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Gareth von Kallenbach (980 KP) rated Annihilation (2018) in Movies
Jul 8, 2019
Lena (Natalie Portman) has spent over a year grieving thinking that her husband has died. Her husband, Kane (Oscar Isaac), was part of a covert Army team. He would leave on missions and not be able to send any word. But a year was too long. Then as she is painting the bedroom of her house Kane walks up the stairs and into the bedroom. She is overwhelmed by happiness. After the initial flutter of excitement wears off she has so many questions. His responses are short and are not making sense. All of the sudden he starts cough up blood. Lena and Kane are headed to the hospital in the ambulance when government vehicles. Lena is pulled out and drugged and quickly loses consciousness. When she awakes she finds herself in a cell being asked questions by a Dr. Ventress (Jennifer Jason Leigh) about her husband and his sudden appearance. She quickly finds out that her husband and his team were one of several team over the past three years that were sent into a place called The Shimmer. The Shimmer was a growing circle surrounding a light house. Nothing that had gone into this area had returned…until Kane. With Kane on the brink of death Lena is determined to find out what is happening inside. She spent over seven years and in the Army and now was a Biology Professor at Johns Hopkins. This made her uniquely qualified to join Dr. Ventress and her team in the latest expedition into The Shimmer.
The movie is based on a novel of the same name by Jeff VanderMeer. It was written for the screen by Alex Garland (Ex Machina, Sunshine), who also directed (also Ex Machina). This film visually very interesting. When they enter The Shimmer you are immediately aware that you are still on Earth but something is definitely different. At times it is gritty and others bright and stunning. The cinematography as a whole make this film worth catching in the theater. The story is definitely original. I thought that the performances were good but at times a little cheesy for how serious of a tone was being set. I thought Natalie Portman had a strong performance. Supporting actors Gina Rodriguez (as Anya Thorensen), Tuva Novotny (as Cass Sheppard) and Tessa Thompson (as Josie Radek) all brought interesting character to life. Jennifer Jason Leigh’s performance felt out of place to me and didn’t gel with the story. I enjoyed the story overall and how the tension built throughout but in the end I was disappointed. The suspense, in my opinion, wound up concluding in an unoriginal way. That is all that I will say to avoid spoilers.
Overall I think this film definitely makes you think about the story after you watch it. I think it is worth watching and coming to your own conclusion. For me it really fell short at the end but up until that point I was definitely interested in where the story was taking me.
The movie is based on a novel of the same name by Jeff VanderMeer. It was written for the screen by Alex Garland (Ex Machina, Sunshine), who also directed (also Ex Machina). This film visually very interesting. When they enter The Shimmer you are immediately aware that you are still on Earth but something is definitely different. At times it is gritty and others bright and stunning. The cinematography as a whole make this film worth catching in the theater. The story is definitely original. I thought that the performances were good but at times a little cheesy for how serious of a tone was being set. I thought Natalie Portman had a strong performance. Supporting actors Gina Rodriguez (as Anya Thorensen), Tuva Novotny (as Cass Sheppard) and Tessa Thompson (as Josie Radek) all brought interesting character to life. Jennifer Jason Leigh’s performance felt out of place to me and didn’t gel with the story. I enjoyed the story overall and how the tension built throughout but in the end I was disappointed. The suspense, in my opinion, wound up concluding in an unoriginal way. That is all that I will say to avoid spoilers.
Overall I think this film definitely makes you think about the story after you watch it. I think it is worth watching and coming to your own conclusion. For me it really fell short at the end but up until that point I was definitely interested in where the story was taking me.
A Bibliophagist (113 KP) rated The Gentlemen (2020) in Movies
Jan 27, 2020 (Updated Jan 27, 2020)
Well paced (1 more)
Good characters
Third times a charm
I am not terribly well versed in Guy Ritchie films, however "Snatch" is one of my favorite films. I went into this with no expectations, and without even knowing the basic plot, I was greated with a wonderful experience.
If "Snatch" is Ritchie's attempt at perfecting "Lock Stock and two smoking barrels" then "The Gentlemen" is the final attempt at perfecting this formula. He absolutely succeeded in this in every way. "Snatch" is a GOOD movie, but this is a good FILM, in the same distinction as literature from standard fiction. We revisit his pentient for sprawling plots with a slew of characters, all intertwined but the full scale of their involvement coming to a head at the end, but he elevated this with "The Gentlemen".
