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Biff Byford recommended Nevermind by Nirvana in Music (curated)

 
Nevermind by Nirvana
Nevermind by Nirvana
1991 | Alternative, Rock

"Lots of metal bands had all got a little bit in a rut by the time this came out. People were quite bothered about how they looked. And NIrvana smashed it to pieces. They said music should be raw and powerful – great guitar riffs, good lyrics, great melodies. Nirvana were the ones. And Kurt Cobain was charismatic. A lot of musicians resented grunge, but I quite liked it – we needed it. Saxon never went grunge – we went more metal again in the 90s. We had really needed a rest, but we couldn’t have one, and we weren’t firing on all cylinders. It wasn’t ‘til the 90s that we got our shit together again. Nirvana resonates for me because of that. It took people by surprise, because it went so big so quickly. There’s a lot of menace and darkness in and it was heavier than what other people were doing at the time."

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Biff Byford recommended Argus by Wishbone Ash in Music (curated)

 
Argus by Wishbone Ash
Argus by Wishbone Ash
1972 | Rock
(0 Ratings)
Album Favorite

"Most of the albums I’ve chosen are from the 1970s – they are ones that moulded my style. So, Wishbone Ash invented twin harmony guitars in heavy rock [they were also a huge influence on Iron Maiden]. I used to go and see them when they played in Leeds or Sheffield or Barnsley – they were on circuit a lot in the early 70s. I was a bass player then, and they had a great bass player [Martin Turner] with a good style, with really cool vocal harmonies. Argus felt groundbreaking – it was a big explosion of rock and Wishbone Ash were a pretty loud band. It was a good grounding for me to learn their songs - this particular album is a concept album so you learned the whole thing. That’s how songs get into your psyche. In Saxon we used the twin guitar harmonies occasionally – we don’t want to copy anybody, but it is a theme, it is in there."

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Dave Mustaine recommended Dystopia by Megadeth in Music (curated)

 
Dystopia by Megadeth
Dystopia by Megadeth
2016 | Metal
8.0 (1 Ratings)
Album Favorite

"In terms of pushing my playing and songwriting, and the re-acquaintance of David Ellefson and myself, and with Kiko being such an un-fucking-believable guitar player, I would have to pick Dystopia at this point. But now Dirk Verbeuren’s in the band, I’m really looking forward to what’s next. When we get into the rehearsal room, warming up for the shows, and we hear Dirk playing some blastbeats, I’m questioning what Megadeth is going to sound like when we make the next record and we have those skull-numbing beats going on, it’s gonna push my playing to otherworldly limits. I’m excited because I can do the fast metal stuff, but having the chops and musical depth that Kiko has and with Ellefson holding down the fort, I’m really looking forward to the next record. I started thinking about it the day we left the studio after making Dystopia. That’s just how I’m wired."

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Never Mind The Bollocks, Here's The Sex Pistols by The Sex Pistols
Never Mind The Bollocks, Here's The Sex Pistols by The Sex Pistols
1977 | Punk
8.9 (15 Ratings)
Album Favorite

"In my book this isn't a punk record - it's a fantastic rock album. I mean, it's produced by Chris Thomas for goodness sake. Cookie (Paul Cook) is a fantastic drummer: I know him because he plays in Phil Collen's other band, The Manraze Then you have Steve Jones - fucking amazing guitarist. Matlock had gone by this point, I think he was on 'Anarchy…' and Sid was on 'Bodies' but apart from that Jones did all of the guitar and all of the bass parts as well. And he probably did more overdubs on that than we did on bloody Pyromania - it took nine months to record. It's a real album: it represents punk, but in many ways it doesn't. The Pistols record is as planned out as a Genesis album. And that's why it works: it's fucking brilliant. Nobody snarls like Rotten: his 'we mean it, man' on 'God Save the Queen', it puts the hairs on my arm up to this day."

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