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Rat Scabies recommended Caravanserai by Santana in Music (curated)
Jeff Lynne recommended Full Moon Fever by Tom Petty in Music (curated)
Marc Riley recommended Measure by Field Music in Music (curated)
Martin Carr recommended track Love Action (I Believe in Love) by The Human League in Very Best Of by The Human League in Music (curated)
LeftSideCut (3778 KP) rated Friday the 13th Part VIII: Jason Takes Manhattan (1989) in Movies
Jan 11, 2021
Maybe I'm a little numb to this franchise being bad in anyway at this point, because I low key loved this. It's unencumbered nonsense, but dammit it's entertaining.
That title is misleading too. It should be called "Friday the 13th Part VIII: Jason on a boat, and then fucking around in a Manhattan sewer tunnel" but I absolutely commend the makers for trying something different with a new location. Jason on a cruise ship is actually a pretty neat visual.
This franchise has always been campy (pun fully intended) but Part VIII does really dial it up. Everything is so painfully 80s and over the top that not even Jason feel intimidating, which is doubly as frustrating considering Kane Hodder is back for another turn.
On top of this, the series strays even further from the formula of having at least one likable protagonist, with every character here just being plain unmemorable (apart from the boxing dude, that guy deserves all the praise for taking Jason on with his bare hands).
To drive the final nails into the coffin, the gore is once again really toned down, the make up effects on Jason's unmasked face are atrociously bad (his face looks like a soggy and battered piece of toast) which is a real shame after how fucking dope he looks in Part VII, and finally and arguably most importantly, this is the only entry in the core series that isn't scored by Harry Manfredini, which is just heresy in my book.
Despite all this, I still find Part VIII weirdly entertaining and enjoyable. Its doesn't get boring and should be watched knowing what's about to unfold - a tongue in cheek, 80s as balls silly slasher that has at least two instances of a girl doing extended electric guitar solos - it's better than Part III, fight me.
That title is misleading too. It should be called "Friday the 13th Part VIII: Jason on a boat, and then fucking around in a Manhattan sewer tunnel" but I absolutely commend the makers for trying something different with a new location. Jason on a cruise ship is actually a pretty neat visual.
This franchise has always been campy (pun fully intended) but Part VIII does really dial it up. Everything is so painfully 80s and over the top that not even Jason feel intimidating, which is doubly as frustrating considering Kane Hodder is back for another turn.
On top of this, the series strays even further from the formula of having at least one likable protagonist, with every character here just being plain unmemorable (apart from the boxing dude, that guy deserves all the praise for taking Jason on with his bare hands).
To drive the final nails into the coffin, the gore is once again really toned down, the make up effects on Jason's unmasked face are atrociously bad (his face looks like a soggy and battered piece of toast) which is a real shame after how fucking dope he looks in Part VII, and finally and arguably most importantly, this is the only entry in the core series that isn't scored by Harry Manfredini, which is just heresy in my book.
Despite all this, I still find Part VIII weirdly entertaining and enjoyable. Its doesn't get boring and should be watched knowing what's about to unfold - a tongue in cheek, 80s as balls silly slasher that has at least two instances of a girl doing extended electric guitar solos - it's better than Part III, fight me.
Bong Mines Entertainment (15 KP) rated No Expectations - Single by Jillian Steele in Music
Jun 26, 2019
Jillian Steele is a Nashville-based singer-songwriter from New York. Not too long ago, she released a lovely pop tune, entitled, “No Expectations”.
“Maybe I’m talking myself out of love. But I don’t believe that the stars just line up. When you know then you know but I don’t think I’ll ever know. When it’s right, is it right second guessing every time. Yeah, making sure I won’t ever let myself down.” – lyrics
‘No Expectations’ tells an interesting tale of a young woman who decides to let nature take its course instead of always trying to control things.
Apparently, she concludes that everything happens for a reason, and if she allows things to flow naturally, everything will work out the way it’s supposed to.
Later, she admits that it would be best if she became less controlling, stayed out of her own way, and let the pieces fall where they may.
‘No Expectations’ contains a relatable storyline, ear-welcoming vocals, and warm acoustic guitar-driven instrumentation flavored with a modern-pop fragrance.
The likable tune was co-written by Michel Heyaca and James Shelley (American Authors) during a period of uncertainty and confusion.
“Life was happening around me and I was just in it without any control and through this song I gained insight that I do deserve things and I should have expectations of what I want.” – Julia Steele
Jillian Steele’s musical influences include Maggie Rogers, Sasha Sloan, Julia Michaels, and other strong female musicians.
She uses her music to emphasize the importance of self-love and empowerment. A running theme throughout her music is reflection and she hopes her use of thought-provoking lyrics will help others gain insight in times of need.
“Maybe I’m talking myself out of love. But I don’t believe that the stars just line up. When you know then you know but I don’t think I’ll ever know. When it’s right, is it right second guessing every time. Yeah, making sure I won’t ever let myself down.” – lyrics
‘No Expectations’ tells an interesting tale of a young woman who decides to let nature take its course instead of always trying to control things.
Apparently, she concludes that everything happens for a reason, and if she allows things to flow naturally, everything will work out the way it’s supposed to.
Later, she admits that it would be best if she became less controlling, stayed out of her own way, and let the pieces fall where they may.
‘No Expectations’ contains a relatable storyline, ear-welcoming vocals, and warm acoustic guitar-driven instrumentation flavored with a modern-pop fragrance.
The likable tune was co-written by Michel Heyaca and James Shelley (American Authors) during a period of uncertainty and confusion.
“Life was happening around me and I was just in it without any control and through this song I gained insight that I do deserve things and I should have expectations of what I want.” – Julia Steele
Jillian Steele’s musical influences include Maggie Rogers, Sasha Sloan, Julia Michaels, and other strong female musicians.
She uses her music to emphasize the importance of self-love and empowerment. A running theme throughout her music is reflection and she hopes her use of thought-provoking lyrics will help others gain insight in times of need.
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