We open with Charlie Hunnan, proving to me he is a capable actor when he's not faking an american accent and given a role that suits him. A pot kingpin's right hand man being greeted by Hugh Grant in a role I've never seen him in, skeezy, unattractive, cockney accent, a reporter for tabloids offering his story for a mere 20mil pounds. Grant preceeds to tell this thrilling tale of Micky (mcconaughy) the aforementioned kingpin, attempting to sell his impressive pot empire so he can retire with his wife who he absolutely loves. Through Grant, we are given a new twist on the Ritchie formula, an unreliable narrator, which just brings the story to life. We see what goes down during these days of attempted sale, the involvent of another druglord wannabe (golding), wanting a piece of the pie, the accidental involvement of Coach(Farrel) when his group of trainees piss off the wrong people, and the twisty, turny, bullet flinging fights that ensue. This movie is beautifully paced, not feeling as long as it was, witty, with plenty of laugh out loud moments, but balanced with enough gritty reality to leave you quiet as soon as you finished laughing. In true Ritchie form, by the end all the pieces fall into place, the full reality revealed in a satisfying, fun finale. However, the twist of the unreliable narrator, leaves us with the reality that we may not know everything that happened. I would argue that beyond a part with some Russians, every character and event (and there were a number of them) felt purposeful, well thought oit and completely necessary to the plot. Like it's predecessors, the music was on point, the editting and cutting perfect and leading to a slightly old school vibe while feeling fully rooted to the present. The plot was over the top, but modern and believable. Overall, it was just exceptionally fun.
He finally figured it out, and gave us something as fun as "Snatch" but elevated it to true FILM status. Making it, arguably, the better film. Highly recommend it.
If "Snatch" is Ritchie's attempt at perfecting "Lock Stock and two smoking barrels" then "The Gentlemen" is the final attempt at perfecting this formula. He absolutely succeeded in this in every way. "Snatch" is a GOOD movie, but this is a good FILM, in the same distinction as literature from standard fiction. We revisit his pentient for sprawling plots with a slew of characters, all intertwined but the full scale of their involvement coming to a head at the end, but he elevated this with "The Gentlemen".
We open with Charlie Hunnan, proving to me he is a capable actor when he's not faking an american accent and given a role that suits him. A pot kingpin's right hand man being greeted by Hugh Grant in a role I've never seen him in, skeezy, unattractive, cockney accent, a reporter for tabloids offering his story for a mere 20mil pounds. Grant preceeds to tell this thrilling tale of Micky (mcconaughy) the aforementioned kingpin, attempting to sell his impressive pot empire so he can retire with his wife who he absolutely loves. Through Grant, we are given a new twist on the Ritchie formula, an unreliable narrator, which just brings the story to life. We see what goes down during these days of attempted sale, the involvent of another druglord wannabe (golding), wanting a piece of the pie, the accidental involvement of Coach(Farrel) when his group of trainees piss off the wrong people, and the twisty, turny, bullet flinging fights that ensue. This movie is beautifully paced, not feeling as long as it was, witty, with plenty of laugh out loud moments, but balanced with enough gritty reality to leave you quiet as soon as you finished laughing. In true Ritchie form, by the end all the pieces fall into place, the full reality revealed in a satisfying, fun finale. However, the twist of the unreliable narrator, leaves us with the reality that we may not know everything that happened. I would argue that beyond a part with some Russians, every character and event (and there were a number of them) felt purposeful, well thought oit and completely necessary to the plot. Like it's predecessors, the music was on point, the editting and cutting perfect and leading to a slightly old school vibe while feeling fully rooted to the present. The plot was over the top, but modern and believable. Overall, it was just exceptionally fun.
He finally figured it out, and gave us something as fun as "Snatch" but elevated it to true FILM status. Making it, arguably, the better film. Highly recommend it.
Los Angeles Stories
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A Los Angeles Times's and Southern California Indie Bookseller Association's Bestseller! Los Angeles...
Charlie Cobra Reviews (1840 KP) rated The Boys in TV
Jul 7, 2020
A Gritty Superhero Drama With Equal Parts Dark Comedy, Blood And Violence
The Boys is a 2019 black comedy/action/superhero/drama web tv series developed by Eric Kripke for Amazon. It was produced by Sony Pictures Television, Amazon Studios, Kripke Enterprises, Point Grey Pictures, Original Film, Kickstart Entertainment and KFL Knightsky Productions. Executive producters on the show include Erick Kripke, Seth Rogen, Evan Goldberg, James Weaver, Neal H. Moritz, Pavun Shetty, Ori Marmur, Dan Trachtenberg, Ken. F. Levin and Jason Netter. The series stars actors Karl Urban, Jack Quaid, Anthony Starr, Erin Moriarty, Dominique McElligot and Jessie T. Usher.
