasy. However here the tale is told by Tomas himself, so we are treated to some of his inner monologue and get an insight into why he thinks these things need to be done. How he justifies some horrific actions and decisions defines his character well.
Frankly, this is one of the most immersive books I have read for a long time. The narration meant that for once I could truly visualise the city, the mess, the smells, the nastiness, the honour amongst gangsters. Not since the early Discworld books have I felt this so strongly.
To put it simply: I really really loved this book and cannot wait (though wait I must) for the next instalment.
The main character of this book believes in having "the right person doing the right job". In that case, my job will be reading this book, because I absolutely adored every single word of it.
Tomas Piety is returning to his hometown of Ellinburg (the city sometimes referred to as Old Reekie due to its tanneries - a nice little parallel to Edinburgh's "Auld Reekie") having been conscripted to fight for his country at war. Piety was previously the proud owner of a number of brothels, taverns and gambling/drugs dens and the purveyor of the finest protection racket in town. He returns with his regiment of fellow conscripts ("war is over, sling your hook") promising jobs and wealth for good honest work, only to find that his empire is not what it once was. Therein lies the plot of the book - Tomas and The Pious Men battling to take back control of the streets and properties he once oversaw.
The action is grim and nasty, and as well described as any book I can think of.
The dialogue is funny and gritty, and rivals Joe Abercrombie.
The main character has had a troubled past and has buried his own secrets.
The scope of the book is fairly small and benefits from that, not getting away from itself. There is more than enough going on to keep the action coming and the intrigue simmering along.
There is a lot of nasty, not niceness throughout this book, a feature of a lot of modern fantasy. However here the tale is told by Tomas himself, so we are treated to some of his inner monologue and get an insight into why he thinks these things need to be done. How he justifies some horrific actions and decisions defines his character well.
Frankly, this is one of the most immersive books I have read for a long time. The narration meant that for once I could truly visualise the city, the mess, the smells, the nastiness, the honour amongst gangsters. Not since the early Discworld books have I felt this so strongly.
To put it simply: I really really loved this book and cannot wait (though wait I must) for the next instalment.