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Frank Turner recommended American IV: The Man Comes Around by Johnny Cash in Music (curated)

"At this point I was playing in a hardcore band, I was listening to hardcore, I was going to hardcore shows, and at a certain point it started get a bit old for me. This album showed me a way of being intense and meaningful and indeed heavy without distorted guitars and taking your shirt off and screaming at the front row. It planted a seed which, when Million Dead broke up, flourished into what I do now There was also a simplicity to it, because I had got into the complicated end of hardcore and bands like Dillinger Escape Plan and Botch, and there was something about simple chords on an acoustic guitar that reminded me of listening to Counting Crows. It was powerful to me. It planted a seed which, when Million Dead broke up, flourished into what I do now."

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Kudos

Ian Anderson recommended Over-Nite Sensation by Frank Zappa in Music (curated)

"This was my album of 1974, although it came out in 1973. I guess I was always catching up with Frank Zappa. The first album by him that I bought was Hot Rats, and I found that a rather irritating album of not very evolved guitar playing. Frank was a bit of a one-trick pony as a guitarist, but as a musician, arranger and bandleader of the traditional sort, he was at the top of the tree, although he wasn’t unique as a bandleader. There were by then other bandleaders in rock, blues and soul groups like BB King, James Brown and in England John Mayall. In America, Frank Zappa and Captain Beefheart were bandleaders of an apparently tough-cookie nature, although everyone who worked with Frank seems to have revered him as a musician and a person."

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Kudos

Stephin Merritt recommended Tin Drum by Japan in Music (curated)

Tin Drum by Japan

198 | Pop, Rock

(0 Ratings)

Album Favorite

"Apparently someone is writing a 33 1/3 book about this 1981 album, which is universally regarded as Japan's masterpiece. It features electric guitar sounds previously possible only for Adrian Belew; the bass is so fretless it sounds like a moaning sea mammal, the gorgeous drums are so tonal they could be marimbas, the Prophet 5 synthesizer sits quietly in the mix making squiggly noises; and sometimes a violin plays, in a manner previously heard only in Chinese opera. The lyric and visual emphasis is on modern Chinese culture (like Eno's Taking Tiger Mountain (By Strategy) without the spy-spoof parts) but not Chinoiserie – no pentatonic xylophones – and the implication that the future is Chinese is no more threatening than Kraftwerk implying the future is German. "We're young and strong in this party, building our visions of China." "

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Kudos

Blake Anderson recommended Seasons in the Abyss by Slayer in Music (curated)

"I think what’s cool about Slayer is no matter how old their albums are, it’s the one band to me that their sound is immortal. It never sounds corny to me. You can go back and listen to some Pantera and Metallica albums and you’re like, ‘OK, great music.’ But Slayer you go back and they always sound fresh and hard as hell. It’s always just a punch right to the face. I think that’s cool that their albums are almost undying. I like all different types of music. I don’t like going to any specifics. I switch with the seasons. I’ll get into an electronic kick and then I’ll get into rap. Listen to too much hip-hop you start to have some flavor for some guitar and next thing you know you’re listening to metal or hardcore"

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