Hugh "Hughie" Campbell (Jack Quaid) is a regular guy living in a city where superpowered people are recognized as heroes by the general public and owned by a powerful corporation Vought International, which markets and monetizes them. Outside of their heroic personas, these heroes are arrogant and corrupt, none more so than the Seven, Vought's premier superhero team. After his girlfriend is killed by A-Train (Jessie T. Usher), one of the Seven, Hughie is sought out by Billy Butcher (Karl Urban), a man who despises all superpowered people, and whose goal is to "spank the bastards when they get out of line".
This show is awesome. I was blown away by how much I liked it and binged watched it in one day. It reminded me of Watchmen a little bit in how it was a darker version of a superhero world. I really liked how it balanced the dark comedy with the violence and pacing of the plot. It was incredibly violent though, with lots of blood and gore. The acting was really good too with the actors being believable in their roles. I enjoyed the character development from several of the characters like Hughie and Starlight. Even the Deep, who I disliked was able to make me feel sorry for him in a couple of parts. The special effects were pretty top notch and I hardly noticed anything I didn't think fit or stuck out in a wrong way. The twists in the plot as the story progressed really kept me into it. It also had a lot of emotional scenes that I didn't think it would. There were a couple of things that bothered me like when a character acted out of character or did something that I didn't understand their motivations, and also the weird relationship between Homelander and Madelynn Stillwell. The latter of which you have more understanding towards the end. The only thing that really disappointed me was that there were only 8 episodes for the season. I almost gave this show a 9 but like I said there were a couple of things that I didn't like with it, still I give this show a 8/10. It also gets my "Must See Seal Of Approval". You really got to check this show out if you haven't seen it.
Hugh "Hughie" Campbell (Jack Quaid) is a regular guy living in a city where superpowered people are recognized as heroes by the general public and owned by a powerful corporation Vought International, which markets and monetizes them. Outside of their heroic personas, these heroes are arrogant and corrupt, none more so than the Seven, Vought's premier superhero team. After his girlfriend is killed by A-Train (Jessie T. Usher), one of the Seven, Hughie is sought out by Billy Butcher (Karl Urban), a man who despises all superpowered people, and whose goal is to "spank the bastards when they get out of line".
This show is awesome. I was blown away by how much I liked it and binged watched it in one day. It reminded me of Watchmen a little bit in how it was a darker version of a superhero world. I really liked how it balanced the dark comedy with the violence and pacing of the plot. It was incredibly violent though, with lots of blood and gore. The acting was really good too with the actors being believable in their roles. I enjoyed the character development from several of the characters like Hughie and Starlight. Even the Deep, who I disliked was able to make me feel sorry for him in a couple of parts. The special effects were pretty top notch and I hardly noticed anything I didn't think fit or stuck out in a wrong way. The twists in the plot as the story progressed really kept me into it. It also had a lot of emotional scenes that I didn't think it would. There were a couple of things that bothered me like when a character acted out of character or did something that I didn't understand their motivations, and also the weird relationship between Homelander and Madelynn Stillwell. The latter of which you have more understanding towards the end. The only thing that really disappointed me was that there were only 8 episodes for the season. I almost gave this show a 9 but like I said there were a couple of things that I didn't like with it, still I give this show a 8/10. It also gets my "Must See Seal Of Approval". You really got to check this show out if you haven't seen it.
Sarah (7800 KP) rated The Rhythm Section (2019) in Movies
Nov 29, 2020
An average thriller
The Rhythm Section is a 2020 action thriller based on a book of the same name written by Mark Burnell. Directed by Reed Moreno, it stars Blake Lively as Stephanie Patrick, a young woman bent on revenge against the terrorists who orchestrated a plane crash that killed her entire family.
From the very beginning, you can see the influences and similarities in this to other films and stories.
This has obviously taken inspiration from the likes of John Le Carre and is a rather dark and gritty take on the action thriller genre, with a decent amount of physical (and well choreographed) violence. However in all honesty, the originality here is severely lacking. I’ve seen countless revenge films and this is no different. There is little in this to make it stand out above all those that have come before it and it isn’t helped by a limited number of action scenes either to help ramp up the interest.
