"I heard it when I was 17 or 18 and it really changed my view of what music could be in that there’s so much beauty in Jeff Buckley’s voice. Also, the guitar on that record is the biggest guitar influence that I’ve ever had. Jeff Buckley uses his voice in this very free way and it can go wherever he wants it to: that’s something that I've intentionally and subconsciously very much taken on myself as a singer. His voice can be so subtle, quiet and soft and then it becomes this roaring kind of force and, again, that’s something that completely inspired me as a singer. He’s very much about that play between his voice and his guitar but they both feel like they’re partners and the essence of who he is—I feel inspired by that as a musician myself. I always try and have a play between the guitar and the voice, to make them speak the same language and tell the story of myself. I remember writing Jeff Buckley lyrics all over my bag I took to college. I like the way you would take on lyrics and feel that they were expressing a part of you, so you'd always feel proud to have them on your schoolbag as if you wrote them yourself. That’s a really cute thing about being a teenager and looking a very particular way. Teenagers react to music because they’re always looking for a way to identify themselves."

"When I set foot in Piccadilly Records in Oldham Street [Manchester], I know I’m coming out 40 quid lighter. I dropped in to see those guys the other day. Thee Oh Sees are new to me. It’s edgy, full-on guitar; garage punk. But it’s got a psychedelic edge, which makes it a bit proggy."

"Really dig how much energy this band have in their songs, it feels like it’s part of a big guitar-led post-punk revival at the moment. They’re from South London but the singer Harrison is a manc so he gives them this sort of Echo and the Bunnymen edge which is really cool"

"How can you go wrong with a Tennessee Williams script (originally his play Orpheus Descending) directed by Sidney Lumet, with the great Anna Magnani, Joanne Woodward, and Marlon Brando (playing a retired guitar player named Snakeskin, who is trying to turn over a new leaf in a very racist southern town). An obscure classic."

"For any musician – not so much vocalists, but anyone who played guitar – when this came out it changed everything. I went to see them at the Rainbow in London, because I missed them supporting Black Sabbath. We were making our first album in London at the time and they were unbelievable: it was a West Coast rock & roll party and a new era in guitar playing. I had never seen anything like it before. Then all the glam metal bands copied Van Halen, because they were the first of the hair metal bands, selling sex. That’s really how they looked. ‘Running WIth The Devil’ is a fucking fantastic rock song – not quite as good as ‘Smoke On The Water’, but not far off."

"Not so much for the guitar work, but what’s represented on this collection is a real tight, small band. Wolf’s nickname was appropriate because he actually sounded like a wild animal when he sang. What an outrageous, maniacal voice! He could’ve been a star of those old Wolfman movies and they wouldn’t have needed any special effects. “He played great harmonica, and he could certainly get with it on the guitar. He had a mystique that came through on record. He could be overwhelming and scary. Not many artists can do that. So I’d call him one of the true originals of the blues. I love this collection. Just to have one big box set that encompasses something like ten different recordings, that’s pretty special."