It doesn’t start off very well, as we find out about Stephanie’s life and how the death of her family turned her into a drug addict and a prostitute. It’s so clichéd that even Jude Law’s character Boyd mocks her for this later in the film, which whilst fun, doesn’t change the fact that they actually used this idea in the plot. There’s also the sketchy almost nonexistent reason for journalist Proctor (Raza Jeffrey) to reach out to Stephanie to tell her that the plane crash was caused by terrorists rather than an accident. It just doesn’t make any sense as to why he’d get Stephanie involved and the film doesn’t even try to explain this rationally. Same goes when Boyd takes in Stephanie and starts to train her as an assassin. Whilst a reason is eventually revealed, it isn’t entirely plausible and again doesn’t make any sense as to why he does this with a woman who has no background or knowledge in espionage or assassination.
Aside from the sketchy plot, there are some plus points. Blake Lively performs well (despite the often hideous wigs), and you can see that she’s really giving it her all and could really make it as an action star. The scenes featuring her and Jude Law are also entertaining to watch and give the film a more relaxed feeling, especially the earlier training scenes. One of the most likeable things about this thought for me was the score. It’s tense and dramatic and full of excitement, with pieces featuring strings, piano and percussion to the point where you begin to wonder if the title ‘The Rhythm Section’ isn’t more appropriate for the music rather than the explanation given during the film.
Sadly The Rhythm Section is a fairly average thriller that whilst boosted slightly by a good performance and score, is unfortunately not particularly memorable, especially with such a lacklustre ending.
From the very beginning, you can see the influences and similarities in this to other films and stories.
This has obviously taken inspiration from the likes of John Le Carre and is a rather dark and gritty take on the action thriller genre, with a decent amount of physical (and well choreographed) violence. However in all honesty, the originality here is severely lacking. I’ve seen countless revenge films and this is no different. There is little in this to make it stand out above all those that have come before it and it isn’t helped by a limited number of action scenes either to help ramp up the interest.
It doesn’t start off very well, as we find out about Stephanie’s life and how the death of her family turned her into a drug addict and a prostitute. It’s so clichéd that even Jude Law’s character Boyd mocks her for this later in the film, which whilst fun, doesn’t change the fact that they actually used this idea in the plot. There’s also the sketchy almost nonexistent reason for journalist Proctor (Raza Jeffrey) to reach out to Stephanie to tell her that the plane crash was caused by terrorists rather than an accident. It just doesn’t make any sense as to why he’d get Stephanie involved and the film doesn’t even try to explain this rationally. Same goes when Boyd takes in Stephanie and starts to train her as an assassin. Whilst a reason is eventually revealed, it isn’t entirely plausible and again doesn’t make any sense as to why he does this with a woman who has no background or knowledge in espionage or assassination.
Aside from the sketchy plot, there are some plus points. Blake Lively performs well (despite the often hideous wigs), and you can see that she’s really giving it her all and could really make it as an action star. The scenes featuring her and Jude Law are also entertaining to watch and give the film a more relaxed feeling, especially the earlier training scenes. One of the most likeable things about this thought for me was the score. It’s tense and dramatic and full of excitement, with pieces featuring strings, piano and percussion to the point where you begin to wonder if the title ‘The Rhythm Section’ isn’t more appropriate for the music rather than the explanation given during the film.
Sadly The Rhythm Section is a fairly average thriller that whilst boosted slightly by a good performance and score, is unfortunately not particularly memorable, especially with such a lacklustre ending.
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BankofMarquis (1832 KP) rated Red Notice (2021) in Movies
Nov 19, 2021
Good (enough) Entertainment for the Entire Family
Around the Holidays, I always get asked to recommend a film “Good for the Entire Family”, something that the kids as well as the adults - including Gramma and Grampa - can enjoy.
For Thanksgiving, 2021 (and beyond) the answer is simple - look no further than the Netflix film RED NOTICE starring Dwayne “The Rock” Johnson, Gal Gadot and Ryan Reynolds.
Written and Directed by frequent “The Rock” collaborator, Rawson Marshall Thurber, RED NOTICE pits the 3 stars each other as Master Thieves and the Law Enforcement Agent that is chasing them. It is a light-hearted, fun, action, adventure treasure hunt film reminiscent of the Nicholas Cage NATIONAL TREASURE movies.
Don’t be expecting hard-hitting, gritty action in this one. Instead, expect light-hearted action with fast banter, faster cars and bullets that - to no one’s surprise - fails to land in any human being. Automobiles, equipment and buildings are destroyed - but humans…? Not so much. They just pick themselves up, dust themselves off and start all over again.
The acting in this is “as expected”. The Rock is tough, muscular and charming. Ryan Reynolds is fast-talking, conniving and charming. Gal Gadot is mysterious, tougher-than-she-looks and charming. They play off together well and add a little higher level of quality to this film than it probably deserves.
That’s because the script, plot machinations, twists, turns, double-crosses and banter are all pretty much run-of-the-mill. It is not anything special, but nor is it bad. It is “fine” and with these 3 talented performers at the forefront of this, it lifts itself to “better than fine”, it’s a good family film that all can enjoy.
The Direction and Action sequences by Thurber are just as pedestrian and run-of-the-mill but just as entertaining none-the-less. I think the charm of this film is it’s predictability. It’s like putting on an old pair of sweatpants. Your’e not going to wear them to the Oscars, but for sitting on the couch after a full family dinner on Thanksgiving, it fills the bill very well.
The film is light enough for kids (though they do drop the “f-bomb” once or twice). It’s just edgy enough for tweens/teens (hence the “f-bombs”) and a rollicking good time for the adults with enough self-awareness of what they are doing that the actors (first and foremost Reynolds) almost looks like they are going to address the camera to comment on what’s going on at any moment.
And that, too, is part of it’s charm.
Letter Grade A- (it’s probably a B+, but since it is my answer for “Family Film of the Holidays”, I’ll give it an A-).
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
For Thanksgiving, 2021 (and beyond) the answer is simple - look no further than the Netflix film RED NOTICE starring Dwayne “The Rock” Johnson, Gal Gadot and Ryan Reynolds.
Written and Directed by frequent “The Rock” collaborator, Rawson Marshall Thurber, RED NOTICE pits the 3 stars each other as Master Thieves and the Law Enforcement Agent that is chasing them. It is a light-hearted, fun, action, adventure treasure hunt film reminiscent of the Nicholas Cage NATIONAL TREASURE movies.
Don’t be expecting hard-hitting, gritty action in this one. Instead, expect light-hearted action with fast banter, faster cars and bullets that - to no one’s surprise - fails to land in any human being. Automobiles, equipment and buildings are destroyed - but humans…? Not so much. They just pick themselves up, dust themselves off and start all over again.
The acting in this is “as expected”. The Rock is tough, muscular and charming. Ryan Reynolds is fast-talking, conniving and charming. Gal Gadot is mysterious, tougher-than-she-looks and charming. They play off together well and add a little higher level of quality to this film than it probably deserves.
That’s because the script, plot machinations, twists, turns, double-crosses and banter are all pretty much run-of-the-mill. It is not anything special, but nor is it bad. It is “fine” and with these 3 talented performers at the forefront of this, it lifts itself to “better than fine”, it’s a good family film that all can enjoy.
The Direction and Action sequences by Thurber are just as pedestrian and run-of-the-mill but just as entertaining none-the-less. I think the charm of this film is it’s predictability. It’s like putting on an old pair of sweatpants. Your’e not going to wear them to the Oscars, but for sitting on the couch after a full family dinner on Thanksgiving, it fills the bill very well.
The film is light enough for kids (though they do drop the “f-bomb” once or twice). It’s just edgy enough for tweens/teens (hence the “f-bombs”) and a rollicking good time for the adults with enough self-awareness of what they are doing that the actors (first and foremost Reynolds) almost looks like they are going to address the camera to comment on what’s going on at any moment.
And that, too, is part of it’s charm.
Letter Grade A- (it’s probably a B+, but since it is my answer for “Family Film of the Holidays”, I’ll give it an A-).
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Hazel (1853 KP) rated Welcome to Nowhere in Books
May 24, 2017
Contemporary War
This ARC was provided by the publisher via NetGalley in exchange for an honest review
The eximious children’s author, Elizabeth Laird, is continuing with her magnificent streak of prize-worthy novels. Her soon to be published book Welcome to Nowhere will be eagerly consumed by fans and new-readers alike. With a contemporary setting and shocking truths, young readers will become more aware of the events happening near and far.
Omar is only twelve, yet has a life style that will seem alien to the majority of readers. Living in Syria, Omar works to earn a wage as well as attends school, whilst also helping to care for his Cerebral-Palsy-suffering brother and three other siblings. Although Omar’s life is not easy, it is preferable to the events he is soon about to witness.
In March 2011, Syria broke out in civil war after the daring behaviour of a couple of schoolboys. After these vandals scrawled the phrase “the people want the regime to change” onto a wall, the government decided to fight back. With shootings regularly occurring in the streets, and bombs falling on houses, Omar and his family flee their city home to live with family in the countryside. However, they cannot stay there for long before danger finds them again. Running from the enemy, Omar and family find themselves on the streets with thousands of other refugees. But, where can they go when they have nowhere to call home?
Although Welcome to Nowhere is set before the development of the extreme Muslim group, ISIS, Elizabeth Laird provides an accurate description of the lives of Syrians and refugees at this present moment. Most young readers, and possibly many adults, may not understand what caused the current refugee crisis and may even regard them as the enemy. This book will open hearts and minds after revealing the terror and destruction thousands of people have faced, their experience of refugee camps and their desperation to be able to live in safety.
As well as revealing truths about the situation in the Middle East, Welcome to Nowhere educates the reader on the customs and beliefs of average Muslim families. Although slightly antiquated – men dominate over women – they are not all that different to the Western world. Omar wants to become a successful businessman, whilst his sister is desperate to go to school and university. Laird also writes of scenarios that are not unique to Syrian citizens, in particular medical conditions such as Cerebral Palsy and the way these people are attacked by social stigmas.
Whilst not labeling this book as ‘exciting’, Welcome to Nowhere is a story that will engage the readers’ attention. As a book with both entertainment and educational value, Elizabeth Laird’s latest book is worthy of significant praise. It is not often that a writer will dare to reveal the gritty truth about the current situation in the world, and thus Laird must be commended for persevering with such a difficult, challenging story. Although targeted at young adults (ages 12+), older readers will also enjoy and learn from this exceptional novel.
The eximious children’s author, Elizabeth Laird, is continuing with her magnificent streak of prize-worthy novels. Her soon to be published book Welcome to Nowhere will be eagerly consumed by fans and new-readers alike. With a contemporary setting and shocking truths, young readers will become more aware of the events happening near and far.
Omar is only twelve, yet has a life style that will seem alien to the majority of readers. Living in Syria, Omar works to earn a wage as well as attends school, whilst also helping to care for his Cerebral-Palsy-suffering brother and three other siblings. Although Omar’s life is not easy, it is preferable to the events he is soon about to witness.
In March 2011, Syria broke out in civil war after the daring behaviour of a couple of schoolboys. After these vandals scrawled the phrase “the people want the regime to change” onto a wall, the government decided to fight back. With shootings regularly occurring in the streets, and bombs falling on houses, Omar and his family flee their city home to live with family in the countryside. However, they cannot stay there for long before danger finds them again. Running from the enemy, Omar and family find themselves on the streets with thousands of other refugees. But, where can they go when they have nowhere to call home?
Although Welcome to Nowhere is set before the development of the extreme Muslim group, ISIS, Elizabeth Laird provides an accurate description of the lives of Syrians and refugees at this present moment. Most young readers, and possibly many adults, may not understand what caused the current refugee crisis and may even regard them as the enemy. This book will open hearts and minds after revealing the terror and destruction thousands of people have faced, their experience of refugee camps and their desperation to be able to live in safety.
As well as revealing truths about the situation in the Middle East, Welcome to Nowhere educates the reader on the customs and beliefs of average Muslim families. Although slightly antiquated – men dominate over women – they are not all that different to the Western world. Omar wants to become a successful businessman, whilst his sister is desperate to go to school and university. Laird also writes of scenarios that are not unique to Syrian citizens, in particular medical conditions such as Cerebral Palsy and the way these people are attacked by social stigmas.
Whilst not labeling this book as ‘exciting’, Welcome to Nowhere is a story that will engage the readers’ attention. As a book with both entertainment and educational value, Elizabeth Laird’s latest book is worthy of significant praise. It is not often that a writer will dare to reveal the gritty truth about the current situation in the world, and thus Laird must be commended for persevering with such a difficult, challenging story. Although targeted at young adults (ages 12+), older readers will also enjoy and learn from this exceptional novel.
Phillip McSween (751 KP) rated Red Sparrow (2018) in Movies
Mar 26, 2018
Better Than I Hoped
Red Sparrow is one of those films where I respectfully disagree with the overall opinion of the critics. It's not perfect but it gets a lot of things right and is definitely worth your time if you're thinking of checking it out. After Dominika Egrova (Jennifer Lawrence) takes a career-ending fall during a ballet routine, she has to turn to seedier means of keeping her family afloat.
Acting: 10
Beginning: 10
Red Sparrow doesn't take long to take off, giving you just enough to keep you intrigued. You're introduced to Dominika who is just trying to do what she needs to do to take care of her mom. You see the world through her eyes and you feel her struggle.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
A lot of moving parts succeed as a whole to keep the film's hooks in you. You're trying to piece together just what the hell is happening and you can't turn away in fear you might miss something. The action won't overwhelm you with its frequency, but there is an underlying intensity from the stakes and the possibilities of what could happen.
Genre: 6
As a dramatic film, I've seen better, but I've also seen a lot worse. If I'm comparing this to other films, movies like The Girl With the Dragon Tattoo come to mind. Dragon Tattoo would get the nod for me because of a stronger, cohesive story. I didn't leave saying it was the best drama I had ever seen, but it was pretty solid nonetheless.
Memorability: 10
There is a gritty realism about this film that will probably keep a lot of its images in my head for a long time to come. Its sensual in an unsettling, predatory kind of way. The twists will leave you guessing until the very end. Just when you think you've got something figured out, you're hit from another angle.
Pace: 9
The only time the film really trips over itself is when it starts to overthink things and get too confusing. Those brief moments created a pace slowdown that took me out of the enjoying the film for a bit. For the most part, the film moves at a consistent, solid pace.
Plot: 6
One of the weaker aspects of the film from an entirety standpoint. Not saying there were holes, but certain parts made it hard to figure out what was currently happening. Sure, I figured it out eventually but not before thinking of the number of different ways they could have presented the same information in an easier fashion.
Resolution: 5
Loved the ending. Hated it at the same time. Hard to explain without spoiling it so I won't go into too much detail here, but I'll just say that it connects to tying up loose ends. I felt that, compared to the rest of the film, the ending could have served to be a little less sloppy.
Overall: 86
Red Sparrow currently sits at a 47% on Rotten Tomatoes right now. While it's not the perfect film, there are solid moments of action and intrigue that will keep you engaged from beginning to end. Thumbs up in my book.
Acting: 10
Beginning: 10
Red Sparrow doesn't take long to take off, giving you just enough to keep you intrigued. You're introduced to Dominika who is just trying to do what she needs to do to take care of her mom. You see the world through her eyes and you feel her struggle.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
A lot of moving parts succeed as a whole to keep the film's hooks in you. You're trying to piece together just what the hell is happening and you can't turn away in fear you might miss something. The action won't overwhelm you with its frequency, but there is an underlying intensity from the stakes and the possibilities of what could happen.
Genre: 6
As a dramatic film, I've seen better, but I've also seen a lot worse. If I'm comparing this to other films, movies like The Girl With the Dragon Tattoo come to mind. Dragon Tattoo would get the nod for me because of a stronger, cohesive story. I didn't leave saying it was the best drama I had ever seen, but it was pretty solid nonetheless.
Memorability: 10
There is a gritty realism about this film that will probably keep a lot of its images in my head for a long time to come. Its sensual in an unsettling, predatory kind of way. The twists will leave you guessing until the very end. Just when you think you've got something figured out, you're hit from another angle.
Pace: 9
The only time the film really trips over itself is when it starts to overthink things and get too confusing. Those brief moments created a pace slowdown that took me out of the enjoying the film for a bit. For the most part, the film moves at a consistent, solid pace.
Plot: 6
One of the weaker aspects of the film from an entirety standpoint. Not saying there were holes, but certain parts made it hard to figure out what was currently happening. Sure, I figured it out eventually but not before thinking of the number of different ways they could have presented the same information in an easier fashion.
Resolution: 5
Loved the ending. Hated it at the same time. Hard to explain without spoiling it so I won't go into too much detail here, but I'll just say that it connects to tying up loose ends. I felt that, compared to the rest of the film, the ending could have served to be a little less sloppy.
Overall: 86
Red Sparrow currently sits at a 47% on Rotten Tomatoes right now. While it's not the perfect film, there are solid moments of action and intrigue that will keep you engaged from beginning to end. Thumbs up in